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"The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher -
"The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher -
Ποιήματα για επώδυνες διαδικασίες , μέρος πρώτο: ένα 16 σελιδο βιβλίο με ποιήματα και εικονογραφήσεις της Αντιγόνης Ηλιάδη και μαζί ένα επτάιντσο βινύλιο με μελλοποιήσεις των ποιημάτων από τους Precariat , ένα noiz black punk τρίο από την Αθήνα, με μέλη από Bad Trip και Sarabante Κυκλοφορεί σε 300 αντίτυπα, σε συμπαραγωγή της μπάντας και της Body Blows Records. New band from Athens w/members Bad Trip and Sarabante. Four songs noiz black punk.
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Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records. Label: Radiation Reissues - RADRSD010
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Features a song from the God Is War album "Extinction Is Ours". Also contains the unreleased death dirge "Curse of Humanity". Track Listing: 01. Curse Of Humanity 02. Extinction Is Ours (Nonbeliever Records)
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON/OR AROUND LATE JULY, THANKS! What Revolution? was originally recorded at Southern Studios for the album If They Treat You Like Shit - Act Like Manure on Corpus Christi but for some unknown reason it was dropped at the last minute for a live track. We asked the band about this and not one member could remember why but all admitted it was a massive mistake as What Revolution? Is classic Alternative. Impassioned and raging anarcho punk with duel female and male vocals. On the flip is two radically different mixes from the album of Another Subversive Peace Song and Love and life which have the guitar tones clean and give both tracks a fresher sound. The 7” comes housed in a Crass style Sleeve. Label: Sealed Records
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ALVILDA are Nina, Eva, Sandra and Melanie and is the best power pop inconnue! Four ALIEN SNATCH! pandemic pop pearls parisiennes! Seems the four gals starring the SHANGRI LAS on "Leader of the Pack", but are the ones riding Lambretta motor scooters picking up the DOGS. The are the french version of Belfasts' PROTEX, their four-song debut 45rpm has the trademark lofi-mod to power pop drive and add some yé-yés of their idols, LES CALAMITÉS and some ice-melting RONETTES surf harmonies and back ups. Fans of NUMBER ONES, WHIFFS, BARRACUDAS, TV CRIME and PROTOKIDS put a heart-shaped cardboard file next to your A´s- After Last Night 45 until release date. Record comes in two double sided printed cover cards in super clear sleeves.This is ALVILDAS first recordings from December 2020 at Château Vergogne Studio. We´re in love toutes le nuits already. (Alien Snatch Records)
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A reissue of the third single on All the Madmen Records from 1980. The single was recorded at Spaceward Studios in Cambridge where The Mob, Swell Maps and Stiff little Fingers all recorded. Andy Stratton was a sixteen year old punk from Somerset who hung out with The Mob and the Yeovil punks. The drummer on this single was Graham Fallows who was still a member of The Mob at the time these two songs were recorded. Andy had never played a gig under his name but decided to go into a studio and record these two gems. I Don’t Know is a glorious punk pop nugget that has style and sass. Think a mix of the Buzzcocks’ Pete Shelley vocally Pete Fender’s only 7” Four Formulas (For The Eradication Of Microbes) and the early Good Vibrations records releases. The flip Evil Minds is a more laidback and bleak track that leans heavily on the influence of the Mob. After this 7” Andy went on to form the greatly under appreciated Null and Void. Comes with insert featuring an interview and a few pictures. Label: Sealed Records
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Voltage records delivers another great re-edition of Nordic noise. The unjustly neglected band that brought this great six-song single to the world, If you're a fan of Kaaos, Riistetyt, Mellaka or Svart Framtid, you'll be thrilled. As is customary at Voltage, we do our re-issues with the utmost fidelity to the original, and here we've thought of everything, from the engraved lyrics on the record, the weight of the paper, or even such madness as the custom-made adhesive wings that bind the cover to make everything look like it's '85. There's also a limited edition version available on clear vinyl in special packaging. The re-issue was released with the band's permission. (High Voltage Records)
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ARMS RACE follow up to their “New Wave Of British Hardcore” LP with four new tracks, which sees the band solidify their place as one of the strongest pillars of UK hardcore. Touring Europe and Japan since the release of the LP, these 4 new tracks are yet more proof of why the band leaves a trail of fans whenever they play. “The Beast” displays a ferocious hardcore attack with both boots firmly stuck on the hardcore and punk territories while looking forward to new soundscapes on which they evolve, such as on track 'Distort Britannia' that showcases a slowed down atmospheric stomper. Part classic USA Hardcore, part Bristol and Stoke On Trent punk, these new tracks are a perfect continuation of what the band has created during these last 5 years. The Beast comes housed in a pocket sleeve with artwork by bass player and LVEUM shitworker Nicky Rat and includes a lyric insert and download code. Label: La Vida Es Un Mus Records
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Formed by Edwin Pouncey in the Spring of 1977 “because there was a talent night at the Royal College Of Art”, their first gig ended (like so many of their other gigs) in a fight, to disguise their lack of material. Someone there offered them a gig for money so a set of 10 songs was quickly cobbled together. More gigs followed. Ricky Slaughter left to join The Motors, Robert Gotobed went to Wire and the line-up stabilised to include the nucleus of Edwin Pouncey, Steve Spear and Marion Fudger. A hippie guy and his stripper girlfriend who ran a record shop in the basement of Kensington Market decided to start a label and approached the Art Attacks. They released the 7,500 selling “I Am A Dalek” b/w “Neutron Bomb” single, but the relationship terminated when the stripper appeared on stage semi-naked and decided to whip an unamused Edwin. Their next foray into the studio was to record the classic “Arabs In ‘Arrads” for the first ever punk rock compilation album, “Streets” on Beggars Banquet. Suffering from stage fright, Edwin would only appear on-stage when inebriated. Each performance was unpredictable. Aside from the frequent fights, there was one occasion when Edwin climbed inside the kick drum and refused to perform, and once when he invited a tramp to ramble meaninglessly into the microphone, rather than sing himself. Tours with The Lurkers, Generation X, The Motors and Rock Against Racism followed, as did two live tracks “Animal Bondage” and “Frankenstein’s Heartbeat” on the “Live At The Vortex” album. The pressures of finishing their degrees terminated the band and the posthumous “Punk Rock Stars” b/w “Rat City” single was released. On 16th January 1979 the Art Attacks released their second and sadly posthumous single ‘First and Last’ on Fresh Records. The A side was “Punk Rock Stars” and featured the drumming of Robert Gotobed from Wire. The B side was “Rat City“. The A side was recorded in 1978 before they split in March of that year, while the B side was recorded in 1977. The artwork was designed by Edwin Pouncey aka Savage Pencil, lead singer of the band. After they split Edwin Pouncey, Marion Fudger and Steve Spear would form The Tagmemics who released one single ‘Chimneys’ on the Index label in 1980. Unquestionably a punk rock classic, the single is now highly collectable, has featured on many official and unofficial punk rock compilations and has been long overdue an official reissue so in 2022, in conjunction with the band, Overground Records have released a limited reissue of 500 copies on silver vinyl which losely reproduces the original sleeve and label artwork. Label: Overground Records
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ARTCORE FANZINE ISSUE #42 - AUTUMN 2023 WITH “THE IRON CURTAIN ISN'T SOUNDPROOF - PUNK ROCK IN EIGHTIES POLAND” 7" EP “THE IRON CURTAIN ISN'T SOUNDPROOF - PUNK ROCK IN EIGHTIES POLAND” 7" EP: A six band, six song Artcore Vinyl Fanzine 7” EP of prime eighties Polish punk featuring: ABADDON SIEKIERA TZN-XENNA MOSKWA DEZERTER DEUTER ...in conjunction with Warsaw Pact Records on concrete grey vinyl and fold out poster insert. Artcore Issue 42: Forty page litho printed zine featuring interviews with: CIVIC OFF! STRAW MAN ARMY ARCHERS OF LOAF HAMMERED HULLS PEZZ NIGHTFEEDER SHARP CLASS FEAR OF THE KNOWN INNER CONFLICT LONG KNIFE Plus ‘Vaultage’: An in depth look at Polish Punk Rock history by Robert of Refuse and Warsaw Pact Records to accompany this issue’s Artcore Vinyl Fanzine featuring interviews with: ABADDON SIEKIERA TZN-XENNA MOSKWA DEZERTER DEUTER BRYGADA KRYZYS TILT THE CORPSE ...and more. To finish off there are 90 releases reviewed, some featuring Artcore reviewer Tim Brooks (Young Offenders, Stockholm Syndrome, Maximum Rock’n’Roll, Razorcake etc.)
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Formed in 1981 by a crew of hardcore punx and skins from Stoke-on-Trent in the industrial Midlands of England, Asylum fully embraced the ‘Noise Not Music’ rallying call. The missing link between Discharge and Japanese Noisecore, their sound is characterised by detuned ear-piercing distortion: buzzsaw guitars, fuzzed bass, charging drums and gargled vocals battle each other in a maelstrom of lo-fi production murk that reflects the bleak outlook of their lyrics. Only existing for a brief moment in time (playing a handful of mainly local gigs and releasing one demo tape and the occasional track on compilation tapes) and obscure even during their existence, Asylum were nonetheless influential, their ‘1,000 M.P.H. Hardcore Punk’ inspiring other U.K. groups such as Skum Dribblurzzzz and Napalm Death. (Nic Bullen) This release contains the 6 Track demo Is This The Price? Which was originally released as a tape only EP on Retaliation Records. The tracks have been remastered and mark the first time Asylum have released anything on vinyl. (Sealed Records)
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UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 2 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
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Julian Isaacs aka Auntie Pus, made a bet with his childhood friend Chris Millar (Rat Scabies of The Damned) that one of them would have a top ten record within 3 years. He of course lost that bet in less than a year as The Damned took the world by storm. Isaacs carried on with his own brand of punk and Syd Barrett inspired songs, playing with the best of the first wave of UK punk bands, and becoming frequent tour partners of bands like The Damned and The Ruts. In 1978 he finally recorded a single, featuring Rat Scabies on drums, which was eventually released with some help from the Ruts management, and did make not just into the weekly top 10 in Sounds, but "Single of the Week", and in a top 10 in Record Mirror when the Damned were pulling the reigns that week. Since then, the single has become a staple of conversations covering under the radar 70s UK DIY punk and "messthetics" type singles. This 7" is a deluxe edition with an unreleased track, artwork faithful to the original, with an accompanying insert that includes an in depth interview which should be fascinating to any fan of 70s UK punk, or fans of the Damned, photos, and more. TRACKLIST A Half-Way To Venzuela B1 Marmalade Freak B2 Fight The Good Fight Label: General Speech
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Nothing less. 5 new bangers from Stockholm HARDCORE power house Axe Rash! Frantic to say the least. This is the elephant in the china shop - with a baseball bat. (Adult Crush Records)
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Axe Rash from Sweden and Therapy from San Diego are delivering this amazing split. (De Nihil Records)
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"Pay To Cum b/w Stay Close To Me" is the debut single from the band Bad Brains. Originally recorded in 1979 at Dots Studio in NYC, and released in 1980 on Bad Brains’ own Bad Brains Records, the single features one of hardcore’s greatest songs… a classic record from legends of the genre! This reissue marks the first release in the remaster campaign, re-launching the Bad Brains Records label imprint. The release includes a replication of the original insert. Track Listing: 1. Pay To Cum 2. Stay Close To Me (Bad Brains Records / ORG Music)
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Originally appearing on the "Public Service" comp from 1981, these three songs were a lot of punks' introduction to Bad Religion. Track Listing: 1. Bad Religion 2. Slaves 3. Drastic Actions (Puke N Vomit)
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It takes BALTA seven minutes to annihilate Rendszerszint? Agybasz?ás (Systematic Brainfucking), the debut EP by these feral Hungarians. Their approach to music is beyond urgent and their delivery equally drastic. BALTA’s sound is vicious, pounding and hectic. With one of the nastiest guitar tones to grace these ears in recent memory, and a drumming style that may collapse at any giving moment. Drawing parallels with PIÑEN, ULSTER, the first TRANQUILIZER Flexi, PLASMID or IMAGEN is fair, giving the total disregard for melody or time the band displays. But it is their anti-authoritarian lyrics and uber punk attitude that sets them on their own path; Searching for a primitive future amongst the concrete ruins. Label: La Vida Es Un Mus
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Who would’ve thought? A new BANNLYST release in 2023! Two and a quarter unheard songs from 1985, the lost final songs of the band. Recorded before members moved away from Molde and one by one ended up in Oslo and started other great bands. The tape with these recordings was found when a band member moved house some years ago, and now finally put out on vinyl. Totally classic Norwegian Hardcore Punk. Released in cooperation with Cease Fire!, the label that brought you the crazy awesome MOLDE PUNX 2xLP reissue. The songs here are: Bare En Slave (1985), Mørk Tid (1985), Hvit Natt Intro Outro (1985), Terrorstyre (1985), 40000 Døde Barn (live, 1992). The EP comes with a big fold-out lyric sheet, international copies have English lyric translations. Just like La Dem Ikke Lure Deg in 1985. (Norwegian Leather Records)
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Bastards was Finnish hardcore punk band from Tampere formed in 1980. 3 new tracks and 1 reworked one from the "Siberian hardcore" LP Label: Larmattack
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Beach Rats are a brand new band featuring an all-star cast of scene veterans including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), plus members from The Bouncing Souls and more. Beach Rats play a brand of hardcore/punk that stays true to their members' roots while creating something completely fresh and urgent. Their debut EP 'Wasted Time' features 5 songs of fast, melodic hardcore punk that will leave the listener begging for more. (Bridge 9 Records)
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That΄s right, the sought after Ready To Rot EP is finally seeing the light of the day with the original artwork and additional foldout insert with band΄s history, photos, lyrics and flyers. Excellent mid 80s punk from the UK. The band played with Subhumans, Flux Of Pink Indians, Cult Maniax,... This is their only record, originally released in 1982 on Illuminated records and now reissued on No Plan. (No Plane Records)
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The second Black Randy single and a classic just like the debut. Black Randy was a talented lyricist whose work brims with irony and thumbs its nose at everything, even the L.A. proto-punk culture that spawned them. Black Randy & the Metrosquad were perhaps the wittiest band on the L.A. punk scene in the late '70s. Their sardonic humor and musicality still holds up well decades later, and is light years away from the regimented sameness of approach that afflicted L.A.-based punk bands that formed shortly after their demise. Originally released in 1978 on Dangerhouse Records, this single is a bonafide Los Angeles punk rock classic. This 4 song EP comes on black vinyl and is a faithful repro of the original pressing. Limited edition. (Dangerhouuse Records/Unofficial Release)
