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Philadelphia Punks POISON RUIN make their Relapse Records debut with their new album, Harvest! Evoking a rich tapestry of ice-caked forests, peasant revolts, and silent knights, POISON RUIN stab at the pulsing heart of what it means to live under the permanent midnight of contemporary life. With Harvest, the band aligns their sonic palette to their godless, medieval-inflected aesthetic symbolism, creating a record which strikes with an assured sense of blackened harmony. “I’ve always found fantasy tropes to be incredibly evocative,” vocalist Mac Kennedy notes, “that said, even though they are a set of symbols that seem to speak to most people of our generation, they are often either apolitical or co-opted for incredibly backwards politics.” Kennedy reworks fantasy imagery as a series of totems for the downtrodden, stripping it of its escapist tendencies and retooling it as a rich metaphor for the collective struggle over our shared reality: “Instead of knights in shining armor and dragons, it’s a peasant revolt,” Kennedy explains, “I’m all for protest songs, but with this band I’ve found that sometimes your message can reach a greater audience if you imbue it with a certain interactive, almost magical realist element.” The title track invokes images of feudal peasants, tithes, and money-hungry lords, sounding the horn of labor with the rallying cry, “Isn’t this our harvest? Isn’t this our feast to share?” Tales of the undead rising to take revenge upon those who have unknowingly wronged them spin out like pleasantly cathartic folktales (“Resurrection II”), while other tracks address the profound beauty and spirit of those making ends meet in the forsaken ends of POISON RUIN’s hometown of Philadelphia (“Blighted Quarter”). The band stares into the abyss of modern living with a sober and empathetic outlook, portraying our cracked reality as a complex and difficult to parse miasma of competing desires. With Harvest, POISON RUIN have constructed a richly chilling fable out of modern living. Their tale is as lurid as it is seductive, as much a promising fantasy as it is a dreary portrait of reality itself. Label: Relapse Records Barcode: 0781676753710
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Out of stock"The Philadelphia punk band couches its revolutionary anthems in winking medieval imagery, flirting with camp as they sharpen the guillotine’s blade." - Pitchfork POISON RUIN reach through the dark once again with the new EP, Confrere! “Confrere”- an ode to the sacred bonds of friendship; a strength which holds true through the endless twisting and straining of space and time. Confrere sees POISON RUIN elevate their sound with more atmosphere and palpable urgency. Following the title track, Confrere continues to hurtle through songs of struggle, death, despair, injustice and revenge. In a dark age where the very foundations of humanity threaten to crumble, POISON RUIN believe that perhaps the only thing left to hang on to is the hand of a friend. Side A : Intro / Confrere / Attrition Side B : Interlude / Execute / Laid Waste / Sanctuary Label: Relapse Records Barcode: 0781676757213
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Out of stock"The Philadelphia punk band couches its revolutionary anthems in winking medieval imagery, flirting with camp as they sharpen the guillotine’s blade." - Pitchfork POISON RUIN reach through the dark once again with the new EP, Confrere! “Confrere”- an ode to the sacred bonds of friendship; a strength which holds true through the endless twisting and straining of space and time. Confrere sees POISON RUIN elevate their sound with more atmosphere and palpable urgency. Following the title track, Confrere continues to hurtle through songs of struggle, death, despair, injustice and revenge. In a dark age where the very foundations of humanity threaten to crumble, POISON RUIN believe that perhaps the only thing left to hang on to is the hand of a friend. Side A : Intro / Confrere / Attrition Side B : Interlude / Execute / Laid Waste / Sanctuary Label: Relapse Records Barcode: 0781676757213
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Out of stockBoston, MA's crust-hardcore kings Disrupt ground out ferocious music in their short but furious existence, establishing a reputation as one of the world's premier hardcore/grind bands. Their first and only full-length contains the most savage and powerful punk-inspired grindcore ever recorded. Their influential sound can be heard in the stylings of His Hero Is Gone, Brutal Truth, From Ashes Rise, Dropdead and more. Now available again on vinyl. Label: Relapse Records Barcode: 0781676530816
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PIG DESTROYER announce the 20 year anniversary, remixed/remastered reissue of Painter of Dead Girls, a collection of early recordings and b-sides! Now available on vinyl for the first time in nearly 10 years, Painter of Dead Girls is a compilation split into two parts, with the first half showcasing songs initially tracked as an equipment burn-in test leading up to the band’s seminal Prowler In The Yard full-length. The secondary half of the material includes songs from their cult splits with Gnob and Benümb, covers of Helmet and The Stooges, the long-lost track 'Delusional Supremacy 2K', and a raw basement live recording of “Rejection Fetish”. The cover art was done by Chris Taylor of Pg. 99 who would later create the art for the band’s iconic Terrifyer album, which also turns 20 later this year. Label: Relapse Records – RR4152 Barcode: 0781676757510
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By 2006, the time HAEMORRHAGE spent honing their evil craft culminated with the release of Apology for Pathology. The only apologies offered in the band's fifth album were in the title; the top-flight production accentuated classic brutality like no release before making Apology for Pathology the quintessential HAEMORRHAGE. Label: Relapse Records Barcode: 0781676708215
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The undisputed leaders of The Second Generation of Goregrind, Haemorrhage took the influence of genre founders Carcass and took it to unparalleled levels of sickness. 'Grume,' the Spanish band's second full-length, was a revelation of revulsion when it was released in 1997; a cacophony of twisted riffs, blast beats and gargled vocals that still holds up over a decade after its release. Label: Relapse Records Barcode: 0781676708116
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Out of stockBlasting back with a furious vengeance, ferocious grindcore trio Nasum unveil Helvete, their third full length album. A relentless auditory attack, Helvete dispatches twenty-two torrid tracks of Nasum's breakneck grind and crunching hooks. Swedish for hell, Helvete is an incinerating mix of audio devastation, cold calculation and high-speed destruction. Label: Relapse Records Barcode: 0781676656929
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Out of stockSweden's unsung sensations play crushing grindcore with blistering blastbeats, ravenously crusty riffs, and just a hint of that Swedish sound. A lightning speed blitzkrieg of sonic violence. Label: Relapse Records Barcode: 0781676698424
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Out of stock"Philadelphia death rock/dungeon punk band Poison Ruïn consolidate their two EPs into one ten-song, self-titled album. Brained, fleshed, and recorded by Mac Kennedy, this effort is one of a personal nature. The sonic nature of the album has a human looseness, apparent like a cassette tape warbling from being wound and rewound. At times the songs sound thin and brittle, as though they are breaking apart simply by being played. The lyrics walk the same path and describe a world of cosmic horrors and environmental disaster. With their soft, eerie, medieval-hall introductions, each song transports the listener to a world of runes and swords, but staves off dorkiness with the relevance of a chewy post-punk center. Rife with sweetly stark guitar hooks and drums that flail like a death march, this self-titled LP gives off black metal at first glance. On further inspection, there is a gradation of inspirations ranging from pond-hopping blues guitar solos, heavy-handed punk drumming, gothic ambiance, and progressive song structures." Corey Sustarich/ Post Trash. Label: Relapse Records Barcode: 0781676753611
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Extreme sound nihilists PIG DESTROYER deliver savage grindcore that is both intentionally confrontational, and thoroughly pummeling. 38 Counts of Battery is still an intense register of the band's work as ever. Fully remastered and available on LP for the very first time, 38 Counts of Battery features the remastered 'Explosions in Ward 6' album, tracks from the highly sought-after (and sold out) split with Isis, their scalding demo, and much more. Songs A1 to A18 from the Explosions In Ward 6 CD/LP and remastered for this comp. Songs A19 and B20 from the A Split Seven Inch split 7" with Isis on Relapse Records. Song B21 from the ever-forthcoming thrash covers comp on Ellington Records. Songs B22 to B28 from the Orchid / Pig Destroyer split 7" on Amendment Records and remastered for this comp. Songs B29 to B38 from the Pig Destroyer demo. Label: Relapse Records – RR4152 Barcode: 0781676488216
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Out of stockItalian grindcore legends CRIPPLE BASTARDS celebrate 30 years of misanthropic extremity with their seventh full-length album La Fine Cresce da Dentro (Meaning “The End Is Growing From Within”). Recorded at the legendary Fredman Studios in Gothenburg, Sweden with producer Fredrik Nordström (At The Gates, Dark Tranquility), La Fine Cresce da Dentro is eighteen tracks of inconceivable speed and brutality surpassing even their previous work. Over three decades in, CRIPPLE BASTARDS are showing no signs of slowing down and continue to destroy unsuspecting eardrums with hate-filled, grind punk chaos! Label: Relapse Records Barcode: 0781676741618
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Pig Destroyer take you on a rampaging journey through an unsettling, psychotic world. Melding an insane musical attack with similarly jarring lyrical prose and an unmatched propensity to incite. Deluxe reissue of PIG DESTROYER's landmark 2001 Relapse debut Prowler In The Yard fully remixed and remastered by guitarist/engineer Scott Hull complete with a recently unearthed never-before-heard bonus track from the Prowler sessions. Label: Relapse Records Barcode: 0781676488513
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Almost three years in the making, Pig Destroyer's new album Phantom Limb furthers the enigmatic band's nihilistic, shock and awe attack. PD boil metal down to its muscle, sinew, and bone - razor-sharp guitar, percussive pummeling, and a lone, stark howl - and use them to commit a vicious assault. The lyrics paint loathsome, frightening images of pitch-black self-hatred and the frailty of the human experience. With Phantom Limb, Pig Destroyer provide a musical manifestation of the violent experience of the human animal, and cement their already legendary status. The now legendary, 21st century extreme metal masterpiece available on vinyl for the first time in over 9 years. Contains two bonus songs never before available on vinyl. Label: Relapse Records Barcode: 0781676488612
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After six long, harsh years of absence, the mighty PIG DESTROYER have reassembled to eradicate eardrums and split skulls with their highly anticipated sixth full-length opus, entitled Head Cage (named after a grisly medieval torture device). A visceral vortex of animalistic rage and extreme sonic brilliance, Head Cage is a true work of extreme metal art, that with the addition of a bass player, is hands down their most dynamic and heaviest recording to date. Across twelve tracks, PIG DESTROYER weave together harrowing tales of philosophical dualities, touching on mortality and depression, fear and violence, and the darkest complexities of the human condition, all told through the distorted lens of delightfully transgressive vocalist/lyricist JR Hayes. Musically, the band continues to push the boundaries of metal, grindcore, noise and punk, ramping up the intensity and leaving you bludgeoned in a state of utter shock, all in less than 33 minutes. Head Cage was recorded by guitarist Scott Hull at Visceral Sound Studios, mixed and mastered by Will Putney (Exhumed, Every Time I Die, Body Count) and features striking artwork by Mark McCoy (Full of Hell, Nothing) along with guest vocal appearances by Agoraphobic Nosebleed's Richard Johnson and Kat Katz plus Full Of Hell's Dylan Walker. PLAY AT MAXIMUM VOLUME! Label: Relapse Records Barcode: 0781676488315
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Out of stockOne of extreme music's most distinctive modern acts, MAGRUDERGRIND, returns after a 6-year hiatus with the new album II. Recorded with producer Kurt Ballou (Converge, High on Fire, Torche) at God City Studios and mastered by Brad Boatright (Obituary, Nails), II continues developing the trio's punishing hybrid of grindcore, powerviolence and hardcore punk across 15 tracks of blistering sonic warfare. II is unquestionably MAGRUDERGRIND's most crushing and abrasive material to date, a savage manifesto of scathing political and personal revolution. Label: Relapse Barcode: 0781676731329
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Out of stockFULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade. Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds. Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era. In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.” (Relapse Records)
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Those not familiar with Disfear should be ashamed of themselves - you probably have been hiding under a rock for more than 25 years. Starting out as yet another Discharge inspired Dis-band from Sweden, they released a monumental debut album back in 1992 along with producer Tomas Skogsberg. In the years, Disfear became one of the only real survivors of the Dis-scene, and even though many line-up changes plagued the band, they kept on going until they left Osmose Records in 1998 - at which point they had incorporated ex-At the Gates vocalist Tomas Lindberg in the band. Instead of calling it quits, the band had five years to work on new material, and Relapse made them an offer they couldn't refuse, resulting in "Misanthropic Generation". Swedish hardcore in its purest form, "Misanthropic Generation" is a maturation, modernization and perfection of Discharge's music from back in the '80s. With a blazing pace, Entombed-ish guitar/bass riffing meeting the banshee vocalism of Tomas, supported by wickedly groovy Motorhead-style drumming - masturbation for the mind, one might call it. Well adapted to the sound of the new millennium, the twelve songs on this album (mostly clocking around three minutes) are a firm reminder of the past as well as an excellent look into the future of hardcore: "Misanthropic Generation" is a must-have for those who loved Discharge way back as well as those who claim to have an interest in the Swedish hardcore scene. Label: Relapse
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Relapse Records, in a collaboration with Cherry Nishida, are proud to present AGONY憎悪REMAINS, a collection unearthing all of the material from Nishida's legendary Japanese hardcore band ZOUO, as well as 4 死 Death, a brand new album from Nishida's current outfit, S∴h∵i. Originally formed by friends of a local skateboard crew in the early 80's, ZOUO quickly became torchbearers for Japanese hardcore punk at the time. The band's music was a direct reflection of their collective frustrations and takes on their culture; the lyrics detailed the bands hatred for "societal hypocrisies and existing religions." ZOUO's debut The Final Agony 7" remains a landmark release to this day - tracks such as "Sons of Satan" and "Making Love with Devil" showcase some of the most raw and evil punk to ever emerge from the underground. Following ZOUO's releases, mastermind Cherry Nishida delved deeper into Japanese hardcore, forming DANSE MACABRE - a band solely dedicated on honing into the psychology of a serial killer. Nishida now returns with S∴h∵i (Struggling Harsh Immortals). Wishing to break from the genre's confines. S∴h∵i's new discordant take on rock, metal, and punk, infuses industrial elements and noise with a stark audio/visual presentation. An evolution of his prior material, S∴h∵i is directly correlated to Nishida's views on the human condition and the human minds he finds to be "unconsciously derived and mutated." For Nishida, S∴h∵i represents the struggle and search for the free spirit. (Relapse Records)
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Out of stock"Philadelphia death rock/dungeon punk band Poison Ruïn consolidate their two EPs into one ten-song, self-titled album. Brained, fleshed, and recorded by Mac Kennedy, this effort is one of a personal nature. The sonic nature of the album has a human looseness, apparent like a cassette tape warbling from being wound and rewound. At times the songs sound thin and brittle, as though they are breaking apart simply by being played. The lyrics walk the same path and describe a world of cosmic horrors and environmental disaster. With their soft, eerie, medieval-hall introductions, each song transports the listener to a world of runes and swords, but staves off dorkiness with the relevance of a chewy post-punk center. Rife with sweetly stark guitar hooks and drums that flail like a death march, this self-titled LP gives off black metal at first glance. On further inspection, there is a gradation of inspirations ranging from pond-hopping blues guitar solos, heavy-handed punk drumming, gothic ambiance, and progressive song structures." Corey Sustarich/ Post Trash. Label: Relapse Records Barcode: 0781676753628
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Out of stockPhiladelphia Punks POISON RUIN make their Relapse Records debut with their new album, Harvest! Evoking a rich tapestry of ice-caked forests, peasant revolts, and silent knights, POISON RUIN stab at the pulsing heart of what it means to live under the permanent midnight of contemporary life. With Harvest, the band aligns their sonic palette to their godless, medieval-inflected aesthetic symbolism, creating a record which strikes with an assured sense of blackened harmony. “I’ve always found fantasy tropes to be incredibly evocative,” vocalist Mac Kennedy notes, “that said, even though they are a set of symbols that seem to speak to most people of our generation, they are often either apolitical or co-opted for incredibly backwards politics.” Kennedy reworks fantasy imagery as a series of totems for the downtrodden, stripping it of its escapist tendencies and retooling it as a rich metaphor for the collective struggle over our shared reality: “Instead of knights in shining armor and dragons, it’s a peasant revolt,” Kennedy explains, “I’m all for protest songs, but with this band I’ve found that sometimes your message can reach a greater audience if you imbue it with a certain interactive, almost magical realist element.” The title track invokes images of feudal peasants, tithes, and money-hungry lords, sounding the horn of labor with the rallying cry, “Isn’t this our harvest? Isn’t this our feast to share?” Tales of the undead rising to take revenge upon those who have unknowingly wronged them spin out like pleasantly cathartic folktales (“Resurrection II”), while other tracks address the profound beauty and spirit of those making ends meet in the forsaken ends of POISON RUIN’s hometown of Philadelphia (“Blighted Quarter”). The band stares into the abyss of modern living with a sober and empathetic outlook, portraying our cracked reality as a complex and difficult to parse miasma of competing desires. With Harvest, POISON RUIN have constructed a richly chilling fable out of modern living. Their tale is as lurid as it is seductive, as much a promising fantasy as it is a dreary portrait of reality itself. Label: Relapse Records Barcode: 0781676753727
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Out of stockLimited edition deluxe CDs available with bonus Blind, Deaf and Bleeding EP, expanded packaging and the much talked about short story penned by JR Hayes The undisputed kings of grind, PIG DESTROYER return with their long awaited fourth proper full length Book Burner. Book Burner is a resounding statement of championship, as every element of PIG DESTROYER towers above their closest peers—a 32 minute, 19 song knockout punch of cerebral viciousness. Book Burner is the finest work of extreme music's best band. Label: Relapse Records Barcode: 078167672032
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Out of stock"If you’ve ever wondered what Catharsis covering The 13th Floor Elevators might sound like, wonder no longer—and that’s only the start!" - Decibel Magazine GELD make their Relapse Records debut with their third full length, Currency // Castration! The Australian band distills a despairingly hellish vision of the world into a thundering crack to the temple through an unsparing fusion of hardcore’s bleakest violence with metal’s ruthless strength-through-conviction. GELD's abrasive take on the genre is distorted through a lense of fuzzed out psych soundscapes; vocals truly sound like unhinged barks, while guitars, bass, and drums crash against one another frenetically, each track burning brighter and brighter. Every moment of Currency // Castration is urgent. Tracks such as “Chained to a Gate” edge and scratch at a relief that is ultimately denied, toying with the nightmarish promise of a breakdown that never comes. Elsewhere, "Cut You Down" pulses with frantically itching riffs that stream forth. "Fog of War" snaps and snarls; while "Secret Prison" evinces the honed physique of Japanese hardcore fed through the broken brain of someone on a years-long Rrröööaaarrr-era Voivod spin-out. Despite the band's innovative approach to the genre, GELD makes no pretensions at being “interesting” for interesting’s sake - As vocalist Al Smith puts it, “One of the most boring things people can do is try to dress up what someone else has already contributed to a genre and make it ‘clever’… We’re more interested in finding our own position” With Currency // Castration, GELD offers no promise of a higher purpose or resolve. Rather, they lean into dissociation, finding truth and meaning in the transcendental joy of simply escaping, surviving, existing. Label: Relapse Records Barcode: 0781676754113
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Out of stockTo say that R.A.M.B.O. occupies a singular space in punk history is an understatement. During their initial run from 1999 to 2007 the Philadelphia band took influences from thrash, anarcho-punk, d-beat, crust, and hardcore and combined that with intelligent but very fun – and at times downright ridiculous – lyrics to create what was very much a DIY powerhouse. In those eight years they released two albums, 7" splits with Crucial Unit and Caustic Christ, and played thousands of gigs across the country and across the world. They might have gone out at the top of their game but now, 15 years later, R.A.M.B.O. is back with their aptly titled new album, Defy Extinction. This is not a nostalgia trip, or an attempt at recapturing past glory; R.A.M.B.O. have their sights trained on the present. On these 16 tracks of pounding epic crust-infused hardcore punk and beatdowns, R.A.M.B.O. is imploring you to believe in science, fight authoritarianism, and most of all DEFY EXTINCTION! (Relapse Records)