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In the Fishtank 5 is a 1999 EP by Tortoise with The Ex as part of the In the Fishtank project. “In the Fishtank is an ever ongoing project of Konkurrent, independent music distributor in the Netherlands. In this collection Konkurrent invites musicians to whom we feel strongly related to record. They are given two days studio time and freedom to do whatever they like musically. The Fishtank offers a space for expression and experimentation, results may vary but are always surprising.” Label: Konkurrent Records -
Η καλύτερη stoner μπάντα της χώρας, οι θρυλικοί Νightstalker κυκλοφόρησε το 5ο album της “As above so below” το 2016. Heavy όπως πάντα ήχος, ωμό rock ‘n’ roll, μαζί με τα μοναδικά φωνητικά του Argy, δημιουργούν τον μοναδικό ήχο του group, με μια τεράστια επιρροή για ολόκληρη την ελληνική ανεξάρτητη σκηνή για πάνω από 30 χρόνια. Περιορισμένη έκδοση 200 αντιτύπων σε Cyan / Black Marbled βινύλιο. Συμπαραγωγή “Labyrinth of Thoughts” records & “The Lab” records. Barcode: 0766544928162 -
Public Image Ltd. (PiL) announce their 11th studio album and first album in 8 years, End of World, to be released on 11th August 2023 on PiL Official via Cargo UK Distribution, followed by a 37-date UK and European Tour. The band began writing and recording End of World in 2018, during their 40th anniversary tour. After The Great Pause, the band regrouped in the studio and “there was just this massive explosion of ideas,” Lydon says. The result finds PiL set to release 13 of the best tracks they have ever written. The announcement comes with the release of new single Penge, which John describes as, “something of a mediaeval Viking epic.” Earlier this year, PiL released Hawaii, the most personal piece of songwriting and accompanying artwork that John Lydon has ever shared. The song is a love letter to John's wife of nearly 5 decades, Nora, who is living with Alzheimer’s. A pensive, personal yet universal love song that has resonated with many since its release in January, the song sees John reflecting on their lifetime well spent and in particular one of their happiest moments together in Hawaii. The powerfully emotional ballad is as close as John will ever come to bearing his soul. “It is dedicated to everyone going through tough times on the journey of life, with the person they care for the most,” John says. “It’s also a message of hope that ultimately love conquers all. As I say in the song, all journeys end and some begin again, but this is the beginning of a new journey with us. And, oddly enough, as bad as Alzheimer’s is, there are great moments of tenderness between us. And I tried to capture that in the song.” Celebrating their 40-year anniversary in 2018, the band is widely regarded as one of the most innovative and influential bands of all time. PiL’s music and vision has earned them 5 UK Top 20 singles and 5 UK Top 20 albums. With a shifting line-up and unique sound - fusing rock, dance, folk, pop and dub – Lydon guided the band from their debut album First Issue in 1978 through to 1992’s That What Is Not, before a 17 year hiatus. Lydon reactivated PiL in 2009, touring extensively worldwide and releasing two critically acclaimed albums This is PiL in 2012 followed by their 10th studio album What The World Needs Now… in 2015, which peaked at number 29 in the official UK album charts and picked up fantastic acclaim from both press and public. (The album also peaked at number 3 in the official UK indie charts and number 4 in the official UK vinyl charts). What The World Needs Now… was self-funded by PiL and released on their own label ‘PiL Official’ via Cargo UK Distribution. In 2018 PiL celebrated their 40th anniversary with a career-spanning box set and documentary, both called ‘The Public Image Is Rotten’, and a 32-date UK/Europe tour, plus dates in Japan. John Lydon, Lu Edmonds, Scott Firth and Bruce Smith continue as PiL. They are the longest stable line-up in the band's history and continue to challenge and thrive. Label: PIL Official Barcode: 5060446128077
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Eighties is the debut EP and first major release by American post-hardcore band Girls Against Boys, released in 1990 by Adult Swim Records. Both sides of the EP features a different lineup of the band, and as a result, a different sound. Label: Drastic Plastic
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Danzig 4, also titled Danzig 4P, is the fourth studio album by American heavy metal band Danzig. Released in 1994, it was the band's final album on American Recordings, and the last to feature the original lineup of John Christ (guitar), Eerie Von (bass), and Chuck Biscuits (drums). Danzig 4 followed 1993's highly successful Thrall: Demonsweatlive EP and singer Glenn Danzig's 1992 instrumental solo effort, Black Aria. Issued in a gatefold sleeve. Label: Def American Recordings/Unofficial Release
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For the first time on vinyl since its release in 1997, a classic of the classics where the Supersuckers lead the way and go cowpunk with releasing an Americana classic. Remastered in 2023. Featuring guest appearances from none other than Willie Nelson and Bouncing back from the setback of Sacrilecious, the Supersuckers recorded their most ambitious album with Must've Been High. Using their garagey, post-hardcore punk as a launching pad, they delve deeply into country, even recording with Willie Nelson on one cut. Tellingly, the Supersuckers sound their best when they go for a snotty update of cowpunk -- compared with their metal and Stooges-obsessed contemporaries, the band sounds positively fresh with the little bit of twang. Must've Been High is an intoxicating concoction of fiery riffs, goofy humor and punk attitude. Label: Improved Sequence, Sub Pop
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With their second proper album Meat Is Murder, The Smiths began to branch out and diversify, while refining the jangling guitar pop of their debut. "The Headmaster Ritual" and "I Want The One I Can't Have" are fine elaborations of the formula they laid out on the debut, while "Rusholme Ruffians" is an infectious stab at rockabilly. Such was their creative thrust at this point; they were seen as the most important British band since Joy Division. Above all though, there was no other British group making music quite like this in 1985. Label: Rhino Records Barcode: 825646658787
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Despite the music press initially declaring this compilation of singles and B-Sides '"inessential", fans soon grew to love The World Won't Listen as it offered a new selection of mixes including the singles "There Is A Light That Never Goes Out" and "You Just Haven't Earned It Yet, Baby". Indeed, the title picked by Morrissey, represented the bands frustrations of the music industry of the time and being The Smiths they reacted in the only way they knew how. Directly through their music and now iconic artwork. Label: Rhino Records Barcode: 825646658817
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Re-mastered and repackaged with new liner notes by Everett True and featuring 4 bonus tracks, including single version of 'My Lighthouse' and an alternative mix of 'Blue Girls', the previously unreleased 'Sink or Swim' and 'Please Don't Worry' from Pulp's John Peel session in 1981. This was Pulp's debut and one of their most honest recordings - capturing a band at the beginning of their startling career - 'It' is a gentle, mainly acoustic album that hints at the musical directions they would later pursue. The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen - an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, 'It' has aged beautifully into a charming collection. Label: Fire Records Barcode: 809236122315
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Pere Ubu's mighty debut recorded back in 1977 and originally released on blank records in '78 in America and on Mercury (and later Rough Trade) in the UK and now released through Fire, and for this reworking Paul Hamann at Suma has transferred from the original 2-track analogue mix tapes to digital at the highest resolution available which, is at least four times the resolution of the original. The tracks have carefully been re-mastered by sonic architect Brian Pyle so as to capture the unique qualities within. It is hard to believe that such noises could come from so deep in America's heartland, played by a group named after a french absurdist play. The debut album by Pere Ubu, The Modern Dance' is the realization of group leader David Thomas's (aka crocus behemoth) high-concept vision of a rock band whose sound was always just on the verge of falling apart. Avant garde and not terribly accessible, the album's noisy anarchy was a tonic for punks and intellectuals sick of the bloated, corporate sound that passed for commercial rock at the time. it became a major influence on the leading alternative bands of the following decade, including the Pixies and Husker Du. Label: Fire Records Barcode: 0809236136077
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The second studio album by The Solution, “Will Not Be Televised”, is finally reissued on vinyl! “Will Not Be Televised”, originally released in 2007, is the title of the second studio album by the soul/funk and rock band The Solution. The project by Scott Morgan (Sonic's Rendezvous Band) and Nicke Andersson (The Hellacopters) ended its journey with 11 brilliant new songs full of 60's soul, with their own compositions and versions of classics such as “Pickin' Wild Mountain Berries” or “Can't Stop Looking For My Baby”. It is an album as impressive and essential as its first reference. Limited edition of 1000 copies. Label: Bang! Barcode: 8435008876333
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The Queen Is Dead is the third studio album by the English rock band the Smiths. It was released on 16 June 1986 in the UK by Rough Trade Records, and on 23 June 1986 in the US by Sire Records. Label: Warner Music UK Ltd. Barcode: 825646658879
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...And the Circus Leaves Town is the fourth and final studio album by American stoner rock band Kyuss, released on July 11, 1995, nearly a year before their breakup. Drummer Alfredo Hernández (Yawning Man) replaces Brant Bjork, who left Kyuss in 1993. The album features a tighter and more straightforward sound, both in songwriting and production, than the band's preceding efforts. The album was not as commercially or critically successful as the previous Blues for the Red Sun and Welcome to Sky Valley. Critic Dean Brown attributes this partly to a lack of promotion and the band's breakup, but also notes that the album "deserves to be cherished as much as the two molten hot records that came right before it." A video was released for "One Inch Man", the album's only official single. Label: Elektra – R1 61811 Barcode: 081227958794
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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential! Label: Radiation Reissues - RRS216 Format: Pink Vinyl LP Barcode: 8055515234343
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Evolving from London Mod act The Action, Mighty Baby signed to Parlophone on the reputation of their live sets, featuring guitarist Alan King, bassist Mike Evans and drummer Roger Powell, with former Savoy Brown guitarist Martin Stone and keyboardist/sax player Ian Whiteman joining after. Their 1969 debut moved into heavy psych and sophomore set A Jug Of Love took semi-acoustic form, blending bluesy folk and a touch of North African spice into their psychedelic prog, the style reminiscent of the Grateful Dead, but very much their own. An unsung masterpiece, feted by Julian Cope, and here with lyrics insert. Label: Blue Horizon – TDP54061, Trading Places – TDP54061 Barcode: 5060672880619
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Multiplatinum, Grammy Award-winning rock band Deftones release their eagerly awaited eighth studio album, entitled Gore via Warner Bros. The album was produced by Matt Hyde and Deftones. Says Deftones singer Chino Moreno of the album: "Out of respect for Pac, Big, Stevie, Michael, Hendrix, Gore is one of the greatest albums not the greatest, just one of." Label: Reprise Records Barcode: 093624926498
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Limited to 1500 hand numbered copies on orange vinyl with black splatter. 'The Lemonheads' is the eighth studio album by the Lemonheads, released in 2006, marking their return from a nine-year hiatus. This new pressing, the first since 2007, is released via Hassle Records for the UK/EU, in conjunction with Vagrant Records to celebrate their 25th Anniversary. "Punk's Not Dead! The Marvellous Return of Evan Dando. The Lemonheads is a moody, giddy, charming album, as ragged and dynamic as those the band were making half a lifetime ago. It's a small miracle that Evan Dando is still alive. It's a slightly bigger one that he can still fend off maturity with such ruffled, wide-eyed panache" Uncut (Oct '06) "Dando has revived the Lemonheads moniker and signed up drummer Bill Stevenson and bassist Karl Alvarez, both veterans of Eighties American punk-rockers The Descendents. The result is a more focused, less varied sound, and none the worse for that. Tight and passionate, "Pittsburgh" could be by an American version of The Jam, while "Become The Enemy" could have been written at any time in the past 20 years, its catchy indie-pop setting providing a stable footing for Dando's account of a collapsing relationship." The Independent (Sept, '06) Label: Hassle Record Barcode: 5060626464513
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Sleaford Mods release their new album UK Grim through Rough Trade Records. As the Nottingham duo's most dancefloor friendly release to date, UK Grim is an urgent and sage-like look at life, living and the gritty reality of our era. Truly the sound of now, not only in terms of the ideas and issues Jason Williamson's strong words invoke, but also thanks to the innovative and immersive production of Andrew Fearn, which on this release has seen the pair collaborate on songs with Jane's Addiction's creative powerhouse, Perry Farrell and Dave Navarro, and with Florence Shaw, the distinct and vital voice at the heart of British band Dry Cleaning. Speaking of the forces that have triggered the poetic protest at the heart of this record, as with their musical forebears like The Clash or The Jam, Sleaford Mods reveal that the outrage they feel is underscored by love for the people and places around them, making UK Grim as much a celebration of individuals and the idealists as it is an attack on ruling classes who pursue their own self-serving agendas with increasing desperation. “Maybe we are proud of the country. Maybe we are proud to be English,” explains Williamson. “Maybe I’m proud of the horrible grey streets and the shit weather and the stupid fashions I find myself investing in. It’s just that the English we’re proud of being is absolutely nothing like the English the authorities want to try and promote.” Angry yet artful, innovative yet possessing an instinctual energy that irresistibly moves bodies and minds, UK Grim is an erudite electronic vision that truly engages with times that have been anything but 'precedented'. Label: Rough Trade Barcode: 191402039115
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In continuation of what's been one of the most prolific creative streaks of their 15-year career, Editors release the new best of album Black Gold featuring 13 tracks from their six studio albums, alongside three brand new offerings: "Upside Down," summer festival anthem "Frankenstein" and the gothically dramatic title track "Black Gold." Black Gold's cover photograph was shot by award-winning photographer Nadav Kander and the album artwork was designed by celebrated graphic designer Tom Hingston (Massive Attack, Chemical Brothers, The Rolling Stones). From their Mercury Prize shortlisted debut The Back Room, to No. 1 debuting An End Has A Start, platinum-selling In This Light and On This Evening, sprawling, transitional The Weight of Your Love, moody, self-produced In Dream and their sixth top-10 album in a row, 2018's explosive Violence, Editors have refused to either stay still or compromise. Black Gold is a chance to reflect on the past 15 years, but it also offers a glimpse into a very exciting future for one of the UK's most enduring and perhaps unexpected musical success stories of this century. Tracklist: A1 Frankenstein 4:30 A2 Papillon 5:25 A3 Munich 3:50 A4 Sugar 4:19 B1 Hallelujah (So Low) 4:04 B2 An End Has A Start 3:45 B3 Upside Down 4:43 B4 Bullets 3:13 C1 Ocean Of Night 5:07 C2 No Harm 5:12 C3 Smokers Outside The Hospital Doors 4:59 C4 A Ton Of Love 3:57 D1 Magazine 3:56 D2 The Racing Rats 4:20 D3 Black Gold 5:06 D4 No Sound But The Wind 4:31 Label: [PIAS] – PIASR1125DLP, Play It Again Sam Barcode: 5400863017217
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Around the Fur is the second studio album by American alternative metal band Deftones, released on October 27, 1997 by Maverick Records. A furious, hard-hitting blast of confrontational sound. The Deftones have already established themselves nationally as one of the hardest and most powerful new bands to arrive in years, and Around The Fur is destined to catapult them to massive success. (Maverick – 9362-49578-0 )
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Εμμένοντας πιστοί στο θορυβώδες και ασυμβίβαστο noise rock που τους έδωσε την εδώ και χρόνια underground φήμη τους, οι Krause επιστρέφουν με τον πιο φιλόδοξο δίσκο τους. Το “The Art of Fatigue” αποτελεί το επιστέγασμα των τελευταίων ετών και ισορροπεί μεταξύ επιθετικότητας και ακρίβειας. Μια σειρά straightforward κομματιών hardcore/noise προσεγμένης αισθητικής και καταστροφικού attitude. Limited Edition Cassete. Only 100 copies available! For fans of: Melvins, Whores, Chat Pile, Unsane, Cherubs, Part Chimp, Today is the Day. (Venerate Industries)
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180 Gram heavyweight black vinyl edition of 'Black Holes and Revelations'; Muse's fourth studio album, which charted at number 1 in the UK album chart on release in 2006. Featuring the singles; 'Supermassive Black Hole', 'Starlight', 'Knights of Cydonia', 'Invincible' and 'Map of the Problematique'. In 2004, U.K. favorite Muse broke through in the U.S. with Absolution and major performances across America that won legions of new fans. In 2006, Muse takes a bold new step with Black Holes And Revelations, a powerful, upbeat epic album that takes the band's music to a whole new dimension. Once again co-produced by Rich Costey [Rage Against The Machine, Audioslave], Muse incorporates influences from electronica and Prince to pure pop. (Helium – 0825646350919, Warner Records – 0825646350919)
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Unmissable early and rare sessions compilation from 90's faves the Cranberries, including BBC radio broadcast from February 1992, the KROQ Universal Amphiteather broadcast from 1993, and a fully acoustic radio FM broadcast from 1994 in Atlanta. TRACKLIST SIDE A Peel Session, BBC Radio 1, England, 16 Feb 1992 1. Waltzing Back 2. Linger 3. Want 4. I Will Always KROQ XMAS Universal Amp, L.A., 11 Dec 1993 5. Dreaming My Dreams 6. Ode to my Family 7. Empty SIDE B 8. Linger 9. False 10. Zombie WNNX Studio, Atlanta, USA, 19 Aug 1994 11. Sunday (acoustic) 12. Zombie (acoustic) 13. Linger (acoustic) (Mind Control - MIND826)
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Συντηρώντας τη φωτιά κάτω από ένα εκ των πλέον αγαπητών υπο-ιδιωμάτων του extreme metal, οι Blame Kandinsky βάζουν ακόμα ένα λιθαράκι στην ιστορία του παραδοσιακού mathcore. Επιδεικνύοντας εξαιρετικές τεχνολογικές δεξιότητες και μια ακατέργαστη, old school death metal αίσθηση, ανεβάζουν τη δουλειά που γίνεται με τις προηγούμενες κυκλοφορίες τους σε νέα ύψη με αυτό το νέο άλμπουμ. Υπενθυμίζοντας σε όλους τι ήταν αυτό που έκανε τους The Dillinger Escaple Plan, Botch, Every Time I Die, Burnt By The Sun τις δυνάμεις που ήταν και αναμιγνύοντας το με τις διδαχές των Death της εποχής του "Sound of Perseverance", το Eclectic Ruiner είναι μια ξεκάθαρη ένδειξη του που βρίσκονται οι Blame Kandinsky του 2022. For fans of: Botch, Converge, Dillinger Escape Plan, The Chariot, Everytime I Die. • 12” 200gr Black Vinyl LP • Standard full color 4mm spine 300gr paper Outer Sleeve • Full Color printed 230gr paper inner sleeve (Venerate Industries)
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Εμμένοντας πιστοί στο θορυβώδες και ασυμβίβαστο noise rock που τους έδωσε την εδώ και χρόνια underground φήμη τους, οι Krause επιστρέφουν με τον πιο φιλόδοξο δίσκο τους. Το “The Art of Fatigue” αποτελεί το επιστέγασμα των τελευταίων ετών και ισορροπεί μεταξύ επιθετικότητας και ακρίβειας. Μια σειρά straightforward κομματιών hardcore/noise προσεγμένης αισθητικής και καταστροφικού attitude. For fans of: Melvins, Whores, Chat Pile, Unsane, Cherubs, Part Chimp, Today is the Day. • 12” 180gr Black Vinyl LP • Standard full color 3mm spine 300gr paper Outer Sleeve (Venerate Industries)
