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"A couple years ago my consigliere Mr @jonahjonahfalco played me a track he was working on, and I immediately fell in love with its Pet Shop Boys style electronics tom-toms and their late Blitz general vibe. Down the pub and upon some further discussion I learnt the band was Edmonton’s @arewenothomefront , and as it happened I already knew @noproblempunx We got talking and a few months later ‘Think Of The Lie” 12” came out. I loved it and so did a lot of people it seems. Then the band came and played two fantastic shows @staticshockrecords and I finally met Mr @wegotemboys and the rest of the band which as it happened were the sweetest bunch. By then we have been in touch regularly and I can say, without a doubt, that working with them has been an incredible experience, I want to think we all have learnt a lot from each other and became great friends on the way. Today is the day their second record gets announced and I truly hope you enjoy it as much as I do. It is a very special record, hard to pinpoint but a record which, at least in this house, gets played over and over. I hope you dig it." Paco “Enormous full length debut from Home Front who have managed to fix truth to the beautiful and borderline mythical threadneedle moment in which punk, new wave, pop, indie and rock and roll all descend upon a single source. We may have only dreamed that Tears for Fears might have been going to see GBH at the weekend or that Annie Lennox spent her evening sewing Crass patches to her Wrangler Blue Bell jacket, but Home Front have rang the dinner triangle for us all to feast. High moments of perfectly patinated synth brilliance, tender new wave considerations, punk anthems that could fill the biggest stadium, and fiery hooks that could warm the coldest cynic. The Champagne, the gluebag, the boots, and the eyeliner, GAMES OF POWER clutches to it all. GAMES OF POWER lives inside a crystal clear recording by long time friend and Edmonton wizard Nik Kozub, bringing Home Front’s follow up to “Think of The Lie” to euphoric heights and gritty lows. Produced again by Jonah Falco remotely and between sub zero 10 kilometer runs in Edmonton in late February with co-production by Nik Kozub, Home Front have put their best mirror shined boot forward." (Jonah Falco) (La Vida Es Un Ms Records) -
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Created on the western edges of the infinite plains and prairies of coldest Canada, Edmonton, Alberta's HOME FRONT dance freely and madly along the edges of time and create their own moment amongst the revered and long frozen reserves of THE CURE, SUICIDE, ECHO AND THE BUNNYMEN, "Second Empire Justice" era BLITZ, and NEW ORDER. A record bubbling over with analog synth, guitar loops, slammed 808 drums, and anthemic vocal pushes tugging at the great moment in-between the “death” of punk and the “birth” of new wave, pulling fresh sounds into their punk roots and shoving a studded leather jacket around a silk robe. Justice, violence, doubt and uncertainty a la Gary Numan narrating a Warren Miller Extreme Ski Special on the set of TO LIVE AND DIE IN LA: this is HOME FRONT. (La Vida Es Un Ms Records) -
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Fronted by lead singer Joey Shithead, D.O.A. is one of the most important North American band from the very early days of punk ! They are often referred to as the founders of hardcore punk along with Black Flag, Dead Kennedys, Bad Brains, Angry Samoans. « Something Better Change » is their ground breaking debut album recorded between 1977 and 1980 in their hometown vancouver, canada. This is revolutionary and highly political ! This limited 40 years anniversary vinyl repress includes a gorgeous poster and the bonus track "New Wave Sucks" from 2011 Sudden Death records repress ! High quality vinyl repress housed in black inner sleeve, thick outer sleeve and including D.O.A. Band logo poster ! (Restless Empire Records)
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Packed shows, sold out tours, both their six-track debut 12" and debut full-length "Pressure" get re-press after re-press... does BISHOPS GREEN really need any further introduction? I don't think so either, but we at REBELLION RECORDS sure as hell are damn proud to present you guys the brand new sophomore album by Canada's leading street punk band entitled "A CHANCE TO CHANGE"! With this album the band found a bridge between their raw and powerful debut EP, the passionate and resistful "Pressure" LP and their wild and rowdy live shows capturing it all on "A Chance To Change". So what are you still waiting for?! Label: Pirates Press Records
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This new Canadian band (with members of BOOTLICKER, NO HEART, LAST CRUSADE and SPLIT ARROWS among others) released a debut demotape last year that immediately catched my attention, i got a bunch of copies for distribution and instantly became one of my favourite demos from 2022. And they also featured 2 tracks on the British Columbia Bovver compilation also released last year. I got hooked up by their fresh hardcorepunk somehow taking influences from both shores of the north Atlantic Ocean, like if GANG GREEN and CIRCLE JERKS would be jamming with THE PARTISANS and THE SKEPTIX on a drunken party. Or something like that. So now it was time for their vinyl debut on their own and here you have 10 tracks of sharp, catchy, fast and piercing Punk Hardcore on a 45rpm 12inch with the title “Perverted Law” which will be released by the end of the summer. Label: Mendeku Diskak
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The third album from legendary Canadian punk rock pioneers - D.O.A. from 1982. The fancy edition for the 40th birthday will be published by Pasażer Records in late May 2023. "War on 45" was the successor to the albums "Something Better Change" and "Hardcore '81", which are considered to be absolute classics of punk rock today. It was recorded in mid-1982 during several late-night sessions in Los Angeles (at night the price of the studio was half the price). In politics, it was a time of intensification of the Cold War and the arms race, and a lot of local, more or less bloody conflicts - hence the overtones of the title and most of the songs contained on it. You can hear the war there. On the other hand, the title "War on 45" is a parody of the then-popular lame compilations with hits like "Stars on 45". On the occasion of War on 45, a new line-up of the band crystallized. Joey Shithead and Dave Gregg were joined by Wimpy Roy from the Canadian band The Subhumans, who had just ceased to exist, and the drummer was Dimwit - the older brother of Chuck Biscuits, who in turn had just left the band. 8 tracks known from the original release were enriched with 7 bonuses, mainly from the demo recorded a few months earlier, when the drummer was still the aforementioned Biscuits (also known from many other legendary bands - Black Flag, Danzig, Social Distortion etc.). Thus, on one LP you have two best Canadian drummers of all time: the Montgomery brothers - Biscuits and Dimwit. The album includes two covers from both its US and European releases, and a 12-page booklet with unique archival photos, posters, and a story of the making of the album written by the Canadian godfather of punk rock, frontman D.O.A. - Joey Shithead, where many delicious anecdotes are told. This album blows your mind as hard as D.O.A. always could and sums up one of the best periods in the history of these world-famous punk pioneers. The new edition of "War on 45" will not be played at a fast 45 rpm, but at a regular 33 rpm. Tracklist A1 Liar for Hire A2 I'm Right, You're Wrong A3 America the Beautiful A4 Let's Fuck A5 War A6 I Hate You A7 War in the East A8 Class War B1 Rent-A-Riot (1982 demo) B2 Liar for Hire (1982 demo) B3 Race Riot (1982 demo) B4 America the Beautiful (1982 demo) B5 No Way Out (1982 demo) B6 No God, No War (1981 demo) B7 I Hate You (1982 demo) Label: Pasazer Records
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Raised on a heavy dosage of good ol' American rock and roll - of both the 1950s (Eddie Cochran, Gene Vincent, Chuck Berry) and 1970s varieties (The MC5, The Stooges, The Velvets) - these 4 youngsters from working class Hamilton, in Southern Ontario, set their town, and soon after all of Canada, ablaze in the late 1970s with their raucous live act. Drawing their name from The Flamin' Groovies classic 1971 LP, Teenage Head formed in 1975 when all the members were classmates together at Westdale High School. After a few years of honing their chops and legendary live show, this LP, their debut album was released in 1979. A ripping mix of punk attitude and 50s rock riffs, Teenage Head are not interested in politics or philosophy: this is just young, loud, and dumb punk rock - the way it should be. Though their next album would make them stars across Canada with two hit singles, this album is their finest and most urgent recording. (Barnyard Records/Unofficial Release)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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THIS IS A PRE-ORDER! YOUR ORDER WILL SHIP ON/OR AROUND JUNE, THANKS! At last, one of the all-time bat legends, NOMEANSNO has returned to Alternative Tentacles Records!!! The ENTIRE catalog no less, starting with their most beloved album, WRONG. Using the original all analog master from the original mother, as engineered by George Horn, John Wright, and Jello Biafra. Nomeansno formed in a vacuum in Victoria, British Columbia in 1979. Quickly relocating to the clothes dryer to hone their classic sound, they also become masters of Tumbling and toiled diligently throughout the 80's until relocating to Vancouver and managed to produce 11 albums spanning a career of 35 years, 7 months, 11 days, 16 hours, 27 mins but unfortunately at that defining moment the stopwatch was fumbled and rolled under the couch and the seconds could not be accurately recorded. Included in this stunning output was a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers Rob and John Wright, NMN was later joined by monster guitarist, Andy Kerr and became a four piece which was quickly amended as there were only three members at that point. However, after Andy's departure in '91 The brothers Wright were joined by mythical guitarist Tom Holliston and Brobdingnagian drummer Ken Kempster, officially raising the roster to four and paperwork once again needed amending. Those fellows kept Mr. Biafra on his toes! Mixing hardcore punk, dark lyrics, and sophisticated arrangements bordering on prog, (near Passau) Nomeansno was massively influential and widely regarded as the first band to be referred to as “math rock”. An attribution most solidly enshrined with their '91 release of "0 + 2 = 1". Actual legal precedence was set and to this day NMN receives a small royalty from the Pointlessly Arcane Musical Genre Descriptors Society of America (PAMGDSA) whenever the term is used. Originally released on Alternative Tentacles in 1989, WRONG stands on its own, and is still considered to be a much-loved classic, not unlike Pinocchio. Allmusic called the album a masterpiece and the definitive jazz core (currently securing rights to that one) album. In 2021, the album was voted by the public to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award. In 2015, drummer John Wright described the album as their “most popular album by a country mile” harkening back to those early days of punk rock when time was measured by the lifespan of a raccoon, and to the St. Louis Music Press of WRONG’s success to the rise of alternative music and the success of Nirvana; "That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up." Getting Nomeansno vinyl into stores is long overdue, so it all starts here with WRONG. Expect all vintage Nomeansno vinyl to systematically return in the days ahead. Label: Alternative Tentacles
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Schedule 1 delivers your contraband in four equal measures. Created in the Pacific Northwest by students of the Old World. Post-punk mixed with influences in Oi, Hardcore, Emo, cut with hard-hitting melody, clarion declaration, and laced with bittersweet. The band started right before Covid went on lockdown and somehow managed to record an incredible batch of songs without ever having the benefit of playing a show. Featuring members of Bishops Green, Dead Cells, Candy(BC) and Systematik. Label: Sabotage
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THIS IS A PRE-ORDER! YOUR ORDER WILL SHIP ON OR AROUND OCTOBER, THANKS! At some point it becomes clear to all of us that trying to navigate life on The Darkest Timeline is pretty heavy going. Politics, economics, human rights… all that grown-up stuff you have to worry about as an adult. Turns out they’ve all been surrendered to ideological grifting and cynical culture wars, which should be enough to make you pretty fkn furious. And you know what? We’re gonna need a soundtrack to this that sounds equally pissed off; something loud, fast and ‘orrible that gives you the impetus to finally drive that bulldozer through the cop shop. In case you hadn’t guessed where this was going, please welcome the grand, timely and thoroughly welcome return of Chain Whip. Straight out of the gate, their second full-length ‘Call Of The Knife’ is absolutely raging. The opening title track might have you squinting at the turntable for a couple of seconds to check that someone hasn’t reanimated the young Circle Jerks, but as soon as frontman Josh Nickel’s voice kicks in, hardcore cognoscenti will be under no illusions that they could possibly be listening to anyone else. His voice is a righteous, gravelly roar that cuts straight through the noise with the very loose subtext ‘I’m having a bad day and it’s imperative that you know about it’. There’s a vitality to it that helps make these Vancouver boys one of the best bands in punk today, and it helps that he’s backed up by a rattling, rolling collective who remind us all that good old-fashioned hardcore (like the ‘80s used to make) remains one of the best ideas anyone’s ever had. Suck on that idea for a moment, poindexter! You know what you’re getting with song titles like ‘Class Decay’ and ‘Hatewave’, but there’s something about the band’s garage-slanted take on the genre that makes ‘em a cut above. Panache? Chutzpah? Just the simple matter of really fkn good songs? Impossible to say, so let’s just settle by agreeing that this album does it all: you can skate to it, you can slam to it, you can paint your bedroom black to it. You can even listen to it while kicking over the statues and kickstarting that violent and bloody revolution we’ve been promised. Look, this is serious stuff that also happens to be oodles of fun. ‘Something’s gotta give,’ they sing, and maybe it’s your resistance. On this sort of delicious form, no one can touch Chain Whip right now. Form a cult and get obsessed immediately. Label: Drunken Sailor Records
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Voïvod’s commercial peak and one of their many artistic peaks, 1989’s Nothingface marked a move away from the Quebec metal band’s thrash beginnings to a more progressive rock sound epitomized by their fantastic cover of Pink Floyd's "Astronomy Domine." But it remains quintessential Voïvod, complete with sci-fi themes and tricky tempo changes. Long out of print on vinyl, Nothingface returns with a metallic (natch!) red vinyl pressing remastered for vinyl by Peter Moore. A1. Intro A2. The Unknown Knows A3. Nothingface A4. Astronomy Domine A5. Missing Sequences B1. X-Ray Mirror B2. Inner Combustion B3. Pre-Ignition B4. Into My Hypercube B5. Sub-Effect Label: Real Gone Music
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This album originally came out on vinyl only in Europe, so there is still a lot of pent-up demand for a new LP reissue of this 1991 classic from the Voïvod catalog (especially in Canada, where the band is worshipped). Produced by Terry Brown of Rush fame, Angel Rat moved the band further into spacy psychedelic territory with such tracks as "Golem" and the title track. A mesmerizing, moody head trip of a record. Metallic blue vinyl pressing. Remastered for vinyl by Peter Moore. A1. Shortwave Intro A2. Panorama A3. Clouds in My House A4. The Prow; Best Regards A5. Twin Dummy A6. Angel Rat B1. Golem B2. The Outcast B3. Nuage Fractal B4. Freedoom B5. None of the Above Label: Real Gone Music Barcode: 848064015390
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Compiling all E.P.'s by Bootlicker, "Lick The Boot, Lose Your Teeth" presents 24 tracks originally released over four 7"s dating back to 2017. From the earliest incarnation of the band and the start of their signature production and sound to where they are now. With the overblown martial drumming, completely pinned clean guitar attack, Bootlicker has been a fresh take on D-Beat tradition with a handful of Oi/UK82 and American Hardcore influence on the side. Each 7" is compiled here and represents a different phase of the band. The completely broken speaker aggression of "Who Do You Serve", the slight Rock 'n' Roll influenced "Nuclear Family" and bare bones approach of the "Six Track E.P." all paved the way to a more realized sound in "How To Live Life". Instead of tracking down each out of print, individual E.P. Here they are for the taking. (Static Shock Records)
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"YOUTH YOUTH YOUTH were arguably the best band in Canadian hardcore. Most people credit DOA with this title but that was just because they were around longer. YOUTH YOUTH YOUTH had very few releases but every song on their releases were great." Equalizing Distort This record combines the band's only release, an 12' EP entitled "Sin", and two of its early demos from 1982 and 1983. A1 through A6 are demo 1, A7 to A9 are from demo 2, both sessions recorded and produced @ Accusonic, Toronto and remixed in Summer 1989 @ Eastern Sound. Side B is the "Sin" 12" EP from 1983, recorded in Summer 1983 @ Comfort Sound, Toronto, Ontario. (Fan Club)
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This is a cult for the early death/thrash metal movement and a great album. In Canada there was another band that was doing more or less the same Slaughter music in the same period, and that band was Sacrifice. They were the precursors in that beautiful country of a genre that was developing worldwide with great bands such as Death, Possessed, Kreator, Sodom, Bathory, Sepultura, Sarcofago and many others. Their goal was to bring the classic violent thrash metal to another level in brutality and heaviness. The experiment was achieved here, without forgetting the main genre it comes from. More or less 30 minutes to show all their abilities in destroying everything with panzer drums and fast guitars. Their distortion was already innovative and pure death metal with a fuzz, heavy as hell, sound. The vocals were half way between Celtic Frost down tone and the classic thrash metal ones. Recorded on February 9th, 1986 at Futuresound, Toronto. Double album on brown vinyls featuring 2 different mixes of the album and a poster and lyric insert. Double black vinyl, ltd 250, original mix + bonus track + 14 tracks unedited rough mix, 425gsm 5mm spine cover, lyric sheet, poster, disco bag, handnumbered. Label: High Roller Records Barcode: 4251267713134
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CHAIN WHIP from Vancouver, Canada released this demo recordings in July 2020 via Bandcamp as well as on a limited tape run. These recordings weren´t originally intended to be released on vinyl as some of the songs have been re-recorded to be released on CHAIN WHIP's upcoming LP "Two Step To Hell". Now, No Spirit is doing a one-time pressing of the "Demo 2020" on 180g vinyl with a limited run of 500 pieces. (No Spirit Records)
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Since forming in Manitoba in 1986, Propagandhi have brought an emphatic anti-fascist message to their music. Along with addressing a number of personal losses suffered in recent years, Victory Lap, the band's first full-length since 2012's Failed States, finds the band facing a landscape in which fascism is—among a certain crowd—suddenly trendy. Victory Lap also marks Propagandhi’s first album with new guitarist Sulynn Hago, who joins Samolesky, frontman Chris Hannah, and bassist Todd Kowalski. Replacing longtime guitarist David Guillas (who appears on several tracks on Victory Lap), Hago was added to the lineup after Propagandhi put out a call for audition tapes and received over 400 responses. (Epitaph Records)
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Second full-lenght for those canadian punx. Ripping, fast and brutal black metal influenced by the Norse school (Immortal above all) mixed with crust. The CD is called Bureval and includes a full-colour digipack with 28-page booklet. (Bloodspit Records/ Headnoise Records / Total Punk Records / Drink And Be Merry / Madfly Records)
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Hardcore punk band formed in Victoria, B.C./ Canada in 1980. Back in print due to popular demand and it's extreme rarity, this early 80's punk classic is now being re-issued with the original poster. Out of the Womb was released in 1981 by Sharpe Records as a pressing of 1000 copies. Containing many legendary classics, most of this album appeared on the classic Feed Us A Fetus LP in 1985. Label: Unrest Records
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Hardcore punk band formed in Victoria, B.C./ Canada in 1980. Dayglo's "Feed Us A Fetus" is their second full-length album, originally released in 1986. This is hands-down, the best Canadian punk record to emerge from the 80's!! Aside from collecting most of the songs from their first 12? record entitled "Out Of The Womb" (1981), it also contains many brand new songs (at the time) that were even better than those on the first album. Many of their classic punk anthems are captured on this vinyl and Unrest Records is the sixth label to release the album over the years, which is a testament to what a classic it really is. There should be one of these in every punk rocker's record collection. Don't miss out!! Splatter Vinyl ltd to 200. Label: Unrest Records
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Vancouver’s BAPTISTS recently completed work on their second full-length album, the follow-up to their 2013 debut Bushcraft. Entitled Bloodmines, the new album (like the debut) was recorded at Godcity Studios in Salem, Massachusetts with with Kurt Ballou Like its predecessor, Bloodmines is a fast, exhilarating album of rage, oozing with genuine raw emotion and punk rock fury. Shards of feedback make way for fast powerful riffs and savage vocals, whilst explosive drumming pumps blood around the band’s beating heart. On album tracks like “Vistas”, “Calling” and the title track, “Bloodmines”, the pace changes, revealing powerful, almost anthemic, jagged noise rock akin to influential San Diego post-hardcore band Drive Like Jehu and similar acts which go beyond the two minute mark. Discordant guitar melodies and abrasive vocal passages are elongated, still volatile but perhaps allowing for further contemplation of the band’s underlying message. BAPTISTS continually find new ways to express their rage and with Bloodmines they have created a memorable and commanding album. Label: Southern Lord Records
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Though the Beacon Of Faith album is densely-packed, BAPTISTS’ sound is far from claustrophobic. There is melody amongst the dissonance, as the band more deeply explore the noise rock vistas that have always underpinned their sound. The album broadly follows the same trajectory as its predecessors —Bushcraft(2013) and Bloodmines (2014) – combining the style of raw adrenaline-fueled emotion, venomous vocal delivery, gigantic guitar sound, and a visceral rhythmic propulsion; a sonic manifestation of desolate rage, bolstered by a palpable sense of urgency. The lyrics on Beacon Of Faith are drawn from the members’ direct experience of a broken society and general discontentment with everyday life. A multitude of issues are in the firing line, from the Canadian court system, issues surrounding substance abuse, mental health, and how the more fortunate tend to dismiss people who have been dealt a less-fortunate hand. Beacon Of Faith was recorded at Godcity in Salem, Massachusetts with Kurt Ballou in July 2017, and mastered by Brad Boatright at Audiosiege in Portland, Oregon. Label: Southern Lord Records
