• Out of stock
    The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records)
  • Teenage Warning is Angelic Upstarts' first album, released in August 1979. One of the best albums of UK punk's second wave-featuring the essential tracks 'Liddle Towers', 'The Young Ones', 'I'm An Upstart' etc. Produced by Jimmy Pursey of Sham 69!. (Fan Club/Unofficial
  • Out of stock

    Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. Their debut album, which reached #31 on the UK charts, was originally released on the Rondelet label in 1981. That classic LP is faithfully reproduced here on vinyl with the addition of four bonus tracks from their first single, 1980s 'Four Sore Points'. A milestone in UK political punk!
    (Radiation Records)

  • Limited edition vinyl reissue of the debut album by the Anti-Nowhere League, originally issued on WXYZ Records in 1982!. Despite the obnoxious band’s reputation and the legal persecution that the group suffered due to its obscene lyrics the album remained Nº 1 for many weeks in the independent charts and it became from its release day an instant UK Punk Rock Classic!!
    (Daily Records)

  • AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • Out of stock

    A pure shot of abrasive punk/rock 'n' roll with a hint of working class Oi!, Blitz were among the most influential punk bands ever. It was Gary Bushell (who wrote for "Sounds" and was later dubbed the God Father of Oi!) who brought the band to the attention of his friend Chris Berry, who had just set up No Future records with a bank loan and high hopes. No Future 001 catalog (and Blitz's debut release) was a 4 track EP titled "All Out Attack", a 20,000 copy bestseller that made the label's fortune, later to become the most representative of the whole UK82 movement. Its follow-up, "Never Surrender", reached number 2 in the Indie charts, while their 3rd EP, "Warriors", showed their slight move towards the singalong-style of classic OI!. Before shifting to a more new wave-influenced vein right by the end of 1983, they managed to reach number 2 in the charts with a fourth and last 'punk' single, "New Age". This 1980-1983 complete retrospective features all four aforementioned singles along with their very first recording session from 1980, the legendary 'Timebomb' demos, and 4 cuts from the "Voice Of A Generation" demos! 
    (Radiation Records)

  • Out of stock
    Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. 180 gram vinyl reissue with printed inner sleeve, contains 3 bonus tracks: Voice of Generation from V/A Total Noise, Nation on Fire and Youth from V/A "Carry on Oi". Total classic. (Radiation Records)
  • Out of stock

    The debut LP by Oi! legends The Business, originally released in 1983. Formed in South London in 1979 the group started playing Oi! concerts in 1981, opening for the 4-Skins. After that they quickly became one of the bigger groups on the UK Oi! scene. This absolute stone cold Oi! clasic includes the Indie Chart hit singles 'Harry May' and 'Smash The Discos' plus the anthemic 'Loud Proud N Punk'.
    (Radiation Records)

  • "Welcome To The Real World" was originally released by Link Records in 1988 with Steve Kent (their first guitar player) rejoining the band made up at that moment by Micky Fitz (vocals), Steve Whale (rhythm guitar), Mark Brennan (bass), and Micky Fairbairn (drums). The album features 12 great sing-a-long anthems in the finest tradition of late-'70s/early-'80s British punk with sharp and real lyrics that describe, staying away from cliches, the life of youth in the British working-class neighbourhoods. Full-color lyric insert featuring previously unseen photos of the band included. Now available again on limited clear vinyl. (Daily Records)
  • Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    • Dispatched with ltd edition ‘Product’ carrier bag
    Comes with an MP3 and WAV download card. (Domino Records/2019)
  • Out of stock
    2018 Remastered version. Buzzcocks’ seminal second album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its September 1978 release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Double-sided insert replicated from the original 1978 LP
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records)
  • San Francisco's first and only rock 'n' roll band, CRIME loomed over the entire Mabuhay Gardens scene with their blistering 1976 single Hot Wire My Heart. The group's loose, damaged rock 'n' roll was as immediate as it was controversial. aThey were punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest moves was playing in the San Quentin prison yard. Formed by guitarists/vocalists Johnny Strike and Frankie Fix, CRIME enlisted bassist Ron the Ripper and drummers Ricky "Tractor" Williams (later of The Sleepers), Brittley Black, and Hank Rank. Joey D'Kaye later joined on keyboards and bass duties. For the first time, this LP release collects the sick energy of CRIME's three singles along with nine previously unreleased studio recordings from 1976 to 1980. The visceral churn and unwieldy leads on tracks like "Frustration" and "Piss On Your Dog" make Murder By Guitar the definitive statement from this prescient American underground band. (Superior Viaduct Records)  
  • Out of stock
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    CRISIS | kollectiv | 2xLP

    22.00 incl. tax

    For the first time ever, the three Crisis singles are officially re-released on Vinyl along with demos from 77 and 78 and a simply stunning sounding live set from Norway in 1979.  The debut 7" from 1978 on Action Group Records, 'No Town Hall'  features three stonewall punk classics. The next two singles 'UK79' and 'Alienation' make up the four tracks recorded for a John Peel Session in 1978. The lyrics are a product of the time against a backdrop of street fights with the National Front, violence at gigs, institutional racism within the police force, class division, industrial strife, sexual repression… Upon reflection not much has really changed in the last 35 years! Also included are demo tracks from 1977 and 1978 which are raw and basic punk just as you would expect. They have never been officially released on vinyl before. Sides Three and Four features a live set recorded when Crisis played Norway in 1979 which features all of the material that later turned up on ‘Hymns Of Faith’. The sound quality of the recording is so good it would pass as a studio recording.
    The record comes housed in a tip on heavyweight sleeve with detailed liner notes, reviews, interviews, and a few unseen group photos. The sleeve picture taken in Kiev in 2012 couldn't be more relevant, capturing the Zeitgeist - which was part of what Punk was all about in the first place.
    (La Vida Es Un Mus Records)

  • Classic Orange County punk right here, lots of melodic guitar leads and surfing references. "ancient artifacts", which is considered by many to be their best work. Casey Royers vocals sound almost poetic at times with the band backing his emotions perfectly. D.I. has that great So-Cal sound that every skate-punk should love. This is the perfect summertime record. Strictly limited edition of 1000 copies on colored vinyl! D.I. is a must for every record. (Nickel And Dime Records / Triple X Records)  
  • Out of stock
    Horse Bites Dog Cries is the second studio album by the American punk rock band D.I.. It was originally released in 1986, on the label Reject. The album was recorded at Casbah Studios in Fullerton, California in 1985 with Chaz Ramirez (of Social Distortion fame). Due to a typo on the album itself, many fans believe that it was released in 1985, but this appears to be false because its release was delayed until 1986 to avoid confusion with the band's then-current album Ancient Artifacts. Horse Bites Dog Cries was the final album featuring the Agnew brothers (Rikk and Alfie) and drummer John Knight (until his return on 1994's State of Shock). Although Horse Bites Dog Cries was not a commercial success, it has gained a cult following in recent times, and has been regarded by some music critics as D.I.'s best album. "Hang Ten in East Berlin" and "Spiritual Law" were originally recorded on Ancient Artifacts. "Johnny's Got a Problem" was re-recorded on their third album What Good Is Grief to a God? and would later be covered by the Kottonmouth Kings on their 2004 album Fire It Up, in which frontman Casey Royer makes a guest appearance in the cover song. (Nickel And Dime Records / Triple X Records)  
  • "What Good Is Grief To A God" is D.I.'s third full-length studio album, which was originally released in 1988. Now available again on colored vinyl. (Nickel And Dime Records / Triple X Records)
  • Despite releasing records only on independent labels and receiving virtually no radio play, Dead Kennedys routinely top both critic and fan polls as the greatest punk band of the late 1970s and early 1980s. Their sound was inventive and tetchy, and front man Jello Biafra's lyrics were incisive and often scathing. This chronicle--the first in-depth book written about Dead Kennedys--uses dozens of firsthand interviews, photos, and original artwork to offer a new perspective on a group that was mired in controversy almost from its inception. It examines and applauds the band's key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening and enormously funny. Author Alex Ogg puts the local and global trajectory of punk into context and, while not flinching from the wildly differing takes the individual band members have on the evolution of the band, attempts to be celebratory--if not uncritical. Format Paperback | 214 pages Dimensions 152 x 229 x 15.24mm | 254g Language English
  • Out of stock
    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980 through Cherry Red Records in the United Kingdom and later issued by Jello Biafra's own Alternative Tentacles label in the United States. The best selling and generally the most critically acclaimed album by Dead Kennedys, Fresh Fruit for Rotting Vegetables has become a major staple of American punk. It is the only Dead Kennedys album to feature drummer Ted and guitarist 6025. (Restless Empire Records)
  • Out of stock
    Live at the Deaf Club is a live album released by the Dead Kennedys in 2004 and had a limited edition re-release 2013 in the UK on Let Them Eat Vinyl. The actual performance took place at the San Francisco Deaf Club on March 3, 1979. The performance was unique in that this was the last time their rhythm guitarist 6025 performed with them. It also includes original drummer Ted, later replaced in February 1981 by D.H. Peligro. Also, the song "Gaslight" and their covers of "Back in the U.S.S.R." and "Have I the Right" are not found on any other DK album (The Deaf Club recordings of "Short Songs" and "Straight A's" are featured on the compilation album Give Me Convenience Or Give Me Death and the hard-to-find Can You Hear Me? Music From The Deaf Club along with "Police Truck"). "Back in Rhodesia" is an early version of "When Ya Get Drafted" with a different chorus than the final version. "Kill the Poor" is also a "disco" version minus the introduction. SIDE A 1. Introduction By DJ Johnny Walker 2. Kill The Poor (Disco Version) 3. Back In Rhodesia 4. Man With The Dogs 5. Gaslight 6. California UberAlles 7. Ill In The Head SIDE B 8. Straight A's 9. Short Songs 10. Holiday In Cambodia 11. Police Truck 12. Forward To Death 13. Have I The Right? 14. Back In The U.S.S.R. 15. Viva Las Vegas (Let Them Eat Vinyl Records) https://youtu.be/cUYAMxZ9bMg
  • Out of stock
    Back in stock

    The most exhaustive and complete DECLINO discography release ever made! Formed in 1982 in Torino (also hometown of Negazione, Kollettivo, Blue Vomit, Nerorgasmo and many more), DECLINO stands as one of the most important names in the legendary first wave of Italian Hardcore, or call it “the furious years” or specifically for Torino, the “wild bunch”. They were on the maps in the early MRR reports about Italy’s Punk/HC scene and also appeared in the fundamental “P.E.A.C.E.” 2xLP compilation on R Radical Records! Their style was a highly energetic clash of speed, rage and creative song-writing. The band featured members that also played in cult acts such as Negazione, Indigesti, 5° Braccio etc… and they were definitely among the first in their area to develop a mature style that was leaning more towards the intensity of total Hardcore than on Punk’s rawness. This anthology includes all their existing studio recordings, consisting of: the debut 7″ (1983), “Mucchio selvaggio” split tape/LP with Negazione (1984), 3 unreleased tracks (1984), “Eresia” 12″ (1985) and a complete soundboard live recording (Denmark, 1985) never released before in its entirety… for a total of 39 songs!
    Housed in a deluxe gatefold sleeve with a 11″x11″ booklet glued on the inner panel, collecting a huge selection of photos, flyers, artworks and all the lyrics. And included in this first pressing you’ll also find a poster with the discarded art for “Eresia” 12″ that has never been published to date!! Compared to the previous collective works, “Terra bruciata” is the definitive and most complete one, each session / recording included is totally complete! If you’re a maniac of rapid, straightforward Italian Hardcore and ’80s HC in general, this is an absolute must!
    Black vinyl limited to 550 copies.
    (F.O.A.D. Records)

  • Throughout the 80s and into the 90s, Milwaukee’s Die Kreuzen challenged audiences by pushing the boundaries of what a hardcore band could do, experimenting with sounds far removed from the constraints of the genre. The band broke up in 1992, leaving behind four full lengths, a slew of singles and compilation appearances and an incredible amount of influence. For the remainder of the decade, its members went on to pursue other projects, both musical and otherwise. Meanwhile, the band’s legendary status began to quietly grow amongst musicians and music fans alike. Two classic LP on one CD. 1 - 14 October File, LP (1986) recorded at Multi-Track Studios, Detroit, October, '85. 15 - 34 Die Kreuzen, LP (1984) (Touch And Go Records)
  • This is the classic debut from Milwaukee's DIE KREUZEN originally released in 1984, who seamlessly blended hardcore-punk with darker elements to create a unique sound that nobody has been able to duplicate. A 24 song must have. More then a classic piece of vinyl - A definitive '80s hardcore band. Vinyl includes a digital download card. (Touch And Go Records)
  • Classic 3 song rager from 1980. Less than a year removed from "realities of war" the sound is already faster and more aggressive, leaving '70s punk behind and blazing into pure hardcore raw punk. This record has 3 of DISCHARGE's best songs which are just pure blasts of raw anger and urgency. UK hardcore as it's best! (Havoc Records)
  • A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic.
    (Radiation Records)

  • DISCHARGE | why | LP

    16.00 incl. tax

    Released in 1981 and packed with amazing anthems like "ain't no feeble bastard" DISCHARGE struck the middle ground between the dark, angry worldview and raw emotion of underground punk and the rowdy rock'n'roll of the better metal bands - when told DISCHARGE sounded like MÖTÖRHEAD, they replied, "they sound like us".
    (Radiation Records)