• Another repress of a classic UK Punk EP from this Birmingham based band originally released in 1982. Four songs. (Mad Butcher Records)
  • Out of stock
    Licensed by Cherry Red Music! Official repress of this classic from 1982. Limited to 500 copies! The band was one of the few multi-racial punk bands of the UK82 wave as there were two black kids in the band. Not only that, but these two boys were also twin brothers. (Mad Butcher Records)
  • Reissue of a monstruous split between two '80s HC faves. This 'Japan Meets England' split between Chaos U.K. and Death Side was released in 1987 by the legendary Selfish label, to celebrate Chaos U.K.'s first Japan tour. Surprisingly enough this is probably the best Chaos U.K. material ever! On the flip you hear the band that created the whole 'Burning Spirit' HC sound, and who, together with Confuse and Kuro, form the (un-)holy trinity of Japanese HC. Fuzzy, noisy, and as fast as humanly possible. (Liberation Records/Unofficial Release)
  • Back in stock
    The Destructors were a classic UK82-era group originating from Peterborough, north of London and not exactly a hot-bed of punk activity. Rising out of the ashes of the short-lived first wave punk group The Blanks, who released one single in 1979, The Destructors latched onto the second wave sound and never looked back. Featuring liner notes by none other than the legendary Genesis P-Orridge, who wrote "In vinyl we have the ectoplasm of youth. The final psychic rally. A present testament set in present time. Breath in a dead soul. Hanging by a thread. Convinced and betrayed at zero point lies history." Another killer piece of rare UK '80s punk reissued by the fine folks at Radiation. (Radiation Records)
  • One of all time great albums. ''Searching For The Young Soul Rebels' captures the original eight-piece group infusing passionate self-belief into songs based on 60s mentors Geno Washington and Jimmy James. Rowland's expressive voice is perfectly matched by pumping horns and punchy rhythms, but the intensity of their performance ensures the set never falls into pastiche. Each song bears the stamp of a manifesto, one that was largely Rowland's, a myopic vision that brought this line-up to an acrimonious, premature end. Celebrating it’s 40th anniversary this year, this is the debut album from new-wave band Dexy’s Midnight Runners. The album has a surprising history, with band members stealing the original tapes and only returning them once EMI raised their royalty rates. The album received widespread critical acclaim and is featured in The Guardian and NME’s 100 Best Albums lists. (Parlophone)
  • Out of stock
    The entire discography of this shortlived but influential early nineties anarcho punk band from Glasgow, Scotland. This is fast-paced and shredding anarcho punk with little excursions into the crust-punk genre here and there. Dual fe/male vocals and alot of (sadly still) lyrical topics of todays society. DISAFFECT releases most their material via NABATE RECORDS from Belgium as well as FLAT EARTH RECORDS from the UK. Both labels were pioneering the nineties DIY punk wave alot with bands like ONE BY ONE, HIATUS, SEDITION, UNHINGED etc etc. DISAFFECT stopped playing in 1994 and members moved on to other projects such as SCATHA and QUARANTINE. In 2019 the band reformed with a new rhythm section to play occassionally the one or the other festival. The DISAFFECT discography includes the "An Injury To One..." 7" EP from 1992, the split 7" with SEDITION from 1993, the "Home Of The Brave" 7"EP from 1993 (reissued 3 times!) and their 1994 released debut LP "Chained To Morality" as well as the ultra rare split 7" with BIZARRE UPROAR also from 1994. As a bonus you will find the best tracks of the 1991 "Demotape" with the missing tracks available as download. Housed in a beatifully crafted Gatefold-sleeve with additional 16 pages booklet including lyrics and linernotes. THIS PRESSING IS LIMITED TO 550 COPIES (Ruin nation Records) https://ruinnationrecords.bandcamp.com/album/still-chained-discography
  • DISCHARGE | 1980-1986 | LP

    20.00 incl. tax
    Gatefold, black vinyl. Formed in the northern industrial town of Stoke on Trent in 1977, Discharge changed punk with its distinctive brand of hardcore, making minimalist music with distorted guitar, drone-like bass, shouted anarchist themes and propulsive drumming, known as D-Beat. Originally issued in 1987, this killer compilation charts the best of their early years with Clay Records, from the full-on assault of Realities of War, passing the chart-topping Why?, to the shrieking sounds of Grave New World, which edged further into metal territory. Listen and be awed by the power and the glory of one of the most influential punk and metal bands ever. Includes the following releases: Tracks A1 to A4 - 'Realities Of War' 7" 1980. Tracks A5 to A9 - 'Fight Back' 7" 1980. Tracks A10 to A12 taken from their 'Why' 12" 1981. Tracks A13 to B15 - 'Decontrol' 7" 1980. Tracks B16 & B17 taken from their 'Never Again' 7" 1981. Track B18 taken from their 'State Violence State Control' 7" 1982. Track B19 taken from their 'The Price Of Silence' 7" 1983. Track B20 taken from their 'The More I See' 7" 1984. Track B21 taken from their 'Ignorance' 7" 1985. Track B22 taken from their 'Grave New World' LP 1986. Tracklist: A1 Realities Of War A2 They Declare It A3 But After The Gig A4 Society's Victim A5 Fight Back A6 War's No Fairytale A7 Always Restrictions A8 You Take Part In Creating This System A9 Religion Instigates A10 A Look At Tomorrow A11 Ain't No Feeble Bastard A12 Why (Reprise) A13 It's No T.V. Sketch A14 Tomorrow Belongs To Us B15 Decontrol B16 Never Again B17 Death Dealers B18 State Violence State Control B19 The Price Of Silence B20 The More I See B21 Ignorance B22 Grave New World (Radiation Records)  
  • Out of stock
    Gatefold, white vinyl ltd to 200. Formed in the northern industrial town of Stoke on Trent in 1977, Discharge changed punk with its distinctive brand of hardcore, making minimalist music with distorted guitar, drone-like bass, shouted anarchist themes and propulsive drumming, known as D-Beat. Originally issued in 1987, this killer compilation charts the best of their early years with Clay Records, from the full-on assault of Realities of War, passing the chart-topping Why?, to the shrieking sounds of Grave New World, which edged further into metal territory. Listen and be awed by the power and the glory of one of the most influencial punk and metal bands ever. Includes the following releases: Tracks A1 to A4 - 'Realities Of War' 7" 1980. Tracks A5 to A9 - 'Fight Back' 7" 1980. Tracks A10 to A12 taken from their 'Why' 12" 1981. Tracks A13 to B15 - 'Decontrol' 7" 1980. Tracks B16 & B17 taken from their 'Never Again' 7" 1981. Track B18 taken from their 'State Violence State Control' 7" 1982. Track B19 taken from their 'The Price Of Silence' 7" 1983. Track B20 taken from their 'The More I See' 7" 1984. Track B21 taken from their 'Ignorance' 7" 1985. Track B22 taken from their 'Grave New World' LP 1986. Tracklist: A1 Realities Of War A2 They Declare It A3 But After The Gig A4 Society's Victim A5 Fight Back A6 War's No Fairytale A7 Always Restrictions A8 You Take Part In Creating This System A9 Religion Instigates A10 A Look At Tomorrow A11 Ain't No Feeble Bastard A12 Why (Reprise) A13 It's No T.V. Sketch A14 Tomorrow Belongs To Us B15 Decontrol B16 Never Again B17 Death Dealers B18 State Violence State Control B19 The Price Of Silence B20 The More I See B21 Ignorance B22 Grave New World (Radiation Records)  
  • Out of stock
    A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic. Tracks 15-23 are bonus single versions not on the original release. Tracklist 1 Hear Nothing See Nothing Say Nothing 2 The Nightmare Continues 3 The Final Blood Bath 4 Protest And Survive 5 I Won't Subscribe 6 Drunk With Power 7 Meanwhile 8 A Hell On Earth 9 Cries Of Help 10 The Possibility Of Life's Destruction 11 Q: And Children? A: And Children 12 The Blood Runs Red 13 Free Speech For The Dumb 14 The End Bonus Tracks 15 Never Again 16 Death Dealers 17 Two Monstrous Nuclear Stockpiles 18 State Violence State Control 19 Dooms Day 20 Warning 21 Where There Is A Will There Is A Way 22 In Defence Of Our Future 23 Anger Burning (Captain Oi/2007)
  • A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, . Originally released on the CLAY record label in 1982, this masterpiece gave inspiration to literally hundreds in the extreme metal and hardcore punk areas for the subsequent four decades and its legacy remains invaluable to this day. This album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado All time hc/punk classic. (Radiation Records)
  • Out of stock
    A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic. (Radiation Records)
  • The Nightmare Continues' was recorded at Tunstall Town Hall, Stoke-on-Trent in 1983 by legendary hc punk rock band DISCHARGE. Originally issued by Clay Records in 1990, it features Discharge favourites such as 'Never Again', 'Decontrol', 'Why', 'realities Of War', plus many more! (Let Them Eat Vinyl Records)
  • DISCHARGE | why | CD

    16.00 incl. tax
    A No.1 Indie chart topper when originally released in 1981, this was a 10 track mini LP first issued by collectable Clay Records. We’ve added 14 bonus including the Indie Chart hit singles ‘Realities Of War’ (No.5, 44 weeks), ‘Fight Back’ (No.4, 46 weeks) and ‘Decontrol’ (No.2, 44 weeks) to what has already been generally acclaimed as THE UK Hardcore Punk record. The influence this album and Discharge have had on the world-wide Punk movement is impossible to measure – they started a whole genre of “Discore” bands and have been covered by so many Punk and Metal bands (Metallica, Sepultura, Machine Head, Soulfly and Anthrax to name a few) – Punk Rock does not get rawer then this! Tracklist 1 Visions Of War 1:39 2 Does This System Work 1:16 3 A Look At Tomorrow 1:55 4 Why 1:10 5 Maimed And Slaughtered 1:06 6 Mania For Conquest 1:15 7 Ain't No Feeble Bastard 1:29 8 Is This To Be 1:31 9 Massacre Of Innocents (Air Attack) 1:23 10 Why (Reprise) 1:49 Bonus EP Tracks 11 Realities Of War 1:09 12 They Declare It 1:12 13 But After The Gig 1:15 14 Society's Victim 1:14 15 Fight Back 1:17 16 War's No Fairytale 1:17 17 Always Restrictions 1:18 18 You Take Part In Creating This System 1:16 19 Religion Instigates 1:38 20 Decontrol 2:35 21 It's No T.V. Sketch 1:33 22 Tomorrow Belongs To Us 1:33 23 Maimed And Slaughtered (Live - Apocalypse Punk Tour 1981) 1:21 24 Decontrol (Live - Apocalypse Punk Tour 1981) (Captain Oi/2007)
  • Out of stock
    20 Track 2LP compilation remastered and pressed on Colour Vinyl. Presented in gatefold sleeve with printed inner sleeves and poster. It was 1977, there may well have been “knives in West 11”, but at a student’s hall of residence in Leicester, a packed room of cross legged intellectuals were about to witness the debut of The Disco Zombies; Andy Ross on vocals and guitar, Geoff Dodimead on bass, Johnny ‘Guitar’ Hawkins on guitar and Andy Fullerton on drums. They were loud, fast and they had some witty one-liners. The four-piece became five with the addition of Dave Henderson from The Blazers, a chirpy power pop punk quintet, who were part of a burgeoning scene in the city that included The Foamettes, Dead Fly Syndrome, Wendy Tunes, The RTRs, Robin Banks And The Payrolls and many more. Wine bars, canteens and bowling alleys in pubs were the home of this phenomenon until Subway Sect and The Lou’s arrived for The Great Unknown Tour. They needed a local band for support and the Disco Zombies obliged. Record Shop owner - and now Mayor Of Mablethorpe - Carl Tebbutt was keen to ride the punk rollercoaster and decided to launch Uptwon Records with a Disco Zombies EP. Recorded in Chester in one four hour session, it included The Blazers’ ‘Top Of The Pops’ and Andy’s ‘Time Will Tell’, ‘Punk A Go Go’ and ‘Disco Zombies’. Carl had done a deal with a one-stop music production company who went bust almost immediately and the record was shelved. Unperturbed the band pressed on and recorded a session at the local radio station, ‘TV Screen Existence’ being the only track that survived. A tour of Leicester – five pubs in five days – was the end of that era and the band without Johnny ‘Guitar’ who had another year to do at Uni, relocated to London taking with them The Foamettes’ guitarist Steve Gerrard who wisely returned to Leicester and become part of The Bomb Party. Steve was replaced by Mark Sutherland in what was to become the recognised line up of The Disco Zombies for several years, playing lots of London gigs from The Hope And Anchor to The Moonlight Club, North London Poly to the Scala. By 1978, there was an eruption of small DIY indie labels and Andy Ross launched South Circular Records to release the band’s debut single, ‘Drums Over London’ - an ironic stab at people’s hostility to the arrival of other cultures, a piss-take of Spear And Jackson-wielding Tory attitudes. John Peel played it regularly until Rock Against Racism complained even though Peel explained that it was actually supporting their views. Ho hum. South Circular wasn’t to last but Dave Henderson launched Dining Out. Dave and Andy journeyed to Ipswich to record the debut EP from the Peel-approved Adicts, the plan being to follow it with a Disco Zombies’ single and regain momentum. ‘Here Comes The Buts’ was the second Dining Out release, featuring the breakthrough Dr Boss drum machine; it was greeted with great enthusiasm in some quarters, although strangely it was likened to The Cramps meets Neil Young in NME. Dining Out was always just one step ahead of going out of business and even though the follow up had been recorded - ‘The Year Of The Sex Olympics’, backed with ‘Target Practice’ and ‘New Scars’ – it never saw the light of day as the money finally ran out. Somehow, Dining Out had a second lease of life and Andy wanted to record a new track for a new release amid 45s from The Sinatras, New Age and Spit Like Paint. By now, the Zombies had been through their dark post punk phase and ‘Where Have You Been Lately Tony Hateley’ was a clever upbeat anthem which told the tale of the nomadic footballer. The test pressing gained many Peel minutes but by the time it was ready to release, the band had finally split up. It eventually saw the light of day on the Cordelia label’s ‘Obscure Independent Classics’ album. Very fitting. So, it was 1980: Mark Sutherland opened a studio in Bow, Dod got a day job, Andy Fullerton already had one. Andy and Dave went a bit experimental in Club Tango; Andy eventually discovering Blur for Food which he started with The Teardrop Explodes’ David Balfe, while Dave flirted with Worldbackwards. In 2011, the drum machine line up descended on Mark’s studio, rehearsing for a show at the Bull And Gate. They recorded two of their lengthier tracks – ‘Night Of The Big Heat’ and ‘LHO’ powered by a waning Dr Rhythm – these were pressed as an extremely limited edition ten-inch. A few years later Andy Fullerton returned to the fold recording three more originals ‘Hit’, ‘Lenin’s Tomb’ and ‘Paint It Red’ for an even more limited edition ten-inch in 2018 and a show in October that year at The Dublin Castle. Since then, meandering lunchtime discussions in restaurants that were popular in the ‘70s (Joe Allen, Café De Pacifico, etc) have led to arguments about the lost tracks – ‘Man From UNCLE’, ‘I Need You Like I Need VD’, ‘Throwaway Line’, ‘I Thought You Were Only Joking’, ‘London Nights’, ‘Cosmetics For China’, ‘When Doo Wop Hit Hampstead’. It’s only a matter of time. Until then..... Tracklist: Tracks A1 to A4 were recorded in April 1978 in Chester, UK. Released 1979 as The Invisible E.P. on Uptown Records. Track A5 was recorded in Leicester sometime in 1978 and is an unreleased demo track. Tracks B1 + B2 were recorded in SGS Studios, London in February 1979. Released 1979 as "Drums Over London" 7'' on South Circular Tracks B3 and B4 were recorded at Alvic Studios, Wimbledon, London in February 1980. Released 1980 as "Here Come The Buts + Mary Millington" 7'' on Dining Out. Tracks B5 to C4 were recorded at Alvic Studios, Wimbledon, London in 1980 and remained unreleased till now. SIDE ONE A1 Top Of The Pops A2 Time Will Tell A3 Punk A Go Go A4 Disco Zombies A5 TV Screen Existence SIDE TWO B1 Drums Over London B2 Heartbeats Love B3 Here Come The Buts B4 Mary Millington B5 Where Have You Been Lately, B6 Tony Hateley? SIDE THREE C1 The Year Of The Sex Olympics C2 Target Practice C3 New Scars C4 Greenland C5 Paint It Red SIDE FOUR C1 Night Of The Big Heat C2 LHO C3 Paint It Red #2 C4 Lenin’s Tomb C5 Hit. (Optic Nerve Recordings)
  • Out of stock
    This early singles compilation was originally only released in Japan in 1984. The Puke N Vomit full-length builds on the '80s, Japanese-only version and compiles all the band's first four, self-released records: the "Complete Disorder" EP (1981), "Distortion To Deafness" 7" (1981), "Perdition" EP (1982), and the "Mental Disorder" EP (1983). Another Disorder album loaded with classic, raw, pissed-off, belligerent, '80s, UK punk. (Puke N Vomit Records)
  • DOOM / CRESS | split | LP

    19.00 incl. tax
    Available for the first time since 1994. Some of the best material from both bands extensive catalogue. This time on a 12' format. DOOM was a band which were pivotal in the rise of crust punk and originated from Birmingham. Doom continued with different guitarist, most notably with Dave Talbot who co-founded UK doom metal band SOLSTICE with SORE THROAT’s vocalist Rich Walker, but did not settle with four members for long playing numerous gigs as a three piece,as Pickering turned to vocal and guitar duties. This line up continued until a final split in August 1990. Following the group’s demise Pickering formed Police Bastard, whilst drummer Stick joined ENT then DIRT. This records still sound heavy, fuzzy, dirty and mean as hell!! (Sonarize Records)
  • OUT IN MID SEPTEMBER. We're extremely excited to announce the release of this new masterpiece co-released together with Sonarize Records from Portland. The box will contain:
    • Demo 1987 Flexi (never released before)
    • Police Bastard 7" (including all the different covers)
    • The Greatest Invention Demo 7" (different recordings of their controversial third record, never released before)
    • Split with Hiatus and Extinction Of Mankind 7" (both the Doom's sides collected on a single EP)
    • Hail To Sweden 7"
    • Monarchy Zoo 7"
    All the tracks have been remastered for a more powerful sound. The box set will include an embroidered patch, a birthday card, a poster and a 16 pages booklet with tons of unheard stories, funny anecdotes, pictures, flyers and brand new drawings made by Sir Stick itself. It'll be released in 500 copies, 400 on regular black vinyls, 100 in colored vinyls. (Agipunk Records/Sonarize Records)
  • DOOM | re-viled | 2xLP

    31.00 incl. tax
    This record originally released under the title “Fuck Peaceville" is the re-recording of their infamous “Total doom" lp, done after Peaceville decided to veer away from it's DIY roots. The recording is the culmination of members desire to get a better sound on some of the earlier recordings. Fully repackaged in all it's gatefold glory. DOOM was a band which were pivotal in the rise of crust punk and originated from Birmingham. Doom continued with different guitarist, most notably with Dave Talbot who co-founded UK doom metal band SOLSTICE with SORE THROAT’s vocalist Rich Walker, but did not settle with four members for long playing numerous gigs as a three piece,as Pickering turned to vocal and guitar duties. This line up continued until a final split in August 1990. Following the group’s demise Pickering formed Police Bastard, whilst drummer Stick joined ENT then DIRT. This records still sound heavy, fuzzy, dirty and mean as hell!! (Sonarize Records)
  • DOOM | world of shit | LP

    20.00 incl. tax
    Doom never have been big on subtlety, and here there is no change in direction. They continue with the tried and true d-beat crust they pioneered in the 80's. This record was recorded in 2001. DOOM was a band which were pivotal in the rise of crust punk and originated from Birmingham. Doom continued with different guitarist, most notably with Dave Talbot who co-founded UK doom metal band SOLSTICE with SORE THROAT’s vocalist Rich Walker, but did not settle with four members for long playing numerous gigs as a three piece,as Pickering turned to vocal and guitar duties. This line up continued until a final split in August 1990. Following the group’s demise Pickering formed Police Bastard, whilst drummer Stick joined ENT then DIRT. This records still sound heavy, fuzzy, dirty and mean as hell!! (Sonarize Records)
  • Crocodiles was originally released in July 1980 and reached 17 in the UK Charts. The band rose to the fore as part of the vibrant post punk Liverpool scene with the likes of Teardrop Explodes. Their debut gig at the now legendary 'Erics' home of the Cavern Club on Matthew St Liverpool, the cradle of British rock and roll, delivered them onto the scene. Recorded at Eden Studios in London and Rockfield Studios in Monmouth Wales, Crocodiles was produced by Bill Drummond and David Balfe, it is heralded as one of the 'Classic Debut Albums Of All Time'. Ian Broudie had already produced the single 'Rescue' and the albums cover and music both reflect the imagery of darkness and sorrowfulness contained within. This was much lauded at the time with NME describing McCulloughs lyrics as being 'scattered with themes of sorrow, horror,and despair, themes that are reinforced by stormy animal/sexual imagery". Echo And The Bunnymen were formed in 1979 and originally consisted of Ian McCullough, Will Sergeant and Les Pattinson and a drum machine 'Echo'. Their debut single 'Pictures On My Wall was released in July 1979 on the independent Liverpool Zoo Records, The band subsequently signed to WEA subsidiary label Korova. The band toured Britain prior to recording the album in a single 3 week stint at Rockfield with bassist Les Pattinson commenting how he was amazed at the tedium of the recording process. "There was a lot of hanging about. I didn't get all the 'drop-ins' and 'edits' bit. But that naivete was transferred to tape. which is good". Crocodiles was and is a classic debut, one captured in time by Drummond and Balfe : alias The Chameleons. Remastered, 180gram. (Korova Records/Rhino/2021)
  • Echo & the Bunnymen’s second album, Heaven Up Here, was released in May 1981, under a year after Crocodiles, and gave them their first top 10 album. Rife with thick atmospherics and brooding dreamscapes, the harrowing songs clatter amidst arrangements infused with requisite air, space, and chamber echoes. Silhouetted guitar leads help convey moody dampness, despair, dread, and disgust, the themes directly connected to narratives that tackle distrust, dishonesty, betrayal, and arrested dreams. Cloudy and jagged for certain, but the majesty of Heaven Up Here relates to how, in spite of the haunted arrangements and claustrophobic feel, ribbons of light and hope illuminate its shadowy corners and nocturnal glow. Remastered, 180gram. (Korova Records/Rhino/2021)
  • Out of stock
    Rhino have embarked on a grand reissue mission and plan to put out all of the Echo & The Bunnymen's first four albums. Here we have a remastered version of Ocean Rain on 180-gram black vinyl. It was the fourth of the band's albums and was related back in 1984. It reached number four on the UK Albums Chart thanks to singles like 'Silver', 'Seven Seas' and personal favourite 'The Killing Moon.' The album got the band back to the top of their game after the rather less than warm reception to previous album Porcupine the year before thanks to its new found romantic sweetness and the band's bittersweet melodies. (Korova Records/Rhino/2021)
  • Out of stock
    There is no need to say much here, you probably know them and the web is full of infos about them. Two full demo's, live and rehearsal. Tracks A1 to A8 recorded live in January 1986 in Liverpool. Tracks A9 to A15: "Killing Babies Is Tight" demo, recorded at Dead Fly Studio on 03.03.1986. Tracks B1 to B3: rehearsal 1985. Tracks B4 to B12 "If Killing Babies Is Tight, Killing Babies For Profit Is Even Tighter" demo, recorded at Dead Fly Studio on 26.01.1987. Limited edition of 323 copies. Includes a 2-sided insert with lyrics and drawings. Tracklist A1 Unity A2 Money A3 Theme Toon A4 Am I A Punk Yet A5 Next Time A6 Thought A7 Apart A8 ... A9 Intro A10 Unity A11 Run Ronald A12 Wings Of Death A13 Vivisection Song A14 Say Goodbye A15 Outro B1 Am I Punk Yet B2 Hidewhere B3 Reject Detect B4 Intro (Death In The Swamp) B5 Satanic Warmonger Of The Abyss B6 Meltdown B7 At The Edge B8 Mother B9 Reject B10 Sheep B11 Dead End B12 Life (Liberation Records/Unofficial Release)
  • Out of stock
    Limited BLACK vinyl edition w/ 60x40cm FOLDED POSTER INCLUDED Formed in the northern market town of Grantham in l98l, hardcore punk band English Dogs swiftly built a reputation via demos, supporting Charged GBH and Discharge on early tours. After debut Invasion of the Porky Men, original vocalist Wakey was replaced by former Ultraviolent frontman, Ade Bailey, the inclusion of Destructors guitarist Gizz Butt pointing to the new metal direction fully mined on Forward Into Battle, Butt’s flighty riffs lifting the thrash bedrock to further heights of melodicism. This key piece of archaeology is a must for all English Dogs fans, showcasing their glorious blend of thrash, hardcore and metal. (Radiation Records)
  • Limited ORANGE edition, 200 copies only w/ 60x40cm FOLDED POSTER INCLUDED. Formed in the northern market town of Grantham in l98l, hardcore punk band English Dogs swiftly built a reputation via demos, supporting Charged GBH and Discharge on early tours. After debut Invasion of the Porky Men, original vocalist Wakey was replaced by former Ultraviolent frontman, Ade Bailey, the inclusion of Destructors guitarist Gizz Butt pointing to the new metal direction fully mined on Forward Into Battle, Butt’s flighty riffs lifting the thrash bedrock to further heights of melodicism. This key piece of archaeology is a must for all English Dogs fans, showcasing their glorious blend of thrash, hardcore and metal. (Radiation Records)

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