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DRaw noise D-Beat destruction straight from the sewers of Galatsian land. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies. Label: Extreme Earslaughter -
YACØPSÆ's "Vorläufige Vernichtung" is the original version planned by the band at the time. Unfortunately, the label at the time used some other song versions or arranged them in a different order. Also, the original front cover that the band preferred was not used. Here is the official re-release exactly as the band wanted it. Nothing has changed purely musically, a 39-song ultra-condensed album recorded in 2001. Musically this is one of the fastest records in HC history, YACØPSÆ's turbocharged Power Violence/Thrash is a paragon of precision and accuracy. While most Fastcores have a cluster bomb effect, YACØPSÆ are more like a laser-guided weapon used for surgical strikes. Each of the 39 song bursts on this album is like a kick in the groin - short and fierce, but crafted to leave a lasting impression. If you thought developing Power Violence would inevitably lead to Mathcore or Screamo, then think again, bastard, because YACØPSÆ is the pinnacle of that species. It smacks you right in the face from start to finish, with restless speed, hyperblastic, manic, fast blastbeats and impossible stop-and-gos. FAST FAST FAST! The LP then comes in the inside/out cover design with an insert with original pictures and liner notes. Label: Power It Up Records -
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Official re-press of probably the best Yacöpase LP. Nothing can be faster than Hamburg's top turboboner speed herb violence master. They've been delivering stop-and-go hyperblasts of fast-paced hardcore rage for more than 25 years. The real key of how the formula short + fast + loud should be handled is all here. Remastered and the artwork has been reworked. (Power It Up Records)
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Out of stock
The first Yacöpsae demo on vinyl. 21 songs from the very early phase of the Hamburg "Punk/ Powerviolence" institution recorded someone in `91. So duo is still active here. At that time probably the most brutal answer to the "Abstürzenden Brieftauben". This historical document contains a thick full color booklet with unpublished pictures, liner notes and other anecdotes. (Power It Up Records)
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xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties isn’t a mere collection of articles, reviews and photographs from one of Hardcore America’s best-known fanzines - it’s a chronicle of punk’s evolution in the 80’s; a story of music and ideologies in motion. xXx’s story picks up while the first wave of hardcore was in full swing. Major players including Minor Threat had already released landmark records and bands were loading up station wagons to play now infamous venues like The Channel, A7 or D.C. Space. While based in Boston, xXx’s main writer and editor, Mike Gitter, not only concentrated on his own city’s burgeoning scene, spear-headed by bands like SS Decontrol and D.Y.S., but looked to other states and countries for xXx’s reportage. This hardcover, 11"x11", 288-page book documents a time when hardcore and punk were not mutually exclusive and bands and cities had a chance to develop their own diverse and strident sounds. This creative ethos and aural zeitgeist is literally spelt out on the 19-song compilation that’s included with xXx Fanzine, with either download card or limited edition 12inch; a wide variety of current hardcore, punk and hard music luminaries including Strife, letlive., Fu Manchu and The Riverboat Gamblers contributed their interpretations to some of the most influential songs to come from xXx’s original era. Now, in addition to reproducing (and restoring) countless interviews and pages from the ‘zine itself, xXx Fanzine re-interviews countless bands and musical prime-movers including Ian MacKaye, Keith Morris and members of Agnostic Front, Bad Brains and Cro-Mags to give the book a rare ‘then and now’ perspective. xXx Fanzine (1983-1988), Hardcore & Punk in the Eighties isn’t merely a look back at hardcore’s salad days, but a unique look at how punk’s music and message shook the mainstream itself. xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties features: Minor Threat, Misfits, Necros, Circle Jerks, Suicidal Tendencies, Husker Du, Jerry’s Kids, Black Flag, D.O.A., G.B.H, Void, Negative Approach, 7 Seconds, D.Y.S., Scream, Metallica, Corrosion of Conformity, Minutemen, The Exploited, Anthrax, Subhumans, Dead Kennedys, SSD, Henry Rollins, Descendents, Bad Brains, Youth of Today, Motorhead, Dag Nasty, Snapshot, Samhain, Agnostic Front, Cro-Mags, Bad Religion, Fugazi, and more… (Bridge 9 Press)
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Out of stock
“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171066
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Out of stock
“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171066
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“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171080
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Madre mía gracias por los días is the debut album by the hardcore band Xibalba, originally released in 2010 by the band itself and Beatdown Hardware Records. Xibalba from Southern California effectively fuse death metal influences like Sepultura and Obituary with more modern and 90's hardcore as well a healthy dose of Crowbar! Xibalba's downtuned, heavy as fuck music is a SEVERE force to reckoned with. The old world influence is only evident to the trained eye, but Xibalba gives nods not only to the hardcore bands they were raised on, but to the culture which spawned them. Xibalba not only know their roots, but make sure you won't forget them either. The Madre Mia Por Los Dias cd contains not only the s/t debut album from Xibalba but also the material from the Earthquake comp cd. The vinyl version of this album was released by A389 records (Ringworm, Integrity, Pulling Teeth). Label: Southern Lord Records
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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Out of stock
• Updated re-issue of Xentrix’s classic Thrash Metal debut ‘Shattered Existence’, originally released in 1989, with extensive liner notes and contributions from the band. • Newly remastered, the album broke the UK Top 40, peaking at No.31 • The release features liner notes from respected metal writer Jason Arnopp who conducted new interviews with the band. Housed in a digipack, the release contains many rare and unseen photos from the band’s personal archives • Featuring early classics like ‘No Compromise’ and ‘Balance Of Power’, the album positioned Xentrix at the top of the UK Thrash scene alongside the likes of Sabbat, Onslaught and Acid Reign. • Containing three bonus tracks taken from the ‘Ghostbusters’ EP released in 1990, including the bands infamous cover of the Ray Parker Jr classic Emerging from the UK metal underground in the latter part of the 80’s after forming in 1984 under the moniker Sweet Vengeance, and re-christened Xentrix in 1988, the band quickly established themselves in the burgeoning Thrash Metal underground with their debut LP ‘Shattered Existence’, having been signed to Roadrunner Records. Xentrix have reformed in recent years, releasing their last album ‘Bury The Pain’ in 2019. (Dissonance Productions – QDISS0203CDD)
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English thrash metal outfit Xentrix is commonly referred to as one of the “big four” of English thrash metal, given their popularity in the underground metal scene of the mid-1980s to mid-1990s. The band was formed in 1984 under the name Sweet Vengeance, but after signing with Roadrunner Records they changed their name to Xentrix in 1988. After releasing two successful albums, they released follow-up Kin in 1992, which was their second album on the Roadrunner label. It was the last album to feature Chris Astley until his return in 2006. The album is available as a limited edition of 1500 individually numbered copies on “Blade Bullet” coloured vinyl and includes an insert. 180 gram audiophile vinyl Including insert Limited edition of 1500 individually numbered copies on “Blade Bullet” coloured vinyl (Music On Vnyl/Roadrunner Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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"Poly Styrene smashed barriers. Sure one unusual young woman screaming, "Some people think that little girls should be seen and not heard but I think - OH BONDAGE UP YOURS! 1-2-3-4!" didn't end ageism, racism, sexism or blind consumerism but her defiance inspired millions to fight those same things. What follows is Obsessed With You, a long out-of-print Receiver Records collection of Poly and the X-Ray Spex's 1977 demos. It's a must for fans but anyone else needs to consult Germ-Free Adolescence to to be hit full-force by Poly Styrene' s musical and lyrical vision." Music Ruined My Life Blogspot Tracklist: A1 Obsessed With You (Early Demo) 1:53 A2 Let's Submerge (Early Demo) 2:58 A3 Plastic Bag (Early Demo) A4 I Live Off You (Early Demo) 2:14 A5 I Am A Cliché (Early Demo) 1:48 A6 I Can't Do Anything (Early Demo) 2:41 A7 The Day The World Turned Day-Glo (Early Demo) 2:46 A8 Oh! Bondage, Up Yours! (Early Demo) 2:41 A9 Genetic Engineering (Studio Demo) 2:58 A10 Age (Studio Demo) 2:45 B1 Art-I-Ficial (Studio Demo) 3:47 B2 Germ Free Adolescents (Studio Demo) 3:24 B3 Warrior In Woolworths (Studio Demo) 3:03 B4 Obsessed With You (Alt Mix) 2:35 B5 The Day The World Turned Day-Glo (Alt Mix) 2:48 B6 Prefabricated Icon (Backing Track) 3:33 B7 I Can't Do Anything (Backing Track) 3:03 B8 Warrior In Woolworths (Backing Track) 3:09 (Waste Management/Fan Club)
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Out of stock
X-Ray Spex are an usual entry in the British punk pantheon. With a Samali/British born front woman Poly Styrene, formally involved with the hippie culture she witnessed a Sex Pistols show in 77 and went on to form a punk band of her own. Unique in image and blistering in their sound, they released 5 singles and an album between 77-80. Constant touring caused Poly to become very disenchanted with the whole 'pop star' experience and she left the group at that point but the sole album they recorded as gone on to become a classic of a punk record. Germ Free Adolescents ' most recognizable trait is its songs that deal with consumerism, commercialism, and personal indendity in genreal. Tracks like Art-I-Ficial, I Am A Posuer, Genetic Engineering, The Day The World Turned Dayglo and singles like I Am Cliche are perfect examples of the lyrical standpoint in which the band took. Poly's high pitched edgy singing style is forefront, catching your attention right off the bat and the music behind her, a Sex Pistols style guitar driven blast of pure punk rock n roll madness albeit with a Saxophone! Original member Lora Logic played the Saxophone which certainly is another trademark element of X-Ray Spex that wasnt exactly a common thing found in punk until at least the mid 80's when ska and reggae became a heavy part of the genre (Madness) and of course in the 90's when it really exploded with Save Ferris, Reel Big Fish and Goldfinger. The lone "ballad" style song on the album, the title track is great and it gives way to the fast/slow blast of Plastic Bag which might be the most bombastic song it bursts with a kenetic guitar riff-sax/guitar blast pattern. It shares honors with Oh! Bondage Up Yours! as the bands true anthems. Bondage you might recognize from somewhere or another if you're into punk or indie rock in general. It's a certified punk classic. - Germfree Adolescents, the Only Album Release from X Ray Spex, Is One of the Most Influential Punk Rock Albums Ever Made - Ranked as One of the Greatest Punk Rock Records by Everybody from Greil Marcus to Robert Christgau toMojo to Spin - Features Penetrating Lyrics and Passionate Vocals from Frontwoman Poly Styrene - Also Features Lora Logic on Saxophone - Key Tracks Include “The Day the World Turned Dayglo” and “Germ Free Adolescents” - Includes Faithful Reproduction of Original Inner Lyric Sleeve - “X-Ray Clear” Vinyl Pressing Offering Superior Fidelity Real Gone Music is proud to present Germfree Adolescents, one of the signature albums of the early (1978) British punk movement, in an “x-ray clear” vinyl edition that serves as an ideal prism through which to see the hypocrisy of consumerist culture. The one and only LP release from X Ray Spex and its irrepressible frontwoman Poly Styrene has been deemed by everybody from Greil Marcus to Robert Christgau to Spin to Mojo as one of the greatest punk albums ever made, and for this reissue, we’ve done it right; besides the clear vinyl (offering excellent sound), we’ve reproduced the inner lyric sheet, where you can read Poly’s brilliant observations about the plastic, corporate nature of modern society. All of which she sings in a passionate yowl all her own (with Lora Logic among others backing on saxophone); this is not only one of the most penetratingly observant punk records, it’s also one of the most passionate, and, surprisingly enough, catchy. Check out “The Day the World Turned Day-Glo” and “Germ Free Adolescents” if it’s hooks you’re after; if it’s righteous anger and a noisy racket you’re seeking, every track will do ya. SIDE ONE 1. Art-I-Ficial 2. Obsessed with You 3. Warrior in Woolworths 4. Let’s Submerge 5. I Can’t Do Anything 6. Identity SIDE TWO 1. Genetic Engineering 2. I Live Off You 3. I Am a Poseur 4. Germ Free Adolescents 5. Plastic Bag 6. The Day the World Turned Dayglo (Real Gone Music) Barcode 848064007524
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Out of stock
After their their 1982 masterpiece Under the Big Black Sun, X offered their follow-up More Fun In The New World only a year later. The album was once again produced by Ray Manzarek. X achieved new rough and rocking heights with the vicious "Devil Doll," "I Must Not Think Bad Thoughts", and "Make the Music Go Bang", while returning once again to their retro '50s roots with "Poor Girl". More Fun In The New World is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl and includes an insert. 180 gram audiophile vinyl Includes insert features "I Must Not Think Bad Thoughts", "The New World", and "Breathless" a.o. Produced by The Doors-co-founder Ray Manzarek Limited edition of 1500 individually numbered copies on translucent blue coloured vinyl Label: Music On Vinyl
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Edition on 180-gram audiophile vinyl, coming with an insert. 'Los Angeles' is the debut album of the American punk rock band X, originally released in 1980. Most punk bands used their musical inability to create their own style, but X actually consisted of some truly gifted musicians, including rockabilly guitarist Billy Zoom, bassist John Doe, and front woman Exene Cervenka. Although they are tagged as a punk rock act, X are not easily categorized. Besides punk and loads of electricity, they also added country and folk flavours. Label: Music On Vinyl
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Out of stock
This PNV archival release is a real treat for Pinoy Punk fans. Why do you ask? Because the Wuds are one of the earliest Filipino punk bands and their rare as all hell debut demo tape has been unavailable in any format since its initial 1985 cassette only release. Making it one of the rarest Pinoy Punk releases. The Wuds were among the earliest – and most influential – punk rock bands in the Philippines. In the early '80s, punk bands began to form in the Philippines as economic woes and political unrest started to fuel a burgeoning underground scene. The Wuds roared their amps in a country once dominated by easy listening artists. Not surprisingly, there was little mainstream acceptance. Given that rock audiences in the Philippines were divided between hippies and punks, violence was not uncommon; nevertheless, the Wuds were devout Krishna's, quite different from the public stereotyping of punk rockers as immoral troublemakers. Throughout the '80s, the Wuds remained outside of mass acceptance. In the early '90s, though, Manila underwent an alternative rock revolution and the Wuds were lauded as pioneers, especially by the popular punk group the Youth. Fast forward …after 38 years from its release ArmsTalk is now finally available on vinyl! For such a legendary band that still commands high respect in the Philippine and worldwide underground music scenes, having this music on 12” vinyl is a must for any serious collector or fan Label: Puke N Vomit
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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"Official repress of the latest Wretched 7" that contains a remastered version of "Mai Arrendersi" and two unheard demo versions of "Finirà Mai" and "Nelle Loro Mani" recorded in 1983. Wretched sound has ne er been so clear and powerful nevertheless the wall of noise and distortion!" Label: Chaos Produzioni
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To celebrate our release number 100, Agipunk is proud to announce the world that we'll be officially putting out the first and only Wretched singles collection approved by the ex members of the band. Forget all the bad sounding bootlegs and all the cheap quality products that have been released so far, this one's gonna be a real blast! The collection will include the split 7" with Indigesti, the "In Nome Del Loro Potere" 7" EP, the "Finirà Mai" 7" EP and the "In Controluce" single 7". The songs will sound better than ever as the original records and tapes have been remastered for delivering a new vibe of destructive CHAOS NON MUSICA!!! The record will be pressed in 1000 copies and will come in a nice gatefold cover with tons of never seen pictures of the band playing, travelling, demonstrating and having fun. Label: Agipunk Records
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Italian Hardcore, Punk from the Early, Mid Eighties has been raw, aggressive and very fast, bands like EU´S ARSE, INDIGESTI, UART PUNK, NEGAZIONE, DISPERAZIONE, ... are very well known in the Hardcore scene, WRETCHED from Milano, also active in these good old times, are one of the leading bands of this era, early stuff is super raw but influenced a lot of later bands. Their early releases are very hard to find and really super expensive, so fucking rare and wanted by a lot of Punx from all over the world. Official repress with the bands permission, first, original pressing also was released on CHAOS PRODUZIONI from Italy in the year 1984. Limited edition of 300 copies, this re-mastered version here comes on vinyl and with printed innersleeve. Label: Chaos Produzioni
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Italian Hardcore, Punk from the Early, Mid Eighties has been raw, aggressive and very fast, bands like EU´S ARSE, INDIGESTI, UART PUNK, NEGAZIONE, DISPERAZIONE, ... are very well known in the Hardcore scene, WRETCHED from Milano, also active in these good old times, are one of the leading bands of this era, early stuff is super raw but influenced a lot of later bands. Their early releases are very hard to find and really super expensive, so fucking rare and wanted by a lot of Punx from all over the world. Official repress with the bands permission, first, original pressing also was released on CHAOS PRODUZIONI from Italy in the year 1986. Limited edition of 500 copies, this re-mastered version here comes on vinyl and with printed innersleeve. Contains one inedit track ("Tanti Giorni") recorded during the original session of "La Tua Morte Non Aspetta" (Chaos Produzioni)
