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ABSENT IN BODY make their Relapse Records debut with the terrifying new album Plague God. Featuring current and former members of AMENRA, NEUROSIS, and SEPULTURA, Plague God is bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance. Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound. Initially the brainchild of AMENRA guitarist Mathieu J. Vandekerckhove, and NEUROSIS vocalist/guitarist Scott Kelly, ABSENT IN BODY formed in 2017. Immediately recognizing their kinship, and with AMENRA frontman Colin H. Van Eeckhout brought in on vocals and bass, what emerged is a reflection of the intervening years of turbulence, extending it's scope as it navigates across five stretches of unstable terrain. From the opening Rise From Ruins with Sepultura drummer, Iggor Cavelera’s tribal beat emerging from foreboding, near-subsonic oscillations to explode in a tide of corrosive riffs and feral howls, through Sarin’s steadfast, procession-through-purgatory groove, to The Half Rising Man’s matrix of organic/mechanic evolution, it’s an album in constant dialogue between the animalistic, the human and the industrial, and a hunger to distill a truth, something unpolluted from the fray. Plague God doesn’t just give voice to these moments of truth, but in the band’s deep kinship integral to every claustrophobic judder, every stretch of atmospheric dread and helpless alias assumed, lies a freedom we both forget and attain at our peril. (Relapse Records) -
The legendary BORIS celebrate a 30 year career as one of experimental music's most forward-thinking, heavy, and innovative bands with the new album Heavy Rocks (2022). Continuing their series of Heavy Rocks records, BORIS once again channels the classic proto-metal sounds of the 70s into something all new. The album, 10 pulse-pounding tracks, highlight the very trajectory of BORIS and their storied career - from the driving, fuzzed out Rock N' Roll opener "She is Burning", to the punk, raucous "My Name is Blank", BORIS are heavier than ever before. "Question 1" is just kickass - D-beats give way to a doomed, spaced out and heavier-than-anything guitar wailing and feedback, before diving back into their Metal, sending the listener into a complete frenzy. This is unmistakably BORIS, and this is the band at the height of their powers. Elsewhere on the record, a more daring, "out there" side of the band begins to shine on tracks such as the aptly titled "Blah Blah Blah", the industrial "Ghostly Imagination" and the truly wild "Nosferatou". Noisy passages (not unlike prior collaborations with legendary artists like Merzbow,) collide with visceral vocal howls while a relentless, almost Zornian-saxophone shreds harder than any guitar solo ever could. In 2022, BORIS cement what Heavy Rock means to them, and release one of their most captivating records to date. (Relapse Records)
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The legendary BORIS celebrate a 30 year career as one of experimental music's most forward-thinking, heavy, and innovative bands with the new album Heavy Rocks (2022). Continuing their series of Heavy Rocks records, BORIS once again channels the classic proto-metal sounds of the 70s into something all new. The album, 10 pulse-pounding tracks, highlight the very trajectory of BORIS and their storied career - from the driving, fuzzed out Rock N' Roll opener "She is Burning", to the punk, raucous "My Name is Blank", BORIS are heavier than ever before. "Question 1" is just kickass - D-beats give way to a doomed, spaced out and heavier-than-anything guitar wailing and feedback, before diving back into their Metal, sending the listener into a complete frenzy. This is unmistakably BORIS, and this is the band at the height of their powers. Elsewhere on the record, a more daring, "out there" side of the band begins to shine on tracks such as the aptly titled "Blah Blah Blah", the industrial "Ghostly Imagination" and the truly wild "Nosferatou". Noisy passages (not unlike prior collaborations with legendary artists like Merzbow,) collide with visceral vocal howls while a relentless, almost Zornian-saxophone shreds harder than any guitar solo ever could. In 2022, BORIS cement what Heavy Rock means to them, and release one of their most captivating records to date. (Relapse Records)
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The legendary CAVE IN makes a highly anticipated return with their Relapse Records debut, Heavy Pendulum, their first full studio record in over a decade. The band (Stephen Brodsky - Guitar/Vocals, Adam McGrath - Guitar/Vocals, John-Robert Conners - Drums) sees a revival following the addition of Nate Newton (Converge, Doomriders, Old Man Gloom) on bass and vocals. Produced by Kurt Ballou at God City, Heavy Pendulum showcases everything that has long established CAVE IN as one of the best contemporary rock, hardcore, and metal bands since their monumental 1998 debut Until Your Heart Stops. From the driving tracks such as crushing opener "New Reality" to the metallic edge of "Blood Spiller", Heavy Pendulum sees CAVE IN look back at their discography and capture their most memorable, visceral, and forward-thinking moments to create a record that is all at once familiar and in true CAVE IN fashion, ahead of the mainstream. (Relapse Records)
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Reissue 2CD contains the core album on disc 1 remastered from the original tapes, plus a 2nd disc containing never before released 4-track instrumental demos. The classic genre-defining album now remastered with the original sequence and including tons of previously unreleased bonus material! Label: Relapse Records – RR7504 Barcode: 781676750429
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The classic genre-defining album now remastered with the original sequence. Cave In have had many musical identities since their inception in Methuen, MA, in 1995, but the one that first established them as underground heroes was the dizzying, face-ripping metal blowout now known the world over as Until Your Heart Stops. - J Bennett / Decibel Magazine Until Your Heart Stops continues and widens Cave-In's assault upon body and mind. The chugga-chugga chunks are still there, this time refined into escalating and edgy walls of sound that owe a large debt to Slayer. Newly present, however, are forays into psychedelia and noise. At times expansive and at other times dark and claustrophobic, these always aggressive ventures open new doors for Cave-In. When fused with the usual jarring assemblage of riffs, a bold and original heavy music is created. Perhaps the only band who has successfully tread similar ground is Neurosis. Until Your Heart Stops' production is a major force as well; the band's undertakings are captured and conveyed in a way that at times sound impossibly dense, balancing gut-stabbing bottom end with piercing highs. This is one key factor among many that burn away the hardcore framework through which Cave-In originally slipped. - Matt Kantor / All Music Forget Master of Puppets and the ever-evolving D&D discs of Mastodon for a minute. If there’s one metal record we reach for on a regular basis, it’s Cave In’s first proper full-length, the decade-old Until Your Heart Stops. A dizzying array of chord-climbing riffs, speaker-rattling vocals and traumatic time changes—not to mention the anvil-dropping rhythm section of drummer J.R. Conners and bassist Caleb Scofield—it’s a prime example of masochistic pop music, catchy but chaotic stuff that wouldn’t sound out of place while driving your car off a cliff. - Self-Titled Magazine Label: Relapse Records Barcode: 0781676750412
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. Now remixed, remastered, repackaged and featuring over an hour of newly unearthed and previously unreleased early demo tracks, Human 2011 is the definitive edition of this true metal classic. Label: Relapse Records Barcode: 0781676716524
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. (Relapse Records)
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. Remixed by DEATH mastering engineer Alan Douches (West West Side), remastered, repackaged and featuring tons of newly unearthed and previously unreleased demo and live tracks, this is the ultimate version of Individual Thought Patterns. Label: Relapse Records Barcode: 0781676717125
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. Black Vinyl. (Relapse Records)
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released the Individual Thought Patterns album (the follow-up to their watershed Human release) in 1993. Expectations were high following Human, but Schuldiner proved once again that he could rise to any occasion. Individual Thought Patterns further honed the forward-thinking and progressive direction birthed with Human, and included “The Philosopher”; arguably the best song to ever come from the world of extreme metal and to this date the most widely-recognized. (Relapse Records)
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The sixth installment in Relapse's exhaustive reissue campaign of DEATH's immensely influential catalog is Leprosy, the band's titanic second album. Originally released in 1988 Leprosy was a pioneering album, building upon the thrash sounds of Metallica and Slayer but adding a previously unheard level of raw extremity. These songs are the roots of an entire genre: death metal. While this was only the second record DEATH released, it immediately cemented them as heavy metal icons. Meticulous care has been put into this reissue. The entire album, as well as the bonus material has been painstakingly remastered by Alan Douches (Mastodon, Nile, etc). Deluxe 2xCD contains 50 minutes of previously unheard and unreleased Leprosy demos and rehearsal material housed in an embossed o-card package with a 24 page booklet featuring unseen pictures of the band as well as brand new liner notes from Ian Christe (Sirius/XM) and Jeremy Wagner (Broken Hope). Label: Relapse Records Barcode: 0781676722822
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The sixth installment in Relapse's exhaustive reissue campaign of DEATH's immensely influential catalog is Leprosy, the band's titanic second album. Originally released in 1988 Leprosy was a pioneering album, building upon the thrash sounds of Metallica and Slayer but adding a previously unheard level of raw extremity. These songs are the roots of an entire genre: death metal. While this was only the second record DEATH released, it immediately cemented them as heavy metal icons. Meticulous care has been put into this reissue. The entire album, as well as the bonus material has been painstakingly remastered by Alan Douches (Mastodon, Nile, etc). Includes Digital Download (Relapse Records)
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DEATH's legendary 1987 debut Scream Bloody Gore is more than just an untouchable album - upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and leads than the world had ever imagined, and established Chuck Schuldiner's inimitable phrasing and songwriting style as the most singular voice in the burgeoning genre. Today, the album is viewed unanimously as one of the all-time most important cornerstones of death metal. As the final chapter in Relapse's comprehensive DEATH reissue series, Scream Bloody Gore will now receive the deluxe reissue treatment on a wide variety of formats including 2CD, Limited Edition 3CD, LP, Deluxe 2xLP Boxset, and cassette versions. Like the preceding DEATH reissues, the deluxe reissue of Scream Bloody Gore has been meticulously remastered from the original tapes by Alan Douches (Death, Mastodon, Nile) and includes a plethora of bonus content, including previously unreleased recordings and rehearsal demos, super-expanded packaging, and brand-new extensive liner notes from former DEATH drummer / Autopsy founder Chris Reifert, Sepultura's Max Cavalera, and original Scream Bloody Gore producer Randy Burns. 2xCD contains 50 minutes of previously unheard and unreleased material from the original Scream Bloody Gore Florida recording sessions and rehearsal material from August 1986. Label: Relapse Records Barcode: 781676732425
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DEATH's legendary 1987 debut Scream Bloody Gore is more than just an untouchable album - upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and leads than the world had ever imagined, and established Chuck Schuldiner's inimitable phrasing and songwriting style as the most singular voice in the burgeoning genre. Today, the album is viewed unanimously as one of the all-time most important cornerstones of death metal. As the final chapter in Relapse's comprehensive DEATH reissue series, Scream Bloody Gore will now receive the deluxe reissue treatment on a wide variety of formats including 2CD, Limited Edition 3CD, LP, Deluxe 2xLP Boxset, and cassette versions. Like the preceding DEATH reissues, the deluxe reissue of Scream Bloody Gore has been meticulously remastered from the original tapes by Alan Douches (Death, Mastodon, Nile) and includes a plethora of bonus content, including previously unreleased recordings and rehearsal demos, super-expanded packaging, and brand-new extensive liner notes from former DEATH drummer / Autopsy founder Chris Reifert, Sepultura's Max Cavalera, and original Scream Bloody Gore producer Randy Burns. Label: Relapse Records Barcode: 781676732418
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DEATH's landmark Spiritual Healing record is nothing short of genre-defining. Originally released in 1990, Spiritual Healing marked a new turn in the DEATH discography, one which ushered in cleaner production, a new level of boundary pushing musicianship and songwriting skills that were previously unimaginable from a metal band. Spiritual Healing sets the standard for riffs, insane time changes and of course mainman Chuck Schuldiner's masterful guitar solos. Double CD housed in super deluxe packaging featuring brand new liner notes from Death players James Murphy and Terry Butler, Chuck’s sister Beth Schuldiner and Michael Poulsen (Volbeat), disc 1 features a completely new remaster of the original album and disc 2 contains 16 previously unreleased rehearsal, outtakes and studio instrumentals. Recorded and mixed at Morrisound Studios, Tampa, Florida. Additional bonus material revitalized and mastered at West West Side Music. All liner notes August 2012. (Relapse Records)
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DEATH's landmark Spiritual Healing record is nothing short of genre-defining. Originally released in 1990, Spiritual Healing marked a new turn in the DEATH discography, one which ushered in cleaner production, a new level of boundary pushing musicianship and songwriting skills that were previously unimaginable from a metal band. Spiritual Healing sets the standard for riffs, insane time changes and of course mainman Chuck Schuldiner's masterful guitar solos. (Relapse Records)
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DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released its final studio album The Sound of Perseverance (’98) to massive worldwide critical acclaim. The Sound of… is the masterstroke of one of metal’s true pioneers and innovators, and indeed worthy of the worship, adoration, and accolades that announced its original release (’98). Now remastered, repackaged and featuring over an hour of newly unearthed and previously unreleased material(extra tracks and early demos), this is the definitive edition of this timeless classic. (Relapse Records)
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Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns! Label: Relapse Records
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Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns! Comes in single-pocket jacket with fold-out insert. Violet Vinyl. Label: Relapse Records Barcode: 781676745715
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Philadelphia’s DEVIL MASTER have been spitting in the face of convention since forming in 2016 with their raw, twisted brand of death rock meets black metal punk mayhem. Manifestations is a compilation of DEVIL MASTER’s full catalog, two sold out demos from 2016 & 2017 (Tape & Inhabit the Corpse); remixed, remastered, and sounding more malevolent than before; Label: Relapse Records Barcode: 078167674172
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Philadelphia's DEVIL MASTER stake their claim as one of the most venomous, twisted entities in the underground with their hellish debut, Satan Spits on Children of Light. The album, recorded, mixed, and mastered by Arthur Rizk (POWER TRIP, MAMMOTH GRINDER, OUTER HEAVEN, and more,) rattles the very gates of hell with a vile dose of black metal-infused punk mayhem. Commanding the steel of VENOM, the fury of BATHORY's earliest years, and the raw, uncompromising nature of the notorious GISM, Satan Spits on Children of Light sees DEVIL MASTER emerge from the grave and reach new blasphemous heights. Give in to the Satanic panic and obey your DEVIL MASTER! Label: Relapse Records Barcode: 078167674222
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Destroy the Opposition is the third album by American death metal band Dying Fetus. It was produced by the band and Steve Carr. The album marks a change in Dying Fetus's direction, with political themes becoming dominant, which has continued in all of their subsequent albums. Albert Mudrian, in his 2004 book Choosing Death, cited Destroy the Opposition as one of the most important albums released in 2000. The album was also included in Decibel's Top 100 Albums of the decade list for the 2000s (Decibel Magazine Special Edition, December 2009), as well as to Decibel's "Hall of Fame" (#89, July 2012) Combining an innovative mix of technical virtuosity and catchy song structures, Dying Fetus creates the ultimate blend of death metal, hardcore, and grind. Red [Blood] Cloudy Effect [Pool Of Blood] Vinyl. Label: Relapse Records Barcode: 0781676496419
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FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade. Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds. Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era. In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.” (Relapse Records)
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First ever official CD release - Faithfully constructed to model the layout of the original LP and is housed in a CD wallet with a custom screen printed polybag. Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751723
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Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751716
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"If you’ve ever wondered what Catharsis covering The 13th Floor Elevators might sound like, wonder no longer—and that’s only the start!" - Decibel Magazine GELD make their Relapse Records debut with their third full length, Currency // Castration! The Australian band distills a despairingly hellish vision of the world into a thundering crack to the temple through an unsparing fusion of hardcore’s bleakest violence with metal’s ruthless strength-through-conviction. GELD's abrasive take on the genre is distorted through a lense of fuzzed out psych soundscapes; vocals truly sound like unhinged barks, while guitars, bass, and drums crash against one another frenetically, each track burning brighter and brighter. Every moment of Currency // Castration is urgent. Tracks such as “Chained to a Gate” edge and scratch at a relief that is ultimately denied, toying with the nightmarish promise of a breakdown that never comes. Elsewhere, "Cut You Down" pulses with frantically itching riffs that stream forth. "Fog of War" snaps and snarls; while "Secret Prison" evinces the honed physique of Japanese hardcore fed through the broken brain of someone on a years-long Rrröööaaarrr-era Voivod spin-out. Despite the band's innovative approach to the genre, GELD makes no pretensions at being “interesting” for interesting’s sake - As vocalist Al Smith puts it, “One of the most boring things people can do is try to dress up what someone else has already contributed to a genre and make it ‘clever’… We’re more interested in finding our own position” With Currency // Castration, GELD offers no promise of a higher purpose or resolve. Rather, they lean into dissociation, finding truth and meaning in the transcendental joy of simply escaping, surviving, existing. Label: Relapse Records Barcode: 0781676754113
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Integrity's crucial 6th full length album Closure. Remixed and remastered, featuring all new artwork! Label: Relapse Records Barcode: 0781676754212
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Classic album from the crucial hardcore band Integrity. Remixed and remastered by Arthur Rizk (POWER TRIP, CODE ORANGE, KREATOR, and more,) and featuring all new artwork! Humanity Is The Devil was an aural assault like no other at the time. From the guttural album opener, ''Vocal Test,'' through the slow burn of ''Jagged Visions Of My True Destiny,'' HITD would completely defy genre standards and scene norms. After almost three decades, the resulting waves are still just as apparent as when it was released in 1996. Label: Relapse Records Barcode: 0781676749218
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Integrity's massive 4th full length album Seasons In The Size Of Days. Remixed and remastered, featuring all new artwork! In 1997, INTEGRITY released their most critically controversial record. "Seasons in the size of days" was an enormous departure from the previous rage that was "humanity is the devil". Where previous releases scorched the senses with blistering ferociousness, "seasons" was a more thoughtfully focused dense bleakness. INTEGRITY was never meant to fit into a specific category and nothing exemplified that as much as "Seasons in the size of days". Label: Relapse Records Barcode: 0781676749713
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Systems Overload, a cult classic since it’s original release on Victory records from 1995 remixed & remastered by Arthur Rizk (Power Trip, Code Orange, Kreator). (Relapse Records)
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Those Who Fear Tomorrow is the 1991 debut full-length album from Cleveland metallic hardcore stalwarts INTEGRITY. Recorded in September of that year, the album still resonates with extreme music fans the world over, as many of the songs still frequent the band's setlists 30 years later. Notably, the band’s 1991 debut album “Those Who Fear Tomorrow” features newly recorded drum tracks from Iggor Cavalera (Absent In Body, ex-Sepultura and Brandon Gallagher (Trace Amount). Producer Arthur Rizk (Code Orange, Power Trip) was tasked with the new mixing and mastering jobs for these reissues. (Relapse Records)
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Those Who Fear Tomorrow is the 1991 debut full-length album from Cleveland metallic hardcore stalwarts INTEGRITY. Recorded in September of that year, the album still resonates with extreme music fans the world over, as many of the songs still frequent the band's setlists 30 years later. Notably, the band’s 1991 debut album “Those Who Fear Tomorrow” features newly recorded drum tracks from Iggor Cavalera (Absent In Body, ex-Sepultura and Brandon Gallagher (Trace Amount). Producer Arthur Rizk (Code Orange, Power Trip) was tasked with the new mixing and mastering jobs for these reissues. (Relapse Records)
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Crack the Skye is the fourth studio album by American heavy metal band Mastodon, released on March 24, 2009 through Reprise, Sire and Relapse Records. 2009 release from the Atlanta-based Heavy Metal outfit. Mastodon has taken hold of the leadership of the New Wave of Progressive Heavy Metal. The band's 2006 major-label debut Blood Mountain spun off a Grammy nomination and earned Top 5 Best Album of the Year nods from Kerrang!, Revolver and Metal Hammer, and a Top 10 Rolling Stone. Now Crack the Skye, it's fourth original studio album, mines subject matter from czarist Russia and astral travel to out-of-body experiences and Stephen Hawking's theories on wormholes for an unrepentantly heavy aural assault that will shake the heavens. (Reprise Records / Sire / Relapse Records)
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Mastodon present their anxiously awaited ninth full-length album, Hushed and Grim, via Reprise Records. Over the past year, the group recorded the album in their home town, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and long-time manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory. Released in a 4-panel digisleeve with 16-page booklet. (Reprise Records/2021)
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Mastodon present their anxiously awaited ninth full-length album, Hushed and Grim, via Reprise Records. Over the past year, the group recorded the album in their home town, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and long-time manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory. (Reprise Records/2021) Barcode 093624879756
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Before there was a Swedish Death Metal scene - let alone a signature sound - N2K2 was helping to create both. Nirvana 2002 Recordings '89-'91 is a collection of rare demos and rehearsals from the pioneering band. Repressed for the first time in 10 years, Nirvana 2002 Recordings '89-'91 is not just a nostalgic time capsule from the past, but a glimpse at what the future of Death Metal would hold. THIS IS METAL FROM SWEDEN Features Orvar Säfström, Erik Qvick and Lars Henriksson (Relapse Records) Includes Digital Download
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Sweden's unsung sensations play crushing grindcore with blistering blastbeats, ravenously crusty riffs, and just a hint of that Swedish sound. A lightning speed blitzkrieg of sonic violence. Label: Relapse Records Barcode: 781676698424
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Deluxe 2-Disc set of OBITUARY's landmark album Cause of Death played live in its entirety + 3 bonus tracks not available on vinyl or cassette. Blu-ray/CD set includes the full performance in HD video and audio formats in a 2CD jewel case housed in an O-card wrap. Death Metal legends OBITUARY unearth the new Slowly We Rot - Live and Rotting and Cause of Death - Live Infection live albums available on LP/CS/CD and Blu-ray Bundle/Digital! Both albums, celebrating the influential band's landmark records, were filmed by Odd Life Studios and directed by Lief Thomason. Recorded and mixed by long time producer Joe Cincotta, and mastered by Brad Boatright at Audiosiege, both live albums capture OBITUARY as one of Death Metal's most ripping and unrelenting bands! (Relapse Records – RR7509, Gibtown Records – RR7509)
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Extreme sound nihilists PIG DESTROYER deliver savage grindcore that is both intentionally confrontational, and thoroughly pummeling. 38 Counts of Battery is still an intense register of the band's work as ever. Fully remastered and available on LP for the very first time, 38 Counts of Battery features the remastered 'Explosions in Ward 6' album, tracks from the highly sought-after (and sold out) split with Isis, their scalding demo, and much more. Songs A1 to A18 from the Explosions In Ward 6 CD/LP and remastered for this comp. Songs A19 and B20 from the A Split Seven Inch split 7" with Isis on Relapse Records. Song B21 from the ever-forthcoming thrash covers comp on Ellington Records. Songs B22 to B28 from the Orchid / Pig Destroyer split 7" on Amendment Records and remastered for this comp. Songs B29 to B38 from the Pig Destroyer demo. Label: Relapse Records – RR4152 Barcode: 781676488216
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Limited edition deluxe CDs available with bonus Blind, Deaf and Bleeding EP, expanded packaging and the much talked about short story penned by JR Hayes The undisputed kings of grind, PIG DESTROYER return with their long awaited fourth proper full length Book Burner. Book Burner is a resounding statement of championship, as every element of PIG DESTROYER towers above their closest peers—a 32 minute, 19 song knockout punch of cerebral viciousness. Book Burner is the finest work of extreme music's best band. Label: Relapse Records Barcode: 078167672032
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Almost three years in the making, Pig Destroyer's new album Phantom Limb furthers the enigmatic band's nihilistic, shock and awe attack. PD boil metal down to its muscle, sinew, and bone - razor-sharp guitar, percussive pummeling, and a lone, stark howl - and use them to commit a vicious assault. The lyrics paint loathsome, frightening images of pitch-black self-hatred and the frailty of the human experience. With Phantom Limb, Pig Destroyer provide a musical manifestation of the violent experience of the human animal, and cement their already legendary status. The now legendary, 21st century extreme metal masterpiece available on vinyl for the first time in over 9 years. Contains two bonus songs never before available on vinyl. Label: Relapse Records Barcode: 0781676488612
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Pig Destroyer take you on a rampaging journey through an unsettling, psychotic world. Melding an insane musical attack with similarly jarring lyrical prose and an unmatched propensity to incite. Deluxe reissue of PIG DESTROYER's landmark 2001 Relapse debut Prowler In The Yard fully remixed and remastered by guitarist/engineer Scott Hull complete with a recently unearthed never-before-heard bonus track from the Prowler sessions. Label: Relapse Records Barcode: 0781676488513
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Out of stock
One of the most important extreme metal / grindcore albums of all time now available on vinyl for the first time in over 12 years. Contains four bonus songs never before available on vinyl. Label: Relapse Records Barcode: 0781676449514
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Philadelphia Punks POISON RUIN make their Relapse Records debut with their new album, Harvest! Evoking a rich tapestry of ice-caked forests, peasant revolts, and silent knights, POISON RUIN stab at the pulsing heart of what it means to live under the permanent midnight of contemporary life. With Harvest, the band aligns their sonic palette to their godless, medieval-inflected aesthetic symbolism, creating a record which strikes with an assured sense of blackened harmony. “I’ve always found fantasy tropes to be incredibly evocative,” vocalist Mac Kennedy notes, “that said, even though they are a set of symbols that seem to speak to most people of our generation, they are often either apolitical or co-opted for incredibly backwards politics.” Kennedy reworks fantasy imagery as a series of totems for the downtrodden, stripping it of its escapist tendencies and retooling it as a rich metaphor for the collective struggle over our shared reality: “Instead of knights in shining armor and dragons, it’s a peasant revolt,” Kennedy explains, “I’m all for protest songs, but with this band I’ve found that sometimes your message can reach a greater audience if you imbue it with a certain interactive, almost magical realist element.” The title track invokes images of feudal peasants, tithes, and money-hungry lords, sounding the horn of labor with the rallying cry, “Isn’t this our harvest? Isn’t this our feast to share?” Tales of the undead rising to take revenge upon those who have unknowingly wronged them spin out like pleasantly cathartic folktales (“Resurrection II”), while other tracks address the profound beauty and spirit of those making ends meet in the forsaken ends of POISON RUIN’s hometown of Philadelphia (“Blighted Quarter”). The band stares into the abyss of modern living with a sober and empathetic outlook, portraying our cracked reality as a complex and difficult to parse miasma of competing desires. With Harvest, POISON RUIN have constructed a richly chilling fable out of modern living. Their tale is as lurid as it is seductive, as much a promising fantasy as it is a dreary portrait of reality itself. Label: Relapse Records Barcode: 0781676753727
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Philadelphia Punks POISON RUIN make their Relapse Records debut with their new album, Harvest! Evoking a rich tapestry of ice-caked forests, peasant revolts, and silent knights, POISON RUIN stab at the pulsing heart of what it means to live under the permanent midnight of contemporary life. With Harvest, the band aligns their sonic palette to their godless, medieval-inflected aesthetic symbolism, creating a record which strikes with an assured sense of blackened harmony. “I’ve always found fantasy tropes to be incredibly evocative,” vocalist Mac Kennedy notes, “that said, even though they are a set of symbols that seem to speak to most people of our generation, they are often either apolitical or co-opted for incredibly backwards politics.” Kennedy reworks fantasy imagery as a series of totems for the downtrodden, stripping it of its escapist tendencies and retooling it as a rich metaphor for the collective struggle over our shared reality: “Instead of knights in shining armor and dragons, it’s a peasant revolt,” Kennedy explains, “I’m all for protest songs, but with this band I’ve found that sometimes your message can reach a greater audience if you imbue it with a certain interactive, almost magical realist element.” The title track invokes images of feudal peasants, tithes, and money-hungry lords, sounding the horn of labor with the rallying cry, “Isn’t this our harvest? Isn’t this our feast to share?” Tales of the undead rising to take revenge upon those who have unknowingly wronged them spin out like pleasantly cathartic folktales (“Resurrection II”), while other tracks address the profound beauty and spirit of those making ends meet in the forsaken ends of POISON RUIN’s hometown of Philadelphia (“Blighted Quarter”). The band stares into the abyss of modern living with a sober and empathetic outlook, portraying our cracked reality as a complex and difficult to parse miasma of competing desires. With Harvest, POISON RUIN have constructed a richly chilling fable out of modern living. Their tale is as lurid as it is seductive, as much a promising fantasy as it is a dreary portrait of reality itself. Label: Relapse Records Barcode: 0781676753710
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"Philadelphia death rock/dungeon punk band Poison Ruïn consolidate their two EPs into one ten-song, self-titled album. Brained, fleshed, and recorded by Mac Kennedy, this effort is one of a personal nature. The sonic nature of the album has a human looseness, apparent like a cassette tape warbling from being wound and rewound. At times the songs sound thin and brittle, as though they are breaking apart simply by being played. The lyrics walk the same path and describe a world of cosmic horrors and environmental disaster. With their soft, eerie, medieval-hall introductions, each song transports the listener to a world of runes and swords, but staves off dorkiness with the relevance of a chewy post-punk center. Rife with sweetly stark guitar hooks and drums that flail like a death march, this self-titled LP gives off black metal at first glance. On further inspection, there is a gradation of inspirations ranging from pond-hopping blues guitar solos, heavy-handed punk drumming, gothic ambiance, and progressive song structures." Corey Sustarich/ Post Trash. Label: Relapse Records Barcode: 0781676753628
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"Philadelphia death rock/dungeon punk band Poison Ruïn consolidate their two EPs into one ten-song, self-titled album. Brained, fleshed, and recorded by Mac Kennedy, this effort is one of a personal nature. The sonic nature of the album has a human looseness, apparent like a cassette tape warbling from being wound and rewound. At times the songs sound thin and brittle, as though they are breaking apart simply by being played. The lyrics walk the same path and describe a world of cosmic horrors and environmental disaster. With their soft, eerie, medieval-hall introductions, each song transports the listener to a world of runes and swords, but staves off dorkiness with the relevance of a chewy post-punk center. Rife with sweetly stark guitar hooks and drums that flail like a death march, this self-titled LP gives off black metal at first glance. On further inspection, there is a gradation of inspirations ranging from pond-hopping blues guitar solos, heavy-handed punk drumming, gothic ambiance, and progressive song structures." Corey Sustarich/ Post Trash. Label: Relapse Records Barcode: 078167675361
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To say that R.A.M.B.O. occupies a singular space in punk history is an understatement. During their initial run from 1999 to 2007 the Philadelphia band took influences from thrash, anarcho-punk, d-beat, crust, and hardcore and combined that with intelligent but very fun – and at times downright ridiculous – lyrics to create what was very much a DIY powerhouse. In those eight years they released two albums, 7" splits with Crucial Unit and Caustic Christ, and played thousands of gigs across the country and across the world. They might have gone out at the top of their game but now, 15 years later, R.A.M.B.O. is back with their aptly titled new album, Defy Extinction. This is not a nostalgia trip, or an attempt at recapturing past glory; R.A.M.B.O. have their sights trained on the present. On these 16 tracks of pounding epic crust-infused hardcore punk and beatdowns, R.A.M.B.O. is imploring you to believe in science, fight authoritarianism, and most of all DEFY EXTINCTION! (Relapse Records)
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Anyone that cut their metal teeth with The Big Four, and then dug a little deeper into the indie scene, should receive a major endorphin rush when they discover that speed and thrash masters RAZOR are about to release their first studio offering in 25 years. The album, Cycle of Contempt, is a direct, cutthroat record that pulls no punches and takes no prisoners. From the catchy, concise riffs and insistent beats of album opener “Flames of Hatred” to the double-barreled assault, muted power chord chugging and combative gang vocal of album closer “King Shit,” Cycle of Contempt is a trenchant reminder of a time when clubs around the world were packed with long-haired bands that played as fast as they could and mosh pits that spun and tumbled like clothes in a short-circuiting dryer. As energetic and exciting as Evil Invaders and as urgent and powerful as RAZOR’s 1989 speed-fest Violent Restitution, Cycle of Contempt showcases a band that never stopped spewing venom. “I tried to write songs that everybody could listen to and say, “Yeah, I know a guy who's done that to me or done this, or I know that situation. I can relate to that,” band founder Dave Carlo says. “And I didn’t want to make everything specifically about me because when you do that, you exclude people. I wanted to include everyone that’s ever felt pissed off about anything.” An unrelenting slab of old-school thrash that showcases RAZOR's encyclopedic knowledge of the past along with Carlo’s growth as a songwriter, player, and lyricist, Cycle of Contempt is here to show that RAZOR are as dominating as ever. (Relapse Records)
