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Philadelphia’s DEVIL MASTER have been spitting in the face of convention since forming in 2016 with their raw, twisted brand of death rock meets black metal punk mayhem. Manifestations is a compilation of DEVIL MASTER’s full catalog, two sold out demos from 2016 & 2017 (Tape & Inhabit the Corpse); remixed, remastered, and sounding more malevolent than before; Label: Relapse Records Barcode: 078167674172 -
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Philadelphia's DEVIL MASTER stake their claim as one of the most venomous, twisted entities in the underground with their hellish debut, Satan Spits on Children of Light. The album, recorded, mixed, and mastered by Arthur Rizk (POWER TRIP, MAMMOTH GRINDER, OUTER HEAVEN, and more,) rattles the very gates of hell with a vile dose of black metal-infused punk mayhem. Commanding the steel of VENOM, the fury of BATHORY's earliest years, and the raw, uncompromising nature of the notorious GISM, Satan Spits on Children of Light sees DEVIL MASTER emerge from the grave and reach new blasphemous heights. Give in to the Satanic panic and obey your DEVIL MASTER! Label: Relapse Records Barcode: 078167674222 -
Philadelphia's DEVIL MASTER stake their claim as one of the most venomous, twisted entities in the underground with their hellish debut, Satan Spits on Children of Light. The album, recorded, mixed, and mastered by Arthur Rizk (POWER TRIP, MAMMOTH GRINDER, OUTER HEAVEN, and more,) rattles the very gates of hell with a vile dose of black metal-infused punk mayhem. Commanding the steel of VENOM, the fury of BATHORY's earliest years, and the raw, uncompromising nature of the notorious GISM, Satan Spits on Children of Light sees DEVIL MASTER emerge from the grave and reach new blasphemous heights. Give in to the Satanic panic and obey your DEVIL MASTER! Label: Relapse Records Barcode: 0781676505814
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Those not familiar with Disfear should be ashamed of themselves - you probably have been hiding under a rock for more than 25 years. Starting out as yet another Discharge inspired Dis-band from Sweden, they released a monumental debut album back in 1992 along with producer Tomas Skogsberg. In the years, Disfear became one of the only real survivors of the Dis-scene, and even though many line-up changes plagued the band, they kept on going until they left Osmose Records in 1998 - at which point they had incorporated ex-At the Gates vocalist Tomas Lindberg in the band. Instead of calling it quits, the band had five years to work on new material, and Relapse made them an offer they couldn't refuse, resulting in "Misanthropic Generation". Swedish hardcore in its purest form, "Misanthropic Generation" is a maturation, modernization and perfection of Discharge's music from back in the '80s. With a blazing pace, Entombed-ish guitar/bass riffing meeting the banshee vocalism of Tomas, supported by wickedly groovy Motorhead-style drumming - masturbation for the mind, one might call it. Well adapted to the sound of the new millennium, the twelve songs on this album (mostly clocking around three minutes) are a firm reminder of the past as well as an excellent look into the future of hardcore: "Misanthropic Generation" is a must-have for those who loved Discharge way back as well as those who claim to have an interest in the Swedish hardcore scene. Label: Relapse
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Boston, MA's crust-hardcore kings Disrupt ground out ferocious music in their short but furious existence, establishing a reputation as one of the world's premier hardcore/grind bands. Their first and only full-length contains the most savage and powerful punk-inspired grindcore ever recorded. Their influential sound can be heard in the stylings of His Hero Is Gone, Brutal Truth, From Ashes Rise, Dropdead and more. Now available again on vinyl. Label: Relapse Records Barcode: 0781676530816
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Destroy the Opposition is the third album by American death metal band Dying Fetus. It was produced by the band and Steve Carr. The album marks a change in Dying Fetus's direction, with political themes becoming dominant, which has continued in all of their subsequent albums. Albert Mudrian, in his 2004 book Choosing Death, cited Destroy the Opposition as one of the most important albums released in 2000. The album was also included in Decibel's Top 100 Albums of the decade list for the 2000s (Decibel Magazine Special Edition, December 2009), as well as to Decibel's "Hall of Fame" (#89, July 2012) Combining an innovative mix of technical virtuosity and catchy song structures, Dying Fetus creates the ultimate blend of death metal, hardcore, and grind. Red [Blood] Cloudy Effect [Pool Of Blood] Vinyl. Label: Relapse Records Barcode: 0781676496419
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Originally released in 1998 EXHUMED's now-classic debut full-length 'Gore Metal' was a boundary pushing album of absolutely filthy grinding death-metal. Everything about it was over the top--lightning fast speed, blazing guitars, b-movie slasher-film inspired lyrics, disgusting album artwork, etc etc. This was a record that made Carcass look PG. In otherwords, a true underground classic! Not content to let the album rot away, EXHUMED returned to the studio almost 2 decades later to re-record their landmark debut. The filthy fury of the original version is still there, only tightened up by years of touring and with a greatly improved recording. Presented with completely new art-work that is even more disgusting than the original! Deluxe 2CD set comes packaged with the original version of the album for the price of a single CD. Label: Relapse Records Barcode: 781676723225
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Gore Metal Maniacs EXHUMED announce the 25 year anniversary deluxe reissue of their legendary debut album Gore Metal! Fully remastered audio of the original mix by Arthur Rizk (Kreator, Cavalera, Power Trip, and more,) Gore Metal now features expanded artwork, live tracks (digital only), and liner notes! The 25th anniversary edition of Gore Metal is streaming in full now! Frontman Matt Harvey comments: “Like a lingering recurrent infection, this album just keeps rearing its ugly head. Twenty-five years is a long time for a record this raw, nasty, crude and repugnant to hang around, so what better time would there be than now to reissue it on vinyl? The re-master has breathed new life into these dusty old tracks and the record has never sounded better. I hope you necromaniacs are as excited about this as we are, because we have a bunch of plans around this reissue and anniversary in the works. If you've been hoping for a chance to hear some deep cuts and (slaughter) cult classicks... your patience will soon be rewarded.” Label: Relapse Records Barcode: 0781676754816
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FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade. Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds. Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era. In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.” (Relapse Records)
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FULL OF HELL make their Relapse debut with their most explosive album to date, Weeping Choir. Dynamic, pissed, and wholly urgent, the highly anticipated Weeping Choir is a definitive statement of intent by one of the underground’s most dynamic and virulent entities. FULL OF HELL have once again culled the extreme elements from hardcore, metal, and power electronics to redefine darkness and sheer brutality. Distorted guitars, and ominous, disparate electronics grind and gnash against rapid-fire drumming, as FULL OF HELL take themes of religion, loss, hatred, and set them ablaze. Recorded by the critically acclaimed Kurt Ballou at GodCity Studio, Weeping Choir sees FULL OF HELL fully unleashed. Abrasive, confrontational, none equal! Label: Relapse Records Barcode: 781676437818
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First ever fully authorized reissue of GISM's landmark debut 'Detestation' prepared in direct cooperation with the group's mastermind Sakevi. Includes an A3 sized poster and Japanese style OBI strip. Relapse Records is proud to announce the first ever fully-authorized reissue of GISM's landmark debut LP, Detestation. Originally released in 1983, Detestation has since remained one of the most innovative, bewildering, extreme, and wildly influential albums in the punk and metal canon. To say Destestation was ahead of its time would be a huge understatement--it incorporated elements from so many genres: hardcore, punk, heavy metal, glam, thrash, industrial, and experimental. It was almost as if listeners didn’t know what to do with the record’s music but gravitated to it nonetheless as they recognized it was something unique and special. Maximum Rocknroll’s Jay Bentley’s 1984 review of Detestation made that sentiment clear, describing the record as "Churning Metal- punk, or perhaps even speed-metal, depending on where you draw the distinction. GISM are undoubtebly a heavy metal band who've been heavily influenced by hardcore, but the music is so intense and the vocals so ominous that even Im in a state of shock. These guys make VENOM sound like the KNACK, especially on side 1." *This product is designed to be a replica of the original LP released in 1983. Any spelling or design errors are consistent with how the record was originally presented* Label: Relapse Records Barcode: 0781676746613
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First ever official CD release - Faithfully constructed to model the layout of the original LP and is housed in a CD wallet with a custom screen printed polybag. Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751723
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Japan's G.I.S.M. return with the first ever authorized and licensed reissue of their cult sophomore album, Military Affairs Neurotic (M.A.N.) The album, another landmark release for the legendary band, sees the wild pairing of Randy Uchida's iconic guitar playing colliding with the inimitable vocals of G.I.S.M. mastermind Sakevi Yokoyama once again. This reissue features a remaster by Sakevi himself, and sees a first-time official pressing on CD and cassette. A successor to the band's legendary Detestation LP, M.A.N. harnesses G.I.S.M.'s frantic, aggressive take on hardcore punk, and churns out a Heavy Metal edge. Out of the gate, Uchida's guitar solos and soaring leads on the classic opener "Good As It Is" pave the way for what follows - M.A.N. is unmistakably metal, atmospheric, and uncompromising in its vision. M.A.N. is simply incomparable. The album's production, visual presentation, and the songwriting encapsulates the sound of burning punk spirit and heavy metal grit, and cement G.I.S.M.'s legacy as one of the underground's most idiosyncratic, genre bending, and truly unique bands. Label: Relapse Records Barcode: 0781676751716
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"If you’ve ever wondered what Catharsis covering The 13th Floor Elevators might sound like, wonder no longer—and that’s only the start!" - Decibel Magazine GELD make their Relapse Records debut with their third full length, Currency // Castration! The Australian band distills a despairingly hellish vision of the world into a thundering crack to the temple through an unsparing fusion of hardcore’s bleakest violence with metal’s ruthless strength-through-conviction. GELD's abrasive take on the genre is distorted through a lense of fuzzed out psych soundscapes; vocals truly sound like unhinged barks, while guitars, bass, and drums crash against one another frenetically, each track burning brighter and brighter. Every moment of Currency // Castration is urgent. Tracks such as “Chained to a Gate” edge and scratch at a relief that is ultimately denied, toying with the nightmarish promise of a breakdown that never comes. Elsewhere, "Cut You Down" pulses with frantically itching riffs that stream forth. "Fog of War" snaps and snarls; while "Secret Prison" evinces the honed physique of Japanese hardcore fed through the broken brain of someone on a years-long Rrröööaaarrr-era Voivod spin-out. Despite the band's innovative approach to the genre, GELD makes no pretensions at being “interesting” for interesting’s sake - As vocalist Al Smith puts it, “One of the most boring things people can do is try to dress up what someone else has already contributed to a genre and make it ‘clever’… We’re more interested in finding our own position” With Currency // Castration, GELD offers no promise of a higher purpose or resolve. Rather, they lean into dissociation, finding truth and meaning in the transcendental joy of simply escaping, surviving, existing. Label: Relapse Records Barcode: 0781676754113
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By 2006, the time HAEMORRHAGE spent honing their evil craft culminated with the release of Apology for Pathology. The only apologies offered in the band's fifth album were in the title; the top-flight production accentuated classic brutality like no release before making Apology for Pathology the quintessential HAEMORRHAGE. Label: Relapse Records Barcode: 0781676708215
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The undisputed leaders of The Second Generation of Goregrind, Haemorrhage took the influence of genre founders Carcass and took it to unparalleled levels of sickness. 'Grume,' the Spanish band's second full-length, was a revelation of revulsion when it was released in 1997; a cacophony of twisted riffs, blast beats and gargled vocals that still holds up over a decade after its release. Label: Relapse Records Barcode: 0781676708116
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INTEGRITY announces All Death Is Mine : Total Domination, a collection of rarities and unreleased tracks from the last 7 years of INTEGRITY’s DOMination! All Death Is Mine : Total Domination was mastered by Arthur Rizk (Power Trip, Cavalera Conspiracy, Code Orange) includes covers of Ozzy Osbourne, Motörhead, Misfits and more! Label: Relapse Records Barcode: 0781676754625
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INTEGRITY announces All Death Is Mine : Total Domination, a collection of rarities and unreleased tracks from the last 7 years of INTEGRITY’s DOMination! All Death Is Mine : Total Domination was mastered by Arthur Rizk (Power Trip, Cavalera Conspiracy, Code Orange) includes covers of Ozzy Osbourne, Motörhead, Misfits and more! Label: Relapse Records Barcode: 0781676754618
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Integrity's crucial 6th full length album Closure. Remixed and remastered, featuring all new artwork! Label: Relapse Records Barcode: 0781676754212
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Classic album from the crucial hardcore band Integrity. Remixed and remastered by Arthur Rizk (POWER TRIP, CODE ORANGE, KREATOR, and more,) and featuring all new artwork! Humanity Is The Devil was an aural assault like no other at the time. From the guttural album opener, ''Vocal Test,'' through the slow burn of ''Jagged Visions Of My True Destiny,'' HITD would completely defy genre standards and scene norms. After almost three decades, the resulting waves are still just as apparent as when it was released in 1996. Label: Relapse Records Barcode: 0781676749225
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Classic album from the crucial hardcore band Integrity. Remixed and remastered by Arthur Rizk (POWER TRIP, CODE ORANGE, KREATOR, and more,) and featuring all new artwork! Humanity Is The Devil was an aural assault like no other at the time. From the guttural album opener, ''Vocal Test,'' through the slow burn of ''Jagged Visions Of My True Destiny,'' HITD would completely defy genre standards and scene norms. After almost three decades, the resulting waves are still just as apparent as when it was released in 1996. Label: Relapse Records Barcode: 0781676749218
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Integrity's massive 4th full length album Seasons In The Size Of Days. Remixed and remastered, featuring all new artwork! In 1997, INTEGRITY released their most critically controversial record. "Seasons in the size of days" was an enormous departure from the previous rage that was "humanity is the devil". Where previous releases scorched the senses with blistering ferociousness, "seasons" was a more thoughtfully focused dense bleakness. INTEGRITY was never meant to fit into a specific category and nothing exemplified that as much as "Seasons in the size of days". Label: Relapse Records Barcode: 0781676749713
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Systems Overload, a cult classic since it’s original release on Victory records from 1995 remixed & remastered by Arthur Rizk (Power Trip, Code Orange, Kreator). Label: Relapse Records Barcode: 0781676749119
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Those Who Fear Tomorrow is the 1991 debut full-length album from Cleveland metallic hardcore stalwarts INTEGRITY. Recorded in September of that year, the album still resonates with extreme music fans the world over, as many of the songs still frequent the band's setlists 30 years later. Notably, the band’s 1991 debut album “Those Who Fear Tomorrow” features newly recorded drum tracks from Iggor Cavalera (Absent In Body, ex-Sepultura and Brandon Gallagher (Trace Amount). Producer Arthur Rizk (Code Orange, Power Trip) was tasked with the new mixing and mastering jobs for these reissues. (Relapse Records)
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Those Who Fear Tomorrow is the 1991 debut full-length album from Cleveland metallic hardcore stalwarts INTEGRITY. Recorded in September of that year, the album still resonates with extreme music fans the world over, as many of the songs still frequent the band's setlists 30 years later. Notably, the band’s 1991 debut album “Those Who Fear Tomorrow” features newly recorded drum tracks from Iggor Cavalera (Absent In Body, ex-Sepultura and Brandon Gallagher (Trace Amount). Producer Arthur Rizk (Code Orange, Power Trip) was tasked with the new mixing and mastering jobs for these reissues. Label: Relapse Records Barcode: 0781676747214
