• Zounds formed in Reading in 1977 releasing their first single Can’t Cheat Karma on Crass Records in 1980. This early association with Crass meant they were key figures in the bourgeoning anarcho-punk scene along with The Mob, Poison Girls, Flux of Pink Indians and many others. Moving to Rough Trade Records the band released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. Someone must have slipped one of those post-anarcho-syndicalist pamphlets in with these guys’ Beano comics! This is sturdy, above-average English pop-punk with some surprisingly infectious hooks. But the foursome ain’t just disaffected youngsters lookin’ for a kiss (or any ol’ white riot) – they’re searching out the meaning of life in the post-industrial capitalist system. As long as you’ve got the tunes, fellas – go for it! – Trouser Press. "The curse of zounds" is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. (Overground Records)
  • If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Blue Vinyl. (Ruby Records/Unofficial)
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    Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
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    Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. (Vatican Radio Records)
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Includes two bonus songs: Track B6 - B-side of the 'No Monarchy' 7" (Fontana 6022-003 - 1978) Track B7 - Previously unissued 1977 studio track Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs New York fashion contest. Originally released on the Philips label in 1978, and highly acclaimed as one of the best punk records EVER. This is pure and quintessential punk rock. (Radiation Records) https://thekids.bandcamp.com/album/the-kids
  • Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. (Dwed Wecords)
  • It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. Vinyl version contains a coupon that for a limited time allows you to download MP3 audio files of the recordings. (Secretly Canadian Records)
  • DISCHARGE | why | LP

    16.00 incl. tax

    Released in 1981 and packed with amazing anthems like "ain't no feeble bastard" DISCHARGE struck the middle ground between the dark, angry worldview and raw emotion of underground punk and the rowdy rock'n'roll of the better metal bands - when told DISCHARGE sounded like MÖTÖRHEAD, they replied, "they sound like us".
    (Radiation Records)

  • Out of stock
    In 1996 Social Distortion released their 5th album, White Light, White Heat, White Trash. The line-up featured a new drummer Chuck Biscuits (Black Flag/Danzig and many more). White Light, White Heat, White Trash was the last album with Dennis Danell on guitar (he sadly died in February 2000). The album received Social Distortion's highest ever chart position, entering the Billboard 200 album chart at #27. It also includes radio favourites "I Was Wrong", "When The Angels Sing" and a superb cover version of the Stones' "Under My Thumb". Stylistically, the album is harder and considered a return to their hardcore punk roots. Social Distortion is nothing less than a legend in the punk genre and still continues to receive worldwide respect and support.  Comes with insert.
    • 180 grams audiophile vinyl
    • 20th Anniversary Edition
    (Music on Vinyl)  
  • FINALLY!!! Re-released on vinyl after 40 years! "Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's All Corspes Smell The Same. Originally released on the band's own Verrecords (they made up different label names with each record), the LP falls squarely within a punk idiom and, at the same time, shows this influential Dutch group's restless energy. Terrie Ex's guitar serves up vectors of percussive pulse, fraying the edges of the music's squared-off rhythms. Vocalist G.W. Sok – an anarchist Dziga Vertov with a mic – observes, declaims and condemns across a set of interrelated political concerns that would return in Ex-music for years to come. While The Ex channel the poise and principled attack of Crass or Flux Of Pink Indians, they create a unique declamatory sound all their own – trailing brilliant flashes of color in the wake of punk's monochrome palette. Offering ten songs in only twenty-two minutes, Disturbing Domestic Peace lays bare a vivid snapshot of a truly singular band who (at the time) were just finding their feet." This first-time vinyl reissue comes with bonus 7-inch, inserts and 20-page booklet. LP Track Listing: The Sky Is Blue Again Map Outlook-Army Sucking Pig A Sense Of Tumour Meanwhile Rules Squatsong Warning-Shot New Wars Bonus 7-inch Track Listing: Introduction Human Car Punk Horse Terrie (guitar), G.W. Sok (vocals), Bas (bass), Ome Geurt (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
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    Unquestionably Portland's most well-loved punk group, they formed in the late 70's & in 1980 released their debut LP. 12 songs of stabbing, jittery guitar, snapped vocals, & unabashed teen angst. Full of desperation & yearning, the LP has stood as a blueprint for wretched youth for over 25 yrs. In the early 90's it was given mainstream attention when Nirvana covered 2 tracks off the record & Cobain announced it was one of the primary influences on his group. Remastered from original tapes as provided by Greg Sage himself, the LP is pressed on audiophile grade vinyl and housed in a deluxe tip-on sleeve. (Jackpot Records)
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    US Import. Death were a black power trio from Detroit who released a single in 1975 and pretty much disappeared after that. Inspired by the raw Rock 'N' Roll of the Stooges and MC5, the three brothers moved away from their Funk/R&B roots into a new realm.... for the Whole World to See features the two songs from the single ('Keep on Knocking' and 'Politicians in My Eyes') and five other tracks. MOS DEF SAYS: "These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows about them. I don't understand how the world could forget them. You really should read up on the history of this Rock n' Roll artifact. A google search will help; something like "death band punk 1974"... The album reminds me of these bands: MC5, The Jam, Zero Boys, Early Police, RadioBirdMan - to name a few. If any of those bands are at your top 10, then this is a must have piece in your collection. NOTE: They are also selling it on vinyl on here!!! The story to this piece of work is very interesting not to mention inspiring to say the least. The songs? All are hits in my mind. I just wish there were more!" (Drag City Records)
  • 19 track round up of demos from The Partisans who formed in Bridgend, South Wales in 1978 and ended up being one of the cream of the UK82 punk movement. The first side of the LP has 10 tracks recorded in April 1980 in one day and like bands in their early years - it features mainly covers. It includes songs from the Sex Pistols, Stiff Little Fingers, UK Subs, Buzzcocks, UK Subs, Cockney Rejects and yes even more UK Subs. It also has primitive and raw versions of future Partisans classics No Time and I Don’t Give a Fuck. This demo has never been heard or released in any form. Less than a year later, February 1981 with Savage leaving and Louise joining on bass, the band have their most well know line up and are in full flow with a 6 track demo that was sent to No Future Records. It’s not surprising the label snapped them up straight away as the recordings are high energy and full of anthemic gems. The label released Police Story and Killing Machine as the debut 7” direct from these recordings. The other four tracks from this demo have never been released on vinyl. The last three tracks on the LP are the demos from 1982 recorded for No Future for the 17 Years of Hell Single. Rawer and more punk than the actual well know versions. All members of the bands helped in this release and shared original masters from which everything was remastered plus archive from their own personal collections including photos galore, handouts, ticket stubs, interviews etc which are included in the 28 Page Booklet. (Sealed Records)
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    Color Vinyl
    Early Sessions Of The Classic Joy Division Line-Up On 180g Vinyl LP! Warsaw was the planned debut album by the English post-punk band Joy Division, while they were briefly associated with RCA Records. Recorded in May 1978, it comprised eleven tracks now known collectively as the "RCA Sessions". However, the band were disappointed with the label's post-production work and the deal fell through, the album being scrapped. Four of the songs recorded during the RCA sessions had previously been recorded at the end of 1977, and it was these older recordings that the band would release the following month as their debut An Ideal for Living EP. The RCA sessions circulated on bootlegs for years, generally bearing the Warsaw title, until the tracks were licensed for a commercial release in 1994, appearing alongside "As You Said" from the 1980 "Komakino" single, as well as the band's first recorded music, the five "Warsaw Demo" tracks from 1977, which were noted on the sleeve as "bonus tracks". "What was planned to be Joy Division's first LP (unreleased until 1994, except in bootleg form) sounds like an album from the punk era -- raw and edgy, undisciplined but tuneful, unlike the group's proper debut, Unknown Pleasures. All of the tracks were later seen in different form, but Warsaw still manages to captivate through its pure energy." - AllMusic

    Tracklist

    A1 The Drawback
    A2 Leaders Of Men
    A3 They Walked In Line
    A4 Failures
    A5 Novelty
    A6 No Love Lost
    B1 Transmission
    B2 Living In The Ice Age
    B3 Interzone
    B4 Warsaw
    B5 Shadowplay
    (DOL)  
  • A facsimile of the original album release. 180g vinyl with a fancy inner sleeve. Originally released in 1979 this legendary album was the first from the revised line-up of Capt, Rat, Dave and Algy. Features the classic singles Love Song, Smash It Up and I Just Can't Be Happy Today. What more do you need to know! Essential! (Ace Records/Chiswick Records/2016)
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    TRAGEDY | vengeance | LP

    15.00 incl. tax
    Official Repress of the second TRAGEDY Album on Skuld Releases, this time in the original package of the US Pressing (Tragedy Records) - This is the sound of impending doom! The songs are epic, melodic, powerful and crushing - all at once!! Tragedy is fast and extremely heavy hardcore with melancholic melodies and pissed off as fuck vocals. I would say that this record is even better than their first one, even when I thought that this is not possible. You can taste the athmosphere of the songs, while the music crawls under your skin - awesome! (Skuld Records)
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    Since Jackpot Records began our Wipers vinyl reissues in 2006, we’ve been inundated with requests for a reissue of Over The Edge. After two years of labor, including an immaculate remaster from the original tapes by Greg Sage, we are proud to present Over the Edge, pressed on audiophile grade vinyl and packaged in a deluxe, tip-on sleeve. The bleak, hard-driven third LP by the Wipers (originally released in 1983) offers Greg Sage at his most chased and breathless, lashing out with sharp staccato notes as if melody were his only defense. While their debut LP provided the blueprint for grunge, and their second album recast the band as one of America’s premier postpunk bands, it’s Over The Edge that best exemplifies the Wipers’ sound. The jagged, effortless guitar lines, the paranoid lyrics and raw-throated vocals and the taut, unified rhythms that define their sound bleed together most clearly on this LP, and it stands as both the best entry point for new fans and the most prevalent favorite of diehards. (Jackpot Records)  
  • Two classics records on one LP. Tracks on A side are from "T. S. O. L." 12" originally released by Posh Boy in 1981, four tracks on B side are from "Weathered Statues" EP released by Alternative Tentacles in 1982. (Fan Club/Unofficial)
  • In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative. Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7″ and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)
  • Out of stock
    Seminal record for any punk in UK, China or whatever you live, fucker!!!! The Partisans were formed in Wales south in 1978 with the original line-up of Phil Staton-voice, Rob "Spike" Harrington-guitar and backing vocals, Andy Lealand-second guitar, Mark "Shark" Harris-drums and Mark "Savage" Parsons-bass. This line-up will change after one year as Parsons and Staton left the band and Rob took the voice position and entering Louise Wright as bass player. Basically influenced by Sex Pistols, The Clash and Ramones, The Partisans started to cover those bands and playing some own sounds too. On September 1981 they released their first 7" under the label No Future Records, a fantastic single that helped the band to tour with the likes of Blitz, The Ejected and Peter and the Test Tube Babies. On May 1982 they released their second 7" and when 1983 arrived the band's debut LP was out. This debut LP is one of the seminal steps on British punk for sure, a record that still sound fresh and strong after 3o years. Beat Generation is more than proud to announce the re-issue of this legendary record on 180 grams vinyl with the same cover and inside artwork and stricted limited to 500 copies. (Beat Generation Records)
  • The first, best and only Stiff Little Fingers album that you need. Released originally in 1979 as the first album ever on Rough Trade, it is harsh, brutal, primitive punk rock with sadly still relevant lyrics about the troubles in Northern Ireland. This stands head and shoulders above all other albums of the time. Their punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. Containing the anthemic track Alternative Ulster, Stiff Little Fingers promote the ‘grab it and change it’ narrative. (Parlophone Records)
  • Out of stock
    Back in stock
    Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. 180 gram vinyl reissue with printed inner sleeve, contains 3 bonus tracks: Voice of Generation from V/A Total Noise, Nation on Fire and Youth from V/A "Carry on Oi". Total classic. (Radiation Records)
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    The most exhaustive and complete DECLINO discography release ever made! Formed in 1982 in Torino (also hometown of Negazione, Kollettivo, Blue Vomit, Nerorgasmo and many more), DECLINO stands as one of the most important names in the legendary first wave of Italian Hardcore, or call it “the furious years” or specifically for Torino, the “wild bunch”. They were on the maps in the early MRR reports about Italy’s Punk/HC scene and also appeared in the fundamental “P.E.A.C.E.” 2xLP compilation on R Radical Records! Their style was a highly energetic clash of speed, rage and creative song-writing. The band featured members that also played in cult acts such as Negazione, Indigesti, 5° Braccio etc… and they were definitely among the first in their area to develop a mature style that was leaning more towards the intensity of total Hardcore than on Punk’s rawness. This anthology includes all their existing studio recordings, consisting of: the debut 7″ (1983), “Mucchio selvaggio” split tape/LP with Negazione (1984), 3 unreleased tracks (1984), “Eresia” 12″ (1985) and a complete soundboard live recording (Denmark, 1985) never released before in its entirety… for a total of 39 songs!
    Housed in a deluxe gatefold sleeve with a 11″x11″ booklet glued on the inner panel, collecting a huge selection of photos, flyers, artworks and all the lyrics. And included in this first pressing you’ll also find a poster with the discarded art for “Eresia” 12″ that has never been published to date!! Compared to the previous collective works, “Terra bruciata” is the definitive and most complete one, each session / recording included is totally complete! If you’re a maniac of rapid, straightforward Italian Hardcore and ’80s HC in general, this is an absolute must!
    Black vinyl limited to 550 copies.
    (F.O.A.D. Records)

  • Out of stock
    The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records)
  • Out of stock
    Deluxe and limited reissue of this 1982 punk classic will be pressed on 140g clear and white mixed vinyl and comes with a bonus 7” Christmas 45rpm single pressed on transparent red vinyl that comes in a repro of the original picture sleeve. The Christmas single has been out of print since original release in 1982. Package will also include a cardboard art-stencil of the band logo from the cover art. All tracks previously released. LP: 1.Let'’s Have A War 2. Beef Boloney 3. Camarillo 4. I Don’t Care About You 5. New York’s Alright If You Like Saxophones 6. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. I Love Livin’ In The City 10. Disconnected 11. We Got To Get Out Of This Place 12. Fresh Flesh 13. Getting The Brush 14. No More Nothing 7” single Side A: Fuck Christmas / 7” single Side B:(Beep) Christmas "When John Belushi tried to book Black Flag on Saturday Night Live the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. make no mistake, The Record is aggressive, offensive, and loud - it is the sound of a kid flipping the bird. and there is a barreling, garage-like catchiness to anthems such as 'I Love Living in the City.' the difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in 'Let's Have a War.' ving may be giving everyone within earshot the finger but he's doing it from a moving car." (Rhino/Warner/2021)