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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ For more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album— sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves. How does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground? The key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo & the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and postpunk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront. Silver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before. Label: Run For Cover Records Barcode: 0199438000574 -
THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ For more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album— sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves. How does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground? The key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo & the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and postpunk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront. Silver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before. Vinyl packaging features embossed gatefold jacket with printed inner lyric sleeve. Label: Run For Cover Records Barcode: 0199438000567
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ For more than three decades, AFI has been in a nearly constant state of reinvention. The band have made it a point to evolve with every album— sometimes dramatically so—never allowing themselves to become too comfortable in one genre or rest on any of their impressive career laurels. It’s an approach that has grown their audience but also challenged it with a sonic identity that can shift in wild, unexpected directions. Now with their twelfth album, Silver Bleeds the Black Sun…, AFI are once again at the start of a bold new chapter, only this time they’ve even managed to surprise themselves. How does a band that’s known for creative upheaval still find ways to push themselves out of their comfort zones? Typically the group would start an album by immediately throwing themselves into writing and simply letting their intuitive musical shorthand guide the process, but for Silver Bleeds the Black Sun… AFI set out to purposely change their creative approach all together. This time it started with a conversation: how could they break new ground? The key to moving forward actually ended up coming from AFI’s collective past. “We started with something that sounded like Echo & the Bunnymen,” explains guitarist Jade Puget, who produced and engineered the album. “But eventually we ended up with this melange of death rock and postpunk—all this stuff from the late ‘70s and early ‘80s that we grew up on, like Sisters of Mercy, and Bauhaus, and Siouxsie and the Banshees.” The goal became making an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront. Silver Bleeds the Black Sun… is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before. Vinyl packaging features embossed gatefold jacket with printed inner lyric sleeve. Label: Run For Cover Records Barcode: 0199438000505
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Five years ago, an entrancing piece of aural magick entitled "Ω - V" was released unto the ether, an awe-inspiring work of wonder and dreamlike gazing introducing Ainsoph into this mortal coil. Now, the time is nigh for a new offering, one which is purveyed by the elements which enthralled the heart and soul in 2020, further heading into another level of contemplation, of a feverish will to feel and disassociate, to exist and disintegrate. “Affection and Vengeance” is deeply moving in its capacity to evoke raw emotion from profound regions thru its utterly immersive sound. Pulsing beats mimic throbbing hearts abreast gashing riffs and licks, thoroughly moving with its plethora of shades and colours, as urgent as it is bucolic, burning with life as it serenely contemplates the void. The group’s reverberations grasp a new apex, as the electric, hypnotizing wall of sound embraces the listener in a solitary pathway where variety is yet again a feature in the creations of Ainsoph. A dichotomy is not only breathing in the album’s title, but it is also felt in how the Dutch entity thrives through catchy, melancholic post-punk pastures - where the wonderous voice of I.V. sparkles and moves - or blast-beating Black Metal inspired outbreaks, incurring in experimental traits that enrich this audial palette, showcasing Ainsoph reaching new heights in intensity and climax. “Affection and Vengeance” stands as a thorough experience into the nadirs of the mind, body and soul, a sorrowful, a pleasurable and certainly an unforgettable voyage over and beyond ethereal planes of ecstasy. Sonically, The group’s reverberations grasp a new apex, as the electric, hypnotizing wall of sound embraces the listener in a solitary pathway into the abyss where variety is yet again a feature in the creations of Ainsoph. A dichotomy is not only breathing in the album’s title, but it is also felt in how the Dutch entity thrives through catchy, melancholic post-punk pastures - where the wonderous voice of I.V. sparkles and moves - or blast-beating Black Metal inspired outbreaks, incurring in experimental traits that enrich this audial palette, showcasing Ainsoph reaching new heights in intensity and climax. Set to be released through Wolves of Hades on March 14th on LP / CD / MC and Digital, “Affection and Vengeance” stands as a thorough experience into the nadirs of the mind, body and soul, a sorrowful, a pleasurable and certainly an unforgettable voyage over and beyond ethereal planes of ecstasy. Label: Wolves of Hades
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Five years ago, an entrancing piece of aural magick entitled "Ω - V" was released unto the ether, an awe-inspiring work of wonder and dreamlike gazing introducing Ainsoph into this mortal coil. Now, the time is nigh for a new offering, one which is purveyed by the elements which enthralled the heart and soul in 2020, further heading into another level of contemplation, of a feverish will to feel and disassociate, to exist and disintegrate. “Affection and Vengeance” is deeply moving in its capacity to evoke raw emotion from profound regions thru its utterly immersive sound. Pulsing beats mimic throbbing hearts abreast gashing riffs and licks, thoroughly moving with its plethora of shades and colours, as urgent as it is bucolic, burning with life as it serenely contemplates the void. The group’s reverberations grasp a new apex, as the electric, hypnotizing wall of sound embraces the listener in a solitary pathway where variety is yet again a feature in the creations of Ainsoph. A dichotomy is not only breathing in the album’s title, but it is also felt in how the Dutch entity thrives through catchy, melancholic post-punk pastures - where the wonderous voice of I.V. sparkles and moves - or blast-beating Black Metal inspired outbreaks, incurring in experimental traits that enrich this audial palette, showcasing Ainsoph reaching new heights in intensity and climax. “Affection and Vengeance” stands as a thorough experience into the nadirs of the mind, body and soul, a sorrowful, a pleasurable and certainly an unforgettable voyage over and beyond ethereal planes of ecstasy. Sonically, The group’s reverberations grasp a new apex, as the electric, hypnotizing wall of sound embraces the listener in a solitary pathway into the abyss where variety is yet again a feature in the creations of Ainsoph. A dichotomy is not only breathing in the album’s title, but it is also felt in how the Dutch entity thrives through catchy, melancholic post-punk pastures - where the wonderous voice of I.V. sparkles and moves - or blast-beating Black Metal inspired outbreaks, incurring in experimental traits that enrich this audial palette, showcasing Ainsoph reaching new heights in intensity and climax. Set to be released through Wolves of Hades on March 14th on LP / CD / MC and Digital, “Affection and Vengeance” stands as a thorough experience into the nadirs of the mind, body and soul, a sorrowful, a pleasurable and certainly an unforgettable voyage over and beyond ethereal planes of ecstasy. Label: Wolves of Hades
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ AMERETAT Is S and K, children of the Iranian diaspora with family on both sides of the autocratic barrier. Their songs pull from musical and literary influences across the Iranic world, using both modern and traditional folk instruments. The style takes elements from crust and hardcore, with multitonal feedback reminiscent of traditional drone instruments of the region. Inspired by noisy hardcore such as LSD, as well as the macabre anarcho-punk of RUDIMENTARY PENI and the sombreness of UNION OF URANUS and DYSTOPIA. AMERETAT attempts to combine old and modern styles to create something new. Their lyrical themes explore war, power, love, despair, kindness, and our common humanity, utilising verses and excerpts in Persian, Avestan, Lori, Kurdish, and English. Label: La Vida En Us Mus
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE SEPTEMBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΣΕΠΤΕΜΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ The long anticipated autobiography by U.K. Subs’ legendary leader Charlie Harper. Charlie’s fascinating story is told in his own unique style, taking the reader through his early years as a ‘war baby’, his time at boarding schools for misfit boys, his adventurous youth, his struggles and escapades as a bass player, his turbulent personal life as well as his incredible journey with the U.K. Subs, as a solo artist and with his many side-project bands. Illustrated throughout with many unseen photos from his own collection, this will be without doubt, the most talked about punk rock book of the year. The book boasts a wonderful Foreword written by Rancid’s Lars Frederiksen with the book’s stunning cover artwork being supplied by Steve Dann (Magpie Art), of which the original hangs in Charlie’s house. Charlie Harper’s ‘An Anarchy of Demons’ contains 478 full-colour pages providing a unique insight into what made him the punk icon he is today. Charlie Harper is one of the most respected and loved musicians to have come out of the 1977 punk explosion. Prior to forming the U.K. Subs in that seminal year, Charlie had busked around Europe in the sixties and played in numerous bands through the seventies. However, he eventually found fame with the Subs, building up a formidable, devoted fan following through his unrelenting love of gigging. Briefly hitting the charts and playing Top of the Pops multiple times, his indefatigable belief in punk as being the people's music has seen the U.K. Subs carry on to the present day. Many now refer to Charlie as 'The Godfather of Punk', a fitting moniker to one of the most likeable personalities who has stayed true to that DIY punk ethic. His fascinating story is told in 'An Anarchy of Demons', in his own words, including his early years at boarding schools for misfit boys, his adventurous youth, his struggles and escapades as a bass player, his turbulent personal life, as well as his incredible journey with the U.K. Subs, as a solo artist and with his many side-project bands. This eye-opening account, packed with unseen images from Charlie's archive, gives you a perfect insight into what made him into the punk icon he is today. Charlie keeps on rocking, touring and creating. Ably supported and abetted by his wife Yuko, he never intends to let the punk-rock flame fade.They live in Seaford in the South East of England, but may well turn up at a gig near you soon! Print length : 480 pages ISBN-10 : 1916864732 ISBN-13 : 978-1916864733 Item Weight : 1.08 kg Dimensions : 15,60 x 3,70 x 23,40 cm
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Anarcho-Punk: Music and Resistance in London 1977-1988 by David Insurrection is the distillation of three years work. It’s the story of an oft overlooked scene. Anarcho-punk in the 1980s truly rocked the boat. Much more than music it set out to change the world and in a not insignificant way did just that. It inspired a generation of activists, artists and musicians to take up the fight for a better fairer world. They tore down the walls. The Sex Pistols may have opened the door but the Crass punks charged through it. This is their story. As we return to the embattled 1970s and 1980s David takes us on a journey where we visit some of the scene’s most significant locations and hot spots, to places where change mattered and the spirit of revolt burned brightest. Publisher : Earth Island Books Language : English Paperback : 224 pages Dimensions : 15,60 x 1,55 x 23,39 cm
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Born in Brazil in 2002, Anti-Corpos, the queer-punk-noise band, has fought for gender equality in heavy music since the beginning. Over the past 20 years Anti-Corpos has played over 300 shows, countless tours and have released some demos and two 7”s (both on Emancypunx Records). The band, now based in Berlin consists of; Adriessa Souza -vocals/bass (Eat My Fear, Dominatrix), Helena Krausz -drums- (Eat My Fear, Gegenüber), and Irem Kara -vocals/guitar- (Nervöus, Hoarse). With this formation the band brings even more ethnic diversity on western stages and spreads awareness for underrepresented minority groups throughout the European music scene. “Backlash” is their first full length album after all these years. Recorded with Jan Oberg of Hidden Planet Studios, it’s heavier, with a bigger, groovier and noisier soundscape but still with the same lyrical centre: Political, feminist, and the struggles and importance of being an immigrant band in the German/European scene. Anti-corpos’ lyrics focus on themes of feminism, anti-homophobia, anti-racism, and self-care. With fast and heavy riffs, the band shifts between dark grooves and chaotic noise, the trio delivers a visceral live performance. This is co release with Emancypunx Records and No Gods No Masters Records. Label: Emancypunx Records, Refuse, No Gods No Masters
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The third studio album released by Asphyx (or fourth, if you count "Embrace The Death" as their true debut), this release marked a new line-up but proved no less heavy of an effort. This edition contains two additional live songs not found on the regular album. Jewel case with clear tray and 12-page booklet. Tracks 1-8 recorded and mixed at Harrow Studios, Holland 1992. Tracks 9-11 recorded at Woodhouse Studios, Dortmund 1991. Tracks 12 and 13 recorded in Stockholm November 30 1991. Tracks 14-16 recorded at Harrow Productions 05-01-91 in Losser, Holland. Tracklist 1 M.S. Bismarck 5:03 2 The Krusher 5:51 3 Serenade In Lead 3:28 4 Last One On Earth 7:09 5 The Incarnation Of Lust 4:46 6 Streams Of Ancient Wisdom 3:35 7 Food For The Ignorant 4:49 8 Asphyx [Forgotten War] 5:26 Crush The Cenotaph EP '92 9 Crush The Cenotaph 3:55 10 Rite Of Shades 3:08 11 The Krusher 5:58 12 Evocation [Live] 5:38 13 Wasteland Of Terror [Live] 2:49 Promo '91 14 The Sickening Dwell 3:59 15 Conjuration Of Choronzon [Evocation] 5:10 16 Diabolical Existence 3:35 Label: Century Media Barcode: 5051099759527
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The venerated debut album by Dutch doom/death combo Asphyx, "The Rack" was released in 1991 to widespread acclaim. Following a slew of demos, this was bassist/vocalist Martin van Drunen's first recorded project since quitting Pestilence after the "Consuming Impulse" record. This record wears all their influences proudly on their sleeves and remains a cult favorite to this day. Now remixed and remastered, this special version contains 11 bonus tracks, recorded live in Holland during the band's 1991 tour for "The Rack". Comes in a standard jewel case with transparent tray, includes a 12 panel poster insert with printed lyrics and credits. 1 The Quest Of Absurdity 1:21 2 Vermin 4:02 3 Diabolical Existence 3:55 4 Evocation 5:31 5 Wasteland Of Terror 2:16 6 The Sickening Dwell 4:15 7 Ode To A Nameless Grave 2:55 8 Pages In Blood 4:08 9 The Rack 9:05 Bonus Tracks [Asphyx Live In Holland 1991] 10 The Quest Of Absurdity 0:30 11 Vermin 3:45 12 Evocation 4:56 13 Diabolical Existence 3:21 14 Ode To A Nameless Grave 2:26 15 The Sickening Dwell 3:49 16 Wasteland Of Terror 2:31 17 Pages In Blood 4:05 18 The Rack 8:17 19 Ride Of Shades 3:51 20 Crush The Cenotaph 4:13 Label: Century Media Barcode: 5051099759428
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Berlin’s Benzin brings us a blistering barrage of blazing beats and breakneck bursts of brio on Treibjagd, their debut vinyl for Static Age Musik. While Benzin rips through their songs at hardcore tempos (Treibjagd’s 12 songs fly by in a mere 15 minutes), they’re a punk rock band at heart, with songs built around hooky riffs with eruptions of surf-tinged melody a la East Bay Ray from the Dead Kennedys. But while both the songs and the dry, punchy production recall proto-hardcore punk from the US west coast, the vocalist’s German-language speak-singing infuses Benzin’s sound with the icy cool of their country’s rich art-punk tradition (Bärchen und die Milchbubis). Songs range from the spiky minimalism of “Freundschaft” (which sounds like a long-lost Group Sex outtake) and “Traumaspirale” to more fleshed-out, garage-y tracks like “Zeichen Der Zeit” and “Treibjagd,” whose sassy, hip-swinging rhythms and big riffs could win over any Hives fan. Aficionados of artsy and agitated contemporary punk bands like Warm Bodies and Spread Joy are bound to fall for Benzin’s charms, but Treibjagd is a treat for any punker with an ear for a hyperactive hook. (Daniel Lupton) Label: Static Age Music
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE SEPTEMBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΣΕΠΤΕΜΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ First reissue of the legendary, long out of print, live album by Texas Punk legends The Dicks and Big Boys. Classic, incendiary live album by two of the best U.S. Punk bands ever. A raw and powerful record full of incredible music and excitement that´s also a milestone for the Queer Punk movement. Originally released in 1980 and long out of print, this is a seminal document of the Austin, Texas, scene, capturing the raw energy and effervescence of a scene that was redefining the boundaries of underground music in the late 1970s and early 1980s. Co-released by Beat Generation and Ghost Highway Recordings. European release, 300 copies, includes new insert. Label: Beat Generation, Ghost Highway Recordings Barcode: 8435008877644
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΝΟΕΜΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Brooklyn hardcore legends BIOHAZARD return in 2025 with Divided We Fall, their first studio album in over a decade and a triumphant reunion of the band’s classic original lineup. The result is a crushing and timely collection of tracks that strike hard and speak louder than ever. Produced by Matt Hyde (Slayer, Hatebreed, Deftones), Divided We Fall captures the raw intensity that defined Biohazard’s early years while confronting the fractured realities of modern life. Their unmistakable blend of hardcore, metal, and urban groove hits with renewed purpose - a sonic call to arms for unity in chaos. From the rebellious fury of Fuck the System and the inner struggle of War Inside Me, to the defiant closer Warriors, the album channels rage, resistance, and resilience. Each track delivers relentless riffs, crushing rhythms, and the street-level authenticity that has always set Biohazard apart. Divided We Fall is more than a comeback - it’s a mission statement. A reminder that in a world increasingly divided, music still has the power to unify, inspire, and ignite. Label: BLKIIBLK Barcode: 8024391151457
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE SEPTEMBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΣΕΠΤΕΜΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Astonishing debut LP by Jerry A’s (Poison Idea) new band with members of HHH, Rouse, 25th Coming Fire, Disaster Jacks & Ira et Decessus, an instant Hc-Punk classic. The first, brutal LP by supergroup Black Bacon, “Every Action has Reaction”, is a kick ass and punishing barrage of pure, unaltered Hardcore Punk, exactly what one could expect from a band fronted by no other than the legendary Jerry A from Poison Idea. Surrounded by Andrew from Poison Idea, Alex from HHH, Rouse, 25th Coming Fire and members of Disaster Jacks & Ira et Decessus, they produce 8 murderous tracks of frantic Hardcore Punk sure to satisfy anybody even slightly interested in furious music. Includes fold out insert. Label: Beat Generation Barcode: 8435008877552
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BLACK UNIFORMS are one of the most cult bands from an already-cult scene. Originally active from 1981-1983 and then from 1986 until the beginning of the '90s, BLACK UNIFORMS hailed from the Swedish hardcore punk scene, which sprung up in the wake of Discharge's landmark Why? and then took on a life of its own, often out-Discharging Discharge and successively becoming its own influential paradigm that still endures to this day. As such, BLACK UNIFORMS early on bore the distinct mark of Discharge, but particularly during their second run, just like many hardcore-punk bands the world over, they took on a thrashier aspect that many of the original UK82 bands helped jumpstart - namely The Exploited, English Dogs, and especially Broken Bones. Retroactively, BLACK UNIFORMS are most renown for the membership of one Cliff Lundberg, who played bass for Moderat Likvidation during the former's first hiatus but more so as guitarist for Anti-Cimex's massively influential second period before then going on to form the legendary Driller Killer. However, on their sparse recorded work alone, BLACK UNIFORMS stand supremely tall: completely "of the times," but those times were glorious indeed. The band's lone album - Faces of Death, originally released in 1989 and soon finding an authorized reissue by HELTER SKELTER - is perhaps the best place to start for the full synthesis of metalized Swedish hardcore punk, but BLACK UNIFORMS' scattered demo recordings contained countless gems of raw, greasy glory. Originally released in 2001 on the cult Hardcore Holocaust label, Splatter Punx on Acid collected those demos and introduced the band to a whole new generation hungry for authentic UK82-gone-metal propulsion. And so it goes with this new, fully authorized version of the collection, back in print on vinyl for the first time in over 20 years. BLACK UNIFORMS are on the march, undead and eternal! Includes bonus LP with unreleased 1982 & 1983 demos. Label: Unrest Records
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE AUGUST, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΑΥΓΟΥΣΤΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Body Maintenance return with their second full length 'Far From Here. Following on from 2023's 'Beside You', 8 new songs of Dark Post Punk. Hailing from Melbourne via 1980 Manchester, Body Maintenance write songs that are isolating yet inspiring, aggressive yet intricate, their music is the perfect soundtrack to the dark world that we exist in. While taking inspiration from the likes of Sisters of Mercy, The Sound and Echo and the Bunnymen, their sound is unique and unlike any other bands in the realm. Swirling beautiful guitars, soaring vocals and the most hypnotising songs. This record will keep coming back to you. With nods to The Chameleons and Second Empire Justice era Blitz, these songs are evocative of the anxiously bleak yet anthemic sounds of early 80’s Manchester, delivered in a contemporary Australian context. Essential. Label: Drunken Sailor Records
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Japanese legends BORIS are celebrating the 20 Year Anniversary of landmark albums PINK and dronevil -example- with special deluxe reissues out October 17th! The 20th anniversary deluxe reissue of BORIS' classic album dronevil, available for the first time since its original release - two different albums of soaring ambient space and frenetic headbanging Rock n' Roll meant to be played at the same time, this new edition is a joint 2xLP mix available for the very first time on vinyl! 『dronevil -example-』 The original release was based on the concept of playing two separate records simultaneously. This -example- version features a stereo mix of the paired tracks, creating a reference "example."The single "a bao a qu," also released 20 years ago, has been mixed with drone disc material and added as a bonus track. About "dronevil -example-" The album dronevil was created with the concept of playing two discs on separate players and speakers, allowing each listener to mix them in the air of the room at a balance that felt comfortable to them. Because it was a very conceptual work in which the musical experience would differ each time depending on factors such as volume balance, playback timing, and the distance from each sound, even at the time of its release there were many listeners who could not easily experience it. Although it was highly acclaimed and popular as an experimental work, it had long been out of print, and thus was difficult to obtain for fans who came to know Boris in more recent years. In order for new listeners as well to hear it widely as both a masterpiece and an introduction to experimental + drone metal, we have decided to release it this time as dronevil -example-. As the title suggests, this is only one example of a reference for playback, but first of all we hope you will simply enjoy the quality of the music itself. 01. loose x red 02. giddiness throne x evil wave form 03. interference demon x the evilone which sobs 04. a bao a qu -dronevil mix- (bonus track) Label: Relpase Records Barcode: 0781676761913
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΟΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Japanese legends BORIS are celebrating the 20 Year Anniversary of landmark albums PINK and dronevil -example- with special deluxe reissues out October 17th! BORIS' iconic PINK available for the first time in a decade! Features the original CD sequence, available for the first time ever as a 2XLP with an exclusive side D etching! Special jacket with die-cut and stencil details. This is the first vinyl release of the original international CD version. Side D is etched. DISC 1 [Side A] 01. Farewell 02. PINK 03. Woman on the Screen 04. Nothing Special [Side B] 05. Blackout 06. Electric 07. Pseudo-Bread08. Afterburner 09. Six, Three Times 10. My Machine 9:17 Disc 2 [Side C] 11. Just Abandoned My-Self [Side D] Etching Label: Relpase Records Barcode: 0781676761814
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON DECEMBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΤΟ ΔΕΚΕΜΒΡΙΟ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ Desperate times call for desperate measures. Taking up arms against a wave of authoritarianism and despair, North Carolina’s premier hardcore band, Catharsis, has recorded a new full-length album, “Hope Against Hope.” This record picks up where their last material left off, continuing to push the envelope for what hardcore can do. Catharsis don’t retread the ground they broke on their previous albums, but press forward into ever more abrasive and dynamic territory. Politically, they remain uncompromisingly radical in their lives as well as lyrics. This is not a band that has slowed down, toned down, or mellowed out. Sticking to their roots in the do-it-yourself underground, they are releasing the album through CrimethInc. in the United States, Refuse in Europe, and No Gods No Masters in South America. The band recorded the drums with Benny Grotto at Mad Oak Studios and tracked the rest themselves. For the backing vocals, Catharsis tapped the vocalists of some of their favorite hardcore bands: Poland’s Next Victim, Brazil’s Point of No Return, and North Carolina’s own Scarecrow and Vittna. Mixed by Kurt Ballou at God City Studio and mastered by Scott Crouse, “Hope Against Hope” is as explosive as our times. Twenty-four years have passed since Catharsis released their last record, the split LP featuring “Arsonist’s Prayer,” though they did complete another song from that session for their discography in 2012. But they have been playing regularly together since 2013, adding Jimmy Chang (of Undying and Sect), who left the band in 1995, to the lineup that recorded the “Passion” LP. It was high time to record another album, making the most of material that has come together across two decades. In fact, Catharsis has never sounded better. “Hope Against Hope” is an assault on a self-destructing society and a beacon of inspiration for all who are determined to survive. US/EU pressing is a co-release between Crimethinc. and Refuse Records. Label: Crimethinc., Refused Records
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND LATE OCTOBER, THANKS! ΑΝΑΜΕΝΕΤΑΙ ΣΤΑ ΤΕΛΗ ΟΚΤΩΒΡΙΟΥ ΚΆΝΕΤΕ ΤΗΝ ΠΑΡΑΓΓΕΛΊΑ ΣΑΣ ΧΩΡΙΣ ΠΛΗΡΩΜΗ, ΜΌΛΙΣ ΠΑΡΑΛΆΒΟΥΜΕ ΤΟ ΠΡΟΪΌΝ ΘΑ ΕΠΙΚΟΙΝΩΝΉΣΟΥΜΕ ΜΑΖΊ ΣΑΣ A brand new 4 track EP from Conflict pressed on Eco vinyl. The title track is taken from the band latest album, it also includes fantastic remixes of tracks by Killing Joke's Youth (Martin Glover) and Sid Truelove of Rubella Ballet, one of Colin's oldest friends and the person that introduced him to dub! Also included is a previously unreleased track, Road Trip. Limited to 1000 copies worldwide / Releasd on Cadiz Music in conjunction with Motarhate Records Label: Cadiz, Mortarhate Barcode: 0844493063193
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Riding the cold wave of success after a self released tape and her debut LP, one woman weapon Cosey Mueller returns with release number three. Straight down to business, Softcore sees Berlin’s favorite femme fatale evolve the vintage synthpunk sounds of her previous cassette and vinyl releases to reveal lusciously textured soundscapes for a mature, confident long player that is polished yet playful. Ribbed and studded with sassy statements and cheeky guitars riding the cynical synth lines, Softcore thrusts back and forth in time between the experimental DIY spirit of 81/82 to the industrial dance heyday of 86-89. An instant classic as fresh as the cool night air. (Daryl Sulfate - Diät, Das Nest) Label: Static Age Music
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You won't believe it! Cosmic Psychos return with astonishing confession "I Really Like Beer"! 40 years+ of stupid, clever punk rock continue with a brand-new "concept" album about beer, although each earlier album released by the guys has been kinda concept album about it too. The beer fathers of Aussie punk sounding like the Ramones fronted by Crocodile Hunter, they write songs in a distinctly down under manner about drinking, fighting, roadkill and best times. The lads bludgeoning take on punk has proven durable, influencing everyone from L7 and The Meanies to The Chats and Amyl & The Sniffers. The noisy punk trio was originally formed by Bill Walsh, Peter Jones and Ross Knight around Melbourne, ca. 1985. Robbie Watts replaced Jones on guitar in 1990/91, and after a hiatus, 2005 the Psychos went to the studio to record a new album with new drummer Dean Muller (ex-Voodoo Lust) replacing Bill Walsh. After the shock of the tragic loss of Robbie Watts in 2006, it was an option to drop the brand "Cosmic Psychos". But Knight was overwhelmed by the grief and support of the fans, so he decided, with full support from Robbie's kids, that "There's more beer to be drunk!". John McKeering (from The Onyas) had already been friend of the band for quite some time, and in late 2006 he was chosen to play guitar with Knight & Muller from that point on. With a legendary debut EP, almost a dozen studio albums, a handful of live ones too, plus a fan funded documentary with a rather prominent alternative scene cast under their belt, the blokes you can trust still deliver 12 new tracks of straightforward, lager-soaked punkrock for fans of Celibate Rifles, Radio Birdman, early Saints, mid-period Ramones, Hard-Ons, C.O.F.F.I.N. and Stiff Richards. The new record is classic Psychos, Aussie Punkrock as raw, loud and gloriously dumb as ever - with the occasional life lesson hidden under a pile of riffs. Label: Subway Records Barcode: 4059251704362
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If Crow People had formed down south in 1979, not in Doncaster five years later, they’d be fondly remembered as one of the great 'anarcho punk' bands, sitting proudly alongside original innovators like the Mob and Zounds. There are shades of ‘Metal Box’ and dub in some of Mark’s early bass lines, echoes of a northern Mob and evidence of Bill’s Here And Now and Buzzcocks influences in the guitar. At times they evoke the heavy sounds of Killing Joke or Amebix before effortlessly slipping into a softer, haunting sound that wouldn’t be out of place on an early Cure album. Yet these are only fleeting reference points, they sound nothing like any of these bands. Trying to pin down the Crow People sound is pointless, there’s nobody else quite like them, they defied categorisation and couldn’t give two fucks about playing the game. Just look at their decision to play only benefit gigs. Their free festivals were Hulme’s Punx Picnics, held amongst the sprawling, decaying crescents and the self-organised Two Trees Festival in hometown Doncaster. Yet Crow People did manage to play far and wide with a variety of bands, and maybe this was the strength of their defying of categorisation. They could happily sit on a bill next to Axegrinder, Chumbawamba, Disorder, Culture Shock or The Wedding Present and people in the audience would take to them. They fitted everywhere and nowhere.This long overdue release on limited double LP and single CD contains nearly everything Crow People recorded in the studio from 1985 - 1994, consisting of their extremely rare and sought after 'Cloud Songs' 12" EP from 1987 and another twelve unreleased tracks. At last, we’re righting an injustice, and one of the UK’s great 'lost' bands is getting the reissue treatment they deserve. Limited 16 Track Double Lp With 8 Page A5 Booklet, Insert And Download Code. Label: Crackle Records
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Cruel Maniax was formed in 1983 in Fagersta, Sweden. Part of the Fagersta Hardcore Crew together with Fear of War, Bedrovlers This album contains all their studio recordings from 85 to 88, plus 3 live bonus! Tracks A1 - A10 And B1 - B2 Previously Released As “we Don’t Need…” Self Released Demo Tape Recorded At Studio Fragg, Norberg, Sweden In 1988 Tracks B3 - B5 Previously Released As “cruel Maniax / No Security Ep” Split 7” (Cruel Records 001) In 1988 Tracks B6 - B8 Previously Released As V/a “the Vikings Are Coming” Lp (Uproar Records 002) Recorded At Studio Fragg In 1985 Tracks B9 - B11 Previously Released As “cruel Maniax / Happy Farm” Self Released Split Cassette Recorded Live In Kottis On A 2 Channel Technics Tape Deck, Fagersta , Sweden In 1986 All Songs By Cruel Maniax Mastering And Tape Restoration By Daniel Husayn At North London Bomb Factory 2025 Artwork Layout By Marco Palumbo-rodrigues Label: Nausea Records
