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Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980 through Cherry Red Records in the United Kingdom and later issued by Jello Biafra's own Alternative Tentacles label in the United States. The best selling and generally the most critically acclaimed album by Dead Kennedys, Fresh Fruit for Rotting Vegetables has become a major staple of American punk. It is the only Dead Kennedys album to feature drummer Ted and guitarist 6025. Label: Cherry Red Records Barcode: 5013929101029 -
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Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980 through Cherry Red Records in the United Kingdom and later issued by Jello Biafra's own Alternative Tentacles label in the United States. The best selling and generally the most critically acclaimed album by Dead Kennedys, Fresh Fruit for Rotting Vegetables has become a major staple of American punk. It is the only Dead Kennedys album to feature drummer Ted and guitarist 6025. The classic debut album on 180gm vinyl with restored original poster & two 7" sleeve replica prints. The poster contains lyrics. Label: Cherry Red Records Barcode: 5013929164017 -
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The 1978 rehearsal tapes/demos of their first recordings, including ?Holiday In Cambodia? and ?California Uber Alles," with the original band of Jello Biafra, East Bay Ray, Klaus Floride, Ted and 6025. These tapes have never been released in any form anywhere and this is the first new Dead Kennedys anything in about 13 years. (Manifesto – MFO 42911)
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Live at the Deaf Club is a live album released by the Dead Kennedys in 2004 and had a limited edition re-release 2013 in the UK on Let Them Eat Vinyl. The actual performance took place at the San Francisco Deaf Club on March 3, 1979. The performance was unique in that this was the last time their rhythm guitarist 6025 performed with them. It also includes original drummer Ted, later replaced in February 1981 by D.H. Peligro. Also, the song "Gaslight" and their covers of "Back in the U.S.S.R." and "Have I the Right" are not found on any other DK album (The Deaf Club recordings of "Short Songs" and "Straight A's" are featured on the compilation album Give Me Convenience Or Give Me Death and the hard-to-find Can You Hear Me? Music From The Deaf Club along with "Police Truck"). "Back in Rhodesia" is an early version of "When Ya Get Drafted" with a different chorus than the final version. "Kill the Poor" is also a "disco" version minus the introduction. SIDE A 1. Introduction By DJ Johnny Walker 2. Kill The Poor (Disco Version) 3. Back In Rhodesia 4. Man With The Dogs 5. Gaslight 6. California UberAlles 7. Ill In The Head SIDE B 8. Straight A's 9. Short Songs 10. Holiday In Cambodia 11. Police Truck 12. Forward To Death 13. Have I The Right? 14. Back In The U.S.S.R. 15. Viva Las Vegas Label: Audio Platter Barcode: 0803341588226 https://youtu.be/cUYAMxZ9bMg
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The mighty Death Side, my favorite - together with Bastard - hardcore band to ever come out of Japan. Originally released on Selfish Records in 1989. One of the best hardcore records ever. Label: Feral Ward/Unofficial
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US Import. Death were a black power trio from Detroit who released a single in 1975 and pretty much disappeared after that. Inspired by the raw Rock 'N' Roll of the Stooges and MC5, the three brothers moved away from their Funk/R&B roots into a new realm.... for the Whole World to See features the two songs from the single ('Keep on Knocking' and 'Politicians in My Eyes') and five other tracks. MOS DEF SAYS: "These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows about them. I don't understand how the world could forget them. You really should read up on the history of this Rock n' Roll artifact. A google search will help; something like "death band punk 1974"... The album reminds me of these bands: MC5, The Jam, Zero Boys, Early Police, RadioBirdMan - to name a few. If any of those bands are at your top 10, then this is a must have piece in your collection. NOTE: They are also selling it on vinyl on here!!! The story to this piece of work is very interesting not to mention inspiring to say the least. The songs? All are hits in my mind. I just wish there were more!" Label: Drag City Records Barcode: 0781484038726
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US Import. Death were a black power trio from Detroit who released a single in 1975 and pretty much disappeared after that. Inspired by the raw Rock 'N' Roll of the Stooges and MC5, the three brothers moved away from their Funk/R&B roots into a new realm.... for the Whole World to See features the two songs from the single ('Keep on Knocking' and 'Politicians in My Eyes') and five other tracks. MOS DEF SAYS: "These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows about them. I don't understand how the world could forget them. You really should read up on the history of this Rock n' Roll artifact. A google search will help; something like "death band punk 1974"... The album reminds me of these bands: MC5, The Jam, Zero Boys, Early Police, RadioBirdMan - to name a few. If any of those bands are at your top 10, then this is a must have piece in your collection. NOTE: They are also selling it on vinyl on here!!! The story to this piece of work is very interesting not to mention inspiring to say the least. The songs? All are hits in my mind. I just wish there were more!" Label: Drag City Records Barcode: 781484038719
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I Don’t Want to Grow Up is the second album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It marked the end of a two-year hiatus for the band, during which singer Milo Aukerman had attended college and drummer Bill Stevenson had joined Black Flag. I Don’t Want to Grow Up was the first of two albums the Descendents recorded with guitarist Ray Cooper, and their last with original bassist Tony Lombardo, who quit the group because he did not want to go on tour. Though recorded quickly and without much rehearsal time, I Don’t Want to Grow Up received positive reviews from critics, who praised its catchy songs, strong melodies, and pop-influenced love songs. Label: New Alliance/Unofficial Release
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Punk classic back in print! Milo Goes to College is the first full-length album by the American punk rock band the Descendents, released in 1982 through New Alliance Records. Its title referred to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot. It was the Descendents' last record with founding guitarist Frank Navetta, who quit the band during the hiatus that followed its release. (New Alliance/Unofficial Release)
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Killer Klowns from Outer Space is an Mini LP by American punk rock band The Dickies. It was released in 1988 by Enigma Records.It contains the song "Killer Klowns," the title song of the 1988 film Killer Klowns from Outer Space. South Californian artist Shag designed and executed the album cover artwork, the first of various collaborations with The Dickies. (Puke N Vomit)
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Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists! Label: Survival Research Records Barcode: 0634438056720
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Throughout the 80s and into the 90s, Milwaukee’s Die Kreuzen challenged audiences by pushing the boundaries of what a hardcore band could do, experimenting with sounds far removed from the constraints of the genre. The band broke up in 1992, leaving behind four full lengths, a slew of singles and compilation appearances and an incredible amount of influence. For the remainder of the decade, its members went on to pursue other projects, both musical and otherwise. Meanwhile, the band’s legendary status began to quietly grow amongst musicians and music fans alike. Two classic LP on one CD. 1 - 14 October File, LP (1986) recorded at Multi-Track Studios, Detroit, October, '85. 15 - 34 Die Kreuzen, LP (1984) (Touch And Go Records)
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This is the classic debut from Milwaukee's DIE KREUZEN originally released in 1984, who seamlessly blended hardcore-punk with darker elements to create a unique sound that nobody has been able to duplicate. A 24 song must have. More then a classic piece of vinyl - A definitive '80s hardcore band. Vinyl includes a digital download card. (Touch And Go Records)
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A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic. Tracks 15-23 are bonus single versions not on the original release. Tracklist 1 Hear Nothing See Nothing Say Nothing 2 The Nightmare Continues 3 The Final Blood Bath 4 Protest And Survive 5 I Won't Subscribe 6 Drunk With Power 7 Meanwhile 8 A Hell On Earth 9 Cries Of Help 10 The Possibility Of Life's Destruction 11 Q: And Children? A: And Children 12 The Blood Runs Red 13 Free Speech For The Dumb 14 The End Bonus Tracks 15 Never Again 16 Death Dealers 17 Two Monstrous Nuclear Stockpiles 18 State Violence State Control 19 Dooms Day 20 Warning 21 Where There Is A Will There Is A Way 22 In Defence Of Our Future 23 Anger Burning Label: Captain Oi! Barcode: 5032556362023
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A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, . Originally released on the CLAY record label in 1982, this masterpiece gave inspiration to literally hundreds in the extreme metal and hardcore punk areas for the subsequent four decades and its legacy remains invaluable to this day. This album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado All time hc/punk classic. Label: Radiation Records Barcode: 8055515232486
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The Nightmare Continues' was recorded at Tunstall Town Hall, Stoke-on-Trent in 1983 by legendary hc punk rock band DISCHARGE. Originally issued by Clay Records in 1990, it features Discharge favourites such as 'Never Again', 'Decontrol', 'Why', 'realities Of War', plus many more! (Let Them Eat Vinyl Records)
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A live document recorded in Toronto – Larry's Hideaway – Canada 1983. Featuring the “Warning” Line up of Cal – Vocals, Garry – Drums, Rainy – Bass and Pooch Guitar. Killer track list and remastered by Jon Mitchell at Outhouse studios. SIDE A: 1. Warning 3:03 / 2. Hear Nothing See Nothing Say Nothing 1:22 / 3. The Nightmare Continues 1:44 / 4. Where There Is A Will There Is A Way 1:53 / 5. Never Again 2:03 / 6. Anger Burning 2:23 / 7. The Blood Runs Red 1:25 SIDE B: 8. Born To Die In The Gutter 2:30 / 9. Protest And Survive 2:43 / 10. In Defence Of Our Future 2:12 / 11. State Violence State Control 2:57 / 12. The Price Of Silence 2:16 / 13. The More I See 1:56 / 14. Decontrol 3:37 Label: Audio Platter Barcode: 0803341567207
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A No.1 Indie chart topper when originally released in 1981, this was a 10 track mini LP first issued by collectable Clay Records. We’ve added 14 bonus including the Indie Chart hit singles ‘Realities Of War’ (No.5, 44 weeks), ‘Fight Back’ (No.4, 46 weeks) and ‘Decontrol’ (No.2, 44 weeks) to what has already been generally acclaimed as THE UK Hardcore Punk record. The influence this album and Discharge have had on the world-wide Punk movement is impossible to measure – they started a whole genre of “Discore” bands and have been covered by so many Punk and Metal bands (Metallica, Sepultura, Machine Head, Soulfly and Anthrax to name a few) – Punk Rock does not get rawer then this! Tracklist 1 Visions Of War 1:39 2 Does This System Work 1:16 3 A Look At Tomorrow 1:55 4 Why 1:10 5 Maimed And Slaughtered 1:06 6 Mania For Conquest 1:15 7 Ain't No Feeble Bastard 1:29 8 Is This To Be 1:31 9 Massacre Of Innocents (Air Attack) 1:23 10 Why (Reprise) 1:49 Bonus EP Tracks 11 Realities Of War 1:09 12 They Declare It 1:12 13 But After The Gig 1:15 14 Society's Victim 1:14 15 Fight Back 1:17 16 War's No Fairytale 1:17 17 Always Restrictions 1:18 18 You Take Part In Creating This System 1:16 19 Religion Instigates 1:38 20 Decontrol 2:35 21 It's No T.V. Sketch 1:33 22 Tomorrow Belongs To Us 1:33 23 Maimed And Slaughtered (Live - Apocalypse Punk Tour 1981) 1:21 24 Decontrol (Live - Apocalypse Punk Tour 1981) Label: Captain Oi Barcode: 5032556361927
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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats. All time hc/punk classic. Label: Radiation Records Barcode: 8055515232493
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This early singles compilation was originally only released in Japan in 1984. The Puke N Vomit full-length builds on the '80s, Japanese-only version and compiles all the band's first four, self-released records: the "Complete Disorder" EP (1981), "Distortion To Deafness" 7" (1981), "Perdition" EP (1982), and the "Mental Disorder" EP (1983). Another Disorder album loaded with classic, raw, pissed-off, belligerent, '80s, UK punk. Label: Puke N Vomit Records
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Even with the departure of original singer Mike McCoughlin, The Dropkick Murphys didn't miss a beat. They simply recruited pal and fellow Bostonian Al Barr for vocals and released THE GANG'S ALL HERE, which builds on the band's working class, punk rock sound, but also reflects the influence of Irish folk tunes with covers of "The Fighting 69th" and "Amazing Grace" (complete with bagpipes). With songs that articulate the burdens and exultations of blue-collar America, the Dropkick Murphy's touch a nerve in all people fighting for a better life. Label: Hellcat Records
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Deluxe and limited reissue of this 1982 punk classic will be pressed on 140g clear and white mixed vinyl and comes with a bonus 7” Christmas 45rpm single pressed on transparent red vinyl that comes in a repro of the original picture sleeve. The Christmas single has been out of print since original release in 1982. Package will also include a cardboard art-stencil of the band logo from the cover art. All tracks previously released. LP: 1.Let'’s Have A War 2. Beef Boloney 3. Camarillo 4. I Don’t Care About You 5. New York’s Alright If You Like Saxophones 6. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. I Love Livin’ In The City 10. Disconnected 11. We Got To Get Out Of This Place 12. Fresh Flesh 13. Getting The Brush 14. No More Nothing 7” single Side A: Fuck Christmas / 7” single Side B:(Beep) Christmas "When John Belushi tried to book Black Flag on Saturday Night Live the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. make no mistake, The Record is aggressive, offensive, and loud - it is the sound of a kid flipping the bird. and there is a barreling, garage-like catchiness to anthems such as 'I Love Living in the City.' the difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in 'Let's Have a War.' ving may be giving everyone within earshot the finger but he's doing it from a moving car." (Rhino/Warner/2021)
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The third LP by Generation X’s original line-up, recorded in 1979 and unreleased until 1998. An essential piece in the discography of one of the original UK punk bands. 180g vinyl. In early 1979 Generation X went to the English countryside to write and ‘routine’ the band’s third album. We felt we had a new sound, simple songs delivered with more space than most rock’n’roll, so we went into Olympic Studios in Barnes, London and began recording with the house engineer, Doug Bennett, as co-producer. Most of the songs were recorded before our tour of Japan in June ’79. On our return Billy came into the studio with an outline of a song called ‘Dancing With Myself’. We went to work on it and pretty much finished it quickly and we felt it was the song to lead the album, a single I guess… Then I left the band at the end of the year and carried the fuckin’ stack of 1/4” master tapes around the world for many years. A year or so later they changed the band name to Gen X and re-recorded four or five songs for the album “Kiss Me Deadly”. Billy later released the re-recorded version of ‘Dancing With Myself’ for his solo career in America and the rest is history… After years in storage my tapes were nearing the end of their life, so I digitized them in order to save this lost treasure. I named the album “KMD Sweet Revenge”. Some time later the album was released in Germany, Japan, Spain and supposedly the USA, however the release in America was quashed until Capitol Records put out their own version within a 3-CD anthology of the band, using some different mixes of the songs from cassette tapes. The recordings are almost complete minus a few guitar solos and final mixes. Time on Generation X had run out, but this album clearly shows the direction the band were heading and is worth documenting and certainly worth playing. For your pleasure… Sweet Revenge. Bob “Derwood” Andrews Generation X (also known as Gen X) were an English punk rock band from Chelsea (London, United Kingdom) formed on 1976 by Billy Idol, Tony James and John Towe. Label: Munster Records Barcode: 8435008836313
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The legendary final concert with founding member Darby Crash, presented in its entirety for the first time ever Unique packaging in the vein of a punk fanzine, complete with a reproduction of the handwritten set list After The Germs’ snarling debut “Forming” helped usher in the West Coast punk scene in 1977, singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom, and drummer Don Bolles returned two years later with (GI), an unrelenting onslaught of primal pounding and verbal venom that influenced a generation. But it was the group’s unhinged concerts. Includes fold-out poster and mini-fanzine. Limited / numbered to 1,970 LPs worldwide Recorded live at the Starwood, Dec. 3, 1980. Original Photography by Ann Summa, Gary Leonard. Original artwork by: Hackmart Inc. Vinyl release produced by Matt Block Mastered for vinyl by Levi Seitz at Black Belt Mastering Design: Steven Jurgensmeyer. Label: Run Out Groove, Slash, Rhino Records Barcode: 081227911416
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Sale!Out of stock
Porterhouse Records is excited to announce the Worldwide debut of M.I.A. (The Complete Anthology) from punk icons The Germs. First released on Compact Disc in 1993 this release has never been pressed on vinyl in the past. Completely re-mastered and re-sequenced for vinyl. The album GI appears as one 12" LP and the other LP sees the complete original sequence of the What We Do Is Secret EP, including the Live version of The Other Newest One and previously deleted live dialogue from lead singer Darby Crash. You'll now be able to experience the EP as it was actually intended to be heard. This collection represents the band’s entire recorded studio works including songs from the “Cruising” Original Motion Picture Soundtrack. Porterhouse’s attention to detail ensures world class mastering, plating and pressing as well as dead-on artwork and a full reproduction of the original liner notes. Additionally, songs recovered from the Cruising Motion Picture Soundtrack and the band's early 7"s will complete the flip-side of the second LP in the anthology. The initial pressing of The Complete Anthology consists of a two LP set featuring black and blue vinyl with reverse labels. 1 - 16 taken from the Slash Records album "GI" # SR-103. 10/79. ℗ 1979 Slash Records. Published by Crash Course Music, BMI. Adm. by Bug Music. 17 - 22 taken from the Slash Records EP "What We Do Is Secret" SREP-108. 8/81. ℗ 1977 Iloki Records. Licensed from Iloki Records. Published by ARC Music, BMI. Adm. by Bug Music. 23 & 24 taken from What? Records single #WHAT 01. 7/77. ℗ 1977 Iloki Records. Licensed from Iloki Records. Published by APRS, BMI. 25 - 28 taken from the Lorimar Pictures Soundtrack recording sessions for "Cruising". ℗ 1979 Warner Bros. Licensed from Warner Bros. Published by Crash Course Music, BMI. Adm. by Bug Music. 29 taken from the Lorimar Pictures Soundtrack "Cruising". 1980. #JC 36410. ℗ 1979 Sony Music Entertainment, Inc. Licensed from Sony Music Special Products, a division of Sony Music Entertainment, Inc. Published by Management 3 Music, BMI. Adm. by Cherry Lane Music Publishing Co. 30 taken from What? Records compilation "What Is It?" #W12 2403. 9/82. ℗ 1977 Iloki Records. Licensed from Iloki Records. Published by APRS, BMI. Side A 1. What We Do Is Secret 2. Communist Eyes 3. Land of Treason 4. Richie Dagger’s Crime 5. Strange Notes 6. American Leather 7. Lexicon Devil 8. Manimal 9. Our Way 10. We Must Bleed Side B 1. Media Blitz 2. The Other Newest One 3. Let’s Pretend 4. Dragon Lady 5. The Slave 6. Shut Down Side C 1. Round and Round 2. Lexicon Devil 3. Circle One 4. Caught In My Eye 5. No God 6. The Other Newest One 7. My Tunnel Side D 1. Forming 2. Sex Boy 3. Throw It Away 4. Not All Right 5. Now I Hear The Laughter 6. Going Down 7. Lion’s Share 8. Forming 2 (Porterhouse Records)
