-
Hailing from Leeds, England and by far the biggest punk band from the area they were seldom out of the Independent charts between 1980 and 1984. Specialising in the sort of massive rowdy choruses that could put an ear-to-ear smile on the face of a dead man. Like so many of those intense bands of the time, their fire burnt brightly for just a relatively short time, but the shadows it cast, and the colourful musical legacy they bestowed the punk scene, were both important and influential! A1 - A3 "Vicious Circle" EP (1982) A4 - A6 "The Army Song (ABW EP)" EP(1981) A8 - A9 Burn 'Em Down! EP (1982) A10 - B11 "When The Punks Go Marching In !" LP (1982) Label: Audio Platter Barcode: 803341524149 -
Out of stock
The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records) -
Out of stock
Adolescents, also known as The Blue Album due to its cover design, is the debut studio album by American punk rock band the Adolescents, released in April 1981 on Frontier Records. Recorded after guitarist Rikk Agnew and drummer Casey Royer joined the band, it features several songs written for their prior group, the Detours, including "Kids of the Black Hole" and "Amoeba", which became two of the Adolescents' most well-known songs. Adolescents was one of the first hardcore punk albums to be widely distributed throughout the United States, and became one of the best-selling California hardcore albums of its time.[1] The band never toured in support of it, and broke up four months after its release. The Blue Album lineup of Agnew, Royer, guitarist Frank Agnew, bassist Steve Soto and singer Tony Brandenburg reunited several times in subsequent years, but only for brief periods. Limited repress on Restless Empire. Blue/black splatter vinyl. Label: Restless Empire Records
-
Out of stock
Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records. Label: Radiation Reissues - RADRSD010
-
Out of stock
Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
-
Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 Label: Radiation Records Barcode: 8055515231694
-
Out of stock
Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 Label: Radiation Records
-
Re-issue of Angelic Upstarts's eighth album, released in 1987 on vinyl! Formed in South Shields in 1977 they were called "one of the period's most politically charged and thought-provoking groups" espousing an anti-fascist and socialist working class philosophy. Label: Audio Platter Barcode: 803341524156
-
Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era. TRACKLIST A1 Woman In Disguise A2 Never Give Up A3 Waiting, Hating A4 Reason Why A5 Nobody Was Saved A6 Geordies Wife A7 Loneliness Of The Long Distance Runner B1 42nd Street B2 The Burglar B3 Solidarity B4 As The Passion B5 A Young Punk B6 Where We Started Label: Daily Records Barcode: 8435008876241
-
Out of stock
A 44-track 2CD set covering every A and B-side issued by Punk legends Angelic Upstarts between 1978-85. Running in chronological order, it starts with the self released ‘The Murder Of Liddle Towers’ and is followed by the major label debut of ‘I’m An Upstart’ which hit No.31 in the UK charts. ‘Teenage Warning’ then hit No.29 and saw the band in the nation’s living rooms via their appearance on Top Of The Pops. A hat-trick of hits was completed when ‘Never ‘Ad Nothin’ hit No.52 in late 1979. The band moved into the 1980s with hits like ‘Out Of Control’ (No.58), ‘We Gotta Get Out Of This Place’ (No.58 and incredibly appearing here on CD for the first time in its original 7” version), ‘Last Night Another Soldier’ (No.65) and ‘Kids On The Street’ (No.57) before they switched to (then) newly established Independent label Anagram Records. The hits kept coming though: ‘Woman In Disguise’ reached No.18 in the Independent Chart, swiftly followed by a No.24 for ‘Solidarity’. Despite numerous disruptive line-up changes vocalist Mensi remained a constant throughout and achieved further notoriety with the No.14 ‘Machine Gun Kelly’ and the No.4 ‘Brighton Bomb’. Each of the 17 singles featured has a detailed history included in the booklet which is illustrated by the original sleeves. Track Listing: DISC ONE 1 The Murder Of Liddle Towers 2 Police Oppression 3 I’m An Upstart 4 Leave Me Alone 5 Teenage Warning 6 The Young Ones 7 Never `Ad Nothin’ 8 Nowhere Left To Hide 9 Out Of Control 10 Shotgun Solution 11 We Gotta Get Out Of This Place 12 Unsung Heroes Part II 13 Last Night Another Soldier 14 The Man Who Came In From The Beano 15 England 16 Sticks’ Diary 17 Kids On The Street 18 The Sun Never Shines 19 I Understand 20 Never Come Back 21 Heath’s Lament 22 Different Strokes 23 Different Dub DISC TWO 1 Never Say Die 2 We Defy You 3 Victory For Poland 4 Woman In Disguise 5 Lust For Glory 6 42nd St. 7 Solidarity 8 Five Flew Over The Cuckoo’s Nest 9 Dollars And Pounds 10 Don’t Stop 11 Not Just A Name 12 The Leech 13 Leave Me Alone (Live) 14 Liddle Towers (Live) 15 White Riot (Live) 16 Machine Gun Kelly 17 Paint It In Red 18 There’s A Drink In It 19 Brighton Bomb 20 Thin Red Line 21 Soldier Label: Captain Oi! Barcode: 5013929608801
-
Out of stock
Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. For the first time on vinyl. Anti-Pasti - The Punk Singles Collection 1998. Collects the original ANTI-PASTI singles plus their side of the split with EXPLOITED all released 1980-1982. Four Sore Points... (1980), Let Them Free (1981), Six Guns (1981), East to the West (1982), Caution in the Wind (1982). Tracklist: A1 No Government A2 1980 A3 Two Years Too Late A4 Something New A5 Let Them Free A6 Another Dead Soldier A7 Hell A8 Six Guns A9 Now's The Time B1 Call The Army (I'm Alive) B2 Ain't Got Me B3 Another Dead Soldier B4 East To The West B5 Burn In Your Own Flames B6 Caution In The Wind B7 Last Train To Nowhere B8 Blind Faith Label: Audio Platter Barcode: 803341524187
-
PNV Records reissue of the debut album by the Anti-Nowhere League, originally issued on WXYZ Records in 1982! Despite the obnoxious band’s reputation and the legal persecution that the group faced due to its obscene lyrics, the album remained No1 for many weeks in the independent charts and it became from its release day an instant UK Punk Rock Classic! Loaded with more piss and vinegar than one can almost handle in a single album, this is what most people think of when they think of classic Punk, the kind of Punk that frightened the squares, and parents and annoyed the authorities. The kind of album that throw on at a party and the house is sure to be destroyed by nights end. Label: Puke n Vomit
-
Big Boys were an American pioneering punk rock band who are credited with having helped to create and introduce skate punk as a new style of music, which became popular in the 1980s. They also were famous for bringing elements of funk into their hardcore punk style. They’ve long done things differently in Austin, Texas, and the take on hardcore pioneered by one of the city’s sons, Big Boys, in the early 80s was no exception. Where peers Scratch Acid, The Dicks, and MDC pursued hardcore or art-punk angularity, Big Boys were mixing furious hardcore with loose-limbed funk and tight pop, all the while penning lyrics that struck a blend between punk ideology, angsty alienation, and goofy humor. It was delivered via 7”s, EPs, a split LP, compilations, three studio albums, and the live DIY shows that were audience participation-fueled free-for-alls. The idea was for fans to leave feeling like they were part of the band. Originally released on the Wasted Talent label and reissued last year by Modern Classics Recordings, 1981’s debut album Where’s My Towel was inspired by the group’s growing dissatisfaction with their part in the release of Live At Raul’s. Returning with Lullabies Help The Brain Grow two years later, they were still striking out at situations around them. The opening track, “We Got Your Money” is a sort of rally cry to the misunderstandings of their scene and to the fraternity boys and girls that came to gawk or cause trouble: “And to all you frat boys/We got your money in our hands!” they shouted gleefully. Song titles including “We’re Not In It To Lose,” “Fight Back,” and “Assault” proved that the gloves were off. Produced by Spot, legendary in-house producer at SST Records, Lullabies is an album that caught the band in ever-turbulent mode, switching drummers through the recording from Fred Schultz to Rey Washam – the fourth person to occupy the stool for vocalist Randy “Biscuit” Turner, guitarist Tim Kerr, and bassist Chris Gates. The album found the band testing the boundaries of their wide-ranging sound, with double-quick thrashers like “Lesson” and double-funky jams like “Funk Off” (helped along by the brass of the Fun Fun Fun 12" horn section). Kerr took lead vocals on two tracks, and on “Sound On Sound,” they combine his languid delivery and pendulum bass in a way that must have pricked the ears of a young Steven Malkmus. With features in the earliest issues of Thrasher Magazine and coveted spots on their influential Skate Rock tape comps, Big Boys were the first band to be labeled “skate rock,” the nascent version of the world-conquering skate punk of the late 1980s and 1990s. Now, Light In The Attic’s Modern Classics Recordings imprint is bringing their pioneering music to a new audience. Following the 2013 re-release of Where’s My Towel / Industry Standard, 2014 saw reissues of both Lullabies Help The Brain Grow and the following year’s No Matter How Long The Line Is At The Cafeteria, There’s Always A Seat, which brought the band’s story to a close. Famously, the Big Boys would end shows with the foursome shouting, “OK y’all, go start your own band.” Their message was inclusion – and action. Start a band, write a zine, participate. So what are you waiting for? Listen to this record. Label: Touch and Go Barcode: 0036172107131
-
Big Boys were an American pioneering punk rock band who are credited with having helped to create and introduce skate punk as a new style of music, which became popular in the 1980s. They also were famous for bringing elements of funk into their hardcore punk style. Active for five years in the early 1980s, the Big Boys mixed furious hardcore with loose-limbed funk and tight pop structures, all the while penning lyrics that struck a blend between punk ideology, angsty alienation and clever humor. They were, in the memory of Minor Threat frontman Ian MacKaye, “Enormous men, decorated jump suits, a horn section, 200 friends onstage singing and dancing.” They were Big Boys by name and by nature – and they had a big effect on US punk culture. When the prevailing trend was for playing hard and fast, this Austin, Texas four-piece played loose and funky. Their cult recordings struck a blend between punk ideology and clever humor, just as the band both railed against and celebrated the hardcore community that bore them. Released at the time of their split in 1985 and now reissued by Modern Classics Recordings, the group’s final album, No Matter How Long the Line Is At the Cafeteria, There’s Always a Seat finds Big Boys continuing to innovate, even including the sound of turntable scratching on Common Beat, a sound rarely heard outside of hip-hop at the time. Songs like “Which Way To Go” and “Narrow View” echo their boredom and anger with the changing hardcore scene, while “I Do Care” and “What’s The Word” illustrate the band’s positive outlook for things to come. With features in the earliest issues of Thrasher Magazine and coveted spots on their influential Skate Rock tape comps, Big Boys were the first band to be labeled “skate rock”, the nascent version of the world-conquering skate punk of the late ‘80s and ’90s. Now, Light In The Attic imprint Modern Classics Recordings is bringing the music of these pioneers to a new audience. Following the 2013 re-release of debut Where’s My Towel / Industry Standard, 2014 saw reissues of second album Lullabies Help The Brain Grow alongside this final record. Just as the album flirts between expressions of boredom and anger and funk jams that declare “Life is just a party” (”What’s The Word"), Big Boys were a mess of contradictions. On stage, openness was key and they became famous for encouraging the audience to get involved: “We’re the band, you’re the band,” they would say. But as a four-piece, their relationships began to fray as is not uncommon with many bands on long tours. After five short years and many recordings, the Big Boys went separate ways. “We never really decided to ‘break up’, it just happened,” said Kerr. “We had been on a two month tour, and it got to be exactly like being in a station wagon with mom and dad with your brother and sisters… lots of tension and everything.” Along with an appearance in the documentary American Hardcore and these new reissues, the band’s legacy continues in current bands, like Fidlar, Wavves, and The Orwells, and in the mark they made on Austin, Texas, which, in tribute to the band, adopted the name of their song, “Fun Fun Fun” for an annual arts/music festival. Keep Austin weird? Big Boys made Austin weird. Label: Touch and Go Barcode: 0036172107230
-
Out of stock
Big Boys were an American pioneering punk rock band who are credited with having helped to create and introduce skate punk as a new style of music, which became popular in the 1980s. They also were famous for bringing elements of funk into their hardcore punk style. Industry Standard (usually extended to Where's My Towel/Industry Standard) is debut studio LP. It was released in 1981 on vinyl through Wasted Talent Records, operated by members of the Judy's. The album's title and many of its themes were inspired by a growing dissatisfaction with elements of the Austin, Texas punk rock scene from which the Big Boys had spawned. Label: Touch and Go Barcode: 0036172107032
-
Out of stock
New vinyl repressing of the classic first EP from Blitz, originally released on the legendary No Future Records in 1981. Four essential songs that wrote Punk Rock and Oi! history. On the B-side are the four tracks from the 'Warriors' 7" and 'Never Surrender/Razors In The Night' 7". Includes a 19.5" x 27.5" poster. SIDE A: 1. Someone's Gonna Die 2. Attack 3. Fight To Live 4. 45 Revolutions SIDE B: 1. Warriors 2. Youth 3. Never Surrender 4. Razors In The Night Label: Vile Records
-
Out of stock
All the classic singles collected on one record! Tracks A1 - A4 "All Out Attack E.P." 7'' (1981) Tracks A5 - A6 "Never Surrender / Razors In The Night" 7'' (1982) Tracks A8 - A9 "Warriørs" 7'' (1982) Tracks B1 - B2 "New Age" 7'' (1983) Tracks B4 - B5 "Telecommunication" (1983) Tracks B7 - B8 "Solar" 7'' (1983) Tracklist: A1 Someone's Gonna Die A2 Attack A3 Fight To Live A4 45 Revolutions A5 Never Surrender A6 Razors In The Night A7 Voice Of A Generation A8 Warriors A9 Youth (Different Version) B1 New Age B2 Fatigue B3 Bleed (Remix) B4 Telecommunication B5 Teletron B6 White Man B7 Solar (Ext Mix) B8 Husk Label: Audio Platter Barcode: 803341524255
-
A pure shot of abrasive punk/rock 'n' roll with a hint of working class Oi!, Blitz were among the most influential punk bands ever. It was Gary Bushell (who wrote for "Sounds" and was later dubbed the God Father of Oi!) who brought the band to the attention of his friend Chris Berry, who had just set up No Future records with a bank loan and high hopes. No Future 001 catalog (and Blitz's debut release) was a 4 track EP titled "All Out Attack", a 20,000 copy bestseller that made the label's fortune, later to become the most representative of the whole UK82 movement. Its follow-up, "Never Surrender", reached number 2 in the Indie charts, while their 3rd EP, "Warriors", showed their slight move towards the singalong-style of classic OI!. Before shifting to a more new wave-influenced vein right by the end of 1983, they managed to reach number 2 in the charts with a fourth and last 'punk' single, "New Age". This 1980-1983 complete retrospective features all four aforementioned singles along with their very first recording session from 1980, the legendary 'Timebomb' demos, and 4 cuts from the "Voice Of A Generation" demos! Label: Radiation Records Barcode: 889397101343
-
Out of stock
25th Anniversary Deluxe Edition of the debut LP by Blitz which reached No. 27 in the UK National Charts as well as hitting No. 2 during a five month run in the then influential Independent Chart. Now totally re-mastered by Tim Turan and with the addition of the bands three Indie Chart hit singles for No Future Records: ‘All Out Attack’ (No. 3), ‘Never Surrender’ (No. 2) and ‘Warriors’ (No. 2) – plus their contributions to the seminal “Carry On Oi!” compilation and the Indie Chart No. 5 “Total Noise” Various Artists EP. The deluxe now comes with a free CD featuring 27 rare demos and live cuts from the height of the bands Punk years. Booklet contains original LP artwork, lyrics to all the Songs, pictures of all the relevant records and sleeve notes by “Burning Britain” / “Day The Country Died” author Ian Glasper. One of the biggest and most consistent sellers of the entire Anagram Punk Collectors series, this revamped version is sure to appeal to both older fans of the band along with the new breed of Punks as the likes of Rancid, Roger Miret & The Disasters, Oxymoron and Rykers have all covered their songs. Voice Of A Generation 1-1 We Are The Boys 1-2 Time Bomb 1-3 Voice Of A Generation 1-4 Bleed 1-5 I Don't Need You 1-6 T.O? 1-7 Propaganda 1-8 Criminal Damage 1-9 Vicious 1-10 Warriors 1-11 Nation On Fire 1-12 Your Revolution 1-13 Scream 1-14 4Q 1-15 Escape 1-16 Moscow 1-17 Closedown Bonus Tracks 1-18 Someone's Gonna Die 1-19 Attack 1-20 Fight To Live 1-21 45 Revolutions 1-22 Nation On Fire (Carry On Oi! Version) 1-23 Youth (Carry On Oi! Version) 1-24 Razors In The Night 1-25 Never Surrender 1-26 Voice Of A Generation (Total Noise Version) 1-27 Warriors (Single Version) 1-28 Youth (Remix) Rarities 2-1 Escape (1980 Demo) 2-2 4Q (1980 Demo) 2-3 Youth (1980 Demo) 2-4 Bleed (1980 Demo) 2-5 Criminal Damage (Demo) 2-6 Time Bomb (Time Bomb Demo) 2-7 Criminal Damage (Time Bomb Demo) 2-8 4Q (Time Bomb Demo) 2-9 I Don't Need You (LP Demo) 2-10 Propaganda (LP Demo) 2-11 Closedown (LP Demo) 2-12 Your Revolution (LP Demo) 2-13 Razors In The Night (LP Demo) 2-14 Attack (Live '81) 2-15 Escape (Live '81) 2-16 Never Surrender (Live '81) 2-17 Nation On Fire (Live '81) 2-18 Warriors (Live '81) 2-19 Someone's Gonna Die (Live '81) 2-20 45 Revolutions (Live '81) 2-21 Fight To Live (Live '81) 2-22 Youth (Live '81) 2-23 New Age (Live '81) 2-24 Bleed (Live '81) 2-25 Cabaret (Live '81) 2-26 Warriors 2 (Live '81) 2-27 Vicious (Live '81) (Captain Oi Records)
-
Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. Total classic. Label: Radiation Records Barcode: 8055515232509
-
"Welcome To The Real World" was originally released by Link Records in 1988 with Steve Kent (their first guitar player) rejoining the band made up at that moment by Micky Fitz (vocals), Steve Whale (rhythm guitar), Mark Brennan (bass), and Micky Fairbairn (drums). The album features 12 great sing-a-long anthems in the finest tradition of late-'70s/early-'80s British punk with sharp and real lyrics that describe, staying away from cliches, the life of youth in the British working-class neighbourhoods. Full-color lyric insert featuring previously unseen photos of the band included. Now available again on limited clear vinyl. (Daily Records)
-
Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
- Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
- Packaged in its original Malcolm Garrett designed sleeve
- Dispatched with ltd edition ‘Product’ carrier bag
-
Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
- Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
- Packaged in its original Malcolm Garrett designed sleeve
- Dispatched with ltd edition ‘Product’ carrier bag
-
Out of stock
Buzzcocks’ seminal first album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its March 1978 release. Comes with newly curated 36 page booklet featuring an essay from cultural commentator Jon Savage & previously unseen images Label: Domino Records Barcode: 0887830012621
-
Out of stock
Buzzcocks’ seminal first album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its March 1978 release.
- Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
- Packaged in its original Malcolm Garrett designed sleeve
