• When the punks go marching in" is the 1982 debut album by punk legends Abrasive Wheels. Hailing from Leeds, the band were seldom out of the Independent charts between 1980 and 1984 when the band split. It's a very youthful-sounding album, littered with barely concealed influences (the "Holidays in the Sun" guitar on "First Rule [No Rule]" is a dead giveaway), but there's no denying either the quality or the fervency of the music and, by the time you hit the title track, a partial take on the old "When the Saints Go Marching In," exhaustion is the least of your emotions. For fans of CHRON GEN, THE PARTISANS and CHAOS UK. (Puke n Vomit Records)
  • Out of stock
    Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. Their debut album, which reached #31 on the UK charts, was originally released on the Rondelet label in 1981. That classic LP is faithfully reproduced here on vinyl with the addition of four bonus tracks from their first single, 1980s 'Four Sore Points'. A milestone in UK political punk!
    (Radiation Records)

  • Limited edition vinyl reissue of the debut album by the Anti-Nowhere League, originally issued on WXYZ Records in 1982!. Despite the obnoxious band’s reputation and the legal persecution that the group suffered due to its obscene lyrics the album remained Nº 1 for many weeks in the independent charts and it became from its release day an instant UK Punk Rock Classic!!
    (Daily Records)

  • AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • Back in stock
    A pure shot of abrasive punk/rock 'n' roll with a hint of working class Oi!, Blitz were among the most influential punk bands ever. It was Gary Bushell (who wrote for "Sounds" and was later dubbed the God Father of Oi!) who brought the band to the attention of his friend Chris Berry, who had just set up No Future records with a bank loan and high hopes. No Future 001 catalog (and Blitz's debut release) was a 4 track EP titled "All Out Attack", a 20,000 copy bestseller that made the label's fortune, later to become the most representative of the whole UK82 movement. Its follow-up, "Never Surrender", reached number 2 in the Indie charts, while their 3rd EP, "Warriors", showed their slight move towards the singalong-style of classic OI!. Before shifting to a more new wave-influenced vein right by the end of 1983, they managed to reach number 2 in the charts with a fourth and last 'punk' single, "New Age". This 1980-1983 complete retrospective features all four aforementioned singles along with their very first recording session from 1980, the legendary 'Timebomb' demos, and 4 cuts from the "Voice Of A Generation" demos!  (Radiation Records)
  • Out of stock
    Back in stock
    Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. 180 gram vinyl reissue with printed inner sleeve, contains 3 bonus tracks: Voice of Generation from V/A Total Noise, Nation on Fire and Youth from V/A "Carry on Oi". Total classic. (Radiation Records)
  • Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    • Dispatched with ltd edition ‘Product’ carrier bag
    Comes with an MP3 and WAV download card. (Domino Records/2019)
  • 2018 Remastered version. Buzzcocks’ seminal second album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its September 1978 release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Double-sided insert replicated from the original 1978 LP
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records)
  • Chaotic Dischord was formed by roadies of Vice Squad who wanted to take on the sound of bands like Disorder and Chaos UK but ended up creating this record which stands next to those bands in terms of quality and urgency. This is the offical reissue of their debut LP which came out on Riot City Records in 1983 plus the tracks of the “Don’t throw it all away” 12″ from 1984. Classic stuff. (Radiation Records)
  • San Francisco's first and only rock 'n' roll band, CRIME loomed over the entire Mabuhay Gardens scene with their blistering 1976 single Hot Wire My Heart. The group's loose, damaged rock 'n' roll was as immediate as it was controversial. aThey were punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest moves was playing in the San Quentin prison yard. Formed by guitarists/vocalists Johnny Strike and Frankie Fix, CRIME enlisted bassist Ron the Ripper and drummers Ricky "Tractor" Williams (later of The Sleepers), Brittley Black, and Hank Rank. Joey D'Kaye later joined on keyboards and bass duties. For the first time, this LP release collects the sick energy of CRIME's three singles along with nine previously unreleased studio recordings from 1976 to 1980. The visceral churn and unwieldy leads on tracks like "Frustration" and "Piss On Your Dog" make Murder By Guitar the definitive statement from this prescient American underground band. (Superior Viaduct Records)  
  • Out of stock
    Horse Bites Dog Cries is the second studio album by the American punk rock band D.I.. It was originally released in 1986, on the label Reject. The album was recorded at Casbah Studios in Fullerton, California in 1985 with Chaz Ramirez (of Social Distortion fame). Due to a typo on the album itself, many fans believe that it was released in 1985, but this appears to be false because its release was delayed until 1986 to avoid confusion with the band's then-current album Ancient Artifacts. Horse Bites Dog Cries was the final album featuring the Agnew brothers (Rikk and Alfie) and drummer John Knight (until his return on 1994's State of Shock). Although Horse Bites Dog Cries was not a commercial success, it has gained a cult following in recent times, and has been regarded by some music critics as D.I.'s best album. "Hang Ten in East Berlin" and "Spiritual Law" were originally recorded on Ancient Artifacts. "Johnny's Got a Problem" was re-recorded on their third album What Good Is Grief to a God? and would later be covered by the Kottonmouth Kings on their 2004 album Fire It Up, in which frontman Casey Royer makes a guest appearance in the cover song. (Nickel And Dime Records / Triple X Records)  
  • "What Good Is Grief To A God" is D.I.'s third full-length studio album, which was originally released in 1988. Now available again on colored vinyl. (Nickel And Dime Records / Triple X Records)
  • Out of stock
    Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock Albums! -Rolling Stone - “Best Top 10 Punk Albums of All Time” -Sourced from the original master tapes -Pressed at RTI for Maximum Fidelity -Limited Edition Yellow Vinyl w/ Red Streaks (Jackpot Records)
  • Out of stock
    Despite releasing records only on independent labels and receiving virtually no radio play, Dead Kennedys routinely top both critic and fan polls as the greatest punk band of the late 1970s and early 1980s. Their sound was inventive and tetchy, and front man Jello Biafra's lyrics were incisive and often scathing. This chronicle--the first in-depth book written about Dead Kennedys--uses dozens of firsthand interviews, photos, and original artwork to offer a new perspective on a group that was mired in controversy almost from its inception. It examines and applauds the band's key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening and enormously funny. Author Alex Ogg puts the local and global trajectory of punk into context and, while not flinching from the wildly differing takes the individual band members have on the evolution of the band, attempts to be celebratory--if not uncritical. Format Paperback | 214 pages Dimensions 152 x 229 x 15.24mm | 254g Language English
  • Live at the Deaf Club is a live album released by the Dead Kennedys in 2004 and had a limited edition re-release 2013 in the UK on Let Them Eat Vinyl. The actual performance took place at the San Francisco Deaf Club on March 3, 1979. The performance was unique in that this was the last time their rhythm guitarist 6025 performed with them. It also includes original drummer Ted, later replaced in February 1981 by D.H. Peligro. Also, the song "Gaslight" and their covers of "Back in the U.S.S.R." and "Have I the Right" are not found on any other DK album (The Deaf Club recordings of "Short Songs" and "Straight A's" are featured on the compilation album Give Me Convenience Or Give Me Death and the hard-to-find Can You Hear Me? Music From The Deaf Club along with "Police Truck"). "Back in Rhodesia" is an early version of "When Ya Get Drafted" with a different chorus than the final version. "Kill the Poor" is also a "disco" version minus the introduction. SIDE A 1. Introduction By DJ Johnny Walker 2. Kill The Poor (Disco Version) 3. Back In Rhodesia 4. Man With The Dogs 5. Gaslight 6. California UberAlles 7. Ill In The Head SIDE B 8. Straight A's 9. Short Songs 10. Holiday In Cambodia 11. Police Truck 12. Forward To Death 13. Have I The Right? 14. Back In The U.S.S.R. 15. Viva Las Vegas (Let Them Eat Vinyl Records) https://youtu.be/cUYAMxZ9bMg
  • Out of stock
    US Import. Death were a black power trio from Detroit who released a single in 1975 and pretty much disappeared after that. Inspired by the raw Rock 'N' Roll of the Stooges and MC5, the three brothers moved away from their Funk/R&B roots into a new realm.... for the Whole World to See features the two songs from the single ('Keep on Knocking' and 'Politicians in My Eyes') and five other tracks. MOS DEF SAYS: "These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows about them. I don't understand how the world could forget them. You really should read up on the history of this Rock n' Roll artifact. A google search will help; something like "death band punk 1974"... The album reminds me of these bands: MC5, The Jam, Zero Boys, Early Police, RadioBirdMan - to name a few. If any of those bands are at your top 10, then this is a must have piece in your collection. NOTE: They are also selling it on vinyl on here!!! The story to this piece of work is very interesting not to mention inspiring to say the least. The songs? All are hits in my mind. I just wish there were more!" (Drag City Records)
  • Out of stock

    The most exhaustive and complete DECLINO discography release ever made! Formed in 1982 in Torino (also hometown of Negazione, Kollettivo, Blue Vomit, Nerorgasmo and many more), DECLINO stands as one of the most important names in the legendary first wave of Italian Hardcore, or call it “the furious years” or specifically for Torino, the “wild bunch”. They were on the maps in the early MRR reports about Italy’s Punk/HC scene and also appeared in the fundamental “P.E.A.C.E.” 2xLP compilation on R Radical Records! Their style was a highly energetic clash of speed, rage and creative song-writing. The band featured members that also played in cult acts such as Negazione, Indigesti, 5° Braccio etc… and they were definitely among the first in their area to develop a mature style that was leaning more towards the intensity of total Hardcore than on Punk’s rawness. This anthology includes all their existing studio recordings, consisting of: the debut 7″ (1983), “Mucchio selvaggio” split tape/LP with Negazione (1984), 3 unreleased tracks (1984), “Eresia” 12″ (1985) and a complete soundboard live recording (Denmark, 1985) never released before in its entirety… for a total of 39 songs!
    Housed in a deluxe gatefold sleeve with a 11″x11″ booklet glued on the inner panel, collecting a huge selection of photos, flyers, artworks and all the lyrics. And included in this first pressing you’ll also find a poster with the discarded art for “Eresia” 12″ that has never been published to date!! Compared to the previous collective works, “Terra bruciata” is the definitive and most complete one, each session / recording included is totally complete! If you’re a maniac of rapid, straightforward Italian Hardcore and ’80s HC in general, this is an absolute must!
    Black vinyl limited to 550 copies.
    (F.O.A.D. Records)

  • Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists! (Survival Research Records)  
  • Throughout the 80s and into the 90s, Milwaukee’s Die Kreuzen challenged audiences by pushing the boundaries of what a hardcore band could do, experimenting with sounds far removed from the constraints of the genre. The band broke up in 1992, leaving behind four full lengths, a slew of singles and compilation appearances and an incredible amount of influence. For the remainder of the decade, its members went on to pursue other projects, both musical and otherwise. Meanwhile, the band’s legendary status began to quietly grow amongst musicians and music fans alike. Two classic LP on one CD. 1 - 14 October File, LP (1986) recorded at Multi-Track Studios, Detroit, October, '85. 15 - 34 Die Kreuzen, LP (1984) (Touch And Go Records)
  • This is the classic debut from Milwaukee's DIE KREUZEN originally released in 1984, who seamlessly blended hardcore-punk with darker elements to create a unique sound that nobody has been able to duplicate. A 24 song must have. More then a classic piece of vinyl - A definitive '80s hardcore band. Vinyl includes a digital download card. (Touch And Go Records)
  • Classic 3 song rager from 1980. Less than a year removed from "realities of war" the sound is already faster and more aggressive, leaving '70s punk behind and blazing into pure hardcore raw punk. This record has 3 of DISCHARGE's best songs which are just pure blasts of raw anger and urgency. UK hardcore as it's best! (Havoc Records)
  • The Nightmare Continues' was recorded at Tunstall Town Hall, Stoke-on-Trent in 1983 by legendary hc punk rock band DISCHARGE. Originally issued by Clay Records in 1990, it features Discharge favourites such as 'Never Again', 'Decontrol', 'Why', 'realities Of War', plus many more! (Let Them Eat Vinyl Records)
  • DISCHARGE | why | LP

    16.00 incl. tax

    Released in 1981 and packed with amazing anthems like "ain't no feeble bastard" DISCHARGE struck the middle ground between the dark, angry worldview and raw emotion of underground punk and the rowdy rock'n'roll of the better metal bands - when told DISCHARGE sounded like MÖTÖRHEAD, they replied, "they sound like us".
    (Radiation Records)

  • Formed in Bristol in 1980, Disorder is one of the few 'big' names of uK hardcore still going strong today. Originally released in 1985 on teh 'Disorder' label, "The Singles Collection" compiles their first and fieriest recordings in one place; comprised of 3 7” EPs (the legendary "Complete Disorder", "Distortion To Deafness" and the "Mental Disorder" EP), along with their 8 track 12” EP "Perdition" - recordings which John Peel allegedly referred to as sounding like “shit” (possibly a compliment) - this LP of long out of print recordings would be a welcome addition to any punk collector’s shelves. Another essential piece of the UK punk puzzle reissued by Radiation.
    (Radiation Records)

  • Color Vinyl
    Formed in Bristol in 1980, Disorder is one of the few ‘big’ names of uK hardcore still going strong today. Originally released in 1985 on teh ‘Disorder’ label, “The Singles Collection” compiles their first and fieriest recordings in one place; comprised of 3 7” EPs (the legendary “Complete Disorder”, “Distortion To Deafness” and the “Mental Disorder” EP), along with their 8 track 12” EP “Perdition” – recordings which John Peel allegedly referred to as sounding like “shit” (possibly a compliment) – this double LP of long out of print recordings would be a welcome addition to any punk collector’s shelves. Released for Record Store Day 2015 and limited to 500 copies. Gatefold cover. Tracklist Complete Disorder EP (1981) 1 Today's World 2 Violent Crime 3 Complete Disorder 4 Insane Youth Distortion To Deafness EP (1981) 5 You've Got To Be Someone 6 Daily Life 7 More Than Fights Perdition EP (1982) 8 Stagnation 9 Life 10 Out Of Order 11 Condemned 12 Media 13 Suicide Children 14 Preachers 15 Remembrance Day Mental Disorder EP (1983) 16 The Rampton Song 17 Provocated War 18 3 Blind Mice 19 Bullshit Everyone 20 Maternal Obsession 21 Buy I Gurt Pint (Let Them Eat Vinyl)
  • The third studio album from the easily loveable Boston based Celtic punk-rock band. "blends the sounds of 'Do or Die' and 'The Gang's All Here,'" and that "the Murphy’s skill is in blending their folk influences into their street punk sound, without losing the attitude and energy of the latter. This separates the band from acts with similar setups like Flogging Molly." - Punknews.org (Hellcat Records)
  • Even with the departure of original singer Mike McCoughlin, The Dropkick Murphys didn't miss a beat. They simply recruited pal and fellow Bostonian Al Barr for vocals and released THE GANG'S ALL HERE, which builds on the band's working class, punk rock sound, but also reflects the influence of Irish folk tunes with covers of "The Fighting 69th" and "Amazing Grace" (complete with bagpipes). With songs that articulate the burdens and exultations of blue-collar America, the Dropkick Murphy's touch a nerve in all people fighting for a better life. (Hellcat Records)
  • Out of stock

    EATER | the album | LP

    16.00 incl. tax
    LIMITED EDITION INCLUDING THREE BONUS TRACKS, PRINTED INNER SLEEVE, 60X40CM POSTER AND HYPE STICKER. Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Lead singer Ashruf Radwan had an Egyptian heritage, hidden by his alias, Andy Blade, and guitarist Brian Haddock became Brian Chevette once in the fold; Ashruf’s brother Lutfi was the group’s first drummer, joining under the name Social Demise, but was soon replaced by Roger Bullen, playing under the moniker Dee Generate, while future Vibrator Ian Woodcock was the resident bassist from their second gig. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Headlining spots at the Roxy club alongside The Damned, The Lurkers and Sham 69 solidified their reputation, especially once their material made it onto the live compilation album issued by Harvest in 1977, and after footage of their appearances at the club were included in Don Letts’ Punk Rock Movie. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album (which surfaced after future Slaughter and the Dogs member Phil Rowland joined on drums), which has since been hailed as an all-time classic; pointing their fingers at upper-class twits on songs like “Lock It Up” and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no- holds-barred triple time. (Radiation Records)
  • Color Vinyl
    Deluxe and limited reissue of this 1982 punk classic will be pressed on 140g clear and white mixed vinyl and comes with a bonus 7” Christmas 45rpm single pressed on transparent red vinyl that comes in a repro of the original picture sleeve. The Christmas single has been out of print since original release in 1982. Package will also include a cardboard art-stencil of the band logo from the cover art. All tracks previously released. LP: 1.Let'’s Have A War 2. Beef Boloney 3. Camarillo 4. I Don’t Care About You 5. New York’s Alright If You Like Saxophones 6. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. I Love Livin’ In The City 10. Disconnected 11. We Got To Get Out Of This Place 12. Fresh Flesh 13. Getting The Brush 14. No More Nothing 7” single Side A: Fuck Christmas / 7” single Side B:(Beep) Christmas "When John Belushi tried to book Black Flag on Saturday Night Live the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. make no mistake, The Record is aggressive, offensive, and loud - it is the sound of a kid flipping the bird. and there is a barreling, garage-like catchiness to anthems such as 'I Love Living in the City.' the difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in 'Let's Have a War.' ving may be giving everyone within earshot the finger but he's doing it from a moving car." (Rhino/Warner/2021)
  • Attention classic 77 Punk Rock fans, here's something very special for you - the unearthed demo recordings Generation X did (presumably for Chiswick Records) in February 1977, a year before the release of their seminal first album. A treasure chest filled to the rafters with raw, untamed, youthful versions of anthemic hits such as Wild Youth, Dancing with Myself, Your Generation or Ready Steady Go alongside lesser known songs from their catalog. An essential piece for the collection of those interested in these brit Punk pioneers. (Deaf Youth Industries)
  • This expanded deluxe edition Vinyl box set has been newly remastered from the original production tapes and includes 11 previously unreleased recordings. LP 1 contains the original UK 11 track album with LP 2+3 including all the A and B-sides of their singles from the period, 11 previously unreleased outtakes, a single mix and a number of mixes made by engineer Alan Winstanley (Madness, Elvis Costello, Morrissey). This 3 LP set consists of 3 vinyl albums housed in a rigid slip case with previously unseen photos and newly commissioned sleeve notes by journalist Adrian Thrills.

    LP1 Original Album: Side One: 1. From The Heart 2. One Hundred Punks 3. Listen 4. Ready Steady Go 5. Kleenex 6. Promises Promises

    Side Two 1. Day By Day 2. The Invisible Man 3. Kiss Me Deadly 4. Too Personal 5. Youth Youth Youth. LP2 A-Sides & B-Sides: Side One: 1. Your Generation [A-side Single] 2. Day By Day (Alt. Version) [B-side of Your Generation] 3. Wild Youth [A-side Single] 4. Wild Dub [B-side of Wild Youth] Side Two: 1. No No No [B-side of Ready Steady Go] 2. Trying For Kicks [B-side of Friday's Angels] 3. This Heat. [B-side of Friday's Angels] LP3  Outtakes & Mixes: Side One: 1. Ready Steady Go (Phil Wainman Version) * 2. No No No (Phil Wainman Version) * 3. Gimme Some Truth (Outtake) [From U.S. Version of the original Album] 4. Rock On Dub (Outtake) * 5. Promises Promises (Single Version) * Side Two: 1. From The Heart (Winstanley Mix) * 2. The Invisible Man (Winstanley Mix) * 3. Kleenex (Winstanley Mix) * 4. Day By Day (Winstanley Mix) * 5. One Hundred Punks (Winstanley Mix) * 6. Too Personal (Winstanley Mix) * 7. Youth Youth Youth (Winstanley Mix) * * Previously Unreleased.
  • INFEST | slave | LP

    16.00 incl. tax

    Infest are a southern California Legend. They can be credited to almost inventing a genre (power violence), and just played the hardest, heaviest, fastest hardcore punk you'd yet to hear. LP includes lyrics on a huge pull-out poster featuring some classic band photos 18 songs of pure violence. Originally released on Off the Disk Records (out of Switzerland)/Draw Blank Records (Infest's own label) in 1988. An absolute all-time classic.
    (Off The Discs Records/Unoffical)

  • Rising from the ashes of the NEW YORK DOLLS, in 1975, JOHNNY THUNDERS and JERRY NOLAN formed the HEARTBREAKERS. In 1976 the Heartbreakers were invited to the UK by Malcolm McLaren to take part in the Sex Pistols’ Anarchy tour. During the band’s stay in London, they recorded and released (for Track records) their one and only studio album, an instant punk classic although fraught with audio problems. This album is a collection of alternate mixes from 1977 recorded at various studios, as well as two 1977 demo sessions recorded for EMI. It also features rare instrumental backing tracks of several songs, complete with studio banter which giving rare insight into one of the greatest punk albums of all time. (Vinyl Lovers Records)
  • Back in stock
    SoCal's seminal suburban apocalypse returns to vinyl plus 4 lost tracks! The 1984 LP that put them on the map with heavy rotation on KROQ and radio stations all over the country... With songs like One Tin Soldier, Real Horror Show Hollywood Vampires... The 4 bonus songs are from the same session.. It's not like you never heard them before (like the '87 BYO release "1000 words" LP)... These are the originals!.. Sounds better than the original recordings.. Remastered @ Enormous Door... Destined to be a classic once again.. (Guterwal Records)  
  • MADBALL | empire | CD

    10.00 incl. tax
    Madball are icons in the underground and that underground now spills forth into the streets. Since forming in 1988, Madball have been responsible for some of the most important releases in metal & hardcore: From the seminal Ball of Destruction EP (1989) to the landmark albums Set It Off (1994), through their career defining resurgence at Ferret Music. The former partners at Ferret have now reconnected with Madball to be the cornerstone of the Good Fight Music roster. Vocalist Freddy Cricien states. 'MADBALL has come a long way from being street kids to becoming very established in our genre, and even beyond the music. We have the feeling that we've built a little empire for ourselves with our band, brand, and different endeavors.' (Nuclear Blast Records) https://madball.bandcamp.com/album/empire
  • If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Green vinyl. (Ruby Records/Unofficial)
  • Back in stock
    Glenn and the gang at the On Broadway in San Francisco in 1981 on the A side, plus the full 'Why Be Something You're Not' TV show, recorded live in Detroit, 1983. Classic Misfits, a must for the fans! (Mind Control Records)
  • Formed in 1979 in new town Harlow, The Newtown Neurotics are one of the most under rated but essential punk bands. Kick Out! is a 15 track round up of their first six singles taking in the years 1979 to 1984. The first two singles Hypocrite and When The Oil Runs Out were melodic nuggets released on their own No Wonder label. Both of these singles were written prior to the election of the Thatcher monster. The horror of this event changed what was the non-political writing style of Steve's lyrics into the other extreme, and so in June 1982 Kick Out The Tories was released on CNT records. Sadly 38 years later, the lyrics are most poignant and needed than ever. The band continued releasing single after single from the painfully personal to the politically pertinent, all done with intelligence and style. Also included is Andy Is A Corporatist / Mindless Version taken from the Son of Oi! compilation. The album comes with a 32 page booklet of archive - photos, reviews, interviews and more and was conceived to be released alongside the Documentary of the same name about the band's history. (Sealed Records) https://sealedrecords2.bandcamp.com/album/kick-out
  • *LIMITED EDITION INCLUDES 60X40 CM POSTER AND HYPE STICKER. Formed in 1979 in the northern English town of Fleetwood, Lancashire (a former major fishing port that had declined since the 1960s), One Way System was one of the most highly-rated ‘street punk’ groups that spun off from the British hardcore and Oi scenes. Mowhawk-sporting lead singer Gavin Whyte was initially joined by guitarist Craig Halliday, bassist Gaz Buckley and rapid-fire drummer Tez McDonald; the early demos of “Jerusalem,” “Spokesmen For Teenagers” and “1980s” included here were cut with that lineup, before former Zyklon B member David “Crabby” Ross joined as second guitarist, yielding the incendiary single “Stab The Judge” and the No Entry EP, issued by Blackpool’s Lightbeat Records in 1981. Halliday later quit the group and when McDonald joined The Fits, accomplished drummer Tommy Couch brought a totally different musical dimension, his command of the kit well beyond the abilities of most of his contemporaries. In addition to the demos and the Lightbeat material, this compilation also collects the singles and EPs issued by Cherry Red’s Anagram subsidiary between 1982-84, including the inaugural 45, “Give Us A Future.” Tracks 1-3 from 'No Entry' 7", Lightbeat 1982. Tracks 4-5 from 1982 single, Anagram. Tracks 6-11 from 1983 singles, Anagram. Tracks 12-15 from 'Visions Of Angels' 7", Anagram, 1984. Tracks 16-18 are 1982 demos. (Radiation Records)  
  • So if you want to explain to somebody the meaning of Oi, just play this record to him or her. Repress of the first album originally released in 1984 by these pioneers of strictly antifascist skinhead-music from Cardiff. 15 songs, each a killer. Absolutely classic! If you don’t already have it, go get your copy and educate yourself. (Mad Butcher Records)
  • Seminal record for any punk in UK, China or whatever you live, fucker!!!! The Partisans were formed in Wales south in 1978 with the original line-up of Phil Staton-voice, Rob "Spike" Harrington-guitar and backing vocals, Andy Lealand-second guitar, Mark "Shark" Harris-drums and Mark "Savage" Parsons-bass. This line-up will change after one year as Parsons and Staton left the band and Rob took the voice position and entering Louise Wright as bass player. Basically influenced by Sex Pistols, The Clash and Ramones, The Partisans started to cover those bands and playing some own sounds too. On September 1981 they released their first 7" under the label No Future Records, a fantastic single that helped the band to tour with the likes of Blitz, The Ejected and Peter and the Test Tube Babies. On May 1982 they released their second 7" and when 1983 arrived the band's debut LP was out. This debut LP is one of the seminal steps on British punk for sure, a record that still sound fresh and strong after 3o years. Beat Generation is more than proud to announce the re-issue of this legendary record on 180 grams vinyl with the same cover and inside artwork and stricted limited to 500 copies. (Beat Generation Records)
  • The Ramones paid their visit to Australia in mid-1980, during their tour in support of the Phil-Spector produced End Of The Century album. This typically raucous, high-energy show at The Capitol Theatre, Sydney on July 8th 1980 captures them on peak form as they tear through a selection of classics. (Mind Control Records/Unofficial Release)
  • Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. (Vatican Radio Records)
  • RAMONES | same title | LP

    20.00 incl. tax
    The Ramones are the first punk rock band. Other bands, such as the Stooges and the New York Dolls, came before them and set the stage and aesthetic for punk, and bands that immediately followed, such as the Sex Pistols, made the latent violence of the music more explicit, but the Ramones crystallized the musical ideals of the genre. Pressed on 180-gram vinyl with all original replica packaging, including printed inner sleeves. Lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. (Sire Records/Rhino 2018)
  • Ramones: Triple J Live at the Wireless Capitol Theatre, Sydney, Australia, July 8, 1980 is a previously unissued live radio broadcast from the legendary NYC punk rockers Ramones. The famed performance - recorded in Australia during their 1980 End Of The Century tour - contains 23 tracks, many of which are rare songs from the album that did not remain in their sets following this tour. Pressed on 180g vinyl and strictly limited to 13000 copies worldwide, exclusively for RSD Drops 2021. Previously Unreleased Live Show From The 1980 Tour. Numbered: Limited Edition of 13,000 for RSD 2021. Black inner sleeve and inside cover. Recorded for Australia's triple j from their weekly Live At The Wireless program, Capitol Theatre, July 8, 1980. (Rhino 2021)
  • 20th Anniversary Edition. Audiophile 180 gram vinyl. Remastered from original tapes. Includes giant poster + lyric sheet. Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • Out of stock
    RIPCORD are among my all time favourites!! Influenced by brutal US bands like Siege, Negative Approach among others, they managed to create a sound of their own by melting together this sound with their UK roots and were among the best bands that came from this fucking island called Great Britain in the late 80's. This is the 2nd part of their discography containig the best songs from the "Harvest Hardcore" 7" plus their best but last LP "Poetic Justice". (Skuld Records/Epistrophy Records)
  • Somewhere Between Heaven and Hell is the fourth studio album by the American band Social Distortion. It continues the melding of country and rockabilly influences with punk that began two albums before with the album Prison Bound. Clear influences include Hank Williams and Johnny Cash. The album also marks the first time that a Social Distortion line-up had not changed in three consecutive studio recordings. The American punk rock band Social Distortion formed in 1978 in Fullerton, California. Frontman of the band is vocalist, guitar player and main songwriter Mike Ness. Since its inception the band lineup has been a virtual revolving-door of talent, with many members coming and going with the only constant member being Ness. Somewhere Between Heaven and Hell is available as a limited edition of 2.500 individually numbered copies on purple vinyl.
    • 180 gram audiophile vinyl
    • Printed innersleeve
    • Limited edition of 2.500 individually numbered copies on purple vinyl (Music on Vinyl)
  • In 1996 Social Distortion released their 5th album, White Light, White Heat, White Trash. The line-up featured a new drummer Chuck Biscuits (Black Flag/Danzig and many more). White Light, White Heat, White Trash was the last album with Dennis Danell on guitar (he sadly died in February 2000). The album received Social Distortion's highest ever chart position, entering the Billboard 200 album chart at #27. It also includes radio favourites "I Was Wrong", "When The Angels Sing" and a superb cover version of the Stones' "Under My Thumb". Stylistically, the album is harder and considered a return to their hardcore punk roots. Social Distortion is nothing less than a legend in the punk genre and still continues to receive worldwide respect and support.  Comes with insert.
    • 180 grams audiophile vinyl
    • 20th Anniversary Edition
    (Music on Vinyl)  
  • Punk parodists Splondgenessabounds achieved more than most in the early 1980s, with three chart hits, including a top-ten smash and another in the top thirty. Formed above a mini-cab office in Peckham, southeast London, they scored a contract with major label Deram through a Battle of the Bands contest, debut single B-side ‘Two Pints of Lager and a Packet of Crisps’ hitting number 7 on the singles chart in June 1980. An equally unlikely cover of Boer War saga ‘Two Little Boys’ hit the top thirty and initial single A-side ‘Simon Templar,’ based on the theme from The Saint, was also popular. This incredible debut album has each of these tracks and so much more, with plenty of fart songs and a closing dub of ‘Two Pints.’ This is the sound of the band at their magnificent best, a pick of the bunch for all Splondgs fans. (Radiation Records)
  • The first, best and only Stiff Little Fingers album that you need. Released originally in 1979 as the first album ever on Rough Trade, it is harsh, brutal, primitive punk rock with sadly still relevant lyrics about the troubles in Northern Ireland. This stands head and shoulders above all other albums of the time. Their punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. Containing the anthemic track Alternative Ulster, Stiff Little Fingers promote the ‘grab it and change it’ narrative.

    Tracklist Hide Credits

    1 Suspect Device 2:35
    2 State Of Emergency 2:28
    3 Here We Are Nowhere 0:58
    4 Wasted Life 3:09
    5 No More Of That 2:03
    6 Barbed Wire Love 3:32
    7 White Noise 1:57
    8 Breakout 3:02
    9 Law And Order 3:13
    10 Rough Trade 2:39
    11 Johnny Was
    Written-By – R. Marley*
    8:10
    12 Alternative Ulster 2:44
    13 Closed Groove 4:21
    (Bonus Tracks)
    14 Suspect Device (Single Version) 2:43
    15 78 RPM 2:38
    16 Jake Burns Interview By Alan Parker (13/6/01) Part One 17:41
    (EMI Records/2001)
  • The first, best and only Stiff Little Fingers album that you need. Released originally in 1979 as the first album ever on Rough Trade, it is harsh, brutal, primitive punk rock with sadly still relevant lyrics about the troubles in Northern Ireland. This stands head and shoulders above all other albums of the time. Their punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. Containing the anthemic track Alternative Ulster, Stiff Little Fingers promote the ‘grab it and change it’ narrative. (Parlophone Records)
  • Dance with Me is the first full-length album by the American hardcore punk band T.S.O.L. (True Sounds of Liberty), released in 1981 though Frontier Records. Includes printed insert. (Beneath The Radar/Unofficial)
  • Dance with Me is the first full-length album by the American hardcore punk band T.S.O.L. (True Sounds of Liberty), released in 1981 though Frontier Records. Hot-stamped gold foil cover with printed inner lyric sleeve. Official reissue. (DINK Records/2019)
  • Two classics records on one LP. Tracks on A side are from "T. S. O. L." 12" originally released by Posh Boy in 1981, four tracks on B side are from "Weathered Statues" EP released by Alternative Tentacles in 1982. (Fan Club/Unofficial)
  • Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. (Dwed Wecords)
  • Out of stock
    Originally released in November 1982, ‘Sound of Music’ was the second album from ‘Clockwork punks’ the ADICTS. Preceded by the release of the three track “Chinese Takeaway” EP, which also featured “Too Young” and “You’ll Never Walk Alone” - both included here as bonus tracks along with their subsequent hits ‘Bad Boy’ and ‘Tokyo’ and an unreleased version of Ramones’ classic ‘I wanna be sedated’ - the album was widely praised in the music press of the day with ‘Sounds’ saying “thank Christ for The Adicts. In this often grey and depressing world they entertain us, uplift us and unify us”. Thirteen slices of punk/Oi! fun that made history, in a luxurious one-time GATEFOLD edition with poster, including liner notes by Mark Brennan and a total of 5 bonus tracks! side A A1 How Sad 2:20 A2 4 3 2 1 2:20 A3 Chinese Takeaway 2:42 A4 Johnny Was A Soldier 3:00 A5 Disco 2:10 A6 Eyes In The Back Of Your Head 3:08 A7 You'll Never Walk Alone 2:07 * A8 Too Young 3:00 * side B B1 Joker In The Pack 2:45 B2 Lullaby 2:25 B3 My Baby Got Run Over By A Steamroller 1:55 B4 A Man's Gotta Do 2:07 B5 Let's Go 1:53 B6 Easy Way Out 2:55 B7 Shake Rattle, Bang Your Head 3:28 A8 I Wanna Be Sedated 3:27 * A9 Bad Boy (Single Version) * A10 Tokyo (Single Version) * (Radiation Records)
  • Out of stock
    Damned Damned Damned is the debut studio album by English punk rock band the Damned. It was released on 18 February 1977 by Stiff Records. (Stiff Records/Unofficial Release)
  • "Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's All Corspes Smell The Same. Originally released on the band's own Verrecords (they made up different label names with each record), the LP falls squarely within a punk idiom and, at the same time, shows this influential Dutch group's restless energy. Terrie Ex's guitar serves up vectors of percussive pulse, fraying the edges of the music's squared-off rhythms. Vocalist G.W. Sok – an anarchist Dziga Vertov with a mic – observes, declaims and condemns across a set of interrelated political concerns that would return in Ex-music for years to come. While The Ex channel the poise and principled attack of Crass or Flux Of Pink Indians, they create a unique declamatory sound all their own – trailing brilliant flashes of color in the wake of punk's monochrome palette. Offering ten songs in only twenty-two minutes, Disturbing Domestic Peace lays bare a vivid snapshot of a truly singular band who (at the time) were just finding their feet." Terrie (guitar), G.W. Sok (vocals), Bas (bass), Ome Geurt (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • FINALLY!!! Re-released on vinyl after 40 years! "Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's All Corspes Smell The Same. Originally released on the band's own Verrecords (they made up different label names with each record), the LP falls squarely within a punk idiom and, at the same time, shows this influential Dutch group's restless energy. Terrie Ex's guitar serves up vectors of percussive pulse, fraying the edges of the music's squared-off rhythms. Vocalist G.W. Sok – an anarchist Dziga Vertov with a mic – observes, declaims and condemns across a set of interrelated political concerns that would return in Ex-music for years to come. While The Ex channel the poise and principled attack of Crass or Flux Of Pink Indians, they create a unique declamatory sound all their own – trailing brilliant flashes of color in the wake of punk's monochrome palette. Offering ten songs in only twenty-two minutes, Disturbing Domestic Peace lays bare a vivid snapshot of a truly singular band who (at the time) were just finding their feet." This first-time vinyl reissue comes with bonus 7-inch, inserts and 20-page booklet. LP Track Listing: The Sky Is Blue Again Map Outlook-Army Sucking Pig A Sense Of Tumour Meanwhile Rules Squatsong Warning-Shot New Wars Bonus 7-inch Track Listing: Introduction Human Car Punk Horse Terrie (guitar), G.W. Sok (vocals), Bas (bass), Ome Geurt (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • "Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a firing squad is, upon closer inspection, a concentration camp orchestra. On their second album, The Ex advance into a distinctly more post-punk style: textural guitar shards and tumbling motorik drumming with Bas Masbeck's thunderous bass shouldering much of the melodic load. Railing against political duplicity and the illusory nature of "freedom" in an age of manufactured consent, G.W. Sok offers some of punk's most bracing and memorable agitprop lyrics. These twenty songs are a quick-moving and caustic trip, a DIY studio rendition of the band's explosive live set from this era. History Is What's Happening remains an important signpost in the history of both Ex-evolution and the cataclysmic '80s. With their sophomore LP, the group would put Holland on the underground music map. Indeed, many now-lifelong fans around the world were just beginning to take notice and get down with the mighty Ex." This first-time vinyl reissue comes with 23" x 16" poster and 24-page booklet. Terrie (guitar), G.W. Sok (vocals), Bas (bass), Wim (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • FINALLY!!! Re-released on vinyl after almost 40 years! "Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a firing squad is, upon closer inspection, a concentration camp orchestra. On their second album, The Ex advance into a distinctly more post-punk style: textural guitar shards and tumbling motorik drumming with Bas Masbeck's thunderous bass shouldering much of the melodic load. Railing against political duplicity and the illusory nature of "freedom" in an age of manufactured consent, G.W. Sok offers some of punk's most bracing and memorable agitprop lyrics. These twenty songs are a quick-moving and caustic trip, a DIY studio rendition of the band's explosive live set from this era. History Is What's Happening remains an important signpost in the history of both Ex-evolution and the cataclysmic '80s. With their sophomore LP, the group would put Holland on the underground music map. Indeed, many now-lifelong fans around the world were just beginning to take notice and get down with the mighty Ex." This first-time vinyl reissue comes with 23" x 16" poster and 24-page booklet. Terrie (guitar), G.W. Sok (vocals), Bas (bass), Wim (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • In the early '80s, British punk took a turn toward hardcore and the Exploited (along with G.B.H, Disorder, etc.) led the charge. The beat was fast and furious, the politics ferocious, and the magenta mohawk became state of the art. This album is blessed with great production, something many hardcore albums lack, meaning the froth and fury don't come across as a total muddle. Moreover, the machine gun beat comes with hooks that leave you humming along with the tunes. Big John was a decent guitarist and his fireball leads add spice to the mix. Highlights here are "Disorder," "Alternative," "U.S.A." and the title track (penned by the Vibrators). The album is as much a glimpse of the gutter politics of the U.K. under Maggie Thatcher, giving voice to frustration and emptiness of a generation of street kids who looked on the waning empire and saw themselves left out. It's raw, loud, and a downright classic. This is a crucial album in the evolution of The Exploited. The opening track is enough anarchic assault on the ears to make any punk fan realize these guy's meant buisness! It is altogether a solid album, guitar is great, the drums are loud and fast and the vox are pist. This album is a classic and more than half the songs are more than note worthy ("Sid Vicious Was Innocent", "Jimmy Boyle", Troops Of Tomorrow", "F--- The U.S.A." and "Alternative" are the best!!). "but don't take my word for it" (Radiation Records)
  • Originally released a mere eight months after their groundbreaking 1978 self-titled debut LP (RAD 8002LP), The Kids' second album is a pure masterpiece of straightforward punk rock. A little less raw than their previous material, but still far from the new wave sounds the band started experimenting with on their following records, Naughty Kids remains one of the best examples of non-UK '70s punk and definitely a mandatory addition to the collection of any Killed by Death fanatic! This reissue also includes five bonus tracks recorded live in 1978 (RED VINYL LIMITED TO 150) (Radiation Records) https://thekids.bandcamp.com/album/the-kids
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Includes two bonus songs: Track B6 - B-side of the 'No Monarchy' 7" (Fontana 6022-003 - 1978) Track B7 - Previously unissued 1977 studio track Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs New York fashion contest. Originally released on the Philips label in 1978, and highly acclaimed as one of the best punk records EVER. This is pure and quintessential punk rock. (Radiation Records) https://thekids.bandcamp.com/album/the-kids
  • In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative. Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7″ and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)
  • Another repress of a legendary must have by Mad Butcher Classics. Second single of The Oppressed from 1983. Including “Work Together”, THE all time manifesto of anti-racist Oi. Get it now! (Mad Butcher Records)
  • THE RUTS | in a rut | LP

    17.00 incl. tax
    In a Can is an album of demos from three sessions in the period before they signed to Virgin. Fox, Jennings and Ruffy compiled and remastered this release, and also supplied liner notes. The sessions date from 25 April 1978 (8-track Fairdeal Sessions), 20 February 1979 (Underhill Studio) and Mystery Studio Sessions (early 1979). Tracklist Underhill Studio Sessions - 20 February 1979 1 Babylon's Burning 2 Babylon's Burning (Version) 3 Blackmans Pinch (aka Give Youth A Chance) Fair Deal Studio Sessions - 25 April 1978 4 Society 5 H-Eyes 6 In A Rut 7 Peel Speak Mystery Studio Sessions - Early 1979 8 Something That I Said 9 Criminal Minds 10 Babylon's Burning 11 Stepping Bondage (aka Gotta Little Number) 12 You're Just A... 13 Savage Circle 14 Blackmans Pinch (aka Give Youth A Chance) Bonus Tracks 15 Babylon's Burning (Underhill Studio Version #2) 16 H-Eyes (Fair Deal Studio Version #2) (Mad Butcher Records)
  • Formed in 1976, the Zeros were one of the pioneers of the Southern California punk scene that included bands such as the Germs, X, and the Weirdos. They released their now classic first singles 'Wimp' b/w 'Don't Push Me Around' and 'Beat Your Heart Out' b/w 'Wild Weekend' on Bomp in 1977 and 1978. This album includes all their vintage studio recordings, singles and demos. (Bomp! Records)  
  • Zounds formed in Reading in 1977 releasing their first single Can’t Cheat Karma on Crass Records in 1980. This early association with Crass meant they were key figures in the bourgeoning anarcho-punk scene along with The Mob, Poison Girls, Flux of Pink Indians and many others. Moving to Rough Trade Records the band released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. Someone must have slipped one of those post-anarcho-syndicalist pamphlets in with these guys’ Beano comics! This is sturdy, above-average English pop-punk with some surprisingly infectious hooks. But the foursome ain’t just disaffected youngsters lookin’ for a kiss (or any ol’ white riot) – they’re searching out the meaning of life in the post-industrial capitalist system. As long as you’ve got the tunes, fellas – go for it! – Trouser Press. "The curse of zounds" is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. (Overground Records)
  • Out of stock

    TRAGEDY | vengeance | LP

    15.00 incl. tax
    Official Repress of the second TRAGEDY Album on Skuld Releases, this time in the original package of the US Pressing (Tragedy Records) - This is the sound of impending doom! The songs are epic, melodic, powerful and crushing - all at once!! Tragedy is fast and extremely heavy hardcore with melancholic melodies and pissed off as fuck vocals. I would say that this record is even better than their first one, even when I thought that this is not possible. You can taste the athmosphere of the songs, while the music crawls under your skin - awesome! (Skuld Records)
  • Originally released in 1982, the U.K. Subs fourth studio album is considered by many of the band's fans their finest moments, and there's many reasons why it could very well be: the record's powerful sound (courtesy of the production of the Subs own Nicky Garratt) made justice to a band on top of their game, recording some of the best songs of their career. (Beat Generation Records)