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Morrow are a violin and cello driven atmospheric crust band, in the vein of Ictus, Fall of Efrafa and Remains of the day. They began their post civilisation odyssey in 2016’s “Covenant of Teeth” the somber string laden D beat, seated in the forests and ice scapes of future primitive cultures. “Fallow” picks up where their debut ended; following the same protagonists as they leave the safety of the forests in search of knowledge amongst the sweltering, vibrant and violent carcass cities in the desert south. It is a far more raucous record; a pandemonium of drums and throaty cello as our characters face a chaotic, terrifying and majestic landscape, one of bared teeth amongst the sand storms and screaming voices. Fallow features guest vocals from members of Gattaca, Monachus, Autarch, Wildspeaker, Hyena, Sol and Fall of Efrafa. Label: Alerta Antifascista Records -
IRON MAIDEN The Number Of The Beast Over Hammersmith 40th Anniversary limited edition triple album 3-LP pressed on 180-gram heavyweight black vinyl, featuring 8 remastered studio tracks and a new alternative tracklist with Total Eclipse, plus for the first time on vinyl Beast Over Hammersmith on two bonus LP records. 40th Anniversary Edition. Triple heavyweight vinyl, trifold cover with printed inner sleeve. LP 1 with alternative track listing compared to the original LP. Total Eclipse replaces Gangland. LP 2 & 3 includes the March 1982 live concert at London's Hammersmith Odeon as part of the 'Beast On The Road World Tour' as an official vinyl release for the first time. Recorded just a few days before the release of The Number Of The Beast album. Label: Parlophone Barcode: 5054197157608 -
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The legendary final concert with founding member Darby Crash, presented in its entirety for the first time ever Unique packaging in the vein of a punk fanzine, complete with a reproduction of the handwritten set list After The Germs’ snarling debut “Forming” helped usher in the West Coast punk scene in 1977, singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom, and drummer Don Bolles returned two years later with (GI), an unrelenting onslaught of primal pounding and verbal venom that influenced a generation. But it was the group’s unhinged concerts. Includes fold-out poster and mini-fanzine. Limited / numbered to 1,970 LPs worldwide Recorded live at the Starwood, Dec. 3, 1980. Original Photography by Ann Summa, Gary Leonard. Original artwork by: Hackmart Inc. Vinyl release produced by Matt Block Mastered for vinyl by Levi Seitz at Black Belt Mastering Design: Steven Jurgensmeyer. Label: Run Out Groove, Slash, Rhino Records Barcode: 081227911416
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The Doors was an American psychedelic rock/blues rock band formed from Rick and the Ravens in July, 1965 in Los Angeles, CA, United States by Jim Morrison and Ray Manzarek. After the death of Morrison on July 3, 1971 in Paris, the other band members released two more albums, but they were not very successful. In April 1973 the band broke up. They were inducted into Rock And Roll Hall of Fame in 1993 (as Performer). This is the 50th Anniversary Deluxe Edition of their fifth studio album from February 1970, which includes: The original 1970 Stereo Mix Remastered on CD and 180g LP Over 70 Minutes of Never-Before-Heard Outtakes (mostly on CD2) A hardback book-style cover with square spine (15 pages) Edition copy machine-numbered at top right of the rear jacket. Over 70 Minutes of Never-Before-Heard Outtakes Tracklist: Label: Rhino Records, Elektra Barcode: 603497847600
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Warner Bros. Records is celebrating its 60th Anniversary with a series of double vinyl compilations highlighting some of the greatest music of the last six decades. The second collection is I Wanna Be Sedated: From The Underground. The album features 20 tracks from the Punk, New Wave and Alternative Rock era. Artists include B-52s, Elvis Costello, Dead Boys, Echo And The Bunnymen, Flaming Lips, Hüsker Dü, Jane's Addiction, The Jesus And Mary Chain, Ramones, Pretenders, New Order, Replacements, Talking Heads, Violent Femmes and many others. Tracklist: A1 Ramones– I Wanna Be Sedated A2 The Dead Boys– Sonic Reducer A3 The Rezillos– Somebody's Gonna Get Their Head Kicked In Tonight A4 Richard Hell & The Voidoids– Blank Generation A5 The Flamin' Groovies– Shake Some Action B1 Violent Femmes– Blister In The Sun B2 Johnny Thunders– You Can't Put Your Arms Around A Memory B3 The Replacements– Alex Chilton B4 Jane's Addiction– Jane Says B5 Ministry– Jesus Built My Hotrod C1 New Order– Love Vigilantes C2 Talking Heads– Life During Wartime C3 Hüsker Dü– Don't Want To Know If You Are Lonely C4 The Jesus And Mary Chain– April Skies C5 Echo & The Bunnymen– The Killing Moon D1 The Pretenders– Talk Of The Town D2 The B-52's– Roam D3 Elvis Costello– Veronica D4 Wilco– I'm Always In Love D5 The Flaming Lips– Do You Realize?? Label: Warner Bros. Records Barcode: 093624905790
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"The album "Armageddon" by the formation PLJ Band is often considered as the most acclaimed Greek progrock music. It was released in '82 but immediately forbidden because of the blasphemical lyrics and the albums had to be destroyed. Fortunately at about 300 records survived and ended as highly sought after 'collector items' (value more than US $ 300,00) in the arms of some very lucky and wealthy progheads many years later! The progressive German label Second Battle re-released "Armageddon" on CD from the original LP because the mastertapes were lost. The musicians: Lavrentis Machairitsas (lead vocals, 12-string guitar and keyboards), Antonis Mitzelos (lead guitar, acoustic guitar), Jimmy Vasalakos (bass, backing vocals), Pavlos Kikrilis (rhythm - and classical guitar) and Tolis Skamajouras (drums and percussion). The sound is very unique: a captivating progressive blend of acoustic - and electric folk and (space) rock with a strong psychedelic undertone. The stunning surrealistic cover art is in the vein of Salvador Dali. Perhaps his mind reigns over this album? The album "Armageddon" is one of the most original progrock albums ever made. The tension between the acoustic - and classical guitars (twanging and rhythm) and the soaring and spacey keyboards on one hand and the fiery and howling, distorted electric guitarplay on the other hand creates a lot of tension and compelling climates, emphasized by the hypnotizing vocals. If you want a psychedelic experience without drugs, this one is yours!" Gatefold Vinyl. Barcode: 5206999033851 Label: Cobalt Music
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The Nomads remastered reissue of their album Solna recorded by the Swedes in 2012. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what Nomads are known for. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, “Solna” was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. “Aside from the Pebbles compilations, not much was known about the garage bands of the 60s and many people first heard those great songs in The Nomads version,” according to Chips K (famous Swedish producer - Hellacopters, la Secta…- and member of Sator). “But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique.” Bands like The Hellacopters, Maharajas and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own. If they decided to cover something, it seemed like it was their own song. Another aspect that makes them stand out from many of their contemporaries is their chemistry. Live they are like an engine, and in a perfect world, they should have had hit after hit. Anyone who doubts this statement should pick up a copy of the “Nomadic Dementia” compilation, and it will be clear that we are not just talking about it. The band even accompanied Roky Erickson on a single festival date and the former 13th Floor Elevator's ex-wife paid Hans a huge compliment. “Right after the show, she told me, “You're the best guitarist Roky has had since Duane (Aslaksen).” The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. In fact, they are probably even better now. Label: Bang! Barcode: 8435008876739
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High-level reissue of one of the legendary and world-renowned bands that emerged in Australia, essential for any lover and collector of Australian Rock and Punk Rock / High Energy. 'Spaceman In a Satin Suit' was released in 1994 and it is one of the best and most mature works in Celibate Rifles´ discography, and now for the first time on vinyl since its initial release. The 14 songs of the Celibate Rifles introduce you with an electric storm, oppressively dense, hard and heavy, which then become faster, sharper and stronger, where they overflow Punk, which remains their hallmark, with sharp guitars, wounded and full of fury, until they reach a kind of breaking point towards a more experimental part, together generating an interesting sonic boom (The Ramones team up with Blue Oyster Cult in a particularly gloomy alley). Lovelock's lyrics exude more optimism than on previous LPs and this peaks with 'Big World', a declaration of love to his beloved planet Earth. There is also room for his usual biting social commentary. On the album we also find a tribute to one of its musical influences, 'Let's Do It Again' by Sonic's Rendezvous Band (with the participation of Fred 'Sonic' Smith, ex-MC5). This great LP reflects the simple spirit of the Rifles' rock'n'roll with catchy choruses and signature guitars, with another part that they began to play with after this album, a more experimental and introspective side. This album can be rated a 14 out of 14. Label: Bang! Records Barcode: 8435008876692
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Hallucinations: Psychedelic Pop Nuggets from the WEA Vaults is a 2004 compilation album released by Rhino Handmade, one of two new compilations using the Nuggets name. As with all Rhino Handmade releases, it was only available online, and a limited number of copies were pressed. All 7500 copies are currently sold out. The title comes from the first track, performed by Baker Knight & the Knightmares. As the title suggests, all 24 tracks were taken from the library of the Warner Music Group. The labels represented in this release are Atco, Colgems, Cotillion, Jubilee, Loma, Reprise, Valiant, and Warner Bros. Records. The compilation was produced by Andrew Sandoval. The compilation was sold in the UK under the title, My Mind Goes High: Psychedelic Pop Nuggets from the WEA Vaults. The track listing is the same. Tracklist: A1 Baker Knight & The Knightmares– Hallucinations A2 The Misty Wizards– It's Love A3 The Next Exit– Break Away A4 The Collectors – Looking At A Baby A5 Adrian Pride– Her Name Is Melody A6 The Association – Pandora's Golden Heebie Jeebies B1 The World Column*– Lantern Gospel B2 Tom Northcott– Who Planted Thorns In Miss Alice's Garden B3 John Wonderling– Man Of Straw B4 Ellen Margulies– The White Pony B5 Jeff Thomas – Straight Aero B6 M.C.2– My Mind Goes High C1 Brass Buttons– Hell Will Take Care Of Her C2 The Salt– Lucifer C3 Kim Fowley– Strangers From The Sky C4 The Electric Prunes– Antique Doll C5 The Bonniwell Music Machine*– Astrologically Incompatible C6 The Tokens– How Nice? C7 The Coronados– Your Love Belongs To Everyone D1 Lee Mallory– That's The Way It's Gonna Be D2 The Glass Family– House Of Glass D3 The Holy Mackerel– Wildflowers D4 The Monkees– Porpoise Song D5 The West Coast Pop Art Experimental Band– Smell Of Incense Label: Rhino Handmade Barcode: 081227947330
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Unsuitable for Airplay: The Lost KFAI Concert is one of the earliest soundboard recordings of The Replacements. It features the original lineup of Paul, Bob, Tommy and Chris as was captured by Twin/Tone’s mobile unit on January 23, 1981, at the 7th St Entry in Minneapolis, MN. The concert took place as the band was in the midst of working on their debut album Sorry Ma, Forgot to Take Out the Trash and the show’s twenty-seven song setlist is packed with evolving versions of classic songs that would appear on that album. There's also several songs that never made it. Highlights include choice covers of The Heartbreakers’ “I Wanna Be Loved”, Slade’s “My Town”, The Kinks’ “All Day And All of the Night”, and Dave Edmunds’ “Trouble Boys”, among others. Recorded live at 7th St Entry, Minneapolis, MN on Jan 23rd 1981. Recorded by the Stark-Mudge Mobile Unit. Label: Twin/Tone Records, Rhino Records Barcode: 603497842308
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Futurepast Temporalities features music exploration that challenges established conventions without compromising the musicality in any of the 8 pieces. Sonically, a quite diverse album that pushes the boundaries of traditional genres by merging and overlaying soundscapes from the Kraut explosion all the way to post-rock and electronic compositions of recent years. Label: Goodbye Sober Day Records
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Futurepast Temporalities features music exploration that challenges established conventions without compromising the musicality in any of the 8 pieces. Sonically, a quite diverse album that pushes the boundaries of traditional genres by merging and overlaying soundscapes from the Kraut explosion all the way to post-rock and electronic compositions of recent years. Label: Goodbye Sober Day Records
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Η σαπίλα της εποχής αναδύει μια αβάσταχτη αποφορά που τρυπώνει στα σπίτια μας και τα πνευμόνια μας και μας γεμίζει με απέχθεια, οργή και δυστυχία. Αυτός είναι ο ήχος της σύγχρονης δυστοπίας, η αυθόρμητη εξαπόλυση θυμού, πανικού και λύσσας, μία κραυγή απόγνωσης για όλα όσα βασανίζουν και καταπιέζουν τον νού... An unbearable stench arises from the decay of our times and pierces through our houses and lungs, filling us with disgust, wrath and misery. This is the sound of the modern dystopia, a spontaneous unleash of anger, panic and madness, a cry of despair against everything that torments and oppresses the mind... Label: Body Blows Records
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Oakland, California dark punk trio TENSION SPAN unites Noah Landis (Neurosis, Christ On Parade) on vocals, Geoff Evans (Asunder) playing guitar and synth, and Matt Parrillo (Dystopia, Kicker) providing bass, guitar, synth, and additional vocals. Infusing classic elements of punk and post-punk, fans of Killing Joke, T.S.O.L., Subhumans, Conflict, Rudimentary Peni and The Wraith will be instantaneously addicted to TENSION SPAN’s dire urgency and infectious hooks. During the isolation of Covid, the newly formed trio crafted The Future Died Yesterday, an album that sounds both varied and cohesive, combining musical and emotional heaviness with melody, samples, and synth. Sonically unique and riveting, The Future Died Yesterday sees the band ripping through thirteen doomed anthems. Drawing influence and inspiration from the dark punk and post punk of the late 70s and early 80s, the sensibility and DIY approach of the UK anarcho-punk movement and the energy and immediacy of the early-mid 90s Bay Area punk scene, Tension Span has created music reflecting the bleak reality of this time of socio-political collapse, increasing economic precarity, creeping authoritarianism, and viral biological and psychological pathogens that are decimating the lives of millions. The Future Died Yesterday was recorded by the band and mixed by Noah Landis, then mastered by Bob Weston and Greg Obis at Chicago Mastering Service, and completed with artwork by Neil Grimmer, John Yates, and Matt Parrillo. Label: Neurot Recordings Barcode: 733102725518
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The Unwound album that ended all Unwound albums. Recorded in a mouldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector’s wall of noise call. Infinite layers of choppy guitar stabs and bridge scrapes, guttural bass thronk, thrift store synths, and monotone chanting wash over suffocating rhythms to deliver the world’s only choral grunge LP. Remastered from the original analogue tapes and pressed on heavyweight vinyl for the discerning noise-nik. “An album of uncanny splendor. 9.0” — Pitchfork “Beautifully austere and thrillingly expansive.” —The Quietus “Atypical and stunning. 9/10” —Mojo Label: Numero Group Records Barcode: 825764609616
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The second studio album by The Solution, “Will Not Be Televised”, is finally reissued on vinyl! “Will Not Be Televised”, originally released in 2007, is the title of the second studio album by the soul/funk and rock band The Solution. The project by Scott Morgan (Sonic's Rendezvous Band) and Nicke Andersson (The Hellacopters) ended its journey with 11 brilliant new songs full of 60's soul, with their own compositions and versions of classics such as “Pickin' Wild Mountain Berries” or “Can't Stop Looking For My Baby”. It is an album as impressive and essential as its first reference. Limited edition of 1000 copies. Label: Bang! Barcode: 8435008876333
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Double vinyl LP pressing. 2018 release from the British singer/songwriter best known for fronting The Jam and The Style Council as well as his enormous solo success. True Meanings is an album characterized by grandiose-yet-delicate, lush orchestration: an aesthetic to which Weller's better-than-ever voice, singing some of his most nakedly honest words, is perfectly suited. A dreamy, peaceful, pastoral set of songs to get lost in, it is both an album that his faithful audience has been wanting him to make for a long time, and an album that many new people outside of that audience will relate to. True Meanings was recorded in just over three weeks at Weller's own Black Barn Studio with a revolving cast of characters dropping in for a day here and there. The orchestration was added soon after and that was that. It is always a good sign when the recording of an album is swift, and here you can just hear that the man at the center of these songs is more focused and inspired than he has ever been. Double heavyweight black vinyl ‘tip-on’ sleeve, with 8-page booklet fixed inside the sleeve, plus a download card. Label: Parlophone Barcode: 0190295635947
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The second LP by Belarussian trio Molchat Doma, Этажи (pronounced Etazhi, meaning “Floors”), was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they’ve reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as “Houses Are Silent”), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths. Label: Sacred Bones Records Barcode: 843563125670
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Turnstile release their new album Glow On on Roadrunner Records. Recorded with producer Mike Elizondo and co-produced by the band’s Brendan Yates, Glow On follows Turnstile’s 2018 breakthrough album Time and Space, which saw the Baltimore band charting new ground for hardcore, expanding stylistic boundaries and celebrating new possibilities. With Glow On that utopic vision is fully realized; 15 tracks devoid of borders, boundaries, or entry obstacles, only abundant imagination, heart, and grooves plucked from all corners of the musical spectrum. A Guest feature comes from Blood Orange on "Alien Love Call". Second pressing, January 2022. Label: Roadrunner Records Barcode: 075678644436
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High Vis were formed in 2016 from the ashes of some of the UK’s best hardcore bands. Gild-toothed frontman Graham Sayle’s anguished lyrics about life in working class Britain were familiar to fans of Tremors’ full-throttle thrash, but alongside his former bandmate Edward ‘Ski’ Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new. Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis’ 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020’s synth-driven EP, Society Exists, was further evidence of the band’s restless creative MO. High Vis’ second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together. From the anthemic sweep of opener “Talk For Hours”, through the title track’s psychedelic swirl and “Fever Dream”’s baggy groove, it sees High Vis’ sound blossoming into something with an unlimited richness. The hazy drift of “Shame” or the melodic jangle of “Trauma Bonds” may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable. Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle’s lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle’s lost not of that social consciousness, but he’s looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope. “To me, the lyrics are less selfish,” reflects Sayle. “In the past, I couldn’t see past whatever was going on with me. It’s about accepting things and being open to conversations and learning to talk to people rather than just thinking that we’re all doomed.” The song “Talk for Hours” is a prime example of that. Born out of an afternoon meeting up with an old group of mates “repeating the same thing and not actually learning anything about each other” it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. “Trauma Bonds”, meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there’s still hope to move on to a better future. “The message of the album is you’re not who you’re told you are,” Sayle summarises. “You’re not your class background. Whatever it is, you’re not that. Don’t resign yourself to thinking you can’t be this and you can’t be that.” It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves. Label: Dais Records Barcode: 683950556997
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Parálisis Permanente was formed in 1981 by Eduardo Benavente and Nacho Canut, at the time members of the legendary Alaska y Los Pegamoides, one the first post-punk bands from the renowned Movida Madrileña scene to achieve a relevant degree of success. After two EPs and a few changes in the line-up, Benavente became the natural leader of the band, joined by Johnny Canut, Ana Curra (also an ex-Pegamoide) and Rafa Balmaseda (ex-Glutamato Ye-Yé). They recorded El Acto in 1982 and soon it became one of the key albums to come out from the early '80s scene that was rapidly changing the face of Spanish music. The LP embraced the dark sound and image represented then by UK bands such as Bauhaus, Killing Joke, The Cure or The Damned and filtered those influences through Benavente's immense talent and his captivating presence as a performer. The record was a mature and strong piece of work, superior in sound and overall effect to most contemporary Spanish albums. When everything indicated that the band was only starting its greatly promising career, a fatal car accident on their way to a show took Benavente's life when he was only 20 years old. Although another single was released weeks after and the other members would carry on being involved in music, this tragic event meant the end for Parálisis Permanente as a band. Liner notes by Diego Manrique. Label: 3 Cipreses Barcode: 190295492984
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Medium Rarities presents a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Includes Tracks: Fallen Torches (Previously Unreleased) A Commotion (cover - Feist) Asleep in the Deep (Instrumental version) Capillarian Crest (Live) A Spoonful Weighs A Ton (cover - The Flaming Lips) Toe To Toes (Instrumental version) Circle of Cysquatch (Live) Atlanta (Butthole Surfers Cover) Jaguar God (Instrumental) Cut You Up With A Linoleum Life (Aqua Teen Hunger Force) Blood & Thunder (Live) White Walker (Game of Thrones) Halloween (Instrumental version) Crystal Skull (Live) Orion (cover - Metallica) Iron Tusk (Live) Label: Reprise Records Barcode: 093624889182
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Those Once Loyal is the eighth and final studio album by British death metal band Bolt Thrower, released on 11 November 2005 by Metal Blade Records. Recorded with producer Andy Faulkner at Sable Rose Studios in Coventry, England, it was the first Bolt Thrower album since Mercenary (1998) to feature vocalist Karl Willetts, who rejoined the band in November 2004. Musically, Those Once Loyal incorporates tighter song structures and arrangements into Bolt Thrower's melodic, groove-based sound, whilst improving on the production of the band's previous albums. As on the band's previous albums, its lyrics discuss several aspects of war. Commentators and music critics have said that the album has a thematic focus on World War I, previously covered on the band's fifth album ...For Victory (1994); its cover artwork is derived from a plaque on the Guards Memorial in St. James's Park, London. - 180g Black Vinyl - Gatefold Jacket - A1 Size Poster (~23.4" x 33.1") Label: Metal Blade Barcode: 039841450613
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Mercenary is the sixth album by the British death metal band Bolt Thrower. It was recorded at Chapel Studios, Lincoln, England, December 1997 to January 1998. The album was produced by Bolt Thrower and Ewan Davis. It was released on Metal Blade Records in 1998. The cover painting is titled "Contact – Wait Out", which is also the first track on the next album, Honour – Valour – Pride. "Powder Burns" is a continuation of the song "Embers" from The IVth Crusade, and leads into "The Killchain" on Those Once Loyal. This is the only album to feature Alex Thomas on drums. - 180g Black Vinyl - Gatefold Jacket - A1 Size Poster (~23.4" x 33.1") Label: Metal Blade Barcode: 039841414714
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Black & White 'Quad' (ie. quartered) vinyl reissue of the classic debut studio album by Broken Bones, the ex-Discharge speed-metal punk band, who influenced Metallica and an army of other hard-core punk bands. Broken Bones were formed in 1983 by the Discharge twin brothers of Bones (guitar) and Tezz (bass) and were joined by Baz (drums) and Nobby (vocals). From the 'Potteries' area, Stoke-On-Trent, they first produced two singles, Decapitated and Crucifix, followed by this album 'Dem Bones' – all fast and furious anthems and UK indie chart Top 10 entries. The album, originally released in 1984, was produced by Clay Records' Mike Stone who had also produced Discharge. Along the way, band membership developed, but always featuring the distinctive guitar of Bones. Tezz later went to the USA, where he played with UK Subs, Ministry, and many others. Both brothers are currently in a reformed Discharge. Label: Fall Out Records Barcode: 5013145302811
