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Hailing from Toronto, Imploders long awaited debut 12" follows on the work laid out on their self titled 7" and Equalizing Distort radio session cassette. Their Self-Titled debut 12" is comprised of 16 tracks of pure, classic American Hardcore attack. Maladjusted adults carving out knuckle-burning, drywall-holing Punk Rock. Like their initial release, it travels a similar path first cleared by Circle Jerks and Zero Boys but there's a sheen in the efficiency and tightness of this offering that builds on that prior work. The tracks are scaled for an equal ratio of hooks and speed. Not relying purely on power or flash, Imploders sit right in the middle and are delivering some of the best Hardcore Punk since Personality Crisis walked the frozen plains of the Prairies. This style ain't broke and Imploders prove it doesn't require any fixing. Label: Static Shock Records -
Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). -
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Re-mastered and repackaged with new liner notes by Everett True and featuring 4 bonus tracks, including single version of 'My Lighthouse' and an alternative mix of 'Blue Girls', the previously unreleased 'Sink or Swim' and 'Please Don't Worry' from Pulp's John Peel session in 1981. This was Pulp's debut and one of their most honest recordings - capturing a band at the beginning of their startling career - 'It' is a gentle, mainly acoustic album that hints at the musical directions they would later pursue. The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen - an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, 'It' has aged beautifully into a charming collection. Label: Fire Records Barcode: 809236122315
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Pere Ubu's mighty debut recorded back in 1977 and originally released on blank records in '78 in America and on Mercury (and later Rough Trade) in the UK and now released through Fire, and for this reworking Paul Hamann at Suma has transferred from the original 2-track analogue mix tapes to digital at the highest resolution available which, is at least four times the resolution of the original. The tracks have carefully been re-mastered by sonic architect Brian Pyle so as to capture the unique qualities within. It is hard to believe that such noises could come from so deep in America's heartland, played by a group named after a french absurdist play. The debut album by Pere Ubu, The Modern Dance' is the realization of group leader David Thomas's (aka crocus behemoth) high-concept vision of a rock band whose sound was always just on the verge of falling apart. Avant garde and not terribly accessible, the album's noisy anarchy was a tonic for punks and intellectuals sick of the bloated, corporate sound that passed for commercial rock at the time. it became a major influence on the leading alternative bands of the following decade, including the Pixies and Husker Du. Label: Fire Records Barcode: 0809236136077
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Originally released in 2011, this double LP compiles THE OLD FIRM CASUALS’ early singles and EPs (with the exception of their debut EP). These 24 tracks were far and away the best display of out-of-the-gate talent and momentum shown in the punk and Oi! scene in a long time. This is one album that deserves to remain available for new fans and diehards alike. Obviously due in large part to the talent of the decorated punk rock veterans that make up this outfit, THE OLD FIRM CASUALS became a staple in their own right, and tour-by-tour became a crowd favorite all over the world; writing a slew of incredible records along the way. Their live show is as energetic and exciting as they get, and the tunes are timeless. Label: Randale Records
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S.O.D, like an internationalist punkonaut on the moon, looking the birth of another punk band release who mixed differents cultures from all continents that reflect the label's identity, is proud to present you the first record of UZU. This Montreal-based band has members from Algeria, Colombia, and Quebec who also play in other bands such Demokhratia, Bosque Rojo, and Ultra Razzia. UZU’s sound mixes elements of post-punk with dark, mid-tempo, melodic punk with an incisive vibe ala Siekiera! Their dramatic lyrics, sung in Arabic, are poetic and personal, yet they contain profound political messages if you read between the lines. Screenprinted cover & Inner Risographied A3 Poster Download Code Label: Symphony Of Destruction Records
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 5-10 εργάσιμες ημέρες).
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Moses Brown of Texas punk bands Institute and Glue released his first cassette under the name Peace de Résistance - a solo project where he plays all the instruments - in October 2020. That cassette found Brown bouncing his growing songwriting chops off the fuzz-drenched Zamrock sound of Paul Ngozi, Witch, and Amanaz. However, Bits and Pieces - Peace de Résistance’s first full-length and first vinyl release - has a wider vista. Brown describes the sound as “demented glam rock,” and while you can hear remnants of the Zamrock influence in the sinuously melodic fuzz guitar, the more pertinent frames of reference are Diamond Dogs -era Bowie, 70s Lou Reed, and Iggy’s The Idiot and Lust for Life. Bits and Pieces recalls those records’ potent combination of artistic ambition, street-level rock and roll swagger, and pop charm, but filtered through the DIY punk aesthetics of Brown’s previous work. Lyrically, the album documents life on the fringes in a hyper-surveilled 2020s America, with songs like “Don’t 1099 Me,” “We Got the Right to Be Healthy,” and “Exploitation” wrenching plainspoken poetry from an existence that will be all too familiar to anyone at odds with capitalism. After nine timeless art-rock songs, Bits and Pieces lets us down gently with “Sitting in Disguise.” This motorik-inspired instrumental offers a rickety, dilapidated update of Neu!’s seamless futurism, implying that the only appropriate response to our predicament is to keep moving forward. -Sorry State Label: La Vida Es Un Mus
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The long awaited return of contemporary D-Beat champions, PHYSIQUE with “Again” - their first release since 2019. PHYSIQUE offers 15 tracks of steamrolling, discharge-fueled, crasher crust, seamlessly overlapping the time honored and ever-present D-Beat themes of war and government oppression with their own take on the brutalizing and soul-crushing realities of everyday modern life. With lyrics like: “Free yourself / Hope is the enemy, the enemy of change / Take your hope, smash it to pieces”, the overwhelming sense of life’s inevitable collapse and the dissolution of all the things we hold dear hits at the very core of modern existence. As you slog through the rut, a little more hope is lost each day. Life is empty and without purpose. One can't help but ask - “Again?” But D-Beat is protest music at heart, and “Again”s desperation is complimented by a surging pulse of relentless energy that reminds us that as brutal as life may be, we can't resist the fury of noisy protest that brings us back - again - to scream and shout the "never agains" of our predecessors and ourselves alike. Label: Iron Lung Records
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Yorkshire's most Honorable Master of Mangel brings to bear upon us the sophomore RAT CAGE full-length, an anxiety-compounding white-knuckle ride through the nauseating experience commonly known as trying to get by. On SAVAGE VISIONS, listeners are exposed to the maniacal cries of the critically-minded individual pushed to the absolute brink, copping rapid fire tidings of woe belted out by an unhinged unit who has finally ceased to give a fuck. Here we find Bryan of Sheffield, defiant and desperate on what is by far the most sinister, claustrophobic, reckless and dynamic release in the RAT CAGE catalogue to date. Though it may be full of huge sing-along-moments and loaded with surprises, SAVAGE VISIONS is no party, because there's nothing to celebrate. The boisterous resilience and boozy joy of previous works has vanished. With the rule book shattering the window of the '82nd floor, SAVAGE VISIONS lashes out at times towards the not-too-distant sounds of VENOM, MIDNIGHT and later DARKTHRONE, expertly folding these riff expressions back in to the irresistibly dysfunctional bop of GBH and CRUCIFIX. Anyone who chucks this thing on is going to feel like the passenger in a car crash waiting to happen. Razor's edge lead breaks serve only to increase the tension. Our driver careens wildly across both sides of the highway, regularly steering us toward the familiar influences of SKITKIDS, THE PARTISANS, DISARM, THE VARUKERS, TOTALITÄR and AUKTION before quickly engaging the hand-brake once again to speed off at 90 degrees in the direction of the unfinished overpass at the edge of town. Due to the up-scaled take on Swedish HC and the (now boosted) thump of the kick drum and bass guitar on SAVAGE VISIONS, this record feels like DISFEAR's Live The Storm played significantly faster. Minimal respect is afforded to genre convention. The way it should be - every band, every time. You may very well survive the maze, but what will you become by the time you reach its exit? - Nathan Burns Κριτική για το LP στο rocking.gr Label: La Vida Es Un Mus
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• Updated re-issue of Carnivore’s seminal self-titled debut, originally released in 1985, with extensive liner notes and contributions from the band. • Newly remastered, the release features liner notes from respected metal writer Mark Freebase who conducted a rare interview with the band’s sole surviving member, drummer Louis Beato. • Housed in a digipack, the release contains three bonus tracks from 1986’s ‘USA For USA’ demo. Carnivore was founded in 1983 in Brooklyn, New York, mixing Hardcore and Metal with an extremely confrontational and direct approach both visually and lyrically. The band recorded two albums before splitting in 1987 – founding member Pete Steele then formed the enormously successful Gothic Metal act Type O Negative. Louis Beato played on Agnostic Front’s hardcore classic ‘Cause For Alarm’. Featuring classics like ‘Predator’ and ‘God Is Dead’, Carnivore bridged the gap between the doom-laden Heavy Metal of Black Sabbath, and the New York Hardcore sounds typified by bands like Cro-Mags, Agnostic Front and Murphy’s Law. In his final interview before his death in 2010, Steele reflected on the band’s legacy. “People have completely misunderstood Carnivore… the whole point of Carnivore is that sometimes you have to upset people…” Track Listing: 1 Predator 2 Carnivore 3 Male Supremacy 4 Armageddon 5 Legion of Doom 6 God Is Dead 7 Thermonuclear Warrior 8 World Wars III & IV 9 USA for USA (Demo) 10 SMD (Demo) 11 Sex And Violence (Demo) Label:Di ssonance Productions Barcode: 5013929020764
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"R.A.S. is yet another classic French Oi! / punk band from the early 80's that is back in action again! The band disbanded only two years after its original formation in 1982, but revived themselves nearly five years ago (2012) and have occasionally been playing live ever since. It never came to new recordings though... until now that is! Because after decades of 'studio-silence', Contra Records - who were also partly responsible for the first new release of the resurrected Komintern Sect – is about to release the brand new "Pas Le Temps De Regretter" mini-album on 12" vinyl! Although the songs on this 12" aren't completely new, you might have heard a raw studio or live recording of 'em here or there, the recordings of "Pas Le Temps De Regretter" definitely are. As a matter of fact, the five tracks of this mini-LP were already recorded back in 2015! Now it is a complete mystery to me why R.A.S. kept these recordings on the shelf for such a long time, but they're finally getting out there and they definitely taste like more! It most likely has something to do with the fact that these songs were originally written between 1982 and 1984, but nonetheless R.A.S. managed to preserve that classic, French sound and get it on a master tape 30+ years later. With guest appearances by Carl (Komintern Sect), Mourad (L'Infanterie Sauvage), Fred (Outreau) and Joss (Gonna Get Yours), R.A.S. recorded a superb release, perhaps sounding better than ever before! As said, you might have heard songs like "Jeunesse De La Honte", "Paradisiak", "Nelly" and "Cochennec" in another form before - I believe "Ma Force" is the only song I don’t immediately recognize from an (un)official release - but on "Pas Le Temps De Regretter" they appear for the first time in all their glory and it sounds absolutely killer!" American OI Label: Contra Records – CR 211, Dirty Punk Records – DPR 043
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“Στο σκοτάδι”/‘’in the darkness’’ is the third full-length album Selofan release on Fabrika. Once you put this record on, you feel like being grabbed by the hand and led through the darkest subterranean corridors to a sweaty nightclub. Romanticism and danger are in the air, a nihilistic vision of beauty. claustrophobia, separation, pre paid feelings, leaving and letting go is what this record is about, making you want to cry and dance at the same time, mixing the most sentimental strings with punk bass lines, synthesized trumpets, the finest analog wave with circus sounds. the voice half-speaking, half-singing, expressing either the strongest emotion or the complete absence of it, tells a story or remembers a dream, powerful and tender. Again the sentiments are expressed in different languages, which is meanwhile a characteristic of the band, the b-side surprisingly this time completely in Greek. The whole instrumentation is live and all analog, recorded at their home studio in Athens and mastered by Chris “snake” Manolitsis, the man behind most of the memorable bands to emerge from the Greek new wave scene of the 80s. This record is a manifest of love! Label: Fabrika Barcode: 852669411099
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Holy shit!! Ignorance is a complete hardcore energy explosion influenced by bands like Confuse, Kriegshög, Lebenden Toten and Gauze. Like the aforementioned groups, they have a heft and a complexity that urges you to stretch your modes beyond simple volume control. You must feel every twitch and contraction in your body while you envelop yourself in a sound that pushes the needle right into the red and plants it like a conqueror’s flag, claiming your zone as their own. You can rest easy, you live in Helsinki now and it’s beautiful. Label: Iron Lung Records
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Yeah....Fucking cool old school SExHC mixed with a slight Modern Hardcore sound touch!.A well-sustained and hard-hitting rhythm with cool tempo changes , driving breakdowns and Youth Crew backing vocals here and there.Urgent and punchy sung vocals and really cool guitar riffs!. Quite good stuff! Label: Refuse Records, Elephant Skin Records
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Spare Parts is the new recording from Paris’s Youth Avoiders. The EP offers 4 new songs in the same vein as their 2014 album (also on Deranged) where the band perfected their brand of fast melodic hardcore like Career Suicide meets hook driven punk of the Red Dons. Label: Destructure Records, Build Me A Bomb Records
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The debut album "Doomsday For The Deceiver" by FLOTSAM AND JETSAM, released in 1986, is an all time-classic in speed and thrash metal. It is the only album by Flotsam and Jetsam with Jason Newsted before his departure for Metallica. 180gr Vinyl. Label: Metal Blade Barcode: 039841407716
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Black Heavy Metal is the law, and MIDNIGHT subjugate all subjects with their highly anticipated debut album after nearly a decade of EPs and splits. "Satanic Royalty" is both a distillation of first-wave black metal magick and an extension into harder-rocking territories rampant with lust, filth, and sleaze. The name MIDNIGHT has been a cult one for years now, but here they prove it beyond a shadow of a doubt - bow down before their "Satanic Royalty"! CD 1 Satanic royalty You can't stop steel Rip this hell Necromania Black damnation Lust filth and sleaze Violence on violence Savage dominance Holocaustic deafening Shock 'til blood CD 2 Satanic royalty (Demo) You can't stop steel (Demo) Rip this hell (Demo) Necromania (Demo) Black damnation (Demo) Lust filth and sleaze (Demo) Violence on violence (Demo) Savage dominance (Demo) Holocaustic deafening (Demo) Shock 'til blood (Demo) CD 3 Unholy & rotten (Live At Now That's Class, Cleveland, OH December 1, 2012) Satanic royalty (- 10th anniversary documentary) Unholy & rotten (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Black rock 'n' roll (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Satanic royalty (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) All hail hell (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Violence on violence (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) I am violator (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Holocaustic deafening (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Endless slut (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) ...On the wings of Satan (Live At Defenders Of The Faith, Baltimore, MD November 5, 2011) Satanic royalty (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Black rock 'n' roll (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Lust filth and sleaze (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) All hail hell (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Violence on violence (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) I am violator (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Holocaustic deafening (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Necromania (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) You can't stop steel (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Endless slut (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Unholy & rotten (Live At Hell's Pleasure, Pößneck, DE July 21, 2012) Turn up the hell (Live At Now That's Class, Cleveland, OH December 1, 2012) Vomit queen (Live At Now That's Class, Cleveland, OH December 1, 2012) Necromania (Live At Now That's Class, Cleveland, OH December 1, 2012) You can't stop steel (Live At Now That's Class, Cleveland, OH December 1, 2012) White hot fire (Live At Now That's Class, Cleveland, OH December 1, 2012) I am violator (Live At Now That's Class, Cleveland, OH December 1, 2012) Endless slut (Live At Now That's Class, Cleveland, OH December 1, 2012) Label: Metal Blade Barcode: 039841580426
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By now, MIDNIGHT need no introduction. Guided by the twisted muse of mainman Athenar since 2003, this Cleveland cult have been slaying the metal/punk underground with their own, highly addictive brand of lust, filth, and sleaze, subsequently building up a sizable catalog and garnering a rabid fanbase. While there's certainly fanatics for the band's early EP work, it was MIDNIGHT's debut album, Satanic Royalty - released to international fanfare in 2011 by HELLS HEADBANGERS - that entered the band's name into the annals of "classic." Never one to rush things (nor drop an EP along the way), MIDNIGHT continued their underground dominance with No Mercy for Mayhem in 2014, further perfecting their signature sound. Now, with their massively anticipated third album, "Sweet Death and Ecstasy," Athenar and co. return with their darkest and most daring effort yet. Granted, upon the first detonating chords of opener "Crushed by Demons," it would be fair to assume that "Sweet Death and Ecstasy" is simply classic MIDNIGHT...until the track time nearly doubles what a characteristic track of theirs would be. This is no mere bloat, though: bookended by two of the band's longest songs to date, "Sweet Death and Ecstasy" lays bare a more anguished 'n' aggravated MIDNIGHT, forever in thrall to the usual subjects (LUST, FILTH, SLEAZE) but speaking a slightly different, altogether-more-poisonous tongue. It both charges harder than ever - even harder than the band's early EP work, arguably - and also puts on the brakes to bang 'n' clang in a manner most foul. Indeed, MIDNIGHT truly deliver "Sweet Death and Ecstasy" in a swift 32 minutes, and it's absolutely addicting. There's no dawn for MIDNIGHT...ever! 180 gr vinyl. Label: Metal Blade Barcode: 039841580310
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Hotter than Hell in the metal/punk underworld, MIDNIGHT's debut album, Satanic Royalty, became an instant classic upon its release in 2011. Now, with anticipation at a fever pitch, the hooded demons return with the even better No Mercy for Mayhem. Whereas Satanic Royalty was the culmination of nearly a decade's worth of hard slogging in the underground, No Mercy for Mayhem is an intensification of everything its predecessor seemingly perfected: the hooks even more anthemic, the power more piledriving, the dirt dirtier, the sum effect being absolute BLACKOUT. Really, there's no current band who are able to mainline classic heavy metal, hard-charging punk rock, and grimy rock 'n' roll quite like MIDNIGHT can, and No Mercy for Mayhem is studded-leather, 10-track proof that mainman Athenar and crew are at the top of their game and bow to no one. On your feet or on your knees, you'll get No Mercy for Mayhem from MIDNIGHT! 180 gr vinyl. Label: Metal Blade Barcode: 039841580211
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Context Filthy, belligerent and obnoxious, Midnight make music to start fights to. Since 2003, One-man-band, Athenar, has been churning out an ungodly racket, dropping countless demos, splits and EPs, and in 2022 he returns with Midnight's fifth full-length, Let There Be Witchery. Delivering more of what can be expected from his demented mind, it is a catchy mixture of black and speed metal and dirty punk rock, and it is relentlessly compulsive. Themes The profoundly sinister d-beat romp "Telepathic Nightmare" kicks things off unpleasantly, and from there he slams through the likes of riot-starter "Nocturnal Molestation", the Mot?rhead-esque "Let There Be Sodomy" and loping bruiser "More Torment." When asked if there's anything on this record he has never done before, he has a typically Athenar answer: "There's the tune 'Devil Virgin' which has the Mercyful Fate disco hi-hat beat. That's something different." Lyrically, the record is "unfiltered savage animalisticness", and the deeper the listener delves, the dirtier they get, which is just the way it should be. 180 gr vinyl. Label: Metal Blade Barcode: 039841581218
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Hell Awaits is the second studio album by American thrash metal band Slayer, released in March 1985 by Metal Blade Records. The band's 1983 debut Show No Mercy became Metal Blade Records' highest-selling release, and as a result, producer Brian Slagel desired to release a second Slayer album. To that end, Slagel financed a recording budget (Show No Mercy was paid for by band members) and recruited several experienced producers to help in the studio. Reverse board jacket, includes cardstock printed insert, Metal Blade branded poly-lined inner sleeve, and 2-sided 60x60cm poster. 180gr Vinyl. Label: Metal Blade Barcode: 039841578713
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Released in 1986, Fatal Portrait is the debut King Diamond album, unusually not a conceptual affair, although five of the songs link to form a short ghost story, a theme that would be returned to again and again over subsequent releases. Whereas King's previous band Mercyful Fate was overtly satanic and occult, the King Diamond material was more fantastical and conceptual, though still with dark themes throughout. When King's original band Mercyful Fate split up, having released two genre defining masterpieces Melissa and Don't Break the Oath, he formed King Diamond along with guitarist Michael Denner and bassist Timi Hansen. The line up on Fatal Portrait was completed by guitar virtuoso Andy La Roque, and drummer Mikkey Dee who later joined Motorhead. Single sleeve, insert with lyrics. 180 gr vinyl. Label Metal Blade Barcode: 039841567519
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4 Of A Kind is the fourth studio album by the American crossover thrash metal band D.R.I. (Dirty Rotten Imbeciles), which consisted of Spike Cassidy, Josh Pappe, Felix Friffin and Kurt Brech. The album was produced by Bill Metoyer, who has recorded with Slayer, Morbid Angel and Hirax amongst others. D.R.I is fast as a Porsche and brutal as Thrash should be when it meets the roughness of Punk. 4 Of A Kind originally came out in 1988, only six years after the formation of D.R.I., and includes the track “Suit And Tie Guy”, which was the first track to get a music video. Label: Metal Blade Barcode: 039841701227
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4 Of A Kind is the fourth studio album by the American crossover thrash metal band D.R.I. (Dirty Rotten Imbeciles), which consisted of Spike Cassidy, Josh Pappe, Felix Friffin and Kurt Brech. The album was produced by Bill Metoyer, who has recorded with Slayer, Morbid Angel and Hirax amongst others. D.R.I is fast as a Porsche and brutal as Thrash should be when it meets the roughness of Punk. 4 Of A Kind originally came out in 1988, only six years after the formation of D.R.I., and includes the track “Suit And Tie Guy”, which was the first track to get a music video. 180 gr vinyl. Label: Metal Blade Barcode: 039842517810
