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Mourning Noise was an American horror- and hardcore punk band from Lodi, New Jersey, notable for drummer Steve Zing. Active around the time of the Misfits, Mourning Noise were strongly influenced by the Misfits as drummer Steve Zing lived very close to Jerry Only and Doyle's house and Steve went to high school with Doyle. Their music was typically fast and melodic. Mourning Noise released only a small amount of material, typically as 7" singles, apart from the 1998 collection album Death Trip Delivery. Steve later went on to play for Samhain, Son of Sam, The Undead, Chyna, Doomtree, and later, Danzig. Samhain guitarist Damien was briefly a member of the band. This CD includes the group’s complete collection of studio recordings including outtakes. Features the full endorsement and introductory blurb from Glenn Danzig! All tracks recorded between 1981 - 1985. Tracks A1 to A5 (7") recorded in 1982 @ Reel Platinum. Tracks A6 to A8 are demo tracks recorded in 1981 @ Blue Moon Studios. Tracks A9 to B21 (never released LP) recorded in 1984 @ Reel Platinum. Track B22 is studio outtake recorded in 1985 @ Reel Platinum. Tracks 23 to 33 are exclusive to the CD version of this release. 1982 Reel Platinum Studio - 7" EP 1 Dawn Of The Dead 2:05 2 Fighting Chance 1:03 3 Laser Lights 2:08 4 Demon Eyes 1:56 5 Addiction 3:05 1981 Blue Moon Studios - Demo 6 Monster Madness 2:23 7 Vincent's Theme 1:34 8 Underground Zero 1:24 1984 Reel Platinum Studio - unissued LP 9 Nestle Baby Killer 1:20 10 Death In A White Cloud 1:19 11 Crimson Carrie 2:07 12 Mr. Surveillance 1:53 13 Progress For The People 2:15 14 Monster Madness 2:34 15 Murder Machine 0:45 16 Empty Grave 1:50 17 Vincent's Theme 1:24 18 Underground Zero 1:19 19 Barbarian Hunt 1:19 1984 Reel Platinum Studio - unissued LP outtake 20 Batman 1:33 21 Monster Madness - Version 2 2:33 1985 Reel Platinum Studio - outtake 22 Foolish Grief 3:43 Live on WFMU 1982 23 Progress For The People 1:55 24 Fighting Chance 1:13 25 Vincent's Theme 1:26 26 Laser Lights 2:05 27 Sergio 0:49 28 Addiction 3:43 29 Demon Eyes 2:32 30 Radical 1:59 31 Crimson Carrie 2:22 32 Dawn Of The Dead 2:29 33 Monster Madness 3:14 (Cleopatra Records) -
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Mourning Noise was an American horror- and hardcore punk band from Lodi, New Jersey, notable for drummer Steve Zing. Active around the time of the Misfits, Mourning Noise were strongly influenced by the Misfits as drummer Steve Zing lived very close to Jerry Only and Doyle's house and Steve went to high school with Doyle. Their music was typically fast and melodic. Mourning Noise released only a small amount of material, typically as 7" singles, apart from the 1998 collection album Death Trip Delivery. Steve later went on to play for Samhain, Son of Sam, The Undead, Chyna, Doomtree, and later, Danzig. Samhain guitarist Damien was briefly a member of the band. This LP includes the group’s complete collection of studio recordings including outtakes. Features the full endorsement and introductory blurb from Glenn Danzig! All tracks recorded between 1981 - 1985. Tracks A1 to A5 (7") recorded in 1982 @ Reel Platinum. Tracks A6 to A8 are demo tracks recorded in 1981 @ Blue Moon Studios. Tracks A9 to B21 (never released LP) recorded in 1984 @ Reel Platinum. Track B22 is studio outtake recorded in 1985 @ Reel Platinum. A1 Dawn Of The Dead A2 Fighting Chance A3 Laser Lights A4 Demon Eyes A5 Addiction A6 Monster Madness A7 Vincent's Theme A8 Underground Zero A9 Nestle Baby Killer A10 Death In A White Cloud A11 Crimson Carrie B1 Mr. Surveillance B2 Progress For The People B3 Monster Madness B4 Murder Machine B5 Empty Grave B6 Vincent's Theme B7 Underground Zero B8 Barbarian Hunt B9 Batman B10 Monster Madness - Version 2 B11 Foolish Grief (Cleopatra Records) -
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The late eighties were an exciting time to get caught up in the hardcore scene. While many of the early eighties pioneers of the music had moved along, the scene went through something of a renaissance with a new crop of energetic kids who had seized the power of the music and molded it into something that was relevant to the style of their times. Leading the pack in this regeneration was Revelation Records, who released a clutch of seven-inch singles and albums by bands like SICK OF IT ALL, GORILLA BISCUITS, BOLD, JUDGE and CHAIN OF STRENGTH that defined where the scene was at that time. Somewhere in central New Jersey, a group of kids attending Ewing High School were spinning these records incessantly while attending many of these bands? live shows. The combination set their minds ablaze with inspiration and so they started MOUTHPIECE in January of 1990. In between getting their band from the basement to the clubs, an abrupt change happened within the hardcore scene. Most of the bands MOUTHPIECE wanted to share the stage with had suddenly broken up or changed paths. With no concern for the changes in sound and style going on around them, they went along with their original agenda and unconsciously became the band to lead straight edge hardcore into the nineties until their demise in 1996. Can't Kill What's Inside: The Complete Discography contains the band's entire recorded output. The packaging contains photos of the band as well as a complete listing of every show the band has ever played in their existence. The entire product is both a labor of love as well as a sight to see and proves that what remains is certainly more than words. New pressing now available on coke bottle clear vinyl. (Revelation Records)
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Delaware-based power trio Mouzakis conjured an intriguing sound somewhere between traditional rhythm and blues and garage rock, with psychedelic and hard rock leanings. The band occupied something of a unique space during their short reign during the early 1970s, and it was partly their non-standard outlook that kept the group a trio, since other potential musical recruits simply could not find a way through their multidirectional sound. Drummer / lead singer Eddie Stevenson and bassist / keyboardist Fred Dawson had been playing together in the mid-1960s in The Fabulous Pharaohs, which issued sparse singles on short-lived labels such as Three Star and Reprise, issuing a mix of originals and non-standard cover tunes, before splitting off to form Mouzakis, with a number of guitarists failing to last long, before Sam Stipo stepped up to the plate. Soon Mouzakis were carving out a solid reputation as an enthralling live act on the Delaware and Maryland live circuits, opening for all manner of acts, including soul group The Stylistics and smooth pop / rock act, Chicago. Following the release of debut single Don’t Want You No More for Philadelphia’s British Main Records in May 1970, debut album Magic Tube was issued by British Main the following year. The album certainly veers all over the map: Party Ball is straightforward rock ‘n’ roll, while Lady and romance bust-up saga Both Do Fine skate the fine line between garage rock and psychedelia. In contrast, lengthy opener Magic Tube reminds of a less-polished Doors and the live cut of Rock Around the Clock has the benefit of unexpected organ. Definitely a one-away release by a difficult to classify band. (Survival Research)
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Almost 10 year ago, we choose one night to release a Catholic Spray EP which became an LP overnight ! We loved that night dreamin about the band we’d love to produce and spread their music around. Movie Star Junkies was one of them! Here is our « Dream Came True » to come on March 13th 2020 Are you a fan ? This one is the link between the Junkyears & Son Of The Dust For the newcomers : think loud ballades and romantic melodies from these Italian pirates ! (Teenage Menopause Records – TMR034)
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The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross. Label: Ipecac Recordings Barcode: 689230022619
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The second Mr. Review album originally released in 1994 for the first time on vinyl. (Mad Butcher Records)
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Legendary two tone from The Netherlands. Compilation of rare tracks,singles & outtakes! Tracks A1-A4 taken from first demo Tracks A5-A6 taken from first 7 (different recordings) Tracks B1-B2 Taken from the The street where I'm living 7 Tracks B3-B4 taken from the Ships that pass in the night 7 Tracks B5-B6 rare live recordings (Mad Butcher Records)
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Legendary two tone from The Netherlands. Their fourth album from 2010. First official repress of Mr. Review’s 25 years anniversary album originally released as ultra-rare picture LP in 2010. Contains two bonus tracks and includes inlay. (Mad Butcher Records)
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Recorded live during their 2016 European tour at shows in Germany, Croatia, Sweden, Austria, Norway, and Slovenia LiE is the first unlimited-edition, non-bootleg live Mudhoney album to date. 2018 marks Mudhoney’s 30th anniversary, and this release is a fitting start to a year that will also see the release of a new Mudhoney full-length. This album’s 11 tracks span the band’s storied career, and include their live cover of Roxy Music’s “Editions of You.” (Sub Pop Records)
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This is one of the greater albums to come out of the grunge era. most people have probaly heard Touch Me I'm Sick at some point in their life. It is to be considered one of the defining "grunge" songs. Label: Sub Pop Records Barcode: 0098787002157
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Here’s Tales From The Crypt, the vinyl bootleg of The Mummies- recording sessions with Mike Mariconda which were meant to make up the band’s debut LP (to be released on Crypt). The story is that The Mummies had wanted Billy Childish to produce but when that proved impossible, for unknown reasons, label boss Tim Warren sent his friend, Mariconda (ex of The Raunch Hands). This didn’t go down well with the band and they weren’t happy with the results. Neither, it seems, was Tim Warren, as he shelved the tapes. Tracking: A1 Your Ass (My Face) A2 Red Cobra No. 9 A3 Land Of 1000 Dances A4 That Girl (Tribute To Shane White) A5 Victim Of Circumstances B1 She Don’t Care B2 Speed Track B3 Wild Mutha B4 F.U.C.K. B5 Shut Your Mouth B6 Hairy Mairy Label: Tales FTC
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Twelve inch vinyl pressing of this 2012 release from the two bands that brought Thrash back from the punk basements to the big stage. Two tracks each, exclusive to this vinyl split and amazing cover art by Andrei Bouzikov too. Speed Metal Punx! Label: Tankcrimes Barcode: 0879198009177
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The 2nd 12″ by Bogotá raw punkers MURO. Taking their primitive yet complex hardcore punk in new yet familiar directions. Inspired by international hardcore and punk from all ages – for ALL AGES! Comes with a poster and an insert. In the US – please get your copy from the always amazing BEACH IMPEDIMENT Recs. – as Mark is handling the North American edition. Here’s what Mike Thorn had to say about Muro: Muro is a special band. Sure, I was missing Texas hardcore masters the Impalers but I had to process everything I had just taken in—how was it real? Walking calmly onto the stage there was no indication as to the level of ferocity and unbridled passion Colombia’s Muro would unleash and the more they would give the more the swirling mass gathered before them would give back. So here I am—stone cold sober wandering Kensington just absolutely bewildered as to what I just witnessed. One of the things I’ve always appreciated and loved about hardcore punk is its international nature. When I was younger I would send envelopes filled with hidden cash away to the far corners of the world in hopes of obtaining a seven inch piece of plastic that would sometimes show up, that would sometimes blossom into a pen pal that I’d consider a friend though I’d never dream of actually meeting them let alone having the sounds blasting out of my stereo speakers translate to a live experience. I know things have changed a bit but it still thrills me to have the manifestation of names to actual faces—of recordings turned to bodies piling on each other in a fit of sweat and spit. Colombia has a long tradition of ripping hardcore. From bands such as IRA, Imagen, Herpes, Ataque de Sonida, Anti-Todo, Polikarpa Y Sus Viciocas, and Eskoria to more current bands like Lupus, Final, Secta Suicida, and Primer Regimen the nation has a long tradition of producing rampaging blasts of punk fury which serves as a counterweight to the reality of unemployment and violence which has plagued the nation for so long. Hailing from Bogotá, Muro come out of the gates just blasting. Primitive, primal, raw hardcore comes pouring out of the speakers but this isn’t just all go, no slow. There is a certain consciousness to the need for hooks and melody and at times a certain angular nature to their song structures that really just sets them apart. At times, there is a certain vibe to their music that hints of the herky-jerky tension present in the finest Gauze or Wretched tracks—you think you know the journey riffs are taking you on but suddenly you are just shoved off a cliff of discomfort. It is this sense of unease present in the music when paired with vocalist’s snarling, rabid street dog attack against the world, which really pushes this over the top. Live, Muro is unstoppable—just totally relentless to the point of almost being surreal, hence me wandering aimlessly around Toronto trying to process having just seen the best live band of my life. They just wrapped up a tour of Canada and before that, Europe so here’s hoping that the USA is next—finger’s crossed. As a side note, while you are checking out Muro, be sure to look into Bogotá’s Rat Trap collective, a sort of artist group that does amazing design work and silk-screening and which also released 2017’s Fuerza Ingobernable compilation featuring some incredible hardcore bands from Colombia. All super worthwhile. https://www.noecho.net/features/muro-colombian-hardcore – but don’t just take our word for it – google the fuck out them and watch the many youtube clips and then come back for the vinyl, eh? (Adult Crush Records, 2020)
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The eponymous Murphy's Law debut is perhaps one of the most rocking New York punk releases to appear in the '80s. The manic tempos, masochistic vocals, and other hardcore signatures are toned down here to better suit the group's party message. Apolitical when compared to hard-line contemporaries like Cro-Mags and Agnostic Front, Murphy's Law shoots for an inebriated slice-of-life essence more aligned with Boston's Gang Green. The right-wing and skinhead references didn't exactly sit well with some '80s punk observers who mistakenly labeled the band as fascist. But even a casual study of "California Pipeline" and "Ilsa" reveals an allegiance contrary to the skinhead stereotype. Highlights include the Ace Frehley-inspired guitar work on Skinhead Rebel as well as the rockabilly "Wahoo Day" groove. A must-have for fans of the group and a strong recommendation for any '80s punk scholar, Murphy's Law is simply a fun ride. Label: BFD Records – BFD421 Barcode: 819376042121
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The eponymous Murphy's Law debut is perhaps one of the most rocking New York punk releases to appear in the '80s. The manic tempos, masochistic vocals, and other hardcore signatures are toned down here to better suit the group's party message. Apolitical when compared to hard-line contemporaries like Cro-Mags and Agnostic Front, Murphy's Law shoots for an inebriated slice-of-life essence more aligned with Boston's Gang Green. The right-wing and skinhead references didn't exactly sit well with some '80s punk observers who mistakenly labeled the band as fascist. But even a casual study of "California Pipeline" and "Ilsa" reveals an allegiance contrary to the skinhead stereotype. Highlights include the Ace Frehley-inspired guitar work on Skinhead Rebel as well as the rockabilly "Wahoo Day" groove. A must-have for fans of the group and a strong recommendation for any '80s punk scholar, Murphy's Law is simply a fun ride. Record store day 2023, red vinyl. Label: BFD Records – BFD421LP Barcode: 819376042114
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180 Gram heavyweight black vinyl edition of 'Black Holes and Revelations'; Muse's fourth studio album, which charted at number 1 in the UK album chart on release in 2006. Featuring the singles; 'Supermassive Black Hole', 'Starlight', 'Knights of Cydonia', 'Invincible' and 'Map of the Problematique'. In 2004, U.K. favorite Muse broke through in the U.S. with Absolution and major performances across America that won legions of new fans. In 2006, Muse takes a bold new step with Black Holes And Revelations, a powerful, upbeat epic album that takes the band's music to a whole new dimension. Once again co-produced by Rich Costey [Rage Against The Machine, Audioslave], Muse incorporates influences from electronica and Prince to pure pop. (Helium – 0825646350919, Warner Records – 0825646350919)
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Svart Records presents the 40th anniversary reissue of Peilitalossa by Musta Paraati. The vinyl edition, limited to 500 copies, is wrapped in a replica of the original cover layout and contains a booklet with accompanying text and rare photos. Peilitalossa is the most important classic gothic rock album to come out of Finland. Musta Paraati began in 1981 and were soon signed by Johanna Kustannus, who released the album, produced by Jimi Sumén and recorded by Risto Hemmi at Finnvox, in 1983. After Musta Paraati split up in 1984, Peilitalossa evolved into one of the most loved cult albums in Finland. It has been reissued on CD in 2001 and in an earlier vinyl edition by Svart in 2012. The 2nd vinyl edition on magenta vinyl, limited to 300 copies, is wrapped in a replica of the original cover layout and contains a booklet with accompanying text and rare photos. Label: Svart Records
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The debut LP from Richmond, VA's Mutually Assured Destruction is an exploration through the cosmos of hardcore, metal, and rock. The album references hardcore bands like Only Living Witness, Iron Age, and War Hungry, while giving nods to metal acts such as Black Sabbath and Corrosion of Conformity. Proficient guitar work, layers of vocal stylings, and heaviness any alternative music fan can enjoy are showcased throughout the entire record. For the headbanger and mosher of every flavor, this is the record for you. Limited edition tape version / 50 Under exclusive license from Triple B Records.
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Description: Fully analog cut Deluxe gatefold tip-on and board-mounted sleeve Black heavyweight LP With their debut album, Isn’t Anything (originally released in 1988), my bloody valentine revolutionised alternative music and heralded a new approach to guitar music for generations to come. The album birthed a sound which became a template for thousands of new subgenres, heralding a new approach to guitar music and studio production. Comes with an MP3 and WAV download card. Label: Domino, MBV Records Barcode: 0887830015813
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Loveless is widely considered a flawless whole and rightly regarded as a masterpiece; a 1990s equivalent to Pet Sounds, In A Silent Way or Innervisions, a record constructed by exploring the edges of what a recording studio is capable of. It is a record best experienced as a whole, in one sitting - a listening experience like no other and unmatchable in its sonic brevity Comes in a 6-panel digisleeve. Mini LP style gatefold card sleeve CD1 - loveless (Remastered from original 1630 tape) CD2 - loveless (Half inch analogue tape) Label: Domino Records Barcode: 0887830015929
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Description: Gatefold sleeve Black heavyweight LP Printed inner sleeve loveless is widely considered a flawless whole and rightly regarded as a masterpiece; a 1990s equivalent to Pet Sounds, In A Silent Way or Innervisions, a record constructed by exploring the edges of what a recording studio is capable of. It is a record best experienced as a whole, in one sitting - a listening experience like no other and unmatchable in its sonic brevity Buy and receive an instant download of the full release now. Comes with an MP3 and WAV download card. Label: Domino Records Barcode: 0887830015974
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Description: Fully analog cut Deluxe gatefold tip-on and board-mounted sleeve Set of 5 card “artwork” prints (264mm x 264mm) Black heavyweight LP Continuing to push boundaries of both music and genre, m b v is an album of astonishing music, some of which could lay claim to being of a type never been made before. Otherworldly, intimate and a visceral listen, m b v is a startling and beautiful metamorphosis of what was known of the My Bloody Valentine sound, pushing the boundaries of genre unlike any other band. Comes with an MP3 and WAV download card. (Domino Records)
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Continuing to push boundaries of both music and genre, m b v is an album of astonishing music, some of which could lay claim to being of a type never been made before. Otherworldly, intimate and a visceral listen, m b v is a startling and beautiful metamorphosis of what was known of the My Bloody Valentine sound, pushing the boundaries of genre unlike any other band. Mini LP style gatefold card sleeve 8-page booklet. Label: Domino Records Barcode: 0887830016025
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This Is Your Bloody Valentine is the debut mini album by the Irish-English alternative rock band My Bloody Valentine, released in January 1985 on Tycoon Records. Recorded in West Berlin, Germany, it features the band's early gothic rock and post-punk sound, which contrasts the shoegazing sound with which My Bloody Valentine are associated. The band secured a contract with Tycoon Records after sending a demo tape they had recorded in their hometown—Dublin, Ireland— to a label associate. The demo tape included five songs, "Girl on the 13th Floor", "Halfwalk", "Last Tango in Paradise", "The Garden of Delight" and "Don't Cramp My Style", the latter of which was re-recorded for the album. The demo was recorded in guitarist Kevin Shields' parents' home in Killiney, South Dublin. Shields and drummer Colm Ó Cíosóig later overdubbed bass and drum tracks at Litton Lane Studios. Upon its release, the album made little impression and the band relocated to London, United Kingdom. Similarities between My Bloody Valentine and The Jesus and Mary Chain had been suggested in the music press but guitarist Kevin Shields later told Melody Maker "we've got a mini-LP we made in Berlin in '84, pre-Mary Chain [...] with all our traits there—feedback thrash." AllMusic reviewer Stephen Thomas Erlewine has referred to the album as "an unfocused and derivative collection of post-punk goth rock". Label: Crass Valentine/Unofficial
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“A crucial document on the early days of US hardcore!” “A great archive of that time period. The bands, the people, the venues... everything is so well documented.” With over 300 high quality and rarely seen images from the infancy of the hardcore punk scene featuring seminal acts such Black Flag, Minor Threat, The Dead Kennedys, The Misfits, The Damned, Circle Jerks, Bad Religion, The Vandals, Channel 3, The Adicts, Stiff Little Fingers, Shattered Faith, Fear, White Flag, Youth Brigade, Social Distortion, The Angry Samoans, Battalion of Saints, Redd Kross, 7 Seconds, Suicidal Tendencies, Descendents, Bad Brains, Discharge, UK Subs, The Clash, The Varukers, The English Dogs, T.S.O.L, The Lewd, Subhumans, Red Scare, Ill Repute, The Pandoras, The Blades, The Bangs, The Toy Dolls, Sin 34, GBH, The Dickies, DOA, and the list goes on! These photos have sat in a box, untouched for forty years. Now Marla is sharing her photography with the world in her first book; ‘My Punk Rock Life’. “Marla paints an excellent picture of the SoCal punk scene during the 80s with her photography and anecdotes. In the early ‘80s Marla was a journalism major in college, when she met a punk boy on the school paper and the two decided to start a fanzine. Marla owned a camera, so she became the photographer. The pair managed to put out one issue of the Skank Magazine before breaking up, but Marla kept on going to shows and taking pictures. Marla’s photos have been used on LPs by Minor Threat and Channel 3. Most of Marla’s work remained unseen until this book. Marla left Los Angeles in 1991 and moved sight unseen to Portland, Oregon where she met her deadhead husband Walt and settled down, raising their daughter Hailey. They are now empty nesters with two spoiled German Shepard’s named Iggy Pup and Strummer Jo. Follow Marla Watson on Instagram Publisher : Earth Island Books (28 Aug. 2023) Language : English Paperback : 254 pages. ISBN : 9781739443870 Dimensions : 15.6 x 4.37 x 23.39 cm
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Οι My Turn είναι από τα συγκροτήματα της Ελληνικής DIY σκηνής που δουλεύουν πολύ σκληρά τα τελευταία χρόνια, με αμέτρητες συναυλίες στην Ελλάδα και το εξωτερικό. Το "Modern Life's Massacre" είναι ο νέος τους δίσκος.
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Οι My Turn είναι από τα συγκροτήματα της Ελληνικής DIY σκηνής που δουλεύουν πολύ σκληρά τα τελευταία χρόνια, με αμέτρητες συναυλίες στην Ελλάδα και το εξωτερικό. Το "Modern Life's Massacre" είναι ο νέος τους δίσκος.
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Myteri 2022. What is there to say? Are there anything needed to be said? Doesn’t everybody know this act by now? This is their third release of dark crustpunk, yet melodic, just as it was meant to be. Deriving from Gothenburg. Recently played with Totalt jävla mörker and then Link from Belgium. Both to fit great onto the sound of Myteri. Ten songs of misery and despair! (Alerta Antifascista Records)
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Life-crushing Death Metal from Finland, recorded in 1993. Officially reissued by Nuclear Winter Records, layout by Timo Ketola. (Nuclear Winter Records)
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Life-crushing Death Metal from Finland, recorded in 1993. Officially reissued by Nuclear Winter Records, layout by Timo Ketola. Limited edition repress, purple vinyl, 148 copies. (Nuclear Winter Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Before there was a Swedish Death Metal scene - let alone a signature sound - N2K2 was helping to create both. Nirvana 2002 Recordings '89-'91 is a collection of rare demos and rehearsals from the pioneering band. Repressed for the first time in 10 years, Nirvana 2002 Recordings '89-'91 is not just a nostalgic time capsule from the past, but a glimpse at what the future of Death Metal would hold. THIS IS METAL FROM SWEDEN Features Orvar Säfström, Erik Qvick and Lars Henriksson (Relapse Records) Includes Digital Download
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Nadja is a duo of multi-instrumentalist Aidan Baker and bassist Leah Buckareff—active since 2005—and making music which can be described as ambient doom, dreamsludge, or metalgaze. Nadja’s signature sound combines the atmospheric textures of shoegaze and ambient/electronic music with the heaviness, density, and volume of metal, noise, and industrial. For the new album, Luminous Rot, the duo retain their overblown/ambient sound, and explore shorter and more tightly structured songs reflecting their interests not only in metal, but post-punk, cold-wave, shoegaze, and industrial. Thematically, the album explores ideas of ‘first contact’ and the difficulties of recognising alien intelligence. This was in part inspired by reading such writers as Stanislaw Lem and Cixin Lui — in particular, theories on astro-physics, multi-dimensionality, and spatial geometry in “The Three Body Problem” — as well as Margaret Wertheim’s “A Field Guide To Hyperbolic Space,” about mathematician Daina Taimina’s work with crochet to illustrate hyperbolic space and geometry. The album was recorded between their home studio, Broken Spine Studios, or Nadja’s live rehearsal studio, both in the district of Lichtenberg, Berlin. Luminous Rot marks the first album mixed by someone else, who in this case was David Pajo. The band comment, “as big fans of Slint, we thought he might fore-front the more angular, post-punk elements of our music – the mix is quite different from our previous albums. But, as usual, we had James Plotkin (Khanate, OLD, etc) master the album as we trust his ears and aesthetic, as he’s mastered numerous records of ours.” *LP comes housed in a gatefold jacket. Label: Southern Lord Records
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Halloween has been and gone for another year, but darkwave-inflected hardcore punk never goes out of fashion, right? And frankly, who gives a solitary fuck if it does? Nag’s sinister second album is too busy being an ear-bleeding good time to care about shit like that. It’s too wrapped up asking questions like ‘is this real reality?’ - too caught up in pushing Bernard Sumner minimalism into furiously energetic bruisers and ever-darker corners. It’s the record you’ve been waiting for throughout 2021, whether you knew it or not. This RIPS. Formed in Atlanta, GA, Nag have already dropped an LP (last year’s ‘Dead Deer’, on Die Slaughterhaus) and a handful of 7”s - all must-haves - but they’ve never quite cut loose like this. Vocalist Brannon Greene pitches his delivery somewhere between a caustic holler and a dead-eyed sneer, taking the blank generation for a midnight drive and hurtling straight into a brick wall. Meanwhile, the band nab ideas from no-wave, the wilder ends of Goner Records’ almighty roster, and the best (and sometimes synthiest) aspects of gothed-out post-punk - the resulting concoction may be composed of familiar elements, but it feels like no one else other than Nag. A more hyperbolic and verbose hack than me might say this is the moment that signals the band have ‘arrived’, but not me. I’d just say this is a damn fine record - one of the very best things to have emerged from the wider punk rock mess in the last 12 months. Oh, and I’d add that if you don’t buy it, you may as well sever those things called ears, toss ‘em into the woods and let any of their redeeming qualities seep out into the soil, ‘cause that’s the only way you could continue to argue that they’re serving any useful purpose. But you know, that’s just me. You do you, friend. Actually, scratch that. (Drunken Sailor Records)
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Nailbomb was a mid-'90s side project of Sepultura's Max Cavalera and producer/engineer Alex Newport. Originally issued in 1994 by Roadrunner, 'Point Blank' is their only studio album. It combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel, an act that was a big hit on the festival scene of the era. Among the contributing guests are other Sepultura musicians (Andreas Kisser and Igor Cavalera), Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death. The track 'Wasting Away' appears in the 1995 film 'To Die For' while 'Exploitation' is a cover of the English crust punk band Doom. 26 track double CD package from cult extreme metal ‘supergroup’ Nailbomb, featuring the band’s complete recordings from their 18-month existence. CD 1 features their sole studio album ‘Point Blank’, originally released in 1994, CD 2 features their live album ‘Proud To Commit Commercial Suicide’, originally released in 1995, a recording from their legendary live set at the Dynamo Festival in Eindhoven, Holland, in June 1995. Heavily influenced by the industrial sound of Ministry, Godflesh, and Killing Joke, plus the punk attitude of Discharge, G.B.H. and Doom. Nailbomb – Max Cavalera (Sepultura, Soulfly) and Alex Newport (Fudge Tunnel) – formed as a project having toured together twice between 92 –94, before eventually settling near each other in Phoenix, Arizona. Guest musicians on ‘Point Blank’ included Igor Cavalera (Sepultura), Andreas Kisser (Sepultura) Dino Cazares (Fear Factory). For the Dynamo live set the band expanded to include Rhys Fulber (Front Line Assembly), Evan Seinfeld (Biohazard) and DH Peligro (Dead Kennedys). Featuring exclusive liner notes from Max Cavalera who looks back at the short-lived but highly influential impact of Nailbomb. Metal Hammer described that impact in stark terms: “Their debut – and to date only – album, ‘Point Blank’, was a blast of de-tuned, dysfunctional anger. There was a genuine fury here that combined metal, hardcore and industrial. Music for the blanked generation.” Also included is a brand new interview with Danny Marianino from North Side Kings, the victim of the infamous ‘prank call’ that ended up featuring on the track ‘While You Sleep, I Destroy Your World’. DISC ONE - Point Blank 1 Wasting Away 2 Vai Toma No Cu 3 24 Hour Bullshit 4 Guerrillas 5 Blind And Lost 6 Sum Of Your Achievements 7 Cockroaches 8 For Fuck’s Sake 9 World Of Shit 10 Exploitation 11 Religious Cancer 12 Shit Pinata 13 Sick Life DISC TWO - Proud To Commit Commercial Suicide 1 Wasting Away (live) 2 Guerrillas (live) 3 Cockroaches (live) 4 Vai Toma No Cu (live) 5 Sum Of Your Achievements (live) 6 Religious Cancer (live) 7 Police Truck (live) 8 Exploitation (live) 9 World Of Shit (live) 10 Blind And Lost (live) 11 Sick Life (live) 12 While You Sleep, I Destroy Your World 13 Zero Tolerance Label: Dissonance Productions Barcode: 5013929022669
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Edition on 180-gram vinyl. Nailbomb was a mid-'90s side project of Sepultura's Max Cavalera and producer/engineer Alex Newport. Originally issued in 1994 by Roadrunner, 'Point Blank' is their only studio album. It combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel, an act that was a big hit on the festival scene of the era. Among the contributing guests are other Sepultura musicians (Andreas Kisser and Igor Cavalera), Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death. The track 'Wasting Away' appears in the 1995 film 'To Die For' while 'Exploitation' is a cover of the English crust punk band Doom (Music On Vinyl Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 5-10 εργάσιμες ημέρες).
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NAILS is beyond brutality. These grindcore tyrants of the American underground have triumphantly returned with their 2nd full length “ABANDON ALL LIFE”! Like the bands debut album: “Unsilent Death, was recorded with CONVERGE’s Kurt Ballou. These 10 tracks of barbaric rage have no resemblance to the laughable retro party metal that passes as extreme music in today’s world. Abandon All Life viciously carpet bombs the listener with a horrifying brand of Death/ Grind/ Hardcore chaos. Bludgeoning beatdowns, grinding blasts, hyper-distorted vocals, hard-hitting metallic chugs and early death metal riffs intensifies to a climatic end where the guitars wail and militant drum breakdowns send us marching. With profound hatred, the howling war cry of ABANDON ALL LIFE shows NAILS as a band without equal in their class. Label: Southern Lord Records Barcode: 808720017212
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NAILS is beyond brutality. These grindcore tyrants of the American underground have triumphantly returned with their 2nd full length “ABANDON ALL LIFE”! Like the bands debut album: “Unsilent Death, was recorded with CONVERGE’s Kurt Ballou. These 10 tracks of barbaric rage have no resemblance to the laughable retro party metal that passes as extreme music in today’s world. Abandon All Life viciously carpet bombs the listener with a horrifying brand of Death/ Grind/ Hardcore chaos. Bludgeoning beatdowns, grinding blasts, hyper-distorted vocals, hard-hitting metallic chugs and early death metal riffs intensifies to a climatic end where the guitars wail and militant drum breakdowns send us marching. With profound hatred, the howling war cry of ABANDON ALL LIFE shows NAILS as a band without equal in their class. Label: Southern Lord Records
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So finally a repress with two unreleased tracks! The 10th Anniversary version is the original ten-song album released in 2010, with the addition of three songs from their Obscene Humanity 7” and two songs from the original Unsilent Death recording sessions which were never released or heard, until now. The original ten tracks from Unsilent Death have not been remixed or remastered. The five additional songs have been remixed by Kurt Ballou and mastered by Nick Townsend. Label: Southern Lord Records
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So finally a repress with two unreleased tracks! The 10th Anniversary version is the original ten-song album released in 2010, with the addition of three songs from their Obscene Humanity 7” and two songs from the original Unsilent Death recording sessions which were never released or heard, until now. The original ten tracks from Unsilent Death have not been remixed or remastered. The five additional songs have been remixed by Kurt Ballou and mastered by Nick Townsend. The LP’s packaging remains true to the original with the gatefold jacket and also includes an 18”x24” poster. Label: Southern Lord Records Barcode: 808720127010
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Chicago punk legends Naked Raygun are famously, the first live band Dave Grohl ever saw, and even opened for the Foo Fighters at Wrigley Field, Chicago, 2015 All Rise was the first Naked Raygun album to feature Pierre Kezdy on bass and Eric Spicer on drums, though all of the album's songs had been written by vocalist Jeff Pezzati and guitarist John Haggerty before Kezdy and Spicer joined the band. Re-issue Naked Raygun's 'All Rise' the second full-length album recorded by Chicago post-hardcore band in 1985 - on WHITE VINYL! Label: Audio PLatter Barcode: 803341523852
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The one that started it all is reissued on vinyl after twenty-five years. Basement Screams is these Chicago punk legends groundbreaking 1983 debut release. Includes all the original tracks remastered, along with bonus demos from '82 and '93 (not included on CD reissues). Includes a two-sided full-color poster. For fans of, well, Naked Raygun. New edition of 500 on black vinyl. (Haunted Town Records)
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Naked Raygun's finest work came at a pivotal point in hardcore's nadir, and Chicago's finest did not disappoint with Jettison! The band is tightly wound, and whether they're ploughing straight ahead or experimenting with groove, Naked Raygun fill the air with grit and texture. Jettison is their masterpiece... Re-issue of Naked Raygun's - Jettison on TRANSPARENT RED VINYL! Label: Audio PLatter Barcode: 803341523869
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Naked Raygun release their first album since the 1990's! Chicago punk legends Naked Raygun – famously, the first live band Dave Grohl ever saw – are releasing their first studio album since the 1990's Raygun...Naked Raygun The album, Over The Overlords, is also the band's first release since the sad passing of bassist Pierre Kezdy. With an instrumental introduction, and a crescendo of intricate bass riffs and drum solos that lead into the energetic, in-your-face track, “Go the Spoils.” Combined with a catchy guitar riff and danceable drum beats, lead singer Jeff Pezzati’s voice is able to shine through the layering of vocals throughout the track, showing off his range and setting a standard for the rest of the album that leaves people eager for more. The next track, “Living in the Good Times,” which also happens to be the album’s lead single continues on the trend by providing a back-to-basics form of instrumentals that are simple but easy to get stuck in your head. 31 years is a long time in between album releases for a band; it is safe to say that with all that Naked Raygun has to offer with Over the Overlords, the wait was so worth it! Label: Audio Platter Barcode: 803341557598
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Chicago punk legends Naked Raygun – famously, the first live band Dave Grohl ever saw – are releasing their first studio album since the 1990's Raygun...Naked Raygun The album, Over The Overlords, is also the band's first release since the sad passing of bassist Pierre Kezdy. With an instrumental introduction, and a crescendo of intricate bass riffs and drum solos that lead into the energetic, in-your-face track, “Go the Spoils.” Combined with a catchy guitar riff and danceable drum beats, lead singer Jeff Pezzati’s voice is able to shine through the layering of vocals throughout the track, showing off his range and setting a standard for the rest of the album that leaves people eager for more. The next track, “Living in the Good Times,” which also happens to be the album’s lead single continues on the trend by providing a back-to-basics form of instrumentals that are simple but easy to get stuck in your head. 31 years is a long time in between album releases for a band; it is safe to say that with all that Naked Raygun has to offer with Over the Overlords, the wait was so worth it! Label: Audio PLatter Barcode: 803341523913
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Raygun...Naked Raygun is the fifth album by Chicago punk rock band Naked Raygun, released in 1990 through Caroline Records. The album was recorded at Chicago Trax and was co-produced by Keith Harbacher and the band. It was the band's first album with their new guitarist Bill Stephens, who had replaced John Haggerty. This was the last album by the band before they broke up in 1992. Re-issue of Naked Raygun's 1990 album, Raygun... Naked Raygun on Orange Translucent vinyl! Tracks 1-11 originally released by Caroline Records in 1989. Tracks 12-14 are reissue bonus tracks: Track 12 originally released on the "Home" 7". Originally performed by Chelsea. Track 13 originally appeared on the "Something's Gone Wrong Again" compilation. Track 14 originally appeared only on the CD version of the "Something's Gone Wrong Again" compilation. Both 13 & 14 originally performed by the Buzzcocks. Label: Audio PLatter Barcode: 803341523883
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From its onset, the tube-crunch surf guitar intro of "Rat Patrol," Throb Throb sizzles like grease in a frying pan until it comes to a halt some 30 minutes later. Like the tank on its cover, Throb is largely informed by an antagonism that rails against the Reaganism that helped spawn intelligent '80s post-punk groups much like Naked Raygun. Titles like "Surf Combat," a song about the effects of napalm at popular beaches, "Gear," a braggadocio commentary about nuclear weapons and the arms race, and "Managua," in which troops march to their impending death, exemplify Throb's political mentality and musical gravity, which are a direct result of the '80s Cold War. Naked Raygun sends the songs up with a sense-raping frazzle and dissonance. While not as furious as Hüsker Dü or as angry as the Misfits, Throb is no less vehement, and ever the more working-class. With comprehensible lyrics everyone can understand and chant, and a plethora of race-against-time guitar melodies, Throb is rare in that it appeals to academics as well as rednecks, straight-shooters as well as in-the-know punks. Borrowing from the big-guitar sound of English heavy metal bands like Iron Maiden and carving catchy melodies usually reserved for Top 40 pop songs into firebrands like "I Don't Know" and "Libido," Naked Raygun assures Throb's place as a classic that is forever ahead of its time, regardless of when it is heard. Re-issue of Chicago punk legends Naked Raygun's album 'Throb Throb' – famously, the first live band Dave Grohl ever saw - ON CLEAR VINYL! Label: Audio PLatter Barcode: 803341523845
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Naked Raygun is an American punk rock band that formed in Chicago in 1980. The band was active from 1980 to 1992, along with reunion shows in 1997, and since 2006. Chicago’s finest punk exports, Naked Raygun first five studio albums collected in one 5 CD set for the first time! Throb Throb, All Rise, Jettison, Understand and Raygun…..Naked Raygun collected and remastered Comes with fold out sleeve. Label: Audio Platter – PLATE074CD https://nakedraygun.bandcamp.com/music
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Understand? is the fourth album by Chicago punk legends band Naked Raygun, released in 1989 through Caroline Records. After the visceral energy of their debut, 'Throb Throb', and the subtle refinement displayed on 'Jettison', the Chicago hardcore label rejecters did little to aid their claim with the brawny, scrappy 'Understand?' Packed with an onslaught of riffs, pummelling d-beat blasts and gang vocals galore, while rife with unkempt cynicism and aggression on the anthemic anti-social title-track or the snapshot of 'The Sniper Song,' Naked Raygun would only further cement their status as punk all timers on this seminal fourth record. Label: Audio PLatter Barcode: 0803341523876
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23 studio recordings from late 70s punk band who evolved into an anarcho band. Compiles their Bluurg 7″, their Crass track and a further 17 unreleased studio tracks, all remastered and packaged in a 12-page booklet featuring a detailed band history and previously unseen photos – all at an anarcho-punk price! Issued in a standard transparent jewel case with 12-page booklet. (Overground Records)
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Awesome document of two legendary demos by Napalm Death. It's great to hear the raw building blocks that helped transform extreme music so drastically in 1987/88 when "Scum" was released. Essential history. Tracklist: A1 What Man Can Do A2 Instinct Of Survival A3 Abbatoir A4 Control A5 Sacrificed A6 So Sad A7 Caught In A Dream A8 Private Death A9 Cheswick Green B1 Multinational Corporations B2 Instinct Of Survival B3 Unclean B4 Sacrificed B5 Siege Of Power B6 Caught In A Dream B7 What Man Can Do B8 Control B9 Death By Manipulation B10 Abattoir B11 Private Death B12 The Kill B13 You Suffer Label: Die Hard/Unofficial Release
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THE TENTH STUDIO ALBUM FROM 2002, FROM THE UNDISPUTED UK GRINDCORE LEGENDS – PRESENTED ON HEAVYWEIGHT 180gm BLACK VINYL The UK’s Napalm Death is a band which has long defined extreme music and whose punk ethics and fierce political agenda have inspired everyone from System Of the Down to Queens Of The Stone Age through to The Deftones. Napalm Death were the forefathers of the grindcore movement, arising in the early-80s and going on to create the 1987 iconic debut, ‘Scum’. In the formative recording years the band featured members who spawned other pioneering and notable acts such as Godflesh, Cathedral and Carcass. ‘Order Of The Leech’, the 10th studio album from “The most important Metal band in the country” (Kerrang!), was released in 2002 and followed on from the highly acclaimed 2000 album 'Enemy Of the Music Business'. Featuring Napalm Death’s trademark blasting attack on the senses and with the unmistakably savage bark of mainman Barney Greenway, ‘Order of the Leech’ was greatly received by critics and fans alike as their fastest and heaviest album for a long time, and was even hailed as “the best album of their career” by Terrorizer. The album was produced by Russ Russell (The Exploited, New Model Army, Dimmu Borgir) & Simon Efemey (Paradise Lost, Obituary, Amorphis). Label: Peaceville Records
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Nashville Pussy at their best. A classic! (In The Pink/Unofficial Release)
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Unreleased Garage Demo recording from teenage Orange County punk band The Nasty Pets. The Nasty Pets were a teenage punk band whose members were 12-13 years old; the band was only around 2 years, and in that amount of time, they played parties and managed to record this amazing slice or raw primal, fury fueled slice of adolescent punk rock. The band was inspired by the first wave of British punk bands like the Vibrators, Chelsea, The Clash and Pistols. Joey Kelly and Ron Ray would go onto Mad Parade and drummer Greg Welts would go onto play in Slipknot For Fans Of: Chelsea Vibrators The Clash The Sex Pistols The Boys Label: Puke N Vomit
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Sweden's unsung sensations play crushing grindcore with blistering blastbeats, ravenously crusty riffs, and just a hint of that Swedish sound. A lightning speed blitzkrieg of sonic violence. Label: Relapse Records Barcode: 781676698424
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The Nation of Ulysses was a violent separatist political party and terrorist group operating out of Washington, D.C. in the early 1990's. Though they've disappeared into obscurity, they've spawned countless milquetoast imitators who've tried to appropriate their looks, language, sound and presentation for the sake of career advancement. These cheap imitators can't comprehend that the Nation of Ulysses derived their awesome power from their unswerving commitment to secession and havoc wreaking, and not to the banal and unimportant pursuit of fame and wealth. The N.O.U. is probably the most important development to beset music since electrification, as they were the first to articulate intent through written manifestos and stage histrionics, refuting rock'n'roll's traditional policy of posturing rebelliously while aping parent culture values. Features Ian Svonious of Make Up, Chain and the Gang. Label: Dischord Records
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Crust punk originates from the misty moors and factory cities of the UK. Since the '80s, countless bands have been established to play their dirty apocalyptic ruckus in the vein of Amebix, Antisect, and Axegrinder. At the same time, across the ocean, in the squats of New York’s Lower East Side, bassist John John Jesse founded Nausea. Svart Records is releasing Nausea’s two legendary EPs in 12” format for the first time ever, including the Cybergod 7” from 1991 - with a bonus track, "Here Today," from the same recording sessions - and the Lie Cycle 7” from 1992. All tracks are remastered from the original, untouched studio tapes by Jack Control (Darkthrone, Kohti Tuhoa, Fear). Tribal and rocking apocalyptic crust for apocalyptic times. The Cybergod lineup might be the most legendary era of Nausea, where the tracks reach almost epic proportions. The EP is pretty much the blueprint of crust, where Vic Venom’s hypnotic and rocking guitar riffs meet the tribal drumming of Roy Mayorga. Al’s and Amy’s dueling vocals spit out timeless issues dealing with consumerism and the hypocrisies of organized religions. Musically, the Lie Cycle EP rocks out more in the faster and straightforward style, where Discharge meets Motörhead, and lyrics reflect the times when war and nuclear destruction are still the plague of mankind. Nausea’s timeline lasted only seven years, but they managed to create a cult following with their true dedication to the punk scene and played shows in the squats of Europe and the eastern part of Europe. Their music is timeless, unpleasant music for unpleasant times, but hey! At least it’s more fun to rock out to the apocalypse! Black vinyl, insert. Label: Svart Records Barcode: 6430080235094
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Crust punk originates from the misty moors and factory cities of the UK. Since the '80s, countless bands have been established to play their dirty apocalyptic ruckus in the vein of Amebix, Antisect, and Axegrinder. At the same time, across the ocean, in the squats of New York’s Lower East Side, bassist John John Jesse founded Nausea. Svart Records is releasing Nausea’s two legendary EPs in 12” format for the first time ever, including the Cybergod 7” from 1991 - with a bonus track, "Here Today," from the same recording sessions - and the Lie Cycle 7” from 1992. All tracks are remastered from the original, untouched studio tapes by Jack Control (Darkthrone, Kohti Tuhoa, Fear). Tribal and rocking apocalyptic crust for apocalyptic times. The Cybergod lineup might be the most legendary era of Nausea, where the tracks reach almost epic proportions. The EP is pretty much the blueprint of crust, where Vic Venom’s hypnotic and rocking guitar riffs meet the tribal drumming of Roy Mayorga. Al’s and Amy’s dueling vocals spit out timeless issues dealing with consumerism and the hypocrisies of organized religions. Musically, the Lie Cycle EP rocks out more in the faster and straightforward style, where Discharge meets Motörhead, and lyrics reflect the times when war and nuclear destruction are still the plague of mankind. Nausea’s timeline lasted only seven years, but they managed to create a cult following with their true dedication to the punk scene and played shows in the squats of Europe and the eastern part of Europe. Their music is timeless, unpleasant music for unpleasant times, but hey! At least it’s more fun to rock out to the apocalypse! Transparent red vinyl, insert. Limited to 400 copies. Label: Svart Records Barcode: 6430080235445
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Without Neanderthal there would not be Powerviolence. Nanderthal was Eric Wood (Man Is the Bastard and/Cross Out), Matt Domino (Infest), and Joe Denunzio (Infest). A must have for anyone interested in Infest, Man Is The Bastard, Charred Remains, Weekend Nachos, or Lack of Interest. This is a discography of all released recordings. Eight anthems of destruction (5 tracks from the 1990 "Fighting Music" 7" on Slap A Ham, 2 tracks from the 1990 Neanderthal/Rorschach split 7" on Vermiform, and one track from the 1991 "Bllleeeeaaauuurrrrgghhh!" compilation 7" on Slap A Ham). (Fan Club/Unofficial)
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New York’s Neckscars are teaming up with Engineer and Sell The Heart Records to release their new album, 'Don't Panic' this summer. Formed in Downstate, New York in late 2018, Neckscars are Will Romeo (Vox/Guitar), Justin Parish (Guitar/Vox), Colin Harte (Bass), and Craig Sala (Drums). Over the past two decades the members have been cutting their teeth in the DIY scene and have gathered to form this expansive collaboration. Without any specific stylistic direction in mind, they were determined to write a diverse collection of songs which proved to be an enjoyable process. The result was a classic punk rock and roll sound that doesn’t lean too hard on nostalgia and standard formulas. You can hear them echo influences ranging from Seaweed to Dead Boys as they embrace their unbridled enthusiasm. In March of 2020, Neckscars entered Nada Studios in Montgomery, New York with Producer John Naclerio and Sean-Paul Pillsworth for their first full-length recording. Ripping through 8 songs in just three days, the session came to halt in response to the Covid-19 Global Pandemic. The band returned in the fall to tie up loose ends and bring another two songs to the table. Completed with a mastering by Jesse Cannon, Neckscars will be releasing their debut album Don’t Panic in the summer of 2021. These guys have put together a brilliant rocking album of songs that you really need to hear. Definitely one for fans of Hot Water Music, Iron Chic, Nothington, Menzingers, Tired Radio, Spanish Love Songs, Bear Away, Rydell, Hunter Gatherer, Small Brown Bike and the like. Label: Sell The Heart Records, Engineer Records
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New York’s Neckscars are teaming up with Engineer and Sell The Heart Records to release their new album, 'Don't Panic' this summer. Formed in Downstate, New York in late 2018, Neckscars are Will Romeo (Vox/Guitar), Justin Parish (Guitar/Vox), Colin Harte (Bass), and Craig Sala (Drums). Over the past two decades the members have been cutting their teeth in the DIY scene and have gathered to form this expansive collaboration. Without any specific stylistic direction in mind, they were determined to write a diverse collection of songs which proved to be an enjoyable process. The result was a classic punk rock and roll sound that doesn’t lean too hard on nostalgia and standard formulas. You can hear them echo influences ranging from Seaweed to Dead Boys as they embrace their unbridled enthusiasm. In March of 2020, Neckscars entered Nada Studios in Montgomery, New York with Producer John Naclerio and Sean-Paul Pillsworth for their first full-length recording. Ripping through 8 songs in just three days, the session came to halt in response to the Covid-19 Global Pandemic. The band returned in the fall to tie up loose ends and bring another two songs to the table. Completed with a mastering by Jesse Cannon, Neckscars will be releasing their debut album Don’t Panic in the summer of 2021. These guys have put together a brilliant rocking album of songs that you really need to hear. Definitely one for fans of Hot Water Music, Iron Chic, Nothington, Menzingers, Tired Radio, Spanish Love Songs, Bear Away, Rydell, Hunter Gatherer, Small Brown Bike and the like. Label: Sell The Heart Records, Engineer Records
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Limited to: 100 black & white splatter. (Weird Face Productions – WF017, Demon Seed Records – DSR#3)
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BLASTING THRASH!! official re-issue of ?Mondocane: project one? (1989), a late 80s hyper-thrashing combo formed by half early Necrodeath and half Schizo ?Main frame collapse? era members to deliver 10 whiplashes of rapid fire Thrash-core uniting the bands' peculiar style to a basic S.O.D. flavoured imprint. ?Mondocane? has been entirely restored and remastered at Toxic Basement Studios and restyled/repackaged in an elegant digipack sleeve with unreleased photos from the 1989 studio session. If you are a fan of these two bands' early outputs (above all Necrodeath's "Fragments of insanity" and Schizo's "Main frame collapse") and Ingo's corrosive vocal delivery then look no further. (F.O.A.D. Records)
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Hailing from Maumee, Ohio, the Necros were one of the first hardcore bands in the U.S.! Consisting of highschoolers Barry Henssler, Andy Wendler, and Todd Swalla, the Necros formed way back in 1979. Meatmen vocalist and scenester Tesco Vee soon took the band under his wing, and within a year they were at the forefront of a scene cantered around Detroit, Michigan. "Conquest for death" is their first LP and was originally released in 1983 by legendary Touch and Go Records. Absolutely essential reissue here. Label: Fan Club/Unofficial Release
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Second Pressing: Ltd to 800, olive green vinyl. Necrot is a veteran band that has not had a full-length release in six years. Comprised of former members of bands Acephalix, Vastum, and Atrament amongst others, Necrot proudly wear their influences and seek to boldly take the style where few bands dare follow. Necrot seemingly pay homage to old Bolt Thrower and Autopsy. Their latest album Blood Offerings transcends tribute and aligns them with the greats of the niche. There are terrific hooks in each song on Blood Offerings, and it’s likely that any metal fan will just pick this up, play it, and headbang along to the quality music on tap. I haven’t heard a death metal album stacked with as many great riffs in a while. Bolt Thrower played a simple, but highly aesthetic style of death metal. Necrot refreshes the template with a slew of quality, catchy riffs and accessible song structure that sounds quite original. Admittedly, I wasn’t familiar with the band’s music before I heard Blood Offerings, and this is undoubtedly one of the better death metal albums I’ve heard this year. If their other albums fail to impress me as this album does, then Necrot has got one masterpiece in the bag at the very least. I’ve heard other writers claim that Necrot has always been a good band. Indeed, Blood Offerings fortifies the assertion. I’m about to go backwards in time and rediscover the band’s older material. Simple but catchy, the groove and chugging prowess exemplified by the rhythm guitar sees transition after transition of stellar riffs. The drums keep time and the great sound engineering on the toms reminds me of a drum session in an amphitheater – they echo to the sound of good acoustics, and the production leaves them audible in the mix to the band’s great benefit. The guitars are in front of the mix – gritty, fuzzy and downtuned like Finnish death metal guitar in the heyday of Finnish death metal. There’s not a bad track in Necrot’s body of work on Blood Offerings. The band makes an uncharacteristic song choice to start the album, opting for a slow-to-mid-tempo track that could have followed a more ferocious number, but the band has the luxury of deciding between equally good songs to begin with, and most fans won’t even notice how Blood Offerings can be altered to make the music more enjoyable. Most songs deliver the goods without overplaying riffs that might sound borrowed. In fact, the riffs here are a fresh blood spattering of death metal exquisiteness that begs to be heard over and over. I listened to Necrot’s Blood Offerings for hours at a time. There’s no need to elaborate just what goes on in each song. Just know that even Bolt Thrower could pay homage to Necrot in the wake of the latter’s highly-substantive Blood Offerings release. Bolt Thrower is largely untouchable up and down their impressive history of releases, and if Necrot just wanted to play music even remotely similar in quality to that of Bolt Thrower, they’ve just done it. No longer tributary in quality, the band just recorded a modern-day classic. Pick this up in whatever media available and cherish the style that made bands like Bolt Thrower legendary in its own time. This is a can’t miss! (Tankcrimes Records)
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Necrot continue their ascent to the forefront of American aural extremity, pushing the boundaries of style and continuing to recast metal in their image. Founded by bassist, vocalist and principal songwriter Luca Indrio and drummer Chad Gailey in 2011 – guitarist Sonny Reinhardt joined the next year – the Oakland, California, trio offer Lifeless Birth (in continued collaboration with Tankcrimes) as a culmination of their to-date efforts to encapsulate and push forward the deathly stylings of 2020’s Mortal and their 2017 debut, Blood Offerings.It’s not about giving up a ferocity that’s helped make them a household name among the converted. Instead, Necrot use that same, by-now-characteristic intensity as the backdrop for an expanded songwriting palette. They’ve always been a band who stood out. The maturity they show on Lifeless Birth confirms that’s been the plan all along. It is a vision of what metal can be and do in 2024, tearing down old barriers and keeping those traditional elements that make it stronger.Recorded with Grammy-winning producer Greg Wilkinson (who has helmed all three Necrot albums) and mastered by Brad Boatright at Audiosiege, Lifeless Birth pivots fluidly between technical intricacy, progressive poise and all-out brutality. Scouring lead work will have thrash heads nodding knowingly, and an overarching groove reaches out across the metal microgenres with a righteous call to worship. Its songs are memorable and varied, unpretentious but able to rear up with statelier violence. At the same time, “Drill the Skull,” “Cut the Cord,” “The Curse” and others prove that just because a song is beating you into the ground doesn’t mean it can’t also be forward-thinking. Or catchy.After having their Mortal tour plans scuttled owing to the covid pandemic, family health issues that led Luca, who became a US citizen in 2016 and currently lives in Mexico, to return to Italy for a time canceled what would have been their first tour post-plague. Still, despite this and Chad suffering a broken back, requiring multiple surgeries and intense physical therapy to be able to drum again, period, Luca being struck with Bell’s Palsy the night before he was originally due to fly to the studio to record, and Sonny requiring multiple surgeries on his hands in the months since they finished, Necrot charge forward with material distinguished in its real-world point of view and willingness to look beyond extreme metal tropes in lyrics, the melodies of its guitar solos, and unbridled audience engagement. For a collection of songs that feel so much written for the stage, it should be no surprise tours early in 2024 and summer festivals are to be announced.Mortal (2020, Tankcrimes) was #2 on Billboard's Top New Artist chart, #30 on the Top Current Albums chart, #4 on the Current Hard Music, and #10 on the Heatseeker Albums chart for week of release. Necrot have toured in North America, Europe, Australia and Japan, and shared the stage with Cannibal Corpse, Immolation, The Black Dahlia Murder, Suffocation, Morbid Angel, and hundreds of others. Expect no letup as Lifeless Birth brings Necrot all the more to their own place among metal’s superlatively aggressive proliferators. – JJ Koczan 3rd full length album from Necrot. Vinyl housed in a golden foil stamped gatefold jacket. Label: Tankcrimes
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Necrot continue their ascent to the forefront of American aural extremity, pushing the boundaries of style and continuing to recast metal in their image. Founded by bassist, vocalist and principal songwriter Luca Indrio and drummer Chad Gailey in 2011 – guitarist Sonny Reinhardt joined the next year – the Oakland, California, trio offer Lifeless Birth (in continued collaboration with Tankcrimes) as a culmination of their to-date efforts to encapsulate and push forward the deathly stylings of 2020’s Mortal and their 2017 debut, Blood Offerings.It’s not about giving up a ferocity that’s helped make them a household name among the converted. Instead, Necrot use that same, by-now-characteristic intensity as the backdrop for an expanded songwriting palette. They’ve always been a band who stood out. The maturity they show on Lifeless Birth confirms that’s been the plan all along. It is a vision of what metal can be and do in 2024, tearing down old barriers and keeping those traditional elements that make it stronger.Recorded with Grammy-winning producer Greg Wilkinson (who has helmed all three Necrot albums) and mastered by Brad Boatright at Audiosiege, Lifeless Birth pivots fluidly between technical intricacy, progressive poise and all-out brutality. Scouring lead work will have thrash heads nodding knowingly, and an overarching groove reaches out across the metal microgenres with a righteous call to worship. Its songs are memorable and varied, unpretentious but able to rear up with statelier violence. At the same time, “Drill the Skull,” “Cut the Cord,” “The Curse” and others prove that just because a song is beating you into the ground doesn’t mean it can’t also be forward-thinking. Or catchy.After having their Mortal tour plans scuttled owing to the covid pandemic, family health issues that led Luca, who became a US citizen in 2016 and currently lives in Mexico, to return to Italy for a time canceled what would have been their first tour post-plague. Still, despite this and Chad suffering a broken back, requiring multiple surgeries and intense physical therapy to be able to drum again, period, Luca being struck with Bell’s Palsy the night before he was originally due to fly to the studio to record, and Sonny requiring multiple surgeries on his hands in the months since they finished, Necrot charge forward with material distinguished in its real-world point of view and willingness to look beyond extreme metal tropes in lyrics, the melodies of its guitar solos, and unbridled audience engagement. For a collection of songs that feel so much written for the stage, it should be no surprise tours early in 2024 and summer festivals are to be announced.Mortal (2020, Tankcrimes) was #2 on Billboard's Top New Artist chart, #30 on the Top Current Albums chart, #4 on the Current Hard Music, and #10 on the Heatseeker Albums chart for week of release. Necrot have toured in North America, Europe, Australia and Japan, and shared the stage with Cannibal Corpse, Immolation, The Black Dahlia Murder, Suffocation, Morbid Angel, and hundreds of others. Expect no letup as Lifeless Birth brings Necrot all the more to their own place among metal’s superlatively aggressive proliferators. – JJ Koczan 3rd full length album from Necrot. Vinyl housed in a golden foil stamped gatefold jacket. Label: Tankcrimes Barcode: 0879198113812
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Clear vinyl version. limited to 500 copies. Includes download card, came with poster. Necrot is a three-piece Death Metal band based in Oakland, California. They play a unique style of old-school death metal with a crust punk edge, employing unexpected time changes and an interesting variety of rhythms. While most "new-old-school" death metal bands don't deviate much from the blueprint laid out by the genres pioneers, namely Autopsy, Death, Entombed, Morbid Angel and Bolt Thrower, Necrot manage to stand out from the rest of the pack and prove that there is still room for innovation in this kind of music. This of course doesn't mean you won't hear the influence of bands like Sepultura, Grave, Dismember and maybe a bit of Utopia Banished-era Napalm Death in their music, but once your ears are assaulted by their exceptionally grisly and agonized growls as well as their very distinct guitar tone (which sounds like a vacuum sucking up gravel, or a power-saw grinding through bone, or maybe an avocado pit getting stuck in the garbage disposal) you'll be too dumbfounded by Necrot's sheer brutality to care about their influences. If this sounds like your cup of tea, check out The Labyrinth on bandcamp where you can download it for a very fair price of $3, or order it on cassette from Blood Divine Records (run by bassist/vocalist Luca Indrio) and check out the other awesome merch they have for sale. These Oakland death metal locals (ex Acephalix) are quickly gaining speed, and popularity across the world. If you're wondering why, well, there is no need to at all. Crush your brain into submission with this awesome release, and keep your ears open for something from them coming soon. (Tankcrimes Records)
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Back in 1981, NEGATIVE APPROACH were one of the dominant forces in the Detroit underground. Long out-of-print and bootleged a million times, NEGATIVE APPROACH originally released this 10 song 7" in 1982 on Touch & Go Records. Now remastered by John Golden, the legendary 7" is once again available for past, present and future hardcore fans. Label: Touch & Go Records Barcode: 036172110773
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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NA continue their solid campaign of killer archive releases matched with completely atrocious artwork with this LP. The full Tied Down demo on vinyl, released for Record Store Day. Tracklist: A1 Your Mistake A2 Friend Or Foe A3 Live Your Life A4 Tied Down B1 Hypocrite B2 I'll Survive B3 Nothing B4 Said And Done (Touch and Go Records)
