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MISANTROPIC are back. You know what to expect: fast d-beat and double bass drums, metallic thrashing punked up riffs, bulldozing bass lines and angry pissed off vocals. A hardcore holocaust. (Scream Records/Insane Society Records/Halvfabrikat Records) -
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Straight edge hardcore from Sweden. Label: Shing records -
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MISERY INDEX return with a fury worthy of the title of their new album, "The Killing Gods". With their fifth full-length, the American icons of hard hitting brutality display the strength of maturity grown out of the experience gained as a relentless touring machine. The general trend of their continuous evolution to incorporate less core elements and move towards classic death metal finds a new high water mark with “The Killing Gods”. Now brace, hold tight and duck for cover, for the wrath of the gods is upon us! Label: Season Of Mist Barcode: 822603125924
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Reissue of this crucial crust-punk semi classic from 2012. Originally released by Inimicial Records in just a very limited first press, this masterpiece finally gets a re-release thanks to Flox and FFYM Records. MISERY don't really need an introduction do they? Along with NAUSEA and APOCALYPSE they spearheaded the American crust-punk scene since the late eighties and here they are to unleash 14 tracks of frantic bulldozer crust punk including two covers from the AMEBIX and NEW MODEL ARMY. MISERY having been prophesizing the end times while blasting our ears for the last 25 years now. 25 years and only three full-lengths. For many bands, after such a huge gap between releases (it’s been 9 years since their somewhat lacklustre splits with TOXIC NARCOTIC and PATH OF DESTRUCTION; 16 years since the now-legendary “Who’s the Fool… The Fool is Silence” LP), the original spark isn’t there anymore, or the band merely splits up. Thankfully, neither of these are the case with MISERY. In fact, it is safe to say that this is the best thing the band has recorded in their entire history, and this seems to be the start of a whole new exciting chapter for the band. Mastered and Re-mastered by Jack Control of Enormous Door Mastering. Gatefold-Artwork by Andy Lefton and the repress includes a DIN A1 Poster with additional artwork by Brian D'Agosta aka. GOST ART. Also included is a reworked lyric sheet with photos by Christine Boards Larson (Slug & Lettuce) and Alicia Morgan. TRACK LISTING: A1 . Mother Nature A2 . Oil Age A3 . Autonomy A4 . The Hunt (Orig. by New Model Army) B1 . We Are Man B2 . Today B3 . Just Never Ends C1 . God Squad C2 . We Want You Down C3 . Murder Ride C4 . How Long D1 . Ready Aim Fire D2 . ICBM (Orig. by Amebix) D3 . All Of Us Label: Fight For Your Mind Records
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For those who are not familiar with Misery, they are a band from Minneapolis that started playing at the end of the Eighties and released many records during all these years without changing their style for the trendier shit or losing their incredible dose of rotting and angry power. This record compiles their very first releases (except for the "Your Leaders Were Lying!" 7"EP because the band doesn't like the sound of it), so you'll find: "Born Fed Slaughtered" 7", "Blindead" 7"EP, "Children Of War" 7"EP and the two "Split" 7"EP's with Assrash and Hellspawn. A total amount of 13 tracks for nearly 40 minutes of dirty, pissed and stinky crust punk! It comes with a 4 page booklet with all the images taken from their original records, lyrics and info. LIMITED TO 500 COPIES ON DUE OUT SEPTEMBER 20TH! Label: Agipunk
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12 Hits From Hell: The MSP Sessions is a cancelled studio album by the New Jersey horror punk band. It was recorded in 1980 but went unreleased. Caroline Records attempted to release it in 2001, but band members Glenn Danzig and Jerry Only called off production and the album was scrapped. (Fan Club/Unofficial Release)
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This is a pretty good fanclub release that I've never seen around. All the songs are in chronological order and the insert shows all the original singles artwork. Tracks A1 & A2 originally from the Cough / Cool 7" Tracks A3 to A6 originally from the Bullet 7" Tracks A7 to A9 originally from the Horror Business 7" Tracks A10 to A12 originally from the Night Of The Living Dead 7" Tracks B13 to B14 originally from the Halloween 7" Tracks B15 & B17 originally from the 3 Hits From Hell 7" Tracks B18 to B20 originally from the Die Die My Darling 12" Track B21 from the unreleased Teenagers From Mars 7" Track B22 from the unreleased Who Killed Marilyn? 12" Track B23 from the Beware 12" (Fan Club/Unofficial Release) https://youtu.be/N__rhKw2UHU
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American Psycho is the fourth studio album by the American punk rock band Misfits. Released on May 13, 1997, it was the first to be recorded and released without the band's founder and former leader Glenn Danzig. Bassist Jerry Only, after years of litigation, reached a settlement with Danzig and was granted the rights to use the band's name and image to record and perform. The album also marked the addition of singer Michale Graves and Dr. Chud on drums. Originally, the album was going to be titled Dead Kings Rise, a play on the band's resurrection, but was changed when the title track did not make the album. The album was produced by New York City based musician Daniel Rey, who had previously worked with artists such as King Missile and the Ramones. Label: GEF-25126/Unofficial Release
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Misfits is a 1986 compilation album by the American punk rock band Misfits. Officially titled Misfits, but also known as Collection, the album features twenty songs by the band. The tracks include some of the group's early singles, as well as songs from their 1982 album Walk Among Us, their 1983 album Earth A.D./Wolfs Blood, and the 1985 compilation album Legacy of Brutality, which was curated exclusively by vocalist Glenn Danzig after the band had dissolved in 1983. Collection I was first released on July 1, 1986 by Plan 9 and Caroline Records. Tracklist 1 She 1:23 2 Hollywood Babylon 2:20 3 Bullet 1:39 4 Horror Business 2:46 5 Teenagers From Mars 2:43 6 Night Of The Living Dead 1:58 7 Where Eagles Dare 2:08 8 Vampira 1:21 9 I Turned Into A Martian 1:44 10 Skulls 1:59 11 London Dungeon 2:34 12 Ghouls Night Out 1:58 13 Astro Zombies 2:11 14 Mommy Can I Go Out And Kill Tonight? 2:02 15 Die, Die My Darling 3:10 16 Earth A.D. 2:09 17 Devilock 1:27 18 Death Comes Ripping 1:54 19 Green Hell 1:54 20 Wolfsblood 1:12 Label: Plan 9/Unofficial
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Cuts From the Crypt is a collection of demos, formerly unreleased tracks and cover songs by the American horror punk band Misfits. All the album's tracks were recorded by the band in the years following their reformation without original singer Glenn Danzig. Tracklist: A1 Dead Kings Rise (Demo) 2:55 A2 Blacklight (Demo) 1:28 A3 The Haunting (Demo) 1:34 A4 The Hunger (Demo) 1:41 A5 Mars Attacks (Demo) 2:19 A6 Dr. Phibes Rises Again (Demo) 6:51 A7 I Got A Right 3:00 A8 Monster Mash 2:37 A9 I Wanna Be A NY Ranger 1:38 B1 Scream (Demo) 3:33 B2 1.000.000 Years B.C. 2:19 B3 Helena 2 3:21 B4 Devil Doll 3:13 B5 Fiend Without A Face 2:59 B6 Bruiser 2:27 B7 No More Moments 3:07 B8 Rise Above (Live) 5:16 (Roadrunner Records/Unofficial Release)
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Reproduction of the legendary German pressing of this Horror Punk masterpiece, containing two additional tracks from the 'Die Die My Darling' 12". Wolfsblood/Earth AD is the second album of the band and the last one with Glenn Danzig on vocals: it was originally released in 1983 and since then has been widely regarded as one of punk's classic albums. Tracklist: Side 1 1. "Earth AD" (1:47) 2. "Queen Wasp" (1:47) 3. "Devilock" (1:24) 4. "Death Comes Ripping" (1:50) 5. "Green Hell" (1:51) Side 2 1. "Wolfs Blood" (1:13) 2. "Demonomania" (0:43) 3. "Bloodfeast" (2:24) 4. "Hellhound" (1:13) 5. "Die Die My Darling" (3:05) 6. "We Bite" (1:13) Label: Aggressive Rockproduktionen Germany/Unofficial
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Evilive is a live album by the American punk rock band Misfits. It was initially released as a 7-song EP in December 1982 and later added 5 more songs and released as an album in October 1987. It was released on frontman Glenn Danzig's Plan 9 Records. The title of the album is a palindrome. The album is included in the Misfits' Box Set. There is a record company owned by Glenn Danzig under the same name. Tracklist: 1. "20 Eyes" 1:55 2. "Night of the Living Dead" 1:43 3. "Astro Zombies" 2:03 4. "Horror Business" 2:05 5. "London Dungeon" 2:14 6. "Nike-A-Go-Go" 3:22 7. "Hatebreeders" 2:39 8. "Devil's Whorehouse" 1:40 9. "All Hell Breaks Loose" 1:33 10. "Horror Hotel" 1:12 11. "Ghouls Night Out" 1:42 12. "We Are 138" 1:27 Tracks 1–7 recorded December 17, 1981, at The Ritz in New York City. Tracks 8–12 recorded November 20, 1981, at On Broadway in San Francisco. Label: Plan 9/Unofficial
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Famous Monsters is the fifth studio album by the American punk rock band Misfits, released on October 5, 1999. It is the second in the post-Danzig era of the band, and the last album to feature Doyle Wolfgang von Frankenstein, Michale Graves, and Dr. Chud, who would all quit the band in 2000. Label: Music On Vinyl, Roadrunner Records/Unofficial
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“Friday the 13” is back in BLACK! Pressed on BLACK VINYL for the first time ever, and cut at 45 RPM for optimum sound quality, the EP features 4 horror-punk anthems for the new millennium written by founding fiend Jerry Only himself! An homage to 80’s era slashers, classic sci-fi, and everything in between. Features fiendish new ‘Nightmare’ induced Misfits art by horror and comic book illustrator Jeff Zornow (Godzilla, ’68 & more). BEWARE…”Friday the 13th” is here! Track Listing: Side 1 1.) Friday the 13th (4:49) 2.) Nightmare on Elm Street (2:53) Side 2 3.) Laser Eye (2:23) 4.) Mad Monster Party (1:29) Label: Misfits Records Barcode: 0823054016519
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Recorded live at Hitsville, Passaic, NJ on December 25, 1981. Tracklist: Side 1 1. "Halloween" (2:04) 2. "20 Eyes" (1:51) 3. "I Turned Into A Martian" (1:40) 4. "Horror Business" (2:17) 5. "Vampira" (1:24) 6. "Mommy, Can I Go Out & Kill Tonight?" (1:41) 7. "London Dungeon" (2:01) Side 2 1. "Attitude" (1:40) 2. "Teenagers From Mars" (2:19) 3. "Night Of The Living Dead" (1:34) 4. "All Hell Breaks Loose" (1:42) 5. "Hate Breeders" (2:36) 6. "Bullet" (1:26) Label: Fanclub/Unofficial
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Legacy of Brutality is a compilation album of early songs by the American punk rock band Misfits, released in September 1985. It contains overdubbed mixes of previously unreleased songs, mainly from the January–February 1978 Static Age sessions. Besides The Misfits box set, this is the only official album containing the songs "Who Killed Marilyn?" and "American Nightmare". This compilation was the first (aside from bootlegs) to release many of the then-unreleased Static Age songs to the public. Glenn Danzig, the songwriter, mixed and produced it, overdubbing new instrumentation. Label: Plan 9/Unofficial
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Recorded live 2/28/1982, 9:30 Club, Washington, DC. Tracklist: 1. "20 Eyes" (2:27) 2. "Horror Business" (2:12) 3. "Vampira" (1:35) 4. "Mommy Can I Go Out & Kill Tonight?" (1:44) 5. "London Dungeon" (2:25) 6. "Nike A Go Go" (2:50) 7. "Night Of The Living Dead" (2:43) 8. "All Hell Breaks Loose" (1:51) Side 2 1. "Halloween" (2:01) 2. "We Are 138" (1:21) 3. "Hate Breeders" (2:34) 4. "We Bite" (0:57) 5. "I Turned Into A Martian" (1:16) 6. "Where Eagles Dare" (2:00) 7. "Queen Wasp" (1:12) 8. "Die Die My Darling" (1:41) 9. "Horror Hotel" (1:27) 10. "Ghouls Night Out" (1:32) Label: Fanclub/Unofficial
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The early recordings of the Misfits on one album. Rare EU press for this ‘Static Age’ demos & Outtakes collection. Very limited, this comes sealed and new. Side B plays backwards! This is a must for all Misfits collectors. Includes A2 poster. TRACKLIST: A1. Last Caress A2. TV Casualty A3. Hybrid Moments A4. We Are 138 A5. Static Age A6. Return Of The Fly A7. Some Kinda Hate A8. Teenagers From Mars B1. Recording Session From C.I. Studios. New York 1978 Static Age Era Complete With Unused Takes, Mistakes and Trash Talk Label: Plan 9 Records/Unofficial
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The early recordings of the Misfits on one album. Rare EU press for this ‘Static Age’ demos & Outtakes collection. Very limited, this comes sealed and new. Side B plays backwards! This is a must for all Misfits collectors. Includes A2 poster. Red Vinyl. TRACKLIST: A1. Last Caress A2. TV Casualty A3. Hybrid Moments A4. We Are 138 A5. Static Age A6. Return Of The Fly A7. Some Kinda Hate A8. Teenagers From Mars B1. Recording Session From C.I. Studios. New York 1978 Static Age Era Complete With Unused Takes, Mistakes and Trash Talk Label: Plan 9 Records/Unofficial
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Static Age is an album by the American horror punk band Misfits, recorded in 1978. Although it was the first album the band ever recorded, it was not released in its entirety until 1996. In August 1977 The Misfits released their debut single "Cough/Cool" on Blank Records, a label operated by the band's lead vocalist Glenn Danzig. Several months later Mercury Records issued a Pere Ubu record on their own Blank Records imprint, unaware that Danzig held a trademark on the name. The parties came to a settlement, with Danzig accepting thirty hours of studio time for his band in exchange for the rights to the Blank Records name. In January and February 1978 the Misfits, then consisting of Danzig, guitarist Franché Coma, bassist Jerry Only, and drummer Mr. Jim, recorded seventeen songs at C.I. Recordings in New York City with engineer and producer Dave Achelis. Due to time constraints, the band recorded the songs live in the studio with only a few takes and very few overdubs. Ultimately fourteen of the seventeen tracks produced during the sessions were assembled for the Misfits' anticipated debut album, to be titled Static Age. However, the band were unable to find a record label interested in releasing the album. Instead, the Misfits released four of the new tracks ("Bullet", "We Are 138", "Attitude", and "Hollywood Babylon") as the "Bullet" single in June 1978 on Danzig's newly created label Plan 9 Records (the same four tracks, along with a remixed version of "Last Caress", were reissued on the Beware EP in January 1980). While on tour in Canada that October, guitarist Franché Coma abruptly quit the band, followed by drummer Mr. Jim at the tour's conclusion. With the band's future far from certain, the Static Age recordings were shelved indefinitely. Danzig recruited new members Bobby Steele and Joey Image and the Misfits shifted their style away from the traditional punk rock of the Static Age sessions to a more horror film-inspired direction. None of the remaining Static Age tracks were released during the early era of the band, though a re-recorded version of "Teenagers from Mars" appeared on the "Horror Business" single in 1979, and a live version of "We Are 138" appeared on the Evilive EP in 1982. After the band's breakup in 1983, Danzig overdubbed guitar and bass tracks on nine of the unreleased Static Age tracks ("Static Age", "TV Casualty", "Hybrid Moments", "Come Back", "Some Kinda Hate", "Theme for a Jackal", "Angelfuck", "Spinal Remains", and "She"), releasing these new versions on the 1985 Legacy of Brutality compilation album. Misfits followed in 1986, reissuing the tracks "Bullet" and "Hollywood Babylon" as well as the overdubbed version of "She". Collection II (1995) reissued "We Are 138" and "Attitude", the remixed version of "Last Caress", and the previously unreleased "Return of the Fly". With the release of the Misfits box set in 1996, the complete original Static Age album saw the light of day for the first time, eighteen years after the songs were recorded. The box set included all three compilation albums as well as a disc with all fourteen Static Age tracks that had been mixed in 1978. The remaining three tracks, "She", "Spinal Remains", and "In the Doorway", were mixed by Alan Douches and Tom Bejgrowicz on February 24, 1997, at West West Side Music and were included when Static Age was finally released as a standalone album that July. "In the Doorway" had never before been released, as it had remained unmixed on the master tapes for nineteen years. The album also included an unlisted eighteenth track consisting of a collage of studio banter and outtakes. Includes double sided insert. (D&V Records/Unofficial Release)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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“The Devil’s Rain” is the judgment of all others who stand before us, like a prophecy. The old B-movie was an influence to some of the lyrics, but the song itself is as if the heavens opened and swallowed our enemies. They have…and a new “rain” of terror begins” – Jerry Only On October 4, 2011, the Misfits released their long awaited, first full-length release of all-new, original material in nearly a decade! Rooted in the horror and sci-fi themes fiends crave, “The Devil’s Rain” features 16 fiendish, soon-to-be Misfits classics including “Twilight of the Dead”, “Dark Shadows”, “Curse of the Mummy’s Hand” and the title track itself, “The Devil’s Rain”. Produced by Ed Stasium, (who’s credits include the Ramones’ “Road to Ruin” and “Too Tough to Die”, as well as the Misfits’ 1999 release “Famous Monsters”), the album showcases a jaw-dropping, two-panel front/back cover painting featuring the rebirth of the band’s iconic “Fiend” mascot in an epic setting rendered by Arthur Suydam (known for his immensely popular work on the Marvel Zombies series, among others). The packaging, designed to emulate a CD sized gatefold LP, also features some incredible new Misfits portraits shot by the legendary Mick Rock. Rock’s imagery (which includes Bowie, Iggy, Queen, Debbie Harry, and the Ramones to name a few), has become part of the very fabric of rock ‘n’ roll. Having also served as an on-set photographer for cult-movie classic “The Rocky Horror Picture Show”, Rock lends a perfectly suited eye to view the band’s surrealistic and highly theatrical persona. “The Devil’s Rain” is not just a continuation of a historic legacy, it’s a total reboot ushering in a new era of terror. In a sense, it’s the debut album from the legendary Misfits of this decade. From fans of their classics, to newcomers discovering the band for the very first time, “The Devil’s Rain” sets the bar, and redefines the ferocity and melody that has made the Misfits omnipresent and immortal. Comes with black & white insert featuring photos & complete lyrics. Label: Planet 138 – PLN138/Unofficial
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Tracks A1 to A4 and A6 recorded at Mix-O-Lydian Studio, Boonton, NJ in August 1981 and were taken from CD3 of the official released The Misfits Box Set. Tracks A5 and A8 to A10 recorded at Mix-O-Lydian Studio, Boonton, NJ over the year 1981. Track A7 and B13 recorded at Newfound Sound Studios, Fair Lawn, NJ in June 1981. Tracks B11 and B12 recorded at Master Sound Productions, Franklin Square, NY in August 1980 and were taken from CD1 of the official released The Misfits Box Set. Tracks B14 to B18 labelled as "The Spot Sessions", recorded at Unicorn Recording Studio, Santa Monica, CA on October 3, 1982. Tracklist: "Walk Among Us" Demos A1 20 Eyes A2 I Turned Into A Martian A3 Astro Zombies A4 Vampira A5 All Hell Breaks Loose A6 Nike A Go Go A7 Devil's Whorehouse A8 Night Of The Living Dead A9 Skulls B10 Violent World B11 Horror Hotel B12 Ghouls Night Out B13 American Nightmare "The Spot Sessions" Demos B14 Devilock B15 Earth A.D. (Instrumental) B16 Mommy, Can I Go Out And Kill Tonight? (Instrumental) B17 Queen Wasp (Instrumental) B18 We Bite Label: Wasted Youth Power Records
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If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Label: Miss999/Unofficial
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Mižerija's demo struck us with its rebellious attitude, infectious melancholic vibes and heavy pop sensibilities. On first listen, the band evokes some early BOYE/KAOS demos, but it's charged with both a strong punk attitude and a breeze of modern dark pop/post punk freshness. If you like the melancholic and catchy sides of UK anarcho punk and ex-YU post-punk/new-wave, we suggest that you do not sleep on Mižerija. There are some noisy moments here that recall the "Yes Sir I Will" CRASS era, there's a Honey Bane style shouted femme vocal thing going on and there are also some danceable aspects in the rhythm, which we totally adore! This is anarcho-pop wrapped up in barbed wire and updated for the new dark ages! Take notice that on this vinyl demo pressing you also get to hear one extra song from the same recording session. Limited to 524 copies. 420 on black and 104 limited baby blue color available for mailorder only. Each record comes with screenprinted cover, risographed insert and xeroxed lyrics sheet with english translation. Front cover: Niđo, Layout: Bodež. (Doomtown Records)
