• Καινούριος δίσκος απο τους Θεσσαλονικιούς Bad Trip. (Self Released)
  • Debut EP by the Greek band Chronoboros. Expect some noisy hardcore spewed out the gate, along with sludgy parts and a left-of-field mentality. Recorded live, this EP captures the kinetic energy, raw power, and some of the trio’s post-hardcore tendencies exhibited in their early stages. For fans of Melvins, Unsane, Botch. Limited to 350 hand numbered copies. (Body Blows Records‎/2016)
  • Roiling, distressed rock riffs and menacing, propulsive rhythms. The fourth release in the Greek band’s discography is a more mainlined effort than before, putting together their eclectic mix of hardcore, noise rock, sludge and post-hardcore tendencies under the prism of the misanthropic and elusive aesthetic of their lyrics. Fiercely antisocial and always independent, this record delivers postmodern anxiety and heavy handed riffage, where the technical moments never outshine their punk ethos. The band was formed in late 2014 in Athens, Greece, has toured throughout the Greek DIY circuit, performed a European tour, and supported such diverse acts as Dälek, Aluk Todolo, and Raketkanon. FFO: Botch, Breach, Will Haven Limited pressing of 100 copies, self-released Recorded live at Ignite Music Studio Recorded, mixed, mastered by George Christoforidis Artwork by Sealitwithsilver
  • Formed in 2014, Chronoboros is a noise/post-hardcore trio from Athens, Greece. Following their debut EP, their new release is called 'No Dirt or Silver Will Have Us Sated' and features 10 songs spanning over 34 minutes. Drawing elements from their previous work, this record touches on 90s noise rock, post-hardcore and sludge metal. With transgressive lyrical content and themes, progressive changes between harsh and soft dynamics, and a tight yet experimental approach to sound, Chronoboros have a distinctive take on end-of-times music. For fans of: Melvins, Botch, Breach (Body Blows Records‎/SweetOhm Recordings/2018)
  • This is the second album Greek post-hardcore/sludge band Chronoboros. (Body Blows Records/SweetOhm Recordings/Nothing To Harvest Records/2019)
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    EMBRACE | self titled | LP

    21.00 incl. tax
    Formed in May of 1985 with 3 of the members from FAITH, as well as Ian MacKaye (of TEEN IDLES, MINOR THREAT, FUGAZI etc.). In their 10 month existence they only played in Washington D.C. and Baltimore and ended their existence in March of 1986. This full-length contains material from 2 different recording sessions. For fans of FUGAZI, RITES OF SPRING and even MINOR THREAT. This is something for the early DC punk scene fans. This vinyl was re-mastered in 2009 and includes a digital download card. (Dischord Records)
  • Engine Kid was born in Seattle, Washington, 1991. The band’s original lineup consisted of guitarist/vocalist Greg Anderson, drummer Chris Vandebrooke and bassist Art Behrman. They had all been in hardcore/punk bands around town, and all had a burning desire to create a sound that was unlike anything they had done in the past. After just a few months, they quickly recorded and self-released the “Novocaine” 7inch. Circa ’92, Behrman was replaced by Brian (Krafty) Kraft, a bassist and close friend of Anderson, who he had made music with in other bands. At that moment, the entire aesthetic and execution of sound became heavier, darker and extremely dynamic. The power trio was picked up by local label C/Z records and set out upon recording the new music they were quickly creating. The band had two releases on C/Z in 1993. Their first offering was the Astronaut five song EP recorded by John Goodmanson. The songs were primitive and exemplified the bands worship of Slint and the quiet/loud song structure methodology. In the summer of ’93 the band drove to Chicago to record with their hero Steve Albini, in the basement of his house. They emerged with the eight-song album they called: “Bear Catching Fish.” Albini intuitively captured the band exactly as they were at that moment: RAW, VULNERABLE, & MAMMOTH. Shortly after the album’s release Jade Devitt replaced Vandebrooke on drums. This transition was crucial in the second phase of the group. Devitt was an absolute beast, and his power helped launch the band miles beyond where they had ever been before. The sound of “The Kid” started to transform into a sound much more of their own. The three dudes were hell bent on pushing the bounds of sonic exploration to its fullest. Suddenly there was an abundance of depth within the sounds they were creating. Eclectic influences of punk/hardcore (Black Flag, Die Kreuzen), Metal (Entombed, Carcass) and even jazz (Mahavishnu Orchestra, Miles Davis electric era) were on a full collision course with the already dynamically heavy foundation of the band. The levee had broken and the resulting flood of sound completely saturated everything in it’s path. Engine Kid toured their asses off. They were constantly on the road - playing every nook, cranny and shit-hole they possibly could. Any moment not on the road was spent focused on making their new material as lethal as possible. In early ’94 the band decided to pay homage to their mutual love of jazz/fusion and recorded three instrumental pieces that would become a split album with like minded powerhouse, Iceburn. The Engine Kid/Iceburn album showcased each groups love of jazz loosely framed by the intense enthusiasm of underground music. The album was released by Revelation records in 1994. During the summer of ’94 the band reconvened with producer John Goodmanson at Bad Animals and AVAST! studios to record the new material that was literally bleeding out of the reinvigorated trio. The songs recorded were much more progressive, heavier, harder and more focused than past works. They even tackled John Coltrane’s “OLE,” adding saxophone and trumpet from their brothers in Silkworm. In March of 1995, Revelation records released these recordings as the “Angel Wings” album. Unfortunately “The Kid” flew too close to the sun, and broke up very shortly after the album’s release. Here we are almost 30 years later, and it has taken every day of every month of every year of that time passed for the dust storms the band created to have settled. Maybe now it’s possible for the enormity of their creation to be comprehended. Remastered from the original tapes, and including an unreleased track from the session. Stoughton Tip-on gatefold jacket! Label: Revelation Records – Revelation:38, Southern Lord – LORD290 Barcode: 808720029017
  • Almost 30 years since their inception, the members of Engine Kid got together a few months ago to hang out and record new music. The result of which arrives by way of the "Special Olympics" EP flexi disc/digital EP on 3rd December via Southern Lord. Some fans may recognize the song "Special Olympics" which, like others on this release, are reworkings of old material which were never recorded. The music represents the sonic direction that the band were heading before they disbanded. With this EP, Engine Kid commemorate the joy of playing music together for the first time in 26 years, and pick up where they left off. As Jade Devitt comments, "The musical commitment and connection that we forged in the 90’s has held like a magnet, finally pulling us together after 26 years! The newly recorded songs were dusted off blueprints from our very last practice tapes from the summer of ’95. Now enhanced with experience & age and new arrangements. The Kid flies again." Earlier this year, the 90’s post-hardcore collective featuring Greg Anderson (Southern Lord label owner, also in Sunn O))), Goatsnake & Thorr's Hammer) released a 6-LP box set of their career-spanning recordings on color vinyl LP's for the first time titled Everything Left Inside (find out more about that here) Engine Kid’s Brian Kraft adds, "Greg, Jade and I spent the summer and fall of 2020 gathering old photos, flyers, artwork and audio rehearsals /remixes/remasters for the Everything Left Inside box set. This remote reunion of the Kid made me realize how important Greg, Jade and Engine Kid was and is in my life. The reconnection led to recording some new material. It felt as if we were continuing right where we left off.” Engine Kid’s first new material since 1995, the “Special Olympics” EP’s cover art is a symbolic metaphor about living one's best life, and with swagger. The songs themselves continue the band’s “take on the world” attitude with restless, wild energy. Engine Kid’s new EP is available now on flexi and on digital format on Bandcamp. (Southern Lord Records)
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    FUGAZI | end hits | LP

    21.00 incl. tax
    End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998 by Dischord Records. It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Due to the title, rumors began circulating at the time that it was to be their last release. (Dischord Records)
  • Out of stock

    FUGAZI | first demo | CD

    15.00 incl. tax
    Vinyl LP pressing including digital download. Archive release from the Punk legends. In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months. The sessions only lasted a couple of days, but tour dates and indecision about the tape would delay the final mix for another two months. Though the band was at first pleased with the results, it soon became clear that this tape would remain a demo as new songs were being written and the older songs were evolving and changing shape while the band was out on tour. It was decided that the session would be passed out free as cassette copies, with the band actively encouraging people to share the recording. The only song from the demo session that was formally released was ‘In Defense of Humans’, which appeared on a compilation in 1989. Now, some 26 years later, Dischord is releasing the entire first demo including the one song (‘Turn Off Your Guns’) that wasn’t included on the original cassette. (Dischord Records)
  • Out of stock
    The 6 track release marks the 1st appearance of Guy Picciotto’s guitar-work in addition to his regular vocal duties. Recorded at Inner Ear Studios in 1988! The vinyl was re-cut and re-mastered in 2009 and includes a digital download card. (Dischord Records)  
  • Out of stock
    Repeater is the full-length debut studio album by the American post-hardcore band Fugazi. It was released on April 19, 1990. Hands down the best FUGAZI record. It will have you listening to it from start to finish without it ever losing its strength. Buy this album and "13 songs" as a great introduction to FUGAZI if you don't have anything from them yet. This CD combines the album 'Repeater' with the ep '3 Songs' (Dischord 43). (Dischord Records) https://fugazi.bandcamp.com/album/repeater-3-songs
  • Out of stock
    Repeater is the full-length debut studio album by the American post-hardcore band Fugazi. It was released on April 19, 1990. Hands down the best FUGAZI record. It will have you listening to it from start to finish without it ever losing its strength. Buy this album and "13 songs" as a great introduction to FUGAZI if you don't have anything from them yet. This pressing of the LP is on BLUE Vinyl. (Dischord Records)
  • Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Out of stock
    This 1st FUGAZI release from back in the days (1988). The 7 track vinyl was re-cut and re-mastered in 2008 and includes a digital download card. (Dischord Records)  
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    Alec MacKaye (Faith, Ignition, Warmers) with members of Make-Up, Ted Leo and the Pharmacists, Ex Hex and their debut full length. A new band of long-time players, Hammered Hulls' music hews close to some of their early influences. Alec MacKaye is the voice, Mark Cisneros is the guitarist, Mary Timony takes a nimble and rarely-heard turn as bassist, and Chris Wilson commands the drums. Each of them bring their individual imprint to the total sound. This concussion of strength upon strength, unified by vulnerable songs, only barely contained, is the signature sound of Hammered Hulls. Hammered Hulls' debut LP, Careening, may very well be the last record to be recorded and mixed at the famed Washington, D.C. area recording studio, Inner Ear. Engineered by studio owner Don Zientara and produced by Ian MacKaye, Careening was started right before the pandemic lockdown and completed in summer/fall of 2021. (Dischord Records)
  • Label: Nothing To Harvest Records ‎– NTH006, WOOAAARGH ‎– WRG198, SweetOhm Recordings ‎– none, Body Blows Records ‎– BOB009, Pandora Records ‎– PR009, Vault Relics ‎– VAULT005, Mërda distro ‎– none, Underground Union Records ‎– UUR009, Falkoping DIY ‎– FDIY002, Rakkerpak Records ‎– none, Bike Punk Salamanca ‎– BP#05, Prejudice Me Records ‎– PMR04
  • MAMMOCK | itch | LP

    18.00 incl. tax
    Μέτα απο 15 μήνες αναμονής επιτελούς κυκλοφόρησε σε βινύλιο ο πρώτος μεγάλος δίσκος των Mammock. "Ένας δίσκος που σπαμάρω από τις πρώτες μέρες της Επιτροπής. Και αυτό γιατί μου αρέσουν οι Faith No More, οι Clutch, οι Black Midi, οι Melvins, οι Unsane, οι Jesus Lizard, οι Oxbow, οι Arctic Monkeys. Φαντάσου να μπορείς να βρεις όλες αυτές τις μπάντες, μαζεμένες σε ένα άλμπουμ και να μη θυμίζει τίποτα από αυτές κατ’ ανάγκη. Δεν θα άλλαζα ούτε νότα σε κανένα από τα τραγούδια που περιλαμβάνονται στο Itch, ακόμα και η τραχιά παραγωγή είναι φουλ ταιριαστή, αφού νομίζεις ότι όλο το άλμπουμ είναι one take με την ενέργεια που βγάζει. Τελευταία φορά που γράφω αναλυτικά για αυτόν τον δίσκο, έχω κάνει το χρέος μου στην ελληνική μουσική σκηνή και με το παραπάνω για φέτος, νομίζω." avopolis.gr, December 2020 "Noise rock, post-hardcore, math rock και αρκετά άλλα είδη μπλέκονται περίτεχνα σε μια πραγματικά σπουδαία κυκλοφορία που σε έναν δίκαιο κόσμο θα είχε ήδη αποκτήσει όλη την αναγνώριση αυτού του κόσμου. Το ντεμπούτο του αθηναϊκού συγκροτήματος είναι ένας εκπληκτικός δίσκος από αυτούς που δεν έχουμε συνηθίσει να φτάνουν συχνά στα αυτιά μας. Υπέροχο rhythm- section, κιθάρες χαμαιλέοντες, ένα κάρο πειραματισμοί και μπόλικο πάθος και μεράκι για αυτό που κάνουν είναι τα στοιχεία που καθιστούν τους Mammock την πιο ευχάριστη έκπληξη του 2020, και το "Itch" μια από τις κορυφαίες κυκλοφορίες της χρονιάς." Rocking.gr, December 2020
  • MAMMOCK | rust | LP

    20.00 incl. tax
    Μαζεύοντας τα κομμάτια που άφησε πίσω του το ντεμπούτο άλμπουμ "Itch", οι Mammock ανέβασαν την περίεργη και δομικά άβολη προσέγγισή τους στο noise rock σε ένα εντελώς νέο επίπεδο. Το "Rust" είναι ένα το επόμενο λογικό βήμα σε ένα πλαίσιο παρατυπίας. Πρόκειται για μια ολοκαίνουργια συλλογή τραγουδιών που διαμορφώνουν ένα κομμάτι του σημερινού ελληνικού underground με μια αίσθηση δημιουργικότητας και ζωηρής φιλοδοξίας. For fans of: Faith No More, The Jesus Lizard, Μelvins, No Means No, Oxbow. • 12” 200gr Black Vinyl LP • Standard full color 4mm spine 300gr paper Outer Sleeve • Full Color printed 230gr paper inner sleeve (Venerate Industries)
  • This album is the accumulation of two of the worst years of our lives. During these trying times of emotional and social turbulence NTEKA was our shelter, safe space and go-to coping mechanism to deal with all this struggle, sorrow and anger. This album is not only our defense but also an attack towards the new politics of control being shoved down our throats. A way not only to express our frustration but to reclaim our voices, our bodies, our lives, the way we want. As we see it, the only way to accomplish this was by doing things ourselves and by building a network of like minded people outside of the commercial game, without bosses, payments, obligation and third parties' mediations. The band is a part of a self organized music studio (STUΔIO) in Athens and everything was done there from scratch. In this space we learned how to play our instruments, we jammed continuously, we laughed, we cried, we shouted collectively. In this space we became a band. By expressing what we feel through our music and lyrics, we try to reconnect with our feeling, stop the massive numbness that is being forced upon us the last years and break the vicious circles of being trapped in situations that never seem to change or improve. This is a call to spit yr gum, move forward, do what... more Written By NTEKA Recording & Mixing by Sotiris Ziliaskopoulos Mastered By Will Killingsworth at Dead Air Studios Cover Layout By Marimba Tzatziki (Self Released)
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    We each have our own idea of what it means to live through a period filled with perpetual dread, a slowly burning world, and overwhelming darkness. In the case of Portrayal of Guilt, their tortuous afterlife comes with grief, loss, masochism, suffering, and pain. On CHRISTFUCKER, their second full-length of 2021, Portrayal of Guilt plunges headfirst into unfathomable depths, creating a work of art that’s powerfully unsettling. “We think of it partially in the sense of scoring a horror movie,” guitarist/vocalist Matt King says. “We wanted to create an atmosphere of anxiety and fear.” The entirety of CHRISTFUCKER is set to unrelenting, nihilistic, howling soundscapes, created by King, drummer James Beveridge, and bassist, Alex Stanfield. Each track tells a story set in the darkest of settings for the listener to interpret and explore. *Beginning with the ominous “The Sixth Circle,” which features King shrieking over hypnotic guitar patterns and a thudding rhythm, the band eventually roars to life with a tyrannical blast, delving you further into its oppressive heaviness. On “Bed of Ash,” the band plumb new depths while exploring the mechanistic gnashings of industrial drum and bass. On “…where the suffering never ends,” churning, gruesome instrumentals provide the backdrop to a tale of brutal demise. Recorded at Strange Weather and Circular Ruin studios in Brooklyn with Ben Greenberg, CHRISTFUCKER features guest vocals from Jenna Rose of New York darkwave outfit Anatomy (on “Sadist”) and Touché Amoré vocalist Jeremy Bolm (on “Fall From Grace”). Started in 2017, Portrayal of Guilt have released two full-length albums, two EPs, four splits & a digital single. They’ve toured the world relentlessly since their inception, playing with bands such as Deafheaven, Pg.99, Touché Amoré, Soft Kill and many more... (Run For Cover Records)
  • Out of stock
    No Kill No Beep Beep is the debut album by Q and Not U. It was released on October 24, 2000. The album brought a slightly groovier, more dance-oriented sound to the Dischord label. It was produced and engineered by Ian MacKaye and Don Zientara. The photography is by Shawn Brackbill. (Dischord Records)
  • 6 exclusive tracks, recorded for the BBC Maida Vale session, Rock Show with Daniel P Carter. Refused are one of the most respected acts in the hardcore scene, their seminal 98' album Shape Of Punk To Come is considered one of the most influential hardcore albums of all time. The band are known to combine electronica, jazz and ambient sounds with hard hitting guitars and frontman Dennis Lyxzén's politically driven lyrics. Their latest album, War Music was released in 2019, in which the band returned to their classic hardcore sound. This BBC session is comprised of songs from the new album and also fan favourite It's Not Okay... from their debut Songs To Fan The Flames Of Discontent. SIDE A 1. REV001 2. Malfire 3. I Wanna Watch The World Burn SIDE B 1. It’s Not Ok / Rather Be Dead 2. Economy Of Death (Spinefarm Records – SPINE854781, Search And Destroy Records – 00602508547812, BBC – SPINE854781)


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