• The final wall of crasher mayhem comes tumbling to the ground, after 14 years of destroying ears with their sonic noise, Zyanose calls it quits and deliver their final output. 7 new tracks and 6 re-recorded classics, housed in a 24″ x 36″ fold out poster with an obi strip. Noise Philia Punks forever! ACAB – 2019! FUCK OFF!!!! Label: D-Takt & Råpunk Records
  • Crasher Crust Raw Punk Noizecore from Japan. Zyanose, 7” (all four 7”) - Demo - Loveless - Crossing - Chaos bender Label: D-Takt & Råpunk Records
  • Crasher Crust Raw Punk Noizecore from Japan. Label: D-Takt & Råpunk Records
  • Crasher Crust Raw Punk Noizecore from Japan. Label: D-Takt & Råpunk Records
  • Crasher Crust Raw Punk Noizecore from Japan. Recorded at LM Studios Mar.15.2005. Label: D-Takt & Råpunk Records
  • Crasher Crust Raw Punk Noizecore from Japan. 8 track 7" from Zyanose with the insane noise and intensity you have come to expect from these legendary Osaka noise masters. Label: D-Takt & Råpunk Records
  • Their third album in as many years, 1995’s The Future of What is an unrelenting, constructivist masterstroke. The Olympia trio’s signature sound— grinding bass, syncopated drums, and fragmented guitar over measured yelps— ratchets past the thread into a strippedout metallic slurry. Equal parts noise and adrenaline, the album opens with a simple question: “Where’s your energy?” It’s been 25 years and we’re still searching for the answer. Label: Numero Group Records Barcode: 825764629393
  • Out of stock
    Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751716
  • SWANS | greed | LP

    19.00 incl. tax
    Greed is the third studio album by American experimental rock band Swans.[5][6] It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe. Label: X999/Unofficial Release
  • Out of stock
    Document #5 is the first full length album by hardcore punk band Pg. 99, released in 2000 through Reptilian Records. "Erupting at two-to-three-minute intervals, the songs are steeped in dissonance, a fusion of driving melodies and eyes-rolled-into-the-back-of-your-head slow builds. Pointed and unconventionally melodic guitars combine with high intensity drums and unrelenting bass. The short sharp jagged boil of SUPER THIEF sets the air on fire, vocals jumping from spoken introspection to incendiary verbal detonations, blasting waves of intensity but never at the cost of a pervading melody or hook." – Paul Stinson "Students of the AmRep/Touch & Go school for noise rock, SUPER THIEF draw comparisons to bands like The Jesus Lizard, Hammerhead, and Tar, but their attack is more impenetrable, more persistent. There’s no lull, no restraint. When the band pull back ever so slightly from the carnage, it’s only to hammer in the reality of their earthquaking rhythms and rusted distortion." – Dan Goldin (Exploding in Sound, Post-Trash) Label: Reptilian
  • Six years since the Reno (Nevada) band’s Sexless // No Sex full- length. White Glove Test is the third studio album (from 2013) by Iron Lung “…a frantically paranoid and claustrophobic power-violence masterpiece complete with water tight stop/start compositions leading the way to crushing sludge bits intermingled with blistering hardcore pummel”. Label: Iron Lung Records
  • THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND AUGUST, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΤΟΝ ΑΥΓΟΥΣΤΟ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ An expanded and remastered 25th anniversary edition of the mythical Olympia, Washington, trio’s out of print singles and compilation tracks, A Single History 1991-2001 gathers odds and ends from across Unwound’s first decade. From their earliest post-hardcore squeals on “Crab Nebula” to the dub-inspired death march of “Behold The Salt,” this 23-track double LP fills in the distorted gaps of their initial seven album run. “I'd rather eat decomposed fish than listen to this.”—Pitchfork Label: Numero Group Records Barcode: 0825764129718
  • New on HEAD TAPES is Psychward's brand new album "Vomit Noise" which explores various recording techniques to visit a profusion of post-convulsing multiverses. Extremely limited CDr for European tour with the great necro artist R.P. ( @violated.sun ) doing collage work once again. Colour inspired by Μάμος. Label: Head Tapes
  • Out of stock
    The Unwound album that ended all Unwound albums. Recorded in a mouldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector’s wall of noise call. Infinite layers of choppy guitar stabs and bridge scrapes, guttural bass thronk, thrift store synths, and monotone chanting wash over suffocating rhythms to deliver the world’s only choral grunge LP. Remastered from the original analogue tapes and pressed on heavyweight vinyl for the discerning noise-nik. “An album of uncanny splendor. 9.0” — Pitchfork “Beautifully austere and thrillingly expansive.” —The Quietus “Atypical and stunning. 9/10” —Mojo Label: Numero Group Records Barcode: 825764609616
  • Out of stock
    EVERY GODDAMNED FILTHY FUCKING TRACK EVER RECORDED BY ELECTRIC FUNERAL! CRUSTY, RAGING D-BEAT/RAW PUNK! 53 DISGUSTING TRACKS IN TOTAL! “Total Funeral” compiles all cassettes, 7″s etc.. that Electric Funeral ever recorded. Electric Funeral hail from Sweden, and is the one-man noise assault by Jocke of Warvictims, Paranoid, D-Beat Raw Punk label etc..) Total Discharge, Warcry, Disclose, Gloom, Framitd etc… etc.. WORSHIP. Electric Funeral’s sound is a metallic wall of filthy distortion, full of dis-passion ..this is loud, dirty & raw without a doubt, but what makes them so killer is that they still retain this layer of blackened groove to their tunes, On every song, the guitars turn out distorted riffs of death. This compilation is a treat for anyone wanting to get their hands on a comprehensive document of the bands music. Not only is Total Funeral an assembly of Electric Funeral’s best output, it is in fact a complete discography! Clocking in at an hour and a half, it comprises of 53 short, sharp shocks that make up everything they have ever released and even a few things they didn’t. This features all of their singles, EPs, compilation appearances and even the split release with Go Filth Go as well as tracks from each period which didn’t make the cut, all lovingly put together to give you everything a D-Beat fan could ever want from the band. For those who aren’t too hardcore Punk there is even a swanky 2 LP version for you to get your mitts on. Label: Southern Lord Records Barcode: 808720018813
  • Out of stock

    UNSANE | sterilize | CD

    8.00 incl. tax
    Since 1988, UNSANE has pounded the planet with their caustic grooves and foundation-crumbling riffs, having released LPs through a wide range of labels including Matador/Atlantic, Amphetamine Reptile, Relapse, Ipecac, Alternative Tentacles, and others, not to mention a wide range of singles, splits, and live albums. The band’s gnarled blend of punk, metal, noise, and hardcore helping to define the “AmRep sound” alongside other forerunners of the style, Today Is The Day, The Jesus Lizard, Helmet, Tad, Cows, Halo Of Flies, Melvins, and others. Closing a five-year gap since the 2012 release of their Wreck LP through Alternative Tentacles, UNSANE makes a vicious return with the pummeling Sterilize, a record that recalls the most defining elements of the band’s seminal Scattered, Smothered, And Covered and Occupational Hazard albums, surging with the band’s unrelenting singular sound created by guitarist/vocalist Chris Spencer, bassist/vocalist Dave Curran, and drummer Vinnie Signorelli. Sterilize was produced by UNSANE, recorded by Dave Curran at Gatos Trail Studios in Yucca Valley, California, mixed by Andrew Schneider at Acre in New York City, and mastered by Carl Saff at Saff Mastering in Chicago. Sterilize showcases UNSANE sounding as dense and damaging as ever, and sees them remaining as necessary as ever, nearly three decades since they began. Label: Southern Lord Records
  • In late October 2019, following a successful UK tour ending in a sold-out concert at the mythical Roundhouse in London, SUNN O))) entered studio 4 of the BBC Maida Vale. On invitation to record a live session for Mary Anne Hobbs to be broadcast on Samhain via her excellent radio show on BBC6. To enter the legendary John Peel studios was to enter a temple of music and experimentation, liberty in ideas and sound. The band was nearing the end of a long touring year around the Life Metal and Pyroclast albums. SUNN O))) had developed the compositions extensively, embracing the formative concepts of the Life Metal album conceptually and emotionally, but actualised and evolved into vast, open and bright hypersaturated arrangements. Particularly the pieces the band chose to perform on this recording: Troubled Air and Pyroclasts. The former enriched into a total aspect of the band's ethos and form in many ways, and Pyroclasts had evolved to become all-inclusive radiation of O))). The radiation embraces collaboration and freedom of interpretation by each player, within a structural format of the massive monuments of sound and distortion which define SUNN O))). Anna Von Hausswolf and her band had accompanied SUNN O))) on the UK leg, and Anna joined SUNN O))) in the studio on synths and with her tremendous voice on the Pyroclasts pieces. Label: Southern Lord Records
  • Out of stock
    In late October 2019, following a successful UK tour ending in a sold-out concert at the mythical Roundhouse in London, SUNN O))) entered studio 4 of the BBC Maida Vale. On invitation to record a live session for Mary Anne Hobbs to be broadcast on Samhain via her excellent radio show on BBC6. To enter the legendary John Peel studios was to enter a temple of music and experimentation, liberty in ideas and sound. The band was nearing the end of a long touring year around the Life Metal and Pyroclast albums. SUNN O))) had developed the compositions extensively, embracing the formative concepts of the Life Metal album conceptually and emotionally, but actualised and evolved into vast, open and bright hypersaturated arrangements. Particularly the pieces the band chose to perform on this recording: Troubled Air and Pyroclasts. The former enriched into a total aspect of the band's ethos and form in many ways, and Pyroclasts had evolved to become all-inclusive radiation of O))). The radiation embraces collaboration and freedom of interpretation by each player, within a structural format of the massive monuments of sound and distortion which define SUNN O))). Anna Von Hausswolf and her band had accompanied SUNN O))) on the UK leg, and Anna joined SUNN O))) in the studio on synths and with her tremendous voice on the Pyroclasts pieces. Label: Southern Lord Records
  • KOOBA TERCU | kharrub | LP

    18.00 incl. tax
    https://www.rocking.gr/interviews/kooba-tercu-john-o-caroll/36636 Label: Hominid Sounds, Mafia, Body Blows Records
  • Out of Phase's third release delivers a Black/Death Metal-inspired Crust-/Grindmachine, inspired by the likes of His Hero is Gone, Assück and early At The Gates. Horde roll over you with a vehemence known by bands like Insect Warfare or Full of Hell, refined with a crushing heaviness known by Doom and Sludge bands. 300 LPs with hand screen-printed covers. Label: Abnegat, Body Blows Records, Dilapidated Records, Ganamala Autoproduzioni, Pasidaryk Pats Records, Broken Sounds, Rejected Abused
  • Out of stock
    Way out there. From up in the attic, in the village of Cincinnati - the third album from the Drin has arrived to commence 2023. Cold rhythms reverberate through the layers of tape spliced together by Dylan McCartney and his impressive cadre of musical companions. The Drin spawned from a debut cassette edition of 50 on the Future Shock label, since teaming up with both Drunken Sailor and Mangel to issue two LPs. Their loose, careening live unit features members of Corker, Crime of Passing, the Serfs and Fruit LoOops. 'Today My Friend You Drunk the Venom' is the Drin's finest hour as a creative entity. McCartney's incredible command of rhythm lies at the forefront of the mix, complimented by a group that is able to seamlessly transport between post-punk, acid guitar jangle, and krautish experimentalism. There's even a stellar dub track on here. As much as contemporary artists tend to flaunt their affinity for the past - it's entirely worthless to apply such trappings to the Drin. Their genre-expansive abilities and deep knack for rhythm and layering are something entirely new and futuristic. Ohio has never sounded so close to outer space. (Drunken Sailor Records)
  • Out of stock
    First ever official CD release - Faithfully constructed to model the layout of the original LP and is housed in a CD wallet with a custom screen printed polybag. Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751723
  • UNWOUND | repetition | LP

    23.00 incl. tax
    Dead-eyed post-punk from Olympia’s reigning noise-niks. Repetition rejects the major label signing spree of the mid-’90s entirely, training its hulking focus on haircut hardcore, white belt Jiujitsu, and frenzied feedback. The soundtrack to a fantasy Halloween candy heist, now on vinyl for the first time since 1996. Label: Numero Group Records Barcode: 825764609418
  • Out of stock
    FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade. Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds. Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era. In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.” (Relapse Records)
  • Out of stock
    Southern Lord Recordings is beyond stoked to unleash the brand new album from visionary metal act, TODAY IS THE DAY. Animal Mother is the bands tenth studio album and is eagerly anticipated by their rabid and very loyal fans. Early this year, TODAY IS THE DAY’s newest lineup was announced, as the foundation of the then unnamed album was taking shape. Guitarist/vocalist Steve Austin welcomed Sean Conkling (Regression, Burn Your Halo, Sprawl) on bass. Since December and January Austin has been painstakingly layering guitars, vocals and more, and as the final sessions for TODAY IS THE DAY’s tenth studio full-length recording, the band happily unveils the name of the impending LP, as Animal Mother. The finished beast is uncompromisingly raw, honest and goes straight for the throat. As per the album title, Austin offers, “Animal Mother means the embodiment of the prophetic gift of the shaman; it is the shaman’s visionary power, which is able to penetrate the past and future.” Early this year the frontman warned the public that the album is “a fifteen-song rampage of bloody carnage fueled by hate, love and vile, raw emotion,” continuing, “I feel it is my finest work to this date. It is the most complex and HEAVY record we have ever made. This is real — no bullshit Protools crap; just pure violent energy and real band songwriting in the middle of the woods in Maine. It lies somewhere between Temple of The Morning Star and In The Eyes of God, and Jeff’s playing is beyond incredible. I was determined to push the limits in complexity, musicianship, and creativity as far as we could and I feel we have put together a record that narrates the horror and pain that we have been living through.” For two and-a-half decades TODAY IS THE DAY has woven Steve Austin’s prophetic observations and noise-soaked chaos through a psychedelic, unique and unmatched battery of heavy styles. The outfit has spawned an incredible discography, forging their way to the forefront of Amphetamine Reptile, Relapse, Blackmarket Activities and many others. The band has pillaged the planet touring with countless acts over the past twenty years, with just a brief list including Motörhead, Morbid Angel, Helmet, Neurosis, The Melvins, Napalm Death, Coalesce, Unsane and Eyehategod. Steve Austin has produced nearly all of TITD’s releases, as well as groundbreaking albums for Lamb Of God, Converge, Deadguy, From Ashes Rise, Anal Cunt, and many others. Austin is featured in the Color of Noise Documentary about Amphetamine Reptile Records, and is currently scoring several independent films. LabeL Southern Lord Records
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