• Color Vinyl
    Formed in Bristol in 1980, Disorder is one of the few ‘big’ names of uK hardcore still going strong today. Originally released in 1985 on teh ‘Disorder’ label, “The Singles Collection” compiles their first and fieriest recordings in one place; comprised of 3 7” EPs (the legendary “Complete Disorder”, “Distortion To Deafness” and the “Mental Disorder” EP), along with their 8 track 12” EP “Perdition” – recordings which John Peel allegedly referred to as sounding like “shit” (possibly a compliment) – this double LP of long out of print recordings would be a welcome addition to any punk collector’s shelves. Released for Record Store Day 2015 and limited to 500 copies. Gatefold cover. Tracklist Complete Disorder EP (1981) 1 Today's World 2 Violent Crime 3 Complete Disorder 4 Insane Youth Distortion To Deafness EP (1981) 5 You've Got To Be Someone 6 Daily Life 7 More Than Fights Perdition EP (1982) 8 Stagnation 9 Life 10 Out Of Order 11 Condemned 12 Media 13 Suicide Children 14 Preachers 15 Remembrance Day Mental Disorder EP (1983) 16 The Rampton Song 17 Provocated War 18 3 Blind Mice 19 Bullshit Everyone 20 Maternal Obsession 21 Buy I Gurt Pint (Let Them Eat Vinyl)
  • The third studio album from the easily loveable Boston based Celtic punk-rock band. "blends the sounds of 'Do or Die' and 'The Gang's All Here,'" and that "the Murphy’s skill is in blending their folk influences into their street punk sound, without losing the attitude and energy of the latter. This separates the band from acts with similar setups like Flogging Molly." - Punknews.org (Hellcat Records)
  • Even with the departure of original singer Mike McCoughlin, The Dropkick Murphys didn't miss a beat. They simply recruited pal and fellow Bostonian Al Barr for vocals and released THE GANG'S ALL HERE, which builds on the band's working class, punk rock sound, but also reflects the influence of Irish folk tunes with covers of "The Fighting 69th" and "Amazing Grace" (complete with bagpipes). With songs that articulate the burdens and exultations of blue-collar America, the Dropkick Murphy's touch a nerve in all people fighting for a better life. (Hellcat Records)
  • Out of stock

    EATER | the album | LP

    16.00 incl. tax
    LIMITED EDITION INCLUDING THREE BONUS TRACKS, PRINTED INNER SLEEVE, 60X40CM POSTER AND HYPE STICKER. Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Lead singer Ashruf Radwan had an Egyptian heritage, hidden by his alias, Andy Blade, and guitarist Brian Haddock became Brian Chevette once in the fold; Ashruf’s brother Lutfi was the group’s first drummer, joining under the name Social Demise, but was soon replaced by Roger Bullen, playing under the moniker Dee Generate, while future Vibrator Ian Woodcock was the resident bassist from their second gig. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Headlining spots at the Roxy club alongside The Damned, The Lurkers and Sham 69 solidified their reputation, especially once their material made it onto the live compilation album issued by Harvest in 1977, and after footage of their appearances at the club were included in Don Letts’ Punk Rock Movie. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album (which surfaced after future Slaughter and the Dogs member Phil Rowland joined on drums), which has since been hailed as an all-time classic; pointing their fingers at upper-class twits on songs like “Lock It Up” and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no- holds-barred triple time. (Radiation Records)
  • Color Vinyl
    Deluxe and limited reissue of this 1982 punk classic will be pressed on 140g clear and white mixed vinyl and comes with a bonus 7” Christmas 45rpm single pressed on transparent red vinyl that comes in a repro of the original picture sleeve. The Christmas single has been out of print since original release in 1982. Package will also include a cardboard art-stencil of the band logo from the cover art. All tracks previously released. LP: 1.Let'’s Have A War 2. Beef Boloney 3. Camarillo 4. I Don’t Care About You 5. New York’s Alright If You Like Saxophones 6. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. I Love Livin’ In The City 10. Disconnected 11. We Got To Get Out Of This Place 12. Fresh Flesh 13. Getting The Brush 14. No More Nothing 7” single Side A: Fuck Christmas / 7” single Side B:(Beep) Christmas "When John Belushi tried to book Black Flag on Saturday Night Live the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. make no mistake, The Record is aggressive, offensive, and loud - it is the sound of a kid flipping the bird. and there is a barreling, garage-like catchiness to anthems such as 'I Love Living in the City.' the difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in 'Let's Have a War.' ving may be giving everyone within earshot the finger but he's doing it from a moving car." (Rhino/Warner/2021)
  • Attention classic 77 Punk Rock fans, here's something very special for you - the unearthed demo recordings Generation X did (presumably for Chiswick Records) in February 1977, a year before the release of their seminal first album. A treasure chest filled to the rafters with raw, untamed, youthful versions of anthemic hits such as Wild Youth, Dancing with Myself, Your Generation or Ready Steady Go alongside lesser known songs from their catalog. An essential piece for the collection of those interested in these brit Punk pioneers. (Deaf Youth Industries)
  • This expanded deluxe edition Vinyl box set has been newly remastered from the original production tapes and includes 11 previously unreleased recordings. LP 1 contains the original UK 11 track album with LP 2+3 including all the A and B-sides of their singles from the period, 11 previously unreleased outtakes, a single mix and a number of mixes made by engineer Alan Winstanley (Madness, Elvis Costello, Morrissey). This 3 LP set consists of 3 vinyl albums housed in a rigid slip case with previously unseen photos and newly commissioned sleeve notes by journalist Adrian Thrills.

    LP1 Original Album: Side One: 1. From The Heart 2. One Hundred Punks 3. Listen 4. Ready Steady Go 5. Kleenex 6. Promises Promises

    Side Two 1. Day By Day 2. The Invisible Man 3. Kiss Me Deadly 4. Too Personal 5. Youth Youth Youth. LP2 A-Sides & B-Sides: Side One: 1. Your Generation [A-side Single] 2. Day By Day (Alt. Version) [B-side of Your Generation] 3. Wild Youth [A-side Single] 4. Wild Dub [B-side of Wild Youth] Side Two: 1. No No No [B-side of Ready Steady Go] 2. Trying For Kicks [B-side of Friday's Angels] 3. This Heat. [B-side of Friday's Angels] LP3  Outtakes & Mixes: Side One: 1. Ready Steady Go (Phil Wainman Version) * 2. No No No (Phil Wainman Version) * 3. Gimme Some Truth (Outtake) [From U.S. Version of the original Album] 4. Rock On Dub (Outtake) * 5. Promises Promises (Single Version) * Side Two: 1. From The Heart (Winstanley Mix) * 2. The Invisible Man (Winstanley Mix) * 3. Kleenex (Winstanley Mix) * 4. Day By Day (Winstanley Mix) * 5. One Hundred Punks (Winstanley Mix) * 6. Too Personal (Winstanley Mix) * 7. Youth Youth Youth (Winstanley Mix) * * Previously Unreleased.
  • INFEST | slave | LP

    16.00 incl. tax

    Infest are a southern California Legend. They can be credited to almost inventing a genre (power violence), and just played the hardest, heaviest, fastest hardcore punk you'd yet to hear. LP includes lyrics on a huge pull-out poster featuring some classic band photos 18 songs of pure violence. Originally released on Off the Disk Records (out of Switzerland)/Draw Blank Records (Infest's own label) in 1988. An absolute all-time classic.
    (Off The Discs Records/Unoffical)

  • Rising from the ashes of the NEW YORK DOLLS, in 1975, JOHNNY THUNDERS and JERRY NOLAN formed the HEARTBREAKERS. In 1976 the Heartbreakers were invited to the UK by Malcolm McLaren to take part in the Sex Pistols’ Anarchy tour. During the band’s stay in London, they recorded and released (for Track records) their one and only studio album, an instant punk classic although fraught with audio problems. This album is a collection of alternate mixes from 1977 recorded at various studios, as well as two 1977 demo sessions recorded for EMI. It also features rare instrumental backing tracks of several songs, complete with studio banter which giving rare insight into one of the greatest punk albums of all time. (Vinyl Lovers Records)
  • Back in stock
    SoCal's seminal suburban apocalypse returns to vinyl plus 4 lost tracks! The 1984 LP that put them on the map with heavy rotation on KROQ and radio stations all over the country... With songs like One Tin Soldier, Real Horror Show Hollywood Vampires... The 4 bonus songs are from the same session.. It's not like you never heard them before (like the '87 BYO release "1000 words" LP)... These are the originals!.. Sounds better than the original recordings.. Remastered @ Enormous Door... Destined to be a classic once again.. (Guterwal Records)  
  • MADBALL | empire | CD

    10.00 incl. tax
    Madball are icons in the underground and that underground now spills forth into the streets. Since forming in 1988, Madball have been responsible for some of the most important releases in metal & hardcore: From the seminal Ball of Destruction EP (1989) to the landmark albums Set It Off (1994), through their career defining resurgence at Ferret Music. The former partners at Ferret have now reconnected with Madball to be the cornerstone of the Good Fight Music roster. Vocalist Freddy Cricien states. 'MADBALL has come a long way from being street kids to becoming very established in our genre, and even beyond the music. We have the feeling that we've built a little empire for ourselves with our band, brand, and different endeavors.' (Nuclear Blast Records) https://madball.bandcamp.com/album/empire
  • If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Green vinyl. (Ruby Records/Unofficial)
  • Back in stock
    Glenn and the gang at the On Broadway in San Francisco in 1981 on the A side, plus the full 'Why Be Something You're Not' TV show, recorded live in Detroit, 1983. Classic Misfits, a must for the fans! (Mind Control Records)
  • Formed in 1979 in new town Harlow, The Newtown Neurotics are one of the most under rated but essential punk bands. Kick Out! is a 15 track round up of their first six singles taking in the years 1979 to 1984. The first two singles Hypocrite and When The Oil Runs Out were melodic nuggets released on their own No Wonder label. Both of these singles were written prior to the election of the Thatcher monster. The horror of this event changed what was the non-political writing style of Steve's lyrics into the other extreme, and so in June 1982 Kick Out The Tories was released on CNT records. Sadly 38 years later, the lyrics are most poignant and needed than ever. The band continued releasing single after single from the painfully personal to the politically pertinent, all done with intelligence and style. Also included is Andy Is A Corporatist / Mindless Version taken from the Son of Oi! compilation. The album comes with a 32 page booklet of archive - photos, reviews, interviews and more and was conceived to be released alongside the Documentary of the same name about the band's history. (Sealed Records) https://sealedrecords2.bandcamp.com/album/kick-out
  • *LIMITED EDITION INCLUDES 60X40 CM POSTER AND HYPE STICKER. Formed in 1979 in the northern English town of Fleetwood, Lancashire (a former major fishing port that had declined since the 1960s), One Way System was one of the most highly-rated ‘street punk’ groups that spun off from the British hardcore and Oi scenes. Mowhawk-sporting lead singer Gavin Whyte was initially joined by guitarist Craig Halliday, bassist Gaz Buckley and rapid-fire drummer Tez McDonald; the early demos of “Jerusalem,” “Spokesmen For Teenagers” and “1980s” included here were cut with that lineup, before former Zyklon B member David “Crabby” Ross joined as second guitarist, yielding the incendiary single “Stab The Judge” and the No Entry EP, issued by Blackpool’s Lightbeat Records in 1981. Halliday later quit the group and when McDonald joined The Fits, accomplished drummer Tommy Couch brought a totally different musical dimension, his command of the kit well beyond the abilities of most of his contemporaries. In addition to the demos and the Lightbeat material, this compilation also collects the singles and EPs issued by Cherry Red’s Anagram subsidiary between 1982-84, including the inaugural 45, “Give Us A Future.” Tracks 1-3 from 'No Entry' 7", Lightbeat 1982. Tracks 4-5 from 1982 single, Anagram. Tracks 6-11 from 1983 singles, Anagram. Tracks 12-15 from 'Visions Of Angels' 7", Anagram, 1984. Tracks 16-18 are 1982 demos. (Radiation Records)  
  • So if you want to explain to somebody the meaning of Oi, just play this record to him or her. Repress of the first album originally released in 1984 by these pioneers of strictly antifascist skinhead-music from Cardiff. 15 songs, each a killer. Absolutely classic! If you don’t already have it, go get your copy and educate yourself. (Mad Butcher Records)
  • Out of stock
    19 track round up of demos from The Partisans who formed in Bridgend, South Wales in 1978 and ended up being one of the cream of the UK82 punk movement. The first side of the LP has 10 tracks recorded in April 1980 in one day and like bands in their early years - it features mainly covers. It includes songs from the Sex Pistols, Stiff Little Fingers, UK Subs, Buzzcocks, UK Subs, Cockney Rejects and yes even more UK Subs. It also has primitive and raw versions of future Partisans classics No Time and I Don’t Give a Fuck. This demo has never been heard or released in any form. Less than a year later, February 1981 with Savage leaving and Louise joining on bass, the band have their most well know line up and are in full flow with a 6 track demo that was sent to No Future Records. It’s not surprising the label snapped them up straight away as the recordings are high energy and full of anthemic gems. The label released Police Story and Killing Machine as the debut 7” direct from these recordings. The other four tracks from this demo have never been released on vinyl. The last three tracks on the LP are the demos from 1982 recorded for No Future for the 17 Years of Hell Single. Rawer and more punk than the actual well know versions. All members of the bands helped in this release and shared original masters from which everything was remastered plus archive from their own personal collections including photos galore, handouts, ticket stubs, interviews etc which are included in the 28 Page Booklet. (Sealed Records)
  • Seminal record for any punk in UK, China or whatever you live, fucker!!!! The Partisans were formed in Wales south in 1978 with the original line-up of Phil Staton-voice, Rob "Spike" Harrington-guitar and backing vocals, Andy Lealand-second guitar, Mark "Shark" Harris-drums and Mark "Savage" Parsons-bass. This line-up will change after one year as Parsons and Staton left the band and Rob took the voice position and entering Louise Wright as bass player. Basically influenced by Sex Pistols, The Clash and Ramones, The Partisans started to cover those bands and playing some own sounds too. On September 1981 they released their first 7" under the label No Future Records, a fantastic single that helped the band to tour with the likes of Blitz, The Ejected and Peter and the Test Tube Babies. On May 1982 they released their second 7" and when 1983 arrived the band's debut LP was out. This debut LP is one of the seminal steps on British punk for sure, a record that still sound fresh and strong after 3o years. Beat Generation is more than proud to announce the re-issue of this legendary record on 180 grams vinyl with the same cover and inside artwork and stricted limited to 500 copies. (Beat Generation Records)
  • The Ramones paid their visit to Australia in mid-1980, during their tour in support of the Phil-Spector produced End Of The Century album. This typically raucous, high-energy show at The Capitol Theatre, Sydney on July 8th 1980 captures them on peak form as they tear through a selection of classics. (Mind Control Records/Unofficial Release)
  • Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. (Vatican Radio Records)
  • RAMONES | same title | LP

    20.00 incl. tax
    The Ramones are the first punk rock band. Other bands, such as the Stooges and the New York Dolls, came before them and set the stage and aesthetic for punk, and bands that immediately followed, such as the Sex Pistols, made the latent violence of the music more explicit, but the Ramones crystallized the musical ideals of the genre. Pressed on 180-gram vinyl with all original replica packaging, including printed inner sleeves. Lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. (Sire Records/Rhino 2018)
  • Ramones: Triple J Live at the Wireless Capitol Theatre, Sydney, Australia, July 8, 1980 is a previously unissued live radio broadcast from the legendary NYC punk rockers Ramones. The famed performance - recorded in Australia during their 1980 End Of The Century tour - contains 23 tracks, many of which are rare songs from the album that did not remain in their sets following this tour. Pressed on 180g vinyl and strictly limited to 13000 copies worldwide, exclusively for RSD Drops 2021. Previously Unreleased Live Show From The 1980 Tour. Numbered: Limited Edition of 13,000 for RSD 2021. Black inner sleeve and inside cover. Recorded for Australia's triple j from their weekly Live At The Wireless program, Capitol Theatre, July 8, 1980. (Rhino 2021)
  • 20th Anniversary Edition. Audiophile 180 gram vinyl. Remastered from original tapes. Includes giant poster + lyric sheet. Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)