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The final wall of crasher mayhem comes tumbling to the ground, after 14 years of destroying ears with their sonic noise, Zyanose calls it quits and deliver their final output. 7 new tracks and 6 re-recorded classics, housed in a 24″ x 36″ fold out poster with an obi strip. Noise Philia Punks forever! ACAB – 2019! FUCK OFF!!!! Label: D-Takt & Råpunk Records
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Their third album in as many years, 1995’s The Future of What is an unrelenting, constructivist masterstroke. The Olympia trio’s signature sound— grinding bass, syncopated drums, and fragmented guitar over measured yelps— ratchets past the thread into a strippedout metallic slurry. Equal parts noise and adrenaline, the album opens with a simple question: “Where’s your energy?” It’s been 25 years and we’re still searching for the answer. Label: Numero Group Records Barcode: 825764629393
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Greed is the third studio album by American experimental rock band Swans.[5][6] It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe. Label: X999/Unofficial Release
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Out of stockDocument #5 is the first full length album by hardcore punk band Pg. 99, released in 2000 through Reptilian Records. "Erupting at two-to-three-minute intervals, the songs are steeped in dissonance, a fusion of driving melodies and eyes-rolled-into-the-back-of-your-head slow builds. Pointed and unconventionally melodic guitars combine with high intensity drums and unrelenting bass. The short sharp jagged boil of SUPER THIEF sets the air on fire, vocals jumping from spoken introspection to incendiary verbal detonations, blasting waves of intensity but never at the cost of a pervading melody or hook." – Paul Stinson "Students of the AmRep/Touch & Go school for noise rock, SUPER THIEF draw comparisons to bands like The Jesus Lizard, Hammerhead, and Tar, but their attack is more impenetrable, more persistent. There’s no lull, no restraint. When the band pull back ever so slightly from the carnage, it’s only to hammer in the reality of their earthquaking rhythms and rusted distortion." – Dan Goldin (Exploding in Sound, Post-Trash) Label: Reptilian
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Six years since the Reno (Nevada) band’s Sexless // No Sex full- length. White Glove Test is the third studio album (from 2013) by Iron Lung “…a frantically paranoid and claustrophobic power-violence masterpiece complete with water tight stop/start compositions leading the way to crushing sludge bits intermingled with blistering hardcore pummel”. Label: Iron Lung Records
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND AUGUST, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΤΟΝ ΑΥΓΟΥΣΤΟ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ An expanded and remastered 25th anniversary edition of the mythical Olympia, Washington, trio’s out of print singles and compilation tracks, A Single History 1991-2001 gathers odds and ends from across Unwound’s first decade. From their earliest post-hardcore squeals on “Crab Nebula” to the dub-inspired death march of “Behold The Salt,” this 23-track double LP fills in the distorted gaps of their initial seven album run. “I'd rather eat decomposed fish than listen to this.”—Pitchfork Label: Numero Group Records Barcode: 0825764129718
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New on HEAD TAPES is Psychward's brand new album "Vomit Noise" which explores various recording techniques to visit a profusion of post-convulsing multiverses. Extremely limited CDr for European tour with the great necro artist R.P. ( @violated.sun ) doing collage work once again. Colour inspired by Μάμος. Label: Head Tapes
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Out of stockThe Unwound album that ended all Unwound albums. Recorded in a mouldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector’s wall of noise call. Infinite layers of choppy guitar stabs and bridge scrapes, guttural bass thronk, thrift store synths, and monotone chanting wash over suffocating rhythms to deliver the world’s only choral grunge LP. Remastered from the original analogue tapes and pressed on heavyweight vinyl for the discerning noise-nik. “An album of uncanny splendor. 9.0” — Pitchfork “Beautifully austere and thrillingly expansive.” —The Quietus “Atypical and stunning. 9/10” —Mojo Label: Numero Group Records Barcode: 825764609616
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Out of stockEVERY GODDAMNED FILTHY FUCKING TRACK EVER RECORDED BY ELECTRIC FUNERAL! CRUSTY, RAGING D-BEAT/RAW PUNK! 53 DISGUSTING TRACKS IN TOTAL! “Total Funeral” compiles all cassettes, 7″s etc.. that Electric Funeral ever recorded. Electric Funeral hail from Sweden, and is the one-man noise assault by Jocke of Warvictims, Paranoid, D-Beat Raw Punk label etc..) Total Discharge, Warcry, Disclose, Gloom, Framitd etc… etc.. WORSHIP. Electric Funeral’s sound is a metallic wall of filthy distortion, full of dis-passion ..this is loud, dirty & raw without a doubt, but what makes them so killer is that they still retain this layer of blackened groove to their tunes, On every song, the guitars turn out distorted riffs of death. This compilation is a treat for anyone wanting to get their hands on a comprehensive document of the bands music. Not only is Total Funeral an assembly of Electric Funeral’s best output, it is in fact a complete discography! Clocking in at an hour and a half, it comprises of 53 short, sharp shocks that make up everything they have ever released and even a few things they didn’t. This features all of their singles, EPs, compilation appearances and even the split release with Go Filth Go as well as tracks from each period which didn’t make the cut, all lovingly put together to give you everything a D-Beat fan could ever want from the band. For those who aren’t too hardcore Punk there is even a swanky 2 LP version for you to get your mitts on. Label: Southern Lord Records Barcode: 808720018813
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Out of stockSince 1988, UNSANE has pounded the planet with their caustic grooves and foundation-crumbling riffs, having released LPs through a wide range of labels including Matador/Atlantic, Amphetamine Reptile, Relapse, Ipecac, Alternative Tentacles, and others, not to mention a wide range of singles, splits, and live albums. The band’s gnarled blend of punk, metal, noise, and hardcore helping to define the “AmRep sound” alongside other forerunners of the style, Today Is The Day, The Jesus Lizard, Helmet, Tad, Cows, Halo Of Flies, Melvins, and others. Closing a five-year gap since the 2012 release of their Wreck LP through Alternative Tentacles, UNSANE makes a vicious return with the pummeling Sterilize, a record that recalls the most defining elements of the band’s seminal Scattered, Smothered, And Covered and Occupational Hazard albums, surging with the band’s unrelenting singular sound created by guitarist/vocalist Chris Spencer, bassist/vocalist Dave Curran, and drummer Vinnie Signorelli. Sterilize was produced by UNSANE, recorded by Dave Curran at Gatos Trail Studios in Yucca Valley, California, mixed by Andrew Schneider at Acre in New York City, and mastered by Carl Saff at Saff Mastering in Chicago. Sterilize showcases UNSANE sounding as dense and damaging as ever, and sees them remaining as necessary as ever, nearly three decades since they began. Label: Southern Lord Records
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https://www.rocking.gr/interviews/kooba-tercu-john-o-caroll/36636 Label: Hominid Sounds, Mafia, Body Blows Records
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Out of Phase's third release delivers a Black/Death Metal-inspired Crust-/Grindmachine, inspired by the likes of His Hero is Gone, Assück and early At The Gates. Horde roll over you with a vehemence known by bands like Insect Warfare or Full of Hell, refined with a crushing heaviness known by Doom and Sludge bands. 300 LPs with hand screen-printed covers. Label: Abnegat, Body Blows Records, Dilapidated Records, Ganamala Autoproduzioni, Pasidaryk Pats Records, Broken Sounds, Rejected Abused
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Out of stockWay out there. From up in the attic, in the village of Cincinnati - the third album from the Drin has arrived to commence 2023. Cold rhythms reverberate through the layers of tape spliced together by Dylan McCartney and his impressive cadre of musical companions. The Drin spawned from a debut cassette edition of 50 on the Future Shock label, since teaming up with both Drunken Sailor and Mangel to issue two LPs. Their loose, careening live unit features members of Corker, Crime of Passing, the Serfs and Fruit LoOops. 'Today My Friend You Drunk the Venom' is the Drin's finest hour as a creative entity. McCartney's incredible command of rhythm lies at the forefront of the mix, complimented by a group that is able to seamlessly transport between post-punk, acid guitar jangle, and krautish experimentalism. There's even a stellar dub track on here. As much as contemporary artists tend to flaunt their affinity for the past - it's entirely worthless to apply such trappings to the Drin. Their genre-expansive abilities and deep knack for rhythm and layering are something entirely new and futuristic. Ohio has never sounded so close to outer space. (Drunken Sailor Records)
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Dead-eyed post-punk from Olympia’s reigning noise-niks. Repetition rejects the major label signing spree of the mid-’90s entirely, training its hulking focus on haircut hardcore, white belt Jiujitsu, and frenzied feedback. The soundtrack to a fantasy Halloween candy heist, now on vinyl for the first time since 1996. Label: Numero Group Records Barcode: 825764609418
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Out of stockFULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade. Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds. Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era. In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.” (Relapse Records)