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Re-issue of Buzzcocks' 2006 studio album on stunning White vinyl! Buzzcocks – a band with a past, present, and a legacy they could never have imagined back in the heady punk rock days of 1976. 30 years later, still going strong, still doing it arguably better than anyone else, the godfathers of punk-pop were back with a new album, “flat-pack philosophy”, released 2006 “flat-pack philosophy” was Buzzcocks eighth studio album. In true punk rock fashion, and with superlative production by bassist Tony Barber, the album packs 14 songs into 36 minutes. Taking an urban guerrilla stance against the evils of the modern world, from Tesco self-service tills to the cult of Ikea, “flat-pack philosophy” proves that when you put the right creative personalities together, the magic manifests! Label: Audio Platter Barcode: 803341523944 -
Buzzcocks’ seminal second album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its September 1978 release. Comes with newly curated 36 page booklet featuring an essay from cultural commentator Jon Savage & previously unseen images (Domino Records)
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2018 Remastered version. Buzzcocks’ seminal second album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its September 1978 release.
- Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
- Double-sided insert replicated from the original 1978 LP
- Packaged in its original Malcolm Garrett designed sleeve
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Buzzcocks’ career defining compilation Singles Going Steady, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release. Newly curated booklet featuring an essay from punk authority Clinton Heylin & previously unseen images. Domino 2019 CD reissue in 'mini-LP replica' packaging. The disc sits inside a rounded-corner inner sleeve. Features a 36-page glossy full-color booklet (with a spine) which includes 11 pages of liner notes and images of the front and back covers of all eight UK 7" singles. Label: Domino Records Barcode: 0887830012904
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Buzzcocks’ career defining compilation Singles Going Steady, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
- Newly curated booklet featuring an essay from punk authority Clinton Heylin & previously unseen images
- Packaged in its original Malcolm Garrett designed sleeve
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Re-issue of Buzzcocks' 9th studio album 'The Way' on stunning CLEAR vinyl! It was their first album since 2006 and ninth overall, Shelley and Diggle delivered their patented fuzzed out melodies with traces of surf rock, hard rock and influences from both Ramones and The Beatles. Shelley’s voice sounded great, especially considering his age, and the hooks and riff heavy sounds are a great reminder of the legacy these legends are still cultivating. This clear vinyl is surely a must-have for any Buzzcocks fan collection! Label: Audio Platter Barcode: 803341523968
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French Oi! classic! The debut full length by Bourdeaux` Camera Silens contains 10 kick ass street bouncer with the "Chaos en France" trademark, angry & anthemic. Before being re-recorded for this LP, an earlier version of their classic song "Pour La Gloire", was the opening track on the now seminal French punk compilation "Chaos in France. Originally released in 1985 on the band owns label, "Realite" is sold out since many years and unfortunately a wet dream for the collector nerds. So this is a really great re-issue! Limited to 500 copies, comes with original artwork, lyric sheet and huge A2 poster! Label: Euthanasie Records
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French Oi! classic! The debut full length by Bourdeaux` Camera Silens contains 10 kick ass street bouncer with the "Chaos en France" trademark, angry & anthemic. Before being re-recorded for this LP, an earlier version of their classic song "Pour La Gloire", was the opening track on the now seminal French punk compilation "Chaos in France. Originally released in 1985 on the band owns label, "Realite" is sold out since many years and unfortunately a wet dream for the collector nerds. So this is a really great re-issue! Limited to 500 copies, comes with original artwork, lyric sheet and huge A2 poster! Label: Euthanasie Records
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Hailing from the Los Angeles suburb of Cerritos, Channel 3 was a pioneering member of the Southern California hardcore scene. The band's first full length LP, 1982's Fear Of Life (released in the UK as I've Got A Gun on No Future) was an immediate classic and the band soon began playing to large crowds at home and abroad and even enjoyed some chart success. On the wave of this overnight popularity came their second LP, 1983's After The Lights Go Out - further solidifying their unique sound and making its indelible mark on hardcore history. -Faithful, yet updated rendering of original artwork -Limited Edition of 1,000 150 Gram black vinyl manufactured for pristine sound by Quality Record Pressing -Mastered for vinyl by Kevin Gray at Cohearent Audio Label: Drastic Plastic Records Barcode: 855971005574
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Channel 3, aka CH3, was formed in 1980 in suburban Cerritos, about 20 miles southeast of Los Angeles, with frontman Mike Magrann, guitarist Kimm Gardener, bassist Larry Kelly and drummer Mike Burton. Signing to Posh Boy in 1981, their eponymous EP had the hit ‘Manzanar,’ which was championed by John Peel on the BBC. Posh Boy founder Robbie Fields was in the producer’s chair for their excellent debut, Fear of Life, a blistering punk assault on American values. Free from the heavy metal leanings of their later work, this no-holds-barred debut is a must for all fans of So-Cal hardcore. Label: Silver Saucer Barcode: 0855971005598
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Chaos UK, along with bands like Discharge, G.B.H. and Disorder, revolutionized UK hardcore punk. Tracks A1 - B1 "Chaos U.K. LP" (1983) Tracks B2 - B5 "Burning Britain" EP (1982) Tracks B6 - B8 "Loud Political & Uncompromising" 7'' (1982) Tracklist: A1 Selfish Few A2 Fashion Change A3 You’ll Never Own Me A4 The End Is Nigh A5 Victimised A6 Parental Love A7 Leech A8 Chaos A9 Mentally Insane A10 Urban Guerrilla B1 Farmyard Boogie B2 Four Minute Warning B3 Kill Your Baby B4 Army B5 Victimised (Single Version) B6 No Security B7 What About A Future B8 Hypocrite B9 Senseless Conflict Label: Audio Platter Barcode: 803341524286
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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery! Label: Radiation Reissues - RRS208 Barcode: 8055515235180
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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery! Label: Radiation Reissues - RRS208 Barcode: 8055515235197
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Greatest Hits Vol. 1" is the first album by the Punk/Oi! legends Cockney Rejects, originally released in 1980. Despite the title, it is not a greatest hits compilation. Though they didn’t get around to (allegedly) naming the genre of Oi! until their second album, working class football hooligans Cockney Rejects went a long way towards defining the sound. The raw street punk on the cheekily titled "Greatest Hits Vol. 1" dismisses English punk’s art-schooled class of ‘77 to embrace the everyday Brit who drinks a pint or two while watching his favorite football team. Label: Let The Eat Vinyl
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Christ the Album was the fourth album by Crass from 1982. It was originally released as a boxed set double vinyl LP package, including one disk of new studio material and another, entitled Well Forked… But Not Dead, of a live recording of their June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series Of Shock Slogans and Mindless Token Tantrums (which featured Penny Rimbaud's essay The Last of the Hippies, telling the story of the suspicious death of his friend Wally Hope) and a largesize poster painted by Gee Vaucher. The album took over a year to record, produce and mix, during which time the Falklands War had taken place. This caused Crass to fundamentally question their approach to making records, for as a group whose very reason for existing was to comment upon political issues, they felt they had been overtaken and made to appear redundant by real world events. Ratcheting up the continued "leave no stone unturned" lyrical approach that characterized the group from the start, Crass again sounds like the group's about to explode in eight million directions. Ignorant takes over the lead vocal role again, his rough ramalama bitterly leading the charge against the loathed Thatcher government and the society that allowed it to come into power. Libertine, here appearing as Peeve Libido, adds backing vocals while De Vivre takes the lead on Birth Control and Sentiment. Free's guitar work roars along with the usual vim, as does the Pete Wright aka Sybil Right / Rimbaud rhythm section, while continual spiking of the musical punch via production or sonic collages, or even almost power pop catchiness at points, prevents things from being one note. In addition to the two records, this box set contains a poster and the 26-page booklet "A Series of Shock Slogans and Mindless Token Tantrums. (Crass Records/Reissue 2019)
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San Francisco's first and only rock 'n' roll band, CRIME loomed over the entire Mabuhay Gardens scene with their blistering 1976 single Hot Wire My Heart. The group's loose, damaged rock 'n' roll was as immediate as it was controversial. aThey were punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest moves was playing in the San Quentin prison yard. Formed by guitarists/vocalists Johnny Strike and Frankie Fix, CRIME enlisted bassist Ron the Ripper and drummers Ricky "Tractor" Williams (later of The Sleepers), Brittley Black, and Hank Rank. Joey D'Kaye later joined on keyboards and bass duties. For the first time, this LP release collects the sick energy of CRIME's three singles along with nine previously unreleased studio recordings from 1976 to 1980. The visceral churn and unwieldy leads on tracks like "Frustration" and "Piss On Your Dog" make Murder By Guitar the definitive statement from this prescient American underground band. Label: Superior Viaduct Records Barcode: 857176003508
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For the first time ever, the three Crisis singles are officially re-released on Vinyl along with demos from 77 and 78 and a simply stunning sounding live set from Norway in 1979. The debut 7" from 1978 on Action Group Records, 'No Town Hall' features three stonewall punk classics. The next two singles 'UK79' and 'Alienation' make up the four tracks recorded for a John Peel Session in 1978. The lyrics are a product of the time against a backdrop of street fights with the National Front, violence at gigs, institutional racism within the police force, class division, industrial strife, sexual repression… Upon reflection not much has really changed in the last 35 years! Also included are demo tracks from 1977 and 1978 which are raw and basic punk just as you would expect. They have never been officially released on vinyl before. Sides Three and Four features a live set recorded when Crisis played Norway in 1979 which features all of the material that later turned up on ‘Hymns Of Faith’. The sound quality of the recording is so good it would pass as a studio recording. The record comes housed in a tip on heavyweight sleeve with detailed liner notes, reviews, interviews, and a few unseen group photos. The sleeve picture taken in Kiev in 2012 couldn't be more relevant, capturing the Zeitgeist - which was part of what Punk was all about in the first place. Label: La Vida Es Un Mus Records
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It was the summer of 1976 when Dave Vanian, Rat Scabies and Captain Sensible recruited guitarist and songwriter Brian James, they played their first gig supporting the Sex Pistols at the 100 Club and quickly signed to Stiff Records and began writing the very first chapter of the punk rock history books. Their debut 7” - New Rose – was written by Brian James and backed by a proto-thrash version of The Beatles’ Help. It was recorded by Stiff’s in-house producer, Nick Lowe and set the punk dream alight at exactly 9.00am when record shops opened for business on 22 October 1976, stealing a march on the Pistols by becoming what is widely acknowledged as the very first punk record ever released.The band really came into their own with their second single - Neat Neat Neat - which had two cuts on the B-side, Stab Yor Back and Singalongascabies. Produced, like New Rose, by Nick Lowe, the vinyl had a message from one band member scratched in the run-out groove: “this is your captain speaking...” So what were Captain Sensible’s favourite acts on Stiff, one journalist asked him in 2007? “I wasn't interested!” he insists. “It was mainly pub rock in the early days, which we despised and sneered at in our young and snotty way…” After a special 7” - Stretcher Case Baby - cut to give away at gigs celebrating the band’s first anniversary, they went back into the studio, this time with Pink Floyd’s Nick Mason at the controls. Third single Problem Child was written by Brian James with Rat Scabies and featured new recruit Lu Edmonds on guitar. An incendiary two minutes of the band in their prime, it failed to crack the UK top 40 but did make number 27 in NME’s alternative singles chart. By the end of 1977, the Damned were ready to part with Stiff, just as Brian James and Lu Edmonds were ready to part with The Damned. Their last single was Don’t Cry Wolf, backed with another Nick Mason-produced track, One Way Love. This LP includes first seven The Damned's 7's on one LP! Includes double-sided insert. A1 - A2 "New Rose" 7'' (1976) A3 - A5 "Neat Neat Neat" (1977) A6 - A7 "Problem Child" (1977) A8 - A9 "Stretcher Case Baby" (1977) A10 "Don't Cry Wolf / One Way Love" (1977) B1 "Don't Cry Wolf / One Way Love" (1977) B2 - B3 "Smash It Up" (1979) B4 - B6 "Love Song" (1979) (Zero Thoughts Records/Unofficial Release)
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This LP includes five The Damned's 7's on one LP! Includes double-sided insert. A1 - A3 "I Just Can't Be Happy Today" 7'' (1980) A4 - A6 "The History Of The World - Part I" (1980) A6 - B1 "Wait For The Blackout" (1980) B2 - B4 "White Rabbit" (1980) B5 - B7 "There Ain't No Sanity Clause" (1980) (Zero Thoughts Records/Unofficial Release)
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This LP includes five The Damned's 7's on one LP! Includes double-sided insert. A1 - A3 "I Just Can't Be Happy Today" 7'' (1980) A4 - A6 "The History Of The World - Part I" (1980) A6 - B1 "Wait For The Blackout" (1980) B2 - B4 "White Rabbit" (1980) B5 - B7 "There Ain't No Sanity Clause" (1980) (Zero Thoughts Records/Unofficial Release)
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Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. Young, Loud and Snotty is the first studio album by the American punk band Dead Boys. It was recorded and released in 1977 on Sire Records, produced by Genya Ravan. The album is the only Dead Boys album to chart, peaking at 189 on the Billboard 200 in November 1977. The album was included at #7 on the Rolling Stone "10 Greatest Punk Rock Albums" reader poll. Label: Fanclub/Unofficial Release
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Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock Albums! -Rolling Stone – “Best Top 10 Punk Albums of All Time” -Sourced from the original master tapes -Pressed at RTI for Maximum Fidelity -Limited Edition Clear With Red Vinyl. (Jackpot Records)
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Live at the earth tavern Portland, Nov 19 1979 - FM broadcast. SIDE A Kidnap Dead End Your Emotions Kill The Poor California Uber Alles Gaslight Police Truck SIDE B Saturday Night Holocaust Back In Rhodesia The Man With The Dogs Ill In The Head Holiday In Cambodia Chemical Warfare Rawhide (Suicidal - SUX291/Fanclub Release)
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THE CLASSIC 1980 DEAD KENNEDYS’ ALBUM, REMIXED FROM THE ORIGINAL MULTI-TRACK TAPES. • REMIXED BY CHRIS LORD-ALGE, GUIDED BY EAST BAY RAY AND KLAUS FLORIDE. • ALSO FEATURING PREVIOUSLY UNSEEN IMAGERY, EXTENSIVE ESSAY AND CONTRIBUTIONS FROM COUNTLESS ARTISTS INSPIRED BY THE ORIGINAL ALBUM • A REMARKABLE SONIC REVISITATION OF THIS MASTERPIECE! San Francisco’s Dead Kennedys arrived onto the post punk scene of the late 70s and early 80s with something to say and an urgent, razor sharp sound. Via two early singles they delivered the classic ‘Fresh Fruit For Rotting Vegetables’ in 1980. In the intervening decades the album has never failed to inspire and challenge everybody who came across it. This new mix, produced by Chris Lord-Alge gives incredible new sonic clarity to those songs, accompanied by sleevenotes from Amy Linden and East Bay Ray, alongside contributions from Dave Grohl, Duff McKagan and many other artists inspired by the record over the years. “We tried one song, ‘Chemical Warfare’. What Chris came back with was amazing. Everyone heard the difference, so we said, ‘All right, let’s go!’.” – East Bay Ray This new 2022 Mix demonstrates the enduring power of this music, and the relevance of its message today. A revolutionary, must-hear experience for everybody familiar with the original! Track Listing: 1 Kill The Poor 2 Forward To Death 3 When Ya Get Drafted 4 Let’s Lynch The Landlord 5 Drug Me 6 Your Emotions 7 Chemical Warfare 8 California Über Alles 9 I Kill Children 10 Stealing Peoples’ Mail 11 Funland At The Beach 12 Ill In The Head 13 Holiday In Cambodia 14 Viva Las Vegas Label: Cherry Red Records Barcode: 5013929185531
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THE CLASSIC 1980 DEAD KENNEDYS’ ALBUM, REMIXED FROM THE ORIGINAL MULTI-TRACK TAPES. • REMIXED BY CHRIS LORD-ALGE, GUIDED BY EAST BAY RAY AND KLAUS FLORIDE. • ALSO FEATURING PREVIOUSLY UNSEEN IMAGERY, EXTENSIVE ESSAY AND CONTRIBUTIONS FROM COUNTLESS ARTISTS INSPIRED BY THE ORIGINAL ALBUM • A REMARKABLE SONIC REVISITATION OF THIS MASTERPIECE! San Francisco’s Dead Kennedys arrived onto the post punk scene of the late 70s and early 80s with something to say and an urgent, razor sharp sound. Via two early singles they delivered the classic ‘Fresh Fruit For Rotting Vegetables’ in 1980. In the intervening decades the album has never failed to inspire and challenge everybody who came across it. This new mix, produced by Chris Lord-Alge gives incredible new sonic clarity to those songs, accompanied by sleevenotes from Amy Linden and East Bay Ray, alongside contributions from Dave Grohl, Duff McKagan and many other artists inspired by the record over the years. “We tried one song, ‘Chemical Warfare’. What Chris came back with was amazing. Everyone heard the difference, so we said, ‘All right, let’s go!’.” – East Bay Ray This new 2022 Mix demonstrates the enduring power of this music, and the relevance of its message today. A revolutionary, must-hear experience for everybody familiar with the original! Track Listing: 1 Kill The Poor 2 Forward To Death 3 When Ya Get Drafted 4 Let’s Lynch The Landlord 5 Drug Me 6 Your Emotions 7 Chemical Warfare 8 California Über Alles 9 I Kill Children 10 Stealing Peoples’ Mail 11 Funland At The Beach 12 Ill In The Head 13 Holiday In Cambodia 14 Viva Las Vegas Label: Cherry Red Records Barcode: 5013929185517
