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1919 are a post-punk band formed in Bradford, England in early 1980. Reissued on vinyl for the very first time since its initial release , the classic 1983 album gets a re-master from the band themself's. The Machine LP was heavily inspired by Conrad’s Heart of Darkness, and the theme of alienation is prominent in the band’s oeuvre. If you are a huge fan of deathrock or dark punk--you have to own this--you won't be disappointed! (Restless Empire Records) -
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Formed from putrefying remnants of The Germs, The Consumers, The Bags, The Gun Club, and The Screamers among other L.A. punk outfits, 45 Grave were arguably the first American Goth/deathrock band and inarguably one of the best. Fronted by the Exene-meets-Barbarella vocal and visual stylings of Dinah Cancer (still one of the greatest stage names in a punk rock genre full of ‘em), 45 Grave also featured Paul B. Cutler on guitar, Don Bolles on drums, Rob (Ritter) Graves on bass, and Paul Roessler on keyboards, and from that all-star line-up came 1983’s Sleep in Safety, their lone studio release and only recording with the band’s original members. Probably most famous for the first appearance of the horrifyingly graphic, true-crime track “Partytime,” the single version of which was subsequently cut in 1985 and featured on The Return of the Living Dead soundtrack, Sleep in Safety also offered the early MTV track “Evil” and the band “theme song” “45 Grave” among other blandishments for those who like their rock and roll with a side of the macabre. For our Real Gone Music exhumation of this classic record, we have “embalmed” a very special edition, preserving the original album’s gatefold edition complete with lyrics and adding a custom inner sleeve drawn from the band’s very rare “A Tale of Strange Phenomena” press release—purple with black streaks vinyl! Folks have been dying for this one! Side One 1. INSURANCE FROM GOD 2. EVIL 3. PARTYTIME 4. DREAM HITS II 5. SLICE O’ LIFE Side Two 1. 45 GRAVE 2. PHANTOMS 3. VIOLENT WORLD 4. BAD LOVE 5. SURF BAT 6. PROCESSION (Real Gone Music)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Channelling goth, ‘positive punk’ and industrial, Alien Sex Fiend are experimental pioneers whose output defies easy categorisation. Formed at London’s goth epicentre, the Batcave, in 1982, the Fiends’ early use of loops, synth sheens and a dub sensibility yielded a deal with Anagram and rapid chart success; this dynamite vinyl compilation, exclusive to Radiation Records, draws from six early singles, including the electrode mix of popular debut ‘Ignore the Machine,’ freaky dirge ‘Lips Can’t Go,’ minimalist stomper ‘Dead And Buried,’ the rocking excess of ‘R.I.P.,’ intergalactic ‘E.S.T.’ and the mutant disco of ‘I’m Doing Time.’ A killer set tracking their early evolution, this is absolutely essential listening for all ASF fans. A Lips Can't Go Drive my Rocket - Up Uranus Ignore the Machine (Electrode Mix) Girl at the End of my Gun Dead and Buried B R.I.P. (Blue Crumb Truck) E.S.T. (Trip To The Moon) Boneshaker Baby I'm Doing Time in a Maximum Security Home In and Out of my Mind (Radiation Records)
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Second LP from the project led by Albert Limones (Nosferatu/ Creamers) following on from The Grotto Screams in 2021. Skeletal, brittle and skittish punk. Complex, layered tones with wobbly chorused bass, jagged drum patterns and bristling guitar. Amongst the rubble, 'Limones vocals are everything that hold this together, piercing and primal. Recalling Christian Death, Bauhaus, but Altar of Eden really stand alone The LP sounds like it’s been pulled from some tape archive from 1985. Not that it’s dated in any way. It’s just along the same strand of DNA.. (Drunken Sailor Records)
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Perhaps you, like me, have listened to Bauhaus and Killing Joke and thought, ‘Well, this is great, but I wish it was a bit more of a rager.’ Similarly, maybe you listened to The Effigies and Samhain before musing to yourself, ‘Cool, although I thought it’d be darker.’ In other words, it’s occurred to you that deathrock could be a tad deathier and - if it’s not too distasteful of me to say so - rock a hell of a lot harder. Step forward, Altar of Eden. The project of Austin, TX resident Albert Limones (whose bruising sounds you may have heard in the shadowy likes of Nosferatu and Creamers), it’s an unholy marriage of Big Black’s mechanistic rhythms and the serrated, atmospheric noise of yer favourite early ‘80s 4AD types. Tracks like ‘The Abandonment’ absolutely lay waste to your speakers - it opens with a harrowing shriek before throbs of chorusing bass and guitar carve out their own unnerving paths. Somewhere in the distance, a menacing voice can be heard, buried in murk and distortion, with the song operating at breakneck pace and maximum volume - hey, I think our criteria may have been met. Second track ‘Tears’ ups the ante, leaning heavily on atmospheric gloom while pushing the drum machine to the fore, like Clan of Xymox setting up traps for the Slenderman, before the lacerating strafes of guitar on ‘Eternity’ invite the nightmares to truly begin. And that’s just the first three songs - by the time ‘Death in the Country’ gallops to a beautifully discordant end, we’re well and truly bewitched by this wonderful, horrible noise. ‘The Grotto Screams’ was originally released on cassette in April of last year, before finally getting this well-deserved vinyl pressing - one of the first truly essential releases of 2021. Don’t miss out. (Drunken Sailor Records)
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Five CD box set containing a quintet of re-mastered albums from the Goth Rock icons: In the Flat Field, Mask, the Sky's Gone Out, Burning from the Inside and Singles (a compilation of the non-album tracks excluding BBC recordings). This set also included the first official release of the rare cover of 'Spirit in the Sky' (originally featured on an ultra-rare fan club-only single) and the live-with-studio-vocals version of 'Bela Lugosi's Dead'. In a clamshell cardboard box with a 6-panel fold-out booklet and 5 discs in individual cardboard sleeves replicating the original LP cover art. Tracklist: In The Flat Field 1-1 Double Dare 4:56 1-2 In The Flat Field 5:00 1-3 A God In An Alcove 4:08 1-4 Dive 2:13 1-5 The Spy In The Cab 4:36 1-6 Small Talk Stinks 3:34 1-7 St. Vitus Dance 3:31 1-8 Stigmata Martyr 3:46 1-9 Nerves 7:06 Mask 2-1 Hair Of The Dog 2:42 2-2 The Passion Of Lovers 3:54 2-3 Of Lillies And Remains 3:20 2-4 Dancing 2:29 2-5 Hollow Hills 4:54 2-6 Kick In The Eye 2 3:42 2-7 In Fear Of Fear 2:59 2-8 Muscle In Plastic 2:52 2-9 The Man With The X-Ray Eyes 3:07 2-10 Mask 4:38 The Sky's Gone Out 3-1 Third Uncle 5:18 3-2 Silent Hedges 3:12 3-3 In The Night 3:06 3-4 Swing The Heartache 5:54 3-5 Spirit 5:34 3-6 The Three Shadows Part 1 4:24 3-7 The Three Shadows Part 2 3:10 3-8 The Three Shadows Part 3 1:37 3-9 All We Ever Wanted Was Everything 3:50 3-10 Exquisite Corpse 6:50 Burning From The Inside 4-1 She's In Parties 5:47 4-2 Antonin Artaud 4:08 4-3 Wasp 0:21 4-4 King Volcano 3:32 4-5 Who Killed Mr. Moonlight? 5:01 4-6 Slice Of Life 3:45 4-7 Honeymoon Croon 2:55 4-8 Kingdom's Coming 2:27 4-9 Burning From The Inside 9:29 4-10 Hope 3:21 Singles 5-1 Rosegarden Funeral Of Sores 5:35 5-2 Poison Pen 3:17 5-3 Telegram Sam 2:10 5-4 Ziggy Stardust 3:15 5-5 Dark Entries 3:53 5-6 Scopes 1:33 5-7 The Sanity Assassin 4:12 5-8 Spirit (7" Version) 3:45 5-9 Lagartija Nick 3:06 5-10 Earwax 3:19 5-11 Watch That Grandad Go 5:44 5-12 Third Uncle (Single Edit) 4:15 5-13 Terror Couple Kill Colonel 4:23 5-14 In Fear Of Dub 2:56 5-15 Kick In The Eye (Single Remix) 3:36 5-16 She's In Parties (Single Edit) 3:58 5-17 Crowds 3:14 - 5-18 Paranoia, Paranoia 5:10 5-19 Spirit In The Sky 2:58 5-20 Bela Lugosi's Dead (Tomb Raider Mix) 9:31 Label: Beggars Banquet – BBQCD 2110 Barcode: 607618211028
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This release marks the first time this album has been domestically available on Compact Disc, Bauhaus were a band that was as innovative as they were influential and they were undoubtedly at the forefront of the Gothic music scene that is still a force today. The band also spawned successful side projects including Love & Rockets, Tones on Tail and a solo careers for Peter Murphy and David J. This release includes nine extra tracks (on more than the UK version) taken from the bands early singles including "Dark Entries," "Terror Couple Kill Colonel" and their first cover, the T-Rex song "Telegram Sam." Track 1 originally released as Dark Entries AXIS 3A Tracks 2 to 10 originally released as In The Flat Field CAD 13 Tracks 11 · 12 · 17 originally released as Telegram Sam AD 17T Tracks 13 & 14 [& 18] originally released as Terror Couple Kill Colonel AD 7A Track 15 originally released as Dark Entries AXIS 3B Track 16 originally released as A God In An Alcove 7" flexi-disc (4AD – GAD 13 CD)
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1982's The Sky's Gone Out marks a stylistic midpoint in Bauhaus brief but spectacular career. The group released its first single in 1979 and disbanded in mid-1983. In comparison with their earlier, almost impenetrably convoluted literary references and effectively murky production, this album is lyrically more direct, musically more straightforward, and features vastly cleaner production. The first of these changes is exemplified in the album's second track, Silent Hedges, with its "going to hell again" chorus and in the bitter 'all we ever wanted was everything, all we ever got was cold' from All We Ever Wanted Was Everything. Daniel Ash's guitar work has finally become part of the structure of the songs as opposed to an ornamental splash used for emphasis. The music is less harsh - almost inviting the listener in before the slicing lyrics drop like poised blades. production-wise, the sound is no longer as cacophonously dense. such tracks as Spirit feature dueling guitars, rumbling drums, and a harpsichord, all clearly separated - at least until the intentional crush of the song's end. LP+ - Limited Remastered Violet Vinyl. Label: Beggars Banquet – BBQ 2097 LPX Barcode: 0607618209711
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Can I kick it? Yeah, sure, why not? Rippling through the murk of late 2022 to provide an unlikely source of light, Cardiff’s supremely noisy quintet Can Kicker are here with a last-minute shout for album of the year. If you like your hardcore to flex some serious muscle (well… riff-wise) while skirting around the edges of goth and post-punk, with the needle in the red all the while, their self-titled debut just could be the record for you. Like a breeze block to the back of your skull, this is guaranteed to make everything feel frayed and fuzzy at the edges, delivering a knockout punch that’ll leave you reeling. But you know, in that good way. Luke Penny’s voice is often lost in the maelstrom of pulverising power chords, but he’s no grunting hardcore knucklehead. His delivery is an impassioned yelp that’s dripping with anger and a matter-of-fact sneer that instantly sells his conviction, while the band conjure echoes of Die Kreuzen’s’ Century File’ one minute, Blitz’s ‘New Age’ the next. At full pelt, they sound like Protomartyr and Discharge fighting over whose turn it is to slash the cops’ tyres; the rest of the time (say, the scintillating headfuck of creepy-crawling classic ‘Waking Dream’), they’re busy making the holiest of rackets on what’s arguably the best UK punk record since Denim & Leather’s might ‘Sacred Autism’. By the time the scorched-earth anti-psych of closer ‘Stupid Game Part II’ rolls around, you’ll be aware that you’ve been taken on a journey and you’ll want to relive the whole thing as soon as possible. But take a minute to feel grateful that Drunken Sailor are putting this one out into the world, and just in time for us to call it a Christmas gift as well. This album will melt your synapses so you’ve no idea what your brain’s trying to tell you, beyond the certainty that Can Kicker are the ones for you. Records this deliciously brutal yet immediately habit-forming don’t come along often enough - this might be the last chance for a slamdance in 2022, so give your ears a tinnitus-inducing treat. Will Fitzpatrick. (Drunken Sailor Records)
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The first vinyl pressing ever of the classic 1994 album by death rock cult Christian Death featuring the late Rozz Williams and Eva O! (Cleopatra – CLO0435VL )
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With the release of their 17th studio album, CHRISTIAN DEATH show no signs of faltering or slowing down. The godfathers of death rock have simultaneously perfected and redefined their signature sound, which has served as a core inspiration for many bands of both the past and present, such as DANZIG, CELTIC FROST, and TYPE O NEGATIVE, to name just a few. New opus ‘Evil Becomes Rule’ isn’t merely a musical endeavor, but an artistic expression that blends elements of gothic rock, post-punk, and dark pop, cultivating a poetic aesthetic that is certain to continue to influence the next wave of gothic rock. For fans of SISTERS OF MERCY, COLD CAVE, SIOUXSIE & THE BANSHEES, SOFT MOON, BAUHAUS, DEATH VALLEY HIGH, KAELEN MIKLA. Black 12" vinyl in gatefold with 4-page insert. First pressing: 700 copies worldwide. Label: Season of Mist Barcode: 0822603163919
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2LP - Limited 40th Anniversary Deluxe Remastered Edition Box Set in hard slip case with hardcover book featuring rare and never-before-seen photos of Christian Death plus Poster. Christian Death was formed by Rozz Williams in Los Angeles, California in 1979. Williams was eventually joined by guitarist/songwriter Rikk Agnew of Adolesents, James McGearty on bass and George Belanger on drums. This Christian Death line-up was responsible for recording the band's iconic 1982 debut, Only Theatre of Pain, widely regarded as the number 1 American goth album of all-time. This exclusive double-LP version of Only Theatre of Pain commemorates its 40th anniversary - the first disc is the digitally remastered, original version of the album while the second disc is comprised of "Dogs" from Hell Comes From to Your House, four pre-Frontier demos, two studio demos made for a second Frontier Records' LP that never happened and two alternate studio mixes from Only Theatre of Pain. The gatefold LP jacket is printed in its original its black and metallic gold, includes a Colver collage poster and a hardcover copy of the photo book, Only Theatre Of Pain and all come in a hard slipcase. The oversized 12" x 12" book features rare and never-before-seen photos of Christian Death as well as new interviews with photographer Edward C. Colver, the surviving band members, Frontier's Lisa Fancher and others. Colver befriended the band and followed them around in late 1981 and early 1982 at more than a dozen concerts as well as photo shoots in Rozz Williams' family home (used on the back cover and insert of Only Theatre of Pain) and a session of now famous images at a Pomona CA cemetery. This is one-time only, strictly-limited edition box set, never to be sold as a set once these are gone. 1. 12" X 12" hard cover book. 2. Double LP in gatefold jacket. 3. Poster. All three come in a slip case. Tracklist: SIDE ONE 1. Cavity - First Communion 2. Figurative Theatre 3. Burnt Offerings 4. Mysterium Iniquitatis 5. Dream For Mother SIDE TWO 1. Stairs - Uncertain Journey 2. Spiritual Cramp 3. Romeo's Distress 4. Resurrection - Sixth Communion 5. Prayer SIDE THREE 1. Dogs 2. Romeo's Distress (Demo) 3. Deathwish (Demo) 4. Desperate Hell (Demo) 5. Spiritual Cramp (Demo) 6. Cavity - First Communion (Demo) SIDE FOUR 1. Sleepwalk (1982 Frontier Demo) 2. Invocation (1982 Frontier Demo) 3. Cavity - First Communion (Alternate Version) 4. Lord's Prayer (Alternate Version) Label: Frontier Records, Cult Epics
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Limited repress on Restless Empire. Only Theatre of Pain is the debut studio album by American rock band Christian Death, released in March 24, 1982 by record label Frontier. The album was produced by Christian Death and Thom Wilson. It is considered by most critics to be the harbinger of deathrock. (Restless Empire Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Part 1 in 'The Dark Age Renaissance Collection' holding 'Catastrophe Ballet', 'Ashes', 'Atrocities' and 'The Scriptures' on 4 CDs in a jewel box with 24-page booklet including all lyrics. For fans of SISTERS OF MERCY, COLD CAVE, SIOUXSIE & THE BANSHEES, SOFT MOON, BAUHAUS, DEATH VALLEY HIGH, KAELEN MIKLA. The cover is a artwork by Peter Paul Rubens (1577-1640). Label: Season of Mist Barcode: 0822603164121
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Frontier’s first RSD exclusive! Legendary photographer Edward Colver’s photographs of the original Christian Death line-up are so integral to the band’s œuvre that we decided to create a special 7” package to showcase them. These have not appeared in print until now. A must-have item in any serious Christian Death fan's collection! The 7" comes on white vinyl in a gatefold sleeve with an 18" X 24" poster. Limited to 2500 copies on White Vinyl with 18" X 24" poster! Gatefold 7” with never-before-seen pictures of vintage CHRISTIAN DEATH. Side A: Cavity - First Communion (Alternative Version) Side B: The Lord's Prayer
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Death rock pioneers, Christian Death, see the reissue of their long out-of-print 1985 EP ‘The Wind Kissed Pictures.’ The endeavor features the vocal debut of Valor Kand, and marked the start of a new era for the revolutionary band. This expanded edition includes the companion 'Lacrima Christi' 7" feat. the track in both its English & Italian versions, as well as three additional tracks from that era. ‘The Wind Kissed Pictures’ was way ahead of its time, and it further proves that the bulk of modern dark music still exists under the shadow of their influence. For fans of SISTERS OF MERCY, COLD CAVE, SIOUXSIE & THE BANSHEES, SOFT MOON, BAUHAUS, DEATH VALLEY HIGH, KAELEN MIKLA. Artwork bay John Everett Millais. CD in Digipak with 8-page booklet with brand-new layout. Tracklist: 01. Believers Of The Unpure (07:54) 02. Overture (03:35) 03. The Wind Kissed Pictures (07:16) 04. The Lake Of Fire (02:59) 05. Blast Of The Bough (02:47) 06. Amaterasu (03:02) 07. The Absolute (09:47) 08. Lacrima Christi (English Version) (04:59) 09. Lacrima Christi (Italian Version) (05:10) Label: Season of Mist Barcode: 0822603163728
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Death rock pioneers, Christian Death, see the reissue of their long out-of-print 1985 EP ‘The Wind Kissed Pictures.’ The endeavor features the vocal debut of Valor Kand, and marked the start of a new era for the revolutionary band. This expanded edition includes the companion 'Lacrima Christi' 7" feat. the track in both its English & Italian versions, as well as three additional tracks from that era. ‘The Wind Kissed Pictures’ was way ahead of its time, and it further proves that the bulk of modern dark music still exists under the shadow of their influence. For fans of SISTERS OF MERCY, COLD CAVE, SIOUXSIE & THE BANSHEES, SOFT MOON, BAUHAUS, DEATH VALLEY HIGH, KAELEN MIKLA. Artwork bay John Everett Millais. Black 12" vinyl in gatefold sleeve with brand-new layout. First pressing: 750 copies worldwide. Tracklist: Side A: Believers Of The Unpure/Overture/The Wind Kissed Pictures/The Lake Of Fire/Blast Of The Bough Side B: Amaterasu/The Absolute/Lacrima Christi (English Version)/Lacrima Christi (Italian Version) Label: Season of Mist Barcode: 0822603163711
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Death rock pioneers, Christian Death, see the reissue of their long out-of-print 1985 EP ‘The Wind Kissed Pictures.’ The endeavor features the vocal debut of Valor Kand, and marked the start of a new era for the revolutionary band. This expanded edition includes the companion 'Lacrima Christi' 7" feat. the track in both its English & Italian versions, as well as three additional tracks from that era. ‘The Wind Kissed Pictures’ was way ahead of its time, and it further proves that the bulk of modern dark music still exists under the shadow of their influence. For fans of SISTERS OF MERCY, COLD CAVE, SIOUXSIE & THE BANSHEES, SOFT MOON, BAUHAUS, DEATH VALLEY HIGH, KAELEN MIKLA. Artwork bay John Everett Millais. Dark green 12" vinyl in gatefold sleeve with brand-new layout. Limited to 600 copies worldwide. Tracklist: Side A: Believers Of The Unpure/Overture/The Wind Kissed Pictures/The Lake Of Fire/Blast Of The Bough Side B: Amaterasu/The Absolute/Lacrima Christi (English Version)/Lacrima Christi (Italian Version) Label: Season of Mist Barcode: 0822603263718
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At long last, as a follow up to the 7" on the band's own Charm School label a few years back, we are granted the debut 12" by Boston's DAME. Though currently spread out geographically, the quintet were able to capture these modern classic tracks of post punk / gothic brilliance at Side Two Studios before the world turned upside down on us all. Equal parts melancholic and haunting, these seven tracks permeate the deepest corners of your psyche, refusing to vacate for quite some time. Each record comes in a full color jacket along with a fold out 24" x 24" poster insert, both of which feature art by guitarist Anna Cataldo. (Beach Impediment Records)
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This LP includes five The Damned's 7's on one LP! Includes double-sided insert. A1 - A3 "I Just Can't Be Happy Today" 7'' (1980) A4 - A6 "The History Of The World - Part I" (1980) A6 - B1 "Wait For The Blackout" (1980) B2 - B4 "White Rabbit" (1980) B5 - B7 "There Ain't No Sanity Clause" (1980) (Zero Thoughts Records/Unofficial Release)
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This LP includes five The Damned's 7's on one LP! Includes double-sided insert. A1 - A3 "I Just Can't Be Happy Today" 7'' (1980) A4 - A6 "The History Of The World - Part I" (1980) A6 - B1 "Wait For The Blackout" (1980) B2 - B4 "White Rabbit" (1980) B5 - B7 "There Ain't No Sanity Clause" (1980) (Zero Thoughts Records/Unofficial Release)
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In late 1983, Predrag Cvetičanin (guitar, vocals) with Zoran Đorđević (guitar), Branko (bass guitar), and Boban (drums) formed the band Dobri Isak (Kind Isaak). After the home made demo recording and short pause, Cvetičanin, with bassist Miloš Miladinović, and drummer Saša Marković "Markiz" reformed the band, whom in the period of 1984-1985 will join Nenad Cvetičanic, Predrag's brother, from the band Arnold Layne. They recorded their first and only album „Mi plačemo iza tamnih naočara“ (We Cry Behind Dark Glasses), released in 1986 by the Niš Student Cultural Center (SKC), being the first release of the Studentkult production. The album, released on compact cassette only and printed in a limited number of 100 copies, had been distributed by the Ljubljana ŠKUC, and rapidly sold out. Band's concert activity was consist of winning the Best Performance Award on Serbian Youth Festival in Knjaževac in 1985, after they gain the opportunity to appear the Dani Novih Omladinskih Novina in Split (Croatia) on Summer of the same year. After that the band appeared with several other Niš bands at the „Pozdrav iz Niša“ manifestation in Skopje (Macedonia). In a short period of time, the band had another performance in Skopje, appearing as guests at the first solo concert of the band Padot na Vizantija. During the late 1985, the band performed at the Rock Bands Festival held at the Belgrade Dom Omladine, and on early 1986, the band had two appearances at the Zagreb (Croatia) alternative rock festival Yu Rock Moment, on March in the semi-final, and on May at the festival finale, held at the Republic Square, performing with Let 3, Oktobar 1864, and Mizar. Dobri Isak performed until June 1986, when they held their last concert at the Niš Synagogue, appearing with Arnold Layne and Mizar, after which they decided to split up. Limited to 400 black & 100 red vinyls. Including insertsheet with lyrics & over 20 bandphotos. All song are remastered. (NE! Records)
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Black gatefold vinyl edition, 500 made. With massive photo booklet. Grave Pleasures release new live album, Doomsday Roadburn, from their atomic performance on the mainstage of Roadburn Festival 2018. Features songs from Beastmilk’s Climax and their most successful album yet, Motherblood, including 2 unreleased tracks from the Motherblood recording sessions. Captured at their climactic and triumphant main stage show at Roadburn Festival, where they had the stoner crowd dancing in rapture like never before, Grave Pleasures have never sounded so alive. Doomsday Roadburn features a bludgeoning non-stop raw barrage of hits to a rapturous crowd. From songs hewn from their underground origins in their previous incarnation as Beastmilk, from the Climax record, and break-out hits from the album which stands as the jewel in their crown, the critically acclaimed Motherblood, the recording is a bottled tour de force of an explosive band on fire. Also including two previously unreleased songs which were left off the Motherblood recording sessions, Violence Of Night and There Are Powers At Work In This World, this album is a for any fan or newcomer who might be late to this apocalyptic party. Limited in pressing and beautifully packaged with exquisite artwork by Daniel Martin Diaz, and including a large booklet with beautiful monochrome photos from the show, this is the real deal and every bit as astute and artful as any release from the Grave Pleasures/Beastmilk back-catalogue. Receive your dose of deathly joy and get high on this mushroom cloud. Label: Svart Records Barcode: 6430065587989
