• One of the best and most underappreciated albums to emerge from the legendary Finnish Punk explosion. 013 were an amazing short-lived but hugely influential Finnish band. They were all the more amazing for having a sound and spirit all their own. A truly pure Punk underground sound inspired by the sounds of 77 and 78, loaded with catchy as fuck cool guitars and melodic vocals made every song instantly memorable. The three-piece from Pukkila, Finland, originally appeared on the now sought after collectable Propaganda EP released in 1981 and the legendary Russia Bombs Finland compilation LP released the following year. The band’s only album was the Takaisin Todellisuuteen LP which was released on Propaganda Records in 1983, and the band split up shortly afterwards. Puke n Vomit is proud to announce the only domestic release of one of the best Punk albums you'll ever hear. For Fans Of: Appendix Buzzcocks RUDI The Damned Maho Neitsyt ‎ Label: Puke n Vomit Records
  • Complete discography of one of the best crust bands in 90's coming out from Sweden. 3 WAY CUM! 40 songs, 2 vinyls, inlay, A2 poster, sticker, coloured vinyl edition - do you need more? In cooperation with Halvfabrikat Records, rotten artwork from Stivart, completely restored and remastered by Kenko (Communichaos), layout by Andreas (Crutches). Label: Phobia Records, Halvfabrikat Records
  • Out of stock
    Containing the hits that were only deemed misses by the critics that condemned Oi! as some kind of subcultural fad that favoured football and violence way above the bloody good tunes that should by rights occupy the higher rank, 4 Skins, The Unreleased Radio & Studio Sessions encapsulates that energy at its finest. From formidable swarms of police brutality and political injustice, the underlying (and unyielding) socio-political messages experienced from the streets that resonated with every estranged clockwork skinhead of the day are bound to be ticked on every track. After the atmospheric crash of One Law for Them, dropped in amongst the Radio and blistering Bumper Sessions with Evil sitting squarely in its unpolished centre is the ska-inflected gallop of Seems To Me, an unreleased tune reinforcing the notion that there was more to Oi! than meets the laces. 40x30 cm folded poster included, 1-5: Recorded in July 1981 for radio session that was never broadcast. 6-7: Unreleased single, due to be issued in 1983 (Secret SHH 149). 8-12: Recorded at Bumper Studios in January 1981. 13: Demo. Originally released in February 1991 on "The Oddities Of Oi! (Link LRMO 3). Tracklist A1 Wonderful World (John Peel Session 1981) A2 Jealousy (John Peel Session 1981) A3 One Law For Them (John Peel Session 1981) A4 Evil (John Peel Session 1981) A5 Yesterdays Heroes (John Peel Session 1981) A6 Norman (Unreleased 45, 1983) A7 Seems To Me (Unreleased 45, 1983) B1 Clockwork Skinhead (Bumper Session, 1981) B2 Evil (Bumper Session. 1981) B3 A.C.A.B. (Bumper Session. 1981) B4 I Don't Wanna Die (Bumper Session, 1981) B5 Yesterdays Heroes (Bumper Session, 1981) B6 Saturday (Demo) Label: Radiation Barcode: 8055515235708
  • Another heavyweight of the English scene released on Dirty Punk Records and certainly one of the best known and best Oi! bands ever. Formed in 1979, THE 4 SKINS have released a lot of songs on compilations that have marked the history of Oi! music like "Oi!" the album", "Strength Thru Oi! "Carry on Oi!" »... as well as some cult 7''s. By adding a few rare titles, we were able to release this double album bringing together the best of the band. Everything is there and everything is essential. No extensions with dirty sounding lives or bad rehearsals in a garage, here is gathered all the best of the 4 SKINS. All in a superb gatefold sleeve with beautiful and rare photos of the band and a history of the songs written by Mark Brennan. A wonder to hold in your hands. Tracklist: 1 Chaos 2 Wonderful World 3 Clockwork Skinhead 4 Evil 5 A.C.A.B 6 I Don't Wanna Die 7 Yesterday's Heroes 8 1984 9 Sorry 10 Evil 11 One Law For Them 12 Brave New World 13 Merry Christmas Everybody 14 Yesterday's Heroes 15 Justice 16 Get Out Of My Life 17 Low Life 18 Bread Or Blood 19 Plastic Gangsters 20 Norman 21 Seems To Me 22 Chaos (Herbert Version) 23 On The Streets Label: Dirty Punk Records – DPR061
  • 'The Good, The Bad & The 4-Skins' is the debut LP - originally released on Secret Records in 1982 - from East End Oi! legends The 4-Skins. Recorded with the first stable line-up after numerous changes, fronted by legendary vocalist Panther (who stepped in after the original singer Gary Hodges' defection), this is violent, political, and as real as Oi! gets, this is one of the absolute classic LPs of the genre. Featuring studio recordings on Side A and amped up live versions of such OI! classics as 'A.C.A.B' or 'Chaos' on Side B. Label: Radiation Records Barcode: 8055515232417
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    One of the most iconic albums of the 1980's underground American scene, 7SECONDS's The Crew delivers 18 legendary songs in 20 minutes. This masterpiece has been remastered by David Gardner from the original analog tapes. It has been repackaged as a gatefold featuring a beautiful 20-page full-color book on the oral history of the band from inception through the making of The Crew. It includes insights from the likes of Ian MacKaye, Jello Biafra, Keith Morris, and many others, as well as unpublished flyers and photos. (Trust Records)
  • French label Combat Rock has released this great album including recordings from demos and outtakes from 1977 to 1979. Includes insert with pictures of the band and great sleeve notes by Nick Cash himself. Limited edition to 300 copies so you better rush or cry forever. TRACKLIST A1 Titanic Reaction A2 Crime A3 Don't Deny A4 Feelin' Alright With The Crew A5 Soldier A6 Games We Play A7 Like Any Other B1 Waiting B2 Tulles Hill Night B3 The Biggest Price In Sport B4 English Wipeout B5 Argue B6 Stop! Stop! B7 Trouble B8 Solution B9 Heart To Heart Label: Combat Rock
  • A 5 | erst ausgabe | 7”

    9.00 incl. tax
    "The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher
  • "The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher
  • Time for another prime dose of potent, chorus-drenched anarcho-punk from one of its finest modern exponents: A Culture Of Killing return with their third album, bigger and bolder than before with a foreboding sense of deathrock gloom dialed all the way up beyond 11. Their usual array of nods are all present and correct (The Mob, Zounds, The Cure), but this time everything feels… grander? More fully realised? Impressive, given their first two albums have been hoovered up and hailed by those in the know, but maybe we should banish any lingering doubts that the mysterious Italian band might be moving beyond merely echoing the classics and closer to creating a new benchmark for the genre. Look, all of this is a very fancy way of saying that ACOK are pretty fucking great and no one else can touch ‘em right now when it comes to this sort of goth-tinged post-punk. New instrumentation, new ways of relating to each other as a band, new ways of grabbing your attention as a listener and making you want to press the record grooves into your brain and use your nerve endings as a stylus. From new wave-styled Burundi beats and furious call-and-response vocals to dubbed-out grooves, there are new influences that are more than welcome in the band’s sound, but the songs themselves are their finest thus far (‘2 Years’ and ‘The Last Train Home’ are simply magical). It says a lot about this LP that it’ll hold its own with the output of both Crass Records and 4AD; it’s a strong step forward that’ll win ‘em new fans and embolden existing ones to say things like ‘best band in the world right now’ and ‘sell your home to buy a copy if you have to’. Especially if you don’t technically own your home. You get the idea. Is there a Crass-shaped hole in your life that’s been empty since you wore out your copy of ‘Penis Envy’? An itch that only the purest of peace punk can scratch? This is the record for you. I don’t use the word ‘essential’ much but… oh, well, I’ve given the game away there, haven’t I? Get it, get it now. Will Fitzpatrick Label: Drunken Sailor Records)
  • Out of stock
    Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including Right Back At it Again and Sometimes You're the Hammer, Sometimes You're the Nail. Over the course of the past several years, each of A Day To Remember's releases have hit No. 1 on Billboard's Rock, Indie and/ or Alternative Charts, they've sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold- selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions. Deluxe Edition, Limited Edition, Reissue, Yellow Inside Milky Clear. (Epitaph Records/Epitaph Europe – 05235521)
  • Available July 2022. The third album of Hamburg's steamroller noise punk merchants A.F.K. (Aargh Fuck Kill) - Nine new songs that, compare to their last album, see a u-turn back to their roots of full throttle hardcore punk with a aggressive sonic intensity! Lyrics shouted in German and English show and tell a description of the insanity, frustration and anger that lies in the void of the current state of society. Especially in the past two years. One can say that A.F.K. along with their mates from INSTINCT OF SURVIVAL are the pinnacle of the current Hamburg crust punk exports! Recorded by Ryan Leverenz-Mompellio at OFF YA TREE Studios. Mastered by Will Killingsworth at DEAD AIR. Vinyl album comes with a lyric sheet and free digital download! (Ruin Nation Records)
  • Ποιήματα για επώδυνες διαδικασίες , μέρος πρώτο: ένα 16 σελιδο βιβλίο με ποιήματα και εικονογραφήσεις της Αντιγόνης Ηλιάδη και μαζί ένα επτάιντσο βινύλιο με μελλοποιήσεις των ποιημάτων από τους Precariat , ένα noiz black punk τρίο από την Αθήνα, με μέλη από Bad Trip και Sarabante Κυκλοφορεί σε 300 αντίτυπα, σε συμπαραγωγή της μπάντας και της Body Blows Records. New band from Athens w/members Bad Trip and Sarabante. Four songs noiz black punk.
  • Out of stock
    Death is raining upon us. Once again the banality of evil is plowing through lives and land. It comes in the shape of man, a mushroom cloud in trousers. What was first an artistic experiment, investigating childhood fears. The dark cloud on the horizon. Looming over us always. Became reality. These six tracks are instruments of terror. Focusing on the inhuman barbarism of humanity. Deafening, blinding, four minute-warnings of heavy electronic mayhem. Programming the synths like Stalin’s organ. Causing radiation sickness. Sonic assault of the mind and body. Hear the siren songs. Sex on red alert. Beware and behave. The Road to Nuclear Holocaust has never been closer. Devastating zynth-slaughter debut LP by Sweden Ä.I.D.S. Six tracks of deafening, blinding, four minute-warnings of heavy electronic mayhem. "I never have and I never will stand on the side of the oppressor. I never have and I never will sell out my integrity for money. I celebrate all humans that stand with me against the oppression of the masses anywhere in the world! When I look at the state of the world, I can’t believe how fucked up it is. If I had to pick one record today that sounds like the way I feel, it would be The Road To Nuclear Holocaust by Ä.I.D.S. Hell fucking yes, this album is an all-out FUCKING RAGER that never lets up! This is what Pure Sonic Fury sounds and feels like and it’s the soundtrack to my past, present, and future! Imagine if Discharge, Killing Joke, and Suicide decided to start a band — the outcome would be 50% of how amazing Ä.I.D.S.sounds. Blast the title track “The Road To Nuclear Holocaust” and the track “Afterworld Trash” then tell me this band is not HARD AF! The “devastating zynth-slaughter” you will come in contact with on this offering will become the soundtrack to y’all’s rage as well! Join us as we celebrate the release of the new Ä.I.D.S. album that is taking place below. I want to give a HUGE shout-out to LA VIDA ES UN MUS DISCOS for releasing The Road To Nuclear Holocaust on Sept. 30th" CVLT NATION (La Vida Es Un Mus)
  • Out of stock
    The original release was the result of international DIY efforts avoiding the narrow-mindedness of the Iron Curtain. It also brought together two of the strongest scenes of the Eastern Bloc - Polish and Yugoslavian. All of the recordings were done in Borut Cine Studio, in Ljubljana, during Abaddon's tour of Yugoslavia. Invited by Peter Barbaric, they also played a couple of shows with bands like Pankrti or U.B.R. The "Wet za wet" LP was then released by New Wave Records from France. Because of this, and also thanks to worldwide tape-traders and the band's appearances on comp. tapes like "Noise Behind the Iron Dustbin" or "Cultural Compost Pit", as well as a bootleg split-tape with Rejestracja, they were quite well-known beyond their home country. In Poland, their regular performances at the Jarocin Festival and appearances on legendary compilations like "Fala" and "Jak punk to punk" established the band as one of the classics of the genre. The LP contains 8 fast, direct, and tight Hardcore Punk ragers and a great roots/dub song called "Ljubljana night." Coming from their Polish/Eastern European perspective, the album's lyrics and artwork expressed a protest against any form of authoritarian power - from the brutality of fascism during WWII and the 1981 revolts in Poland, to more current world problems of the time, like Apartheid in South Africa and the global arms race. In the context of Poland's political climate in the 80s, their lyrics and music were seriously impressive. Mastering for the reissue was done from the original sources by Jarek Smok at Studio As One (Warsaw). The LP features a gatefold cover, an additional booklet with an exclusive interview with Tomasz Dorn, drummer of Abaddon and words from Patrice (New Wave Records) and plenty of rare photos (including the work of Michał Wasążnik - one of the best documenters of 80s punk in Poland). All of the lyrics and the interview come with English translations. One of the most classic releases of Polish Hardcore Punk available again on vinyl! Label: Warsaw Pact Records
  • Out of stock
    Originally released in 1985, this is the sole album by Tony Cadenas' own The Abandoned, the band he formed after the Adolescents original break up in 1981. Sounding a lot like Tony's original band but with an heavier Germs influence, and a more metallic, darker, almost Motörhead-esque touch. As long as Adolescents got back on track, right before releasing their mid '80s comeback masterpiece 'Brats In Battalions' this obscure page of California punk rock history got completely forgotten and was never reopened until today. A band that really pushed the boundaries for the time while sticking to their roots, something most bands were not able to do. A must for all California punk rock maniacs out there!  Label: Radiation Records

  • Abhinanda from Umea in Sweden were together with Refused and Doughnuts at the forefront of the Swedish Hardcore scene. They were a band with a Straight-Edge and Vegetarian philosophy and life style. Members also were skateboarders. Label: Shing records
  • Hailing from Leeds, England and by far the biggest punk band from the area they were seldom out of the Independent charts between 1980 and 1984. Specialising in the sort of massive rowdy choruses that could put an ear-to-ear smile on the face of a dead man. Like so many of those intense bands of the time, their fire burnt brightly for just a relatively short time, but the shadows it cast, and the colourful musical legacy they bestowed the punk scene, were both important and influential! A1 - A3 "Vicious Circle" EP (1982) A4 - A6 "The Army Song (ABW EP)" EP(1981) A8 - A9 Burn 'Em Down! EP (1982) A10 - B11 "When The Punks Go Marching In !" LP (1982) Label: Audio Platter Barcode: 803341524149
  • Out of stock

    ACCIDENT | crazy | LP

    16.00 incl. tax
    A classic mid-'80s album by the notorious English Clockwork Oi! punks is now back on vinyl! Officially credited to Accident (munus the Major), 'Crazy!' was released shortly before the band split up. (Mad Butcher Records)
  • A musical time machine documenting their rise to ambiguity, providing insight on their influence and underground status as forefathers of early 80’s ‘crossover’. The ACCUSED’s 34 Song Archives 2xLP reveals early teen-punk roots, including early demo tracks of vintage ‘Splatter Rock’ and the creeping metal-influence! Humbling outtakes! Candid rehearsal sessions! Live ‘bootlegs’ and extensive liner notes. Comes in a nice gatefold cover. Splatterheads beware!!! Label: Unrest Records
  • Previously unreleased two John Peel sessions and a David Jensen session – 16 tracks. Action Pact were a punk rock band from Stanwell, an isolated village right under the flight-path of London Heathrow Airport, inspiring this album title-song. Formed in 1981 by guitarist Wild Planet, bassist & lyricist Dr. Phibes, and the then 15-year-olds drummer Joe Fungus and singer George Cheex, still school-kids when their Heathrow Touchdown EP was released in October 1981. BBC Radio 1 DJ John Peel played the single many times and booked them for their first session, recorded February 1982. Signed to Jungle’s Fall Out Records imprint, Action Pact's label debut Suicide BagEP went to the top of the British punk chart in July 1982. Five more singles entered the indie charts including Yet Another Dole Queue Song, and a reworked London Bouncers, along with two albums, ‘Mercury Theatre – On The Air’ and ‘Survival of the Fattest’. A second John Peel session in ‘82 and a David Jensen BBC session in ’83 were also recorded and broadcast – all collected together here for the first time. Inner bag with notes, interviews & photos by Mick Mercer who attended a session. Limited red vinyl. Includes an unheard song. ‘Mostly better than released versions’. Label: Fall Out Barcode: 5013145306215
  • Originally released in 1983 on Fallout Records. Their debut album gets its first ever worldwide reissue thanks to Puke n Vomit Records. Amazing catchy blistering Punk with great Post-Punk elements makes this one of the coolest 80s UK Punk albums ever. Originating from Essex, the band formed in 1980 and quickly grew in popularity in part from their energetic performances and catchy songs and the presence of exuberant vocalist Alison ‘George Cheex’ Roberts, Their debut single a split with Dead Mans Shadow was released in 1981, that lead to them getting some seriously heavy BBC airplay courtesy of DJ John Peel. This was followed by their 'Suicide Bag' 7' on Fallout in 1982 and that single quickly climbed the UK Indie charts. When the LP 'Mercury Theatre - On The Air!' was released in 1983 it climbed all the way to #5 on the indie charts. (Puke n Vomit Records)
  • This LP compiles the only two singles from Scottish punk legends Actives, recorded in 1983 and 1984. Their brand of fast, noisy punk rock found them sharing stages with the biggest bands of the era like The Exploited, The Adicts, and Abrasive Wheels. Label: Puke n Vomit Records
  • Out of stock
    UK82 hardcore punk band formed 1982 in Portsmouth, Hampshire, England, UK, from the remains of two earlier Portsmouth bands (Birth Trauma and The Anihilates). Originally released in 1987. Comes with insert, 140gr vinyl. Label: Noise Not Music
  • Out of stock
    The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records)
  • Out of stock
    Adolescents, also known as The Blue Album due to its cover design, is the debut studio album by American punk rock band the Adolescents, released in April 1981 on Frontier Records. Recorded after guitarist Rikk Agnew and drummer Casey Royer joined the band, it features several songs written for their prior group, the Detours, including "Kids of the Black Hole" and "Amoeba", which became two of the Adolescents' most well-known songs. Adolescents was one of the first hardcore punk albums to be widely distributed throughout the United States, and became one of the best-selling California hardcore albums of its time.[1] The band never toured in support of it, and broke up four months after its release. The Blue Album lineup of Agnew, Royer, guitarist Frank Agnew, bassist Steve Soto and singer Tony Brandenburg reunited several times in subsequent years, but only for brief periods. Limited repress on Restless Empire. Blue/black splatter vinyl. Label: Restless Empire Records
  • Out of stock
    BEER CITY SKATEBOARDS AND RECORDS is proud to bring you ADRENALIN O.D. - Let’s BBQ Millennium Edition 12”! This is limited to 1000 and is a RSD exclusive! This star studded release features the songs from the original Let’s Barbecue 7” that first graced us back in 1983 plus an additional track from that same session that never saw the light of day! Also included are 5 tracks from the ADRENALIN O.D. demo tape that came out in 1982. These tracks were never recorded for anything else. For the first time ever all these have now been restored and remastered and are presented to you at 45RPM’s for optimal audio enjoyment! Add to that a fabulous gatefold packaging, lyrics and liner notes written by none other then the band itself. Along with pictures; some of which have never been seen by the public! Plus a plastic collectable download card so you can keep your record as safe as Han Solo frozen in Carbonite! You have yourself a release that will hit you like a pie in the face at a Three Stooges convention! So come record store day make sure you get to the store bright and early and get this limited piece of hardcore/punk history! - Record Store Day 2019 release. - Includes digital download card. - Limited edition of 1000 copies. (Record Store Day website shows limited to 1100 copies). Gatefold. - Features the songs from the original Let's Barbeque 7” from 1983 plus an additional track from that same session. - Also included are 5 tracks from the AOD demo tape recorded in 1982. (Beer City Records)  
  • Out of stock
    35 Anniversary Millennium edition LP! It’s hard to believe that this classic came out 35 years ago, isn’t it?! Now were happy to bring it to you in this special anniversary edition thats limited to 1000 copies! Not only does this contain all 15 original tracks of blazing speed-punk/hardcore (and dare we say thrash) and sarcastic lyrics , but they have been restored and remastered and from THE ORIGINAL MASTER TAPES! Don’t think the fun stops there cause this also includes the original insert and art work. Plus a full color poster with never before seen photos and liner notes by the band and other notable personalities! Plus there are a few other surprises we are not going to mention. With only 1000 being pressed you better grab this up quick! (Beer City Records)  
  • Out of stock
    Oakland-based dark punk band Adrenochrome is proud to present their premiere full-length release, In Memoriam. In Memoriam is laden with infectious melodies, tenacious rhythm, and catchy, powerful vocals. This album houses all the attitude and tone of early death-rock powerhouses like Phaidia, while maintaining all the fury and focus of anarcho-punk legends such as Poison Girls and Penetration. Driving, dancey, and just aggressive enough to demand your attention, In Memoriam is certain to leave you singing along with your fist in the air. (Domîno Monët) Reversed Sleeve 350gr with Insert + Download code. Label: Symphony Of Destruction Records
  • Note that the vocals and lyrics on these 4 tracks are handled by Tomas Jonsson of ANTI CIMEX/ WOLFPACK / SHITLICKERS. Label: Alerta Antifacsista
  • III:The Betrayal is one of two full length albums being released by Adrestia 2022. The album was recorded by Martin Shukevich and Ulf Blomberg, while mixing and mastering was done by Henrik Udd. https://www.rocking.gr/reviews/album/Adrestia-III-The-Betrayal/11050 (Alerta Antifacsista Records)
  • Out of stock
    IV: The Mark Of Cain is one of two full length albums being released by Adrestia 2022. The album was recorded by Martin Shukevich and Ulf Blomberg, while mixing and mastering was done by Henrik Udd. https://www.rocking.gr/reviews/album/Adrestia-IV-The-Mark-Of-Cain/11054 (Alerta Antifacsista Records)
  • Sale!

    AFTERMATH | garbage day | 10″

    Original price was: €15.00.Current price is: €10.00. incl. tax
    Debut release from the stenchcore act from Umeå, Sweden. AFTERMATH does include members from band such as Misantropic, Personkrets 3:1, Disconvenience, Epidemics, Acid Blood and Scum Crusade. Think Swordwielder and Plague Thirteen and you sort of get the point. (Phobia Records)
  • Out of stock
    Παλιομοδίτικο hc/punk απο Αθήνα. Athens hardcore is back on the map. Against All Odds is one of the longest standing hardcore bands from Greece, active since 2007. Fans of Warzone, Madball, Breakdown and Agnostic Front, do not sleep on this. Pro-printed tapes with 5-panel J-card and on body print. Limited to 100. Recorded and mixed by George Pavlidis at at Ihovrihio Studio in Athens, Greece. Mastered by Brad Boatright at Audiosiege Mastering Studio in Portland, USA. Guest vocals at ‘How it goes’ by Fotis My Turn. Cover by Colo Lopez (www.instagram.com/cololopeztattoo) Artwork by Life Trap Designs (www.instagram.com.lifetrap_designs) Tracklist: 1. HOW IT GOES 2. RESIST 3. WOLFPACK 4. HARD WAY 5. GHOST DOG (World's Appreciated Kitsch Records)
  • Out of stock
    Recorded at Studio 606, Earth Sound Studio, Motor Studio, Total Treble Studio and mixed by Billy Bush, Transgender Dyphoria Blues is an insightful and highly-provocative 10-song offering written by frontwoman Laura Jane Grace, whose material examines one's grappling with gender dysphoria, the loss of a young friend and pure self discover, as well as love and ultimate acceptance. Featuring Grace's signature explicit songwriting and dominant vocals, the album also features longtime guitarist / vocalist James Bowman, drummer Atom Willard and Fat Mike of NOFX on bass for "FUCKMYLIFE666" and "Unconditional Love". (Total Treble / Xtra Mile Recordings)
  • Out of stock
    Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records. Label: Radiation Reissues - RADRSD010
  • Out of stock
    Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 Label: Radiation Records Barcode: 8055515231694
  • Out of stock
    Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 Label: Radiation Records
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    Trust Records is pleased to announce the deluxe reissue of Agression’s cult classic debut album "Don’t Be Mistaken", in partnership with B.Y.O Records who initially released the album in 1983. Agression were on the front lines as they fused the union between skateboarding and punk rock cultures. Their fast-paced, pummeling songs not only became anthems for generations to come, but their convergence of punk’s anger and simplicity, mixed with the furious speed of hardcore, became the blueprint for all skate punk bands to follow. As they innovated, everyone else imitated. Agression was one of the earliest known bands to be considered “Skate Punk. Founding members vocalist Mark Hickey, guitarist Henry Knowels, and bassist “Big” Bob Clark all skated for the Sims skateboarding team in the late 70’s, forming Agression in 1979. The bands only album Don’t Be Mistaken (1982) featured the song “Intense Energy”, which is one of the earliest known punk songs about skateboarding and skate culture. The cover of that album also featured Arthur Lake skating a pool and was shot by legendary photographer Glen E. Friedman. Based out of Oxnard, California, most specifically Silver Strand Beach, their style of music which they dubbed “Speed Rock” became the template for a subgenre of Hardcore now known globally as “Nardcore”. Emerging from southern California in the early ’80s, Agression is considered to be the pioneers of the unique hardcore punk movement affectionately dubbed “Nardcore,” created by combining the words “Oxnard” and “Hardcore,” which originated in Oxnard, California. Outside of Agression this Southern California scene featured bands such as Stalag 13, Dr. Know, Scared Straight, and False Confession. Don’t Be Mistaken is full of rapid-fire skatepunk rhythm and truly stands as a crowning achievement of the movement. The vocals are literally spit out, and the songs are as melodic as they are thrashy. This masterpiece, originally released by BYO Records in 1983, has been remastered by David Gardner from the original analog tapes. It has been repackaged featuring a beautiful, 20-page, full-color booklet on the oral history of the band from inception through the making of "Don't Be Mistaken," narrated by John Reis (Rocket From The Crypt, Hot Snakes, and Drive Like Jehu). • Remastered from the original analog tapes by David Gardner (Infrasonic Mastering) • Includes deluxe 20-page booklet with exclusive photos, memorabilia, antidotes and the Agression story as told by John Reis (Rocket From The Crypt, Drive Like Jehu, and Hot Snakes). (Trust Records)
  • With the 2021 repress tracks like "I Wanna Know", "Liberty", "Uncle Sam", "Love To Be Hated" and title-track "Dead Yuppies" are about to be rediscovered by both a whole new crowd and AGNOSTIC FRONT fans worldwide! This is New York Hardcore. These are the pioneers. This is AGNOSTIC FRONT! Packed in a solid super jewel box for extra durability Officially licensed from Epitaph, courtesy of Agnostic Front. Label: Rebellion Records Barcode: 3481575514296
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    AGNOSTIC FRONT "first warning - the "united blood" era recordings, new york city, 1983" (Radiation) THE 'UNITED BLOOD' ERA RECORDINGS, NEW YORK CITY, 1983' - Controversial east coast punk band Agnostic Front were lynchpins of the New York hardcore scene. Formed in 1982 by former Eliminators guitarist Vinnie Stigma along with vocalist John Watson, drummer Rob Crib Crash and bassist Diego, the band went through several other early members to settle on Vinnie Stigma, bassist Adam Mucci, drummer Raybeez and Cuban-born singer Roger Miret for these recordings. Often misunderstood in their early days due largely to their majority skinhead following and the shock imagery of their record covers, the group carved out its reputation in the dilapidated Lower East Side of Manhattan, then blighty by poverty, drugs, violence and high levels of urban decay. The recordings featured on this incendiary compilation date from the very start of their recording career, beginning with the demos that led to their debut seven-inch release, the self-issued 'United Blood' EP, bolstered by other recordings from the period that were left unissued at the time; some of the material included here later appeared on the 'Raw And Unleased' CD, but several songs are appearing on vinyl here for the very first time. Agnostic Front went on to reign supreme on the New York hardcore scene throughout the 1980s and although later recordings once again saw membership changes that brought a shift in style to include thrash-metal crossover elements, their longevity and high standing is such that they were featured on Showtime's 'The Godfathers Of Hardcore' documentary, ultimately leading to Roger Miret's recently released autobiography 'My Riot'. Tracklist: SIDE A United Blood 7" (Two-Track Mixdown) No One Rules Final War Last Warning Traitor Friend Or Foe United Blood Fight Discriminate Me In Control Crucial Changes Extended United Blood Recording Smell The Bacon/What's With You In Control Last Warning Fuck All Authority Fight Final War Discriminate Me United Blood No Rights (No One Rules) Friend Or Foe We Shoud Care Crucial Changes Traitor United Blood Discriminate Me We Should Care SIDE B Pre-United Blood Recording Smell The Bacon/What's With You In Control Last Warning Fuck All Authority Fight Get Out/Final War Discriminate Me United Blood Society Suckers No Rights (No One Rules) Friend Or Foe We Should Care Blind Justice Crucial Changes Traitor Skins Go Marching In/We Can Do Anything It's My Life Message From The Underground Comp. (Urinal Records) United Blood Time Will Come (Radiation Records)
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    The MY LIFE MY WAY album was originally released in 2011 by Nuclear Blast. Here is the official 2023 vinyl repress on Rebellion Records. Issued under exclusive license from Atomic Fire GmBH. Gatefold jacket. Label: Rebellion Records Barcode: 3481575592393
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    In 2018 Strength Records did the very first vinyl re-issue for the RIOT RIOT, UPSTART album. Last year Strength Records was disbanded but the friendly contact between Strength label owner Wouter (also running Rebellion Records) and Roger Miret remained. The 2018 re-issue sold out very quickly leaving an unfulfilled demand. Now here is a special 2022 CD edition this time presented by Rebellion Records. Different name, same people, even better quality! Providing yet another uncompromising mixture of fast, ferocious New York Hardcore and punk-rock sing-alongs, "RIOT RIOT UPSTART's" structure is very much alike "SOMETHING'S GOTTA GIVE". With a total of 17 songs, the tracklist offers a variety of stompers - barely clocking the 90 second mark, and street rockin' anthems such as title-track "Riot Riot Upstart" and "My Life", undoubtedly leaving producer Lars Frederiksen's (Rancid, The Bastards, Old Firm Casuals) mark on to this record! (Rebellion Records)
  • Agnostic Front's debut LP, Victim In Pain, back again for the first time in many, many years on vinyl. With that in mind, we decided that we wanted to do something special for our 5th pressing of this NYHC classic. This edition features a new take on the original jacket design with the addition of an embossed logo and title. The dust sleeve is printed with a live picture of the band, as well as lyrics on the opposite side. 5th pressing 1000 yellow vinyl, exclusive revelation records, embossed logo and printed dust sleeve. Recorded at Demo, Demo Studios, 1984. Originally mastered at Franford / Wayne Mastering Labs. Originally released by Rat Cage Records, 1984. Label: Bridge Nine Barcode: 811772022912
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    The WARRIORS album was originally released in 2007 by Nuclear Blast. Here is the official 2023 vinyl repress on Rebellion Records. Issued under exclusive license from Atomic Fire GmBH. Gatefold jacket. Label: Rebellion Records Barcode: 3481575592409
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    "AGONI of Stockholm was one of the predecessors of modern D-beat and Scandinavian hardcore, playing in the heavier register such as SVART PARAD, BOMBANFALL, CRUDITY, DNA, HEADCLEANERS, ANTIBOFORS, DISARM, or DISCARD…but in some cases, several years prior to those bands. So, if any of that is of interest, this review is for you, and you already want or have this LP. AGONI was fucking heavy and fast, and pre-any of those categorizations. Just hardcore käng (känga “boot” crust) punk. Grumbling, furious bass and a calamity of drumming and distortion. An intonating furnace of vocals. Classic tumbling intros and tempo changes you hear all the time in a D-beat “Dis” band today. Not just today, ever since the mid-’80s, and all over the world! But AGONI, and their Swedish contemporaries, wrote that skit. The freshness is almost palpable; it sounds so sincerely constructed and musically destructed. The remastering of these three demos(!) and a live 1985 gig is outstanding. Not to get too far off track here, but if you watch ’80s skate videos and you see the look on the skater’s face when they are like, “What the fuck did I just do and land?,” you realize they were inventing something raw and powerful and always went as hard as possible —it was their scene to do so. That is what it’s like to listen to this compilation. Beautiful hardcore in its the purest and earliest form. No carbon copies here, actually writing the often-imitated fill stylings and riffs you hear today, seemingly happening on the exact take you are listening to. Those subtle imperfections in timing and dropping tone that make it so fucking punk. Side B (demo three) moves into their more thrash-crossover material, as bands of this style were doing then, but even their take retains hardcore roots in its hooks. This collection is essential! Alas, all the liner notes are in Swedish. Use your translation app or something, it’s not 1984—and don’t forget your band is not AGONI when you rehearse that two-second raw moment they did, but you’re still pretty good." https://www.maximumrocknroll.com/review/mrr-467/en-rost-for-fred-1984-1986-lp/ 100% Classic Stockholms Mangel! This LP contains all three AGONI (pre-Agony) demos including the long lost second demo and live material. Gatefold sleeve with extensive liner notes, photos etc. 250x Green vinyl. 1-7: Demo 1 (1985) 8-12: Demo 2 (1985) 13-15: Demo 3 The Future Is Ours (1986) 16-21: Live Ultrahuset 1985-03-31 (De Nihill Records)
  • Agrimonia’s sound could be described as the bastard child of the epic, bittersweet sounds of bands like Counterblast and Neurosis, together with the simplicity and murk of bands like Bolt Thrower and Bathory. Thundering death and black metal soaked doom, with hints of crust, as well as atmospheric and epic darkness. The guitars range from devastating heaviness to gloomy acoustic sections, with piercing leads that flash through the darkness "Rites of Separation" was recorded at Studio Fredman in Sweden by Fredrik Nordstrom in the winter of 2012/2013. Label: Southern Lord Records
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    Non-stop rocker Alien Nosejob, aka Jake Robertson, returns to earth with his second full-length record of 2020, finally bringing the high-octane hardcore punk side of the band to an LP. Hot on the heels of January’s "Suddenly Everything Is Twice As Loud" LP, Nosejob carries on their winning streak and wordy album titles with "Once Again The Present Becomes The Past", which instead follows in the footsteps of the November’s "HC45" 7; merging early 80’s hardcore and late 70’s NWOBHM. "Once Again The Present Becomes The Past" started life as a concept record about Australia’s first and largest air raid, the 1942 Bombing Of Darwin. However, while grappling with this heavy subject-matter, something from Norm Macdonald’s book, of all places, stuck with Jake: "The Present Became Past Again". History is forever repeating itself. It continues to happen. It will happen again. As the record took shape, it was fleshed out with the help of his new reel-to-reel recorder, turning crust and hardcore influences into the dark and cold array of songs documented within. Find out why Alien Nosejob is one of the rare signifiers of both quantity AND quality. 150gr vinyl come housed in a 24pt jacket with lyric insert and download card. Art by Ginklet. Mastered by Mikey Young. Everything else was done by Alien Jake themselves. Label: Iron Lung Records
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    One of the most familiar faces in the busy Melbourne music scene; Jake Robertson (who you may remember from such class acts as Ausmuteants, Hierophants, School Damage, et al) returns in full-fledged form with another unruly record from his solo alter-ego ALIEN NOSEJOB. Thirteen months on since the hardcore-punk inspired concept album, ‘Once Again The Present Becomes The Past’, Alien Nosejob turns the ship back to front and sails in a new direction, yet again. Paint It Clear mixes sounds of classic 80’s new wave and post punk whilst sprinkling in the occasional disco track on top. But don’t let these descriptions throw you off - it still carries Robertson’s classic screech of cheeky yet witty lyrics and sharp songwriting hooks. After three home-recorded records prior to this, Mikey Young has finally been phoned in to take over the production controls and breathes a whole new way of life into Alien Nosejob. Never before has ANJ been heard in such fidelity. The clarity! The definition! The dynamics! It all shines brighter than ever before resulting in a record that Robertson’s “parents could actually listen to”. There’s a little something for everyone; whether it be 80’s Cure-inspired synths in Duplicating Satan, the robust Devo-like feel of Leather Gunn, the sing-along chorus of Crusader of Coles, or the melodic, minor closer that is Bite My Tongue. There’s even The Butcher; a piano ballad inspired by the Fun Boy Three, showcasing Jake’s skills as not just a songwriter, but a damn fine singer. Paint It Clear is Alien Nosejob’s fourth full length record since 2018 - it certainly proves he a nose for these things. (Feel It Records/2021)
  • Out of stock
    This is the band’s 9th studio release and their first new music in 5 years. Produced and mixed by Cameron Webb, Is This Thing Cursed? is the first Alkaline Trio album written almost entirely in the studio. It’s when the songs began to come together that the band noticed the new material forming parallels with Maybe I’ll Catch Fire. According to the band, Is This Thing Cursed? is a cousin or sibling to Fire. Co-lead vocalist and bassist Dan Andriano explains, “the songwriting process is almost like what it was back in the day. We would just kind of write a song, be excited about it, then move on. We wrote in that spirit in the studio. I really feel like we made a record that the old school fans are going to dig.” (Epitaph / Heart And Skull Records)
  • This is the band’s 9th studio release and their first new music in 5 years. Produced and mixed by Cameron Webb, Is This Thing Cursed? is the first Alkaline Trio album written almost entirely in the studio. It’s when the songs began to come together that the band noticed the new material forming parallels with Maybe I’ll Catch Fire. According to the band, Is This Thing Cursed? is a cousin or sibling to Fire. Co-lead vocalist and bassist Dan Andriano explains, “the songwriting process is almost like what it was back in the day. We would just kind of write a song, be excited about it, then move on. We wrote in that spirit in the studio. I really feel like we made a record that the old school fans are going to dig.” European version on 180 gram vinyl. (Epitaph / Heart And Skull Records)
  • Out of stock
    For over 25 years, All Out War proves that age has only honed the band's capabilities on "Dying Gods" and drove the band to look toward to the next chapter in "Give Us Extinction." "Give Us Extinction" continues in the assault, but strives to unleash even more pummeling brutality. "Give Us Extinction," like the timelessly brutal albums "For Those Who Were Crucified" and "Dying Gods," was engineered and produced by Steve Evetts (Hatebreed, Turmoil, Buried Alive, Suicide Silence) and mastered by Alan Douches at West West Side Studios in New York. (Organized Crime Records)
  • Features a song from the God Is War album "Extinction Is Ours". Also contains the unreleased death dirge "Curse of Humanity". Track Listing: 01. Curse Of Humanity 02. Extinction Is Ours (Nonbeliever Records)
  • All Pigs Must Die is a new band that is rapidly and viciously taking the world by storm! Right off the bat, their pedigree gives them an advantage. Kevin Baker (The Hope Conspiracy) is the throat and Ben Koller (Converge) is the battery. Although the band s members hail from these known modern hardcore/metal acts, they turn their more crust punk/d-beat-driven aggression outward with this band. God Is War is the first full-length studio album by the American metalcore band All Pigs Must Die. It was produced by Kurt Ballou and released on August 16, 2011 through Southern Lord Records. The cover artwork was designed by German illustrator Florian Bertmer. Label: Southern Lord Records Barcode: 808720013023
  • Out of stock
    All Pigs Must Die is a new band that is rapidly and viciously taking the world by storm! Right off the bat, their pedigree gives them an advantage. Kevin Baker (The Hope Conspiracy) is the throat and Ben Koller (Converge) is the battery. Although the band s members hail from these known modern hardcore/metal acts, they turn their more crust punk/d-beat-driven aggression outward with this band. God Is War is the first full-length studio album by the American metalcore band All Pigs Must Die. It was produced by Kurt Ballou and released on August 16, 2011 through Southern Lord Records. The cover artwork was designed by German illustrator Florian Bertmer. (Southern Lord Records)
  • All Pigs Must Die are far more than the sum of their parts, and their fusion of crust punk, hard core and metal is more ferocious than ever before. The band return with Hostage Animal and an expanded lineup, thanks to the addition of Trap Them’s Brian Izzi. Bound by a shared sonic vision, APMD is comprised of some of the most well-seasoned musicians on the eastern seaboard —Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse). Distilling aggressive music to its purest tenets, APMD craft songs that pulverize, gnash, and whirl with a punishing delivery. APMD unleashed their first full length with 2011’s God Is War. The 30-minute rip was a nod to primeval disdain and anger. Exploring facets of human conflict one track at a time, God Is War introduced the world to a whole new spectrum of rage. In 2013, APMD upped the ante with Nothing Violates This Nature. Honing their craft with more speed and filth, APMD pushed their sound closer to the edge of the cliff. 2017 sees the release of APMD’s third full-length, Hostage Animal. Like its predecessors, Hostage Animal was recorded at Kurt Ballou’s GodCity Studio. But that is where the similarities end; Hostage Animal ushers in the most concise, yet dynamic collection of work in the band’s catalog. As a 5-piece, APMD broadens their sound without abandoning any brutality. Drawing from inspirations as diverse as Slayer, Trouble, Morbid Angel (old), GISM, Jesus Lizard, Bathory, Ulver (old), Sepultura (old), Nietzsche, Heidegger, Darwin, pessimism, fear, hatred, paranoia, THC. This is a record that will leave you with whiplash of both body and mind. Label: Southern Lord Records
  • All Pigs Must Die are far more than the sum of their parts, and their fusion of crust punk, hard core and metal is more ferocious than ever before. The band return with Hostage Animal and an expanded lineup, thanks to the addition of Trap Them’s Brian Izzi. Bound by a shared sonic vision, APMD is comprised of some of the most well-seasoned musicians on the eastern seaboard —Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse). Distilling aggressive music to its purest tenets, APMD craft songs that pulverize, gnash, and whirl with a punishing delivery. APMD unleashed their first full length with 2011’s God Is War. The 30-minute rip was a nod to primeval disdain and anger. Exploring facets of human conflict one track at a time, God Is War introduced the world to a whole new spectrum of rage. In 2013, APMD upped the ante with Nothing Violates This Nature. Honing their craft with more speed and filth, APMD pushed their sound closer to the edge of the cliff. 2017 sees the release of APMD’s third full-length, Hostage Animal. Like its predecessors, Hostage Animal was recorded at Kurt Ballou’s GodCity Studio. But that is where the similarities end; Hostage Animal ushers in the most concise, yet dynamic collection of work in the band’s catalog. As a 5-piece, APMD broadens their sound without abandoning any brutality. Drawing from inspirations as diverse as Slayer, Trouble, Morbid Angel (old), GISM, Jesus Lizard, Bathory, Ulver (old), Sepultura (old), Nietzsche, Heidegger, Darwin, pessimism, fear, hatred, paranoia, THC. This is a record that will leave you with whiplash of both body and mind. Label: Southern Lord Records Barcode: 808720024517
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    All Pigs Must Die return with a new skull-crushing opus: NOTHING VIOLATES THIS NATURE. As with the debut album: “God Is War”, NVTN was recorded and mixed by KURT BALLOU at Godcity Studios. APMD is a band committed to uncompromising sonic warfare. Its sound and lyrics assault the listener in a fury of blackened death filled anthems. Owing as much to the Cro-Mags and Discharge as Entombed and Celtic Frost. APMD mix powerful riffs, relentless tempos and a dark presence to bulldoze a grim path of destruction. The NTVTN album contains 10 violence-inducing shredders steeped in utter filth. Aaron Turner (Isis) has lent his nihilistic hand, pen and mind to develop along with the band the dark iconic artwork contained within. Label: Southern Lord Records
  • All Pigs Must Die return with a new skull-crushing opus: NOTHING VIOLATES THIS NATURE. As with the debut album: “God Is War”, NVTN was recorded and mixed by KURT BALLOU at Godcity Studios. APMD is a band committed to uncompromising sonic warfare. Its sound and lyrics assault the listener in a fury of blackened death filled anthems. Owing as much to the Cro-Mags and Discharge as Entombed and Celtic Frost. APMD mix powerful riffs, relentless tempos and a dark presence to bulldoze a grim path of destruction. The NTVTN album contains 10 violence-inducing shredders steeped in utter filth. Aaron Turner (Isis) has lent his nihilistic hand, pen and mind to develop along with the band the dark iconic artwork contained within. Label: Southern Lord Records Barcodoe: 808720017717
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    Second LP from the project led by Albert Limones (Nosferatu/ Creamers) following on from The Grotto Screams in 2021. Skeletal, brittle and skittish punk. Complex, layered tones with wobbly chorused bass, jagged drum patterns and bristling guitar. Amongst the rubble, 'Limones vocals are everything that hold this together, piercing and primal. Recalling Christian Death, Bauhaus, but Altar of Eden really stand alone The LP sounds like it’s been pulled from some tape archive from 1985. Not that it’s dated in any way. It’s just along the same strand of DNA.. (Drunken Sailor Records)
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    Perhaps you, like me, have listened to Bauhaus and Killing Joke and thought, ‘Well, this is great, but I wish it was a bit more of a rager.’ Similarly, maybe you listened to The Effigies and Samhain before musing to yourself, ‘Cool, although I thought it’d be darker.’ In other words, it’s occurred to you that deathrock could be a tad deathier and - if it’s not too distasteful of me to say so - rock a hell of a lot harder. Step forward, Altar of Eden. The project of Austin, TX resident Albert Limones (whose bruising sounds you may have heard in the shadowy likes of Nosferatu and Creamers), it’s an unholy marriage of Big Black’s mechanistic rhythms and the serrated, atmospheric noise of yer favourite early ‘80s 4AD types. Tracks like ‘The Abandonment’ absolutely lay waste to your speakers - it opens with a harrowing shriek before throbs of chorusing bass and guitar carve out their own unnerving paths. Somewhere in the distance, a menacing voice can be heard, buried in murk and distortion, with the song operating at breakneck pace and maximum volume - hey, I think our criteria may have been met. Second track ‘Tears’ ups the ante, leaning heavily on atmospheric gloom while pushing the drum machine to the fore, like Clan of Xymox setting up traps for the Slenderman, before the lacerating strafes of guitar on ‘Eternity’ invite the nightmares to truly begin. And that’s just the first three songs - by the time ‘Death in the Country’ gallops to a beautifully discordant end, we’re well and truly bewitched by this wonderful, horrible noise. ‘The Grotto Screams’ was originally released on cassette in April of last year, before finally getting this well-deserved vinyl pressing - one of the first truly essential releases of 2021. Don’t miss out. (Drunken Sailor Records)
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    First ever reissue of Alternative TV’s "Action Time Vision", compiled in 1980 and featuring the group’s 7“es from 1977 to 1979. Including bonus track "You Bastard" and new liner notes by ATV singer Mark Perry, the founding editor of punk fanzine Sniffin' Glue. What Mark Perry says: "It wouldn’t be an exaggeration to say that Punk turned my world upside down! In July 1976, after hearing and seeing the Ramones, I went from just another music fan, avid reader of the NME and Melody Maker, to become editor of punk’s premier fanzine, Sniffin’ Glue. It was almost an instant success and by December 1976, through our no nonsense approach, our position as the ‘punk Bible’ was assured. But it was never enough for me. As I saw the initial punk explosion subside into a succession of third-rate copycats, I wanted to have a go myself. My first attempt at forming a band was in late ’76. We called ourselves the ‘New Beatles’ and it ended after a couple of rehearsals. It wasn’t until I met guitarist Alex Fergusson, a mate of Sounds writer Sandy Robertson, in early 1977, that I started putting together some more interesting ideas for a band. I worked on a bunch of lyrics and, pretty quickly, Alex had put tunes to them. Eventually calling ourselves Alternative TV, we had our first rehearsals at Throbbing Gristle’s Industrial Studios in March ’77. That initial line-up was just me singing and Alex on guitar, with Genesis P-Orridge helping out on some bass and drums. We did ask Gen to join fulltime, but he decided against it and stuck with Throbbing Gristle. After more rehearsals, we played our first gig at the Nottingham Punk Festival in May 1977, joined by Mick Smith on bass and John Towe (ex-Generation X) on drums. I started thinking about doing a record almost from the start because, by this time, I was running the Step Forward record label with Miles Copeland, who was also to become the band’s manager. It seemed like a natural move to put out my own record, but it instead ended up on Deptford Fun City, another of Miles’ labels. Before that actually happened, we made a slight detour by recording a demo for EMI. They didn’t want to sign us, but we did end up with the tapes…" (Staubgold Records)
  • Sealed Records re-issue the 1985 Alternative’s album If They Treat You Like Shit - Act Like Manure originally released on Corpus Christi Records. Recorded at Southern Studios and Co-produced by Pete Wright from Crass and featuring Annie Anxiety and Pete Wright on backing vocals. The album is full of provocative protest songs with intelligent lyrics, effective use of samples, melodic tunes and dual female / male vocals. It’s urgent, passionate and memorable. A must own release from that classic mid 80’s UK anarcho punk era. Remastered from the original tapes. Label: Sealed Records
  • Out of stock
    THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON/OR AROUND LATE JULY, THANKS! What Revolution? was originally recorded at Southern Studios for the album If They Treat You Like Shit - Act Like Manure on Corpus Christi but for some unknown reason it was dropped at the last minute for a live track. We asked the band about this and not one member could remember why but all admitted it was a massive mistake as What Revolution? Is classic Alternative. Impassioned and raging anarcho punk with duel female and male vocals. On the flip is two radically different mixes from the album of Another Subversive Peace Song and Love and life which have the guitar tones clean and give both tracks a fresher sound. The 7” comes housed in a Crass style Sleeve. Label: Sealed Records
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    ALVILDA | négatif | 7”

    10.00 incl. tax
    ALVILDA are Nina, Eva, Sandra and Melanie and is the best power pop inconnue! Four ALIEN SNATCH! pandemic pop pearls parisiennes! Seems the four gals starring the SHANGRI LAS on "Leader of the Pack", but are the ones riding Lambretta motor scooters picking up the DOGS. The are the french version of Belfasts' PROTEX, their four-song debut 45rpm has the trademark lofi-mod to power pop drive and add some yé-yés of their idols, LES CALAMITÉS and some ice-melting RONETTES surf harmonies and back ups. Fans of NUMBER ONES, WHIFFS, BARRACUDAS, TV CRIME and PROTOKIDS put a heart-shaped cardboard file next to your A´s- After Last Night 45 until release date. Record comes in two double sided printed cover cards in super clear sleeves.This is ALVILDAS first recordings from December 2020 at Château Vergogne Studio. We´re in love toutes le nuits already. (Alien Snatch Records)
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    AMEBIX | arise | 2xCD

    18.50 incl. tax
    The iconic and seminal Amebix album remastered with sensational brand new design and the CD features a bonus unreleased live set (from London's Ambulance Station, 2nd February 1985). The album has been out of print for some time and has been a constant seller even 30 years after its recording. Amebix reformed briefly in 2009 and recorded the highly acclaimed comeback album Sonic Mass to global praise. New liner notes by The Baron and unseen photos. Label: Amebix Records Barcode: 5060174952432
  • The iconic and seminal Amebix album remastered with sensational brand new design. The album has been out of print for some time and has been a constant seller even 30 years after its recording. Amebix reformed briefly in 2009 and recorded the highly acclaimed comeback album Sonic Mass to global praise. New liner notes by The Baron and unseen photos. Includes a double-sided b&w lyric and info sheet. Vinyl is black and white splatter. Label: Amebix Records Barcode: 5060174952456
  • Lovingly made collection of AMEBIX rarities, starting with the extremely rare demo 1979 ripped from an OG cassette, showing the band in a very embryonic stage when they still had a raw minimal sound, partly experimental and partly reminding of early Crass. Side B includes their "Right to rise" Demo 1987 and extra tracks recorded live at the Mermaid in Birmingham, 1987, with the band at the top of their game, with their iconic and highly influential wall of sound. Comes with insert including lyrics, photos and scans of the tapes. TRACKLIST Demo 1979 A1 Amebix A2 '77 Faded Heaven A3 Rabies A4 University Challenged A5 Disco Slags "Right To Rise" Demo 1987 B1 Right To Ride B2 Beyond The Sun Extra Live Tracks B3 ICBM B4 Arise Label: Fan club/Unofficial Release
  • Out of stock
    Monolith was the second full-length album by West County punk-metal ’80s anti-heroes, Amebix. One of the best crossover records the UK ever produced. Originally released in 1987, with second rate Giger-style sleeve-art, on a dodgy heavy metal label (called Dodgy Heavy Metal Records). The Power Remains was a posthumous collection of live and demo recordings, that was originally released in 1993 (and done in a much more appropriate and enthusiastic fashion) by MCR and Skuld Records. This band-released reissue combines both LPs, with lavish new gatefold sleeve artwork (competently created by Andy Lefton of War//Plague and Tau Cross). And these copies are “special record store day 2016 limited editions. Tracks A1 to B4 were originally released as the Monolith LP. Tracks C1 to D2 and D4 were originally released on The Power Remains LP. Track D3 is previously unreleased. Tracks A1 to B4 were recorded and mixed at Sam Studios Bristol in May / June 1987. Tracks C1 C2, and C3 are demo recordings. Recorded at Cabs Studios late 1987 in 10 hours. Track C1 is a demo recording. Recorded at O.O.C. Studios, Holland 1985. Tracks D1 to D4 recorded live in the Longrace Hall Bath September 1987. Label: Amebix Records Barcode: 5060174952470
  • Out of stock
    Monolith was the second full-length album by West County punk-metal ’80s anti-heroes, Amebix. One of the best crossover records the UK ever produced. Originally released in 1987, with second rate Giger-style sleeve-art, on a dodgy heavy metal label (called Dodgy Heavy Metal Records). The Power Remains was a posthumous collection of live and demo recordings, that was originally released in 1993 (and done in a much more appropriate and enthusiastic fashion) by MCR and Skuld Records. This band-released reissue combines both LPs, with lavish new gatefold sleeve artwork (competently created by Andy Lefton of War//Plague and Tau Cross). And these copies are “special record store day 2016 limited editions. Limited to 1000 copies. Housed in a gatefold jacket with a round silver sticker stating "Special Limited Edition- Record Store Day 2016". Tracks A1 to B4 were originally released as the Monolith LP. Tracks C1 to D2 and D4 were originally released on The Power Remains LP. Track D3 is previously unreleased. Tracks A1 to B4 were recorded and mixed at Sam Studios Bristol in May / June 1987. Tracks C1 C2, and C3 are demo recordings. Recorded at Cabs Studios late 1987 in 10 hours. Track C1 is a demo recording. Recorded at O.O.C. Studios, Holland 1985. Tracks D1 to D4 recorded live in the Longrace Hall Bath September 1987. Label: Amebix Records Barcode: 5060446070666
  • Out of stock
    Compilation of previously released early recordings. The LP contains the No Sanctuary 12" (1984) and the Who's The Enemy 7" (1982) plus tracks from a previous bonus single is the Winter 7" (tracks B6-B7). Tracks A1 to B1: No Sanctuary 12" (1984) Tracks B1 to B5: Who's The Enemy 7" (1982) Tracks B6-B7: Winter 7" (1983) Tracklist A1 Battery Humans A2 Control A3 Progress? A4 Sanctuary A5 The Church Is For Sinners A6 Sunshine Ward (Glad To Be Bad) B1 Moscow Madness (No Gods Part II) B2 Carnage B3 Curfew B4 Belief B5 No Gods No Masters B6 Winter B7 Beginning Of The End (Corteza Discos/Unofficial Release)
  • Out of stock

    AMEBIX | sonic mass | CD

    15.00 incl. tax
    Silent since the late 80s, Amebix, a duo of the reclusive swordsmith Rob Miller and his brother Stig have had their lineup augmented with the addition of drummer Roy Mayorga (Soulfly, Stone Sour). Sonic Mass is their first album in over 20 years and their third in total. Deluxe gatefold sleeve with spot varnish front & back : stunning artwork by Andy Lefton : full colour printed inner sheet. Label: Amebix Records Barcode: 5060174952418
  • Out of stock
    Silent since the late 80s, Amebix, a duo of the reclusive swordsmith Rob Miller and his brother Stig have had their lineup augmented with the addition of drummer Roy Mayorga (Soulfly, Stone Sour). Sonic Mass is their first album in over 20 years and their third in total. Deluxe gatefold sleeve with spot varnish front & back : stunning artwork by Andy Lefton : full colour printed inner sheet. Label: Amebix Records
  • Out of stock
    Recorded January 29th, 2009 at The Bowery Ballroom New York Plus, DVD: May 27th, 2009 Amebix at Triple Rock Minneapolis. The long-awaited Live concert featuring the ‘Sonic Mass’ line up featuring Stig, The Baron and Roy Mayorga (Stone Sour) on drums & Percussion. CD Comes in Deluxe gatefold Sleeve. Label: Amebix Records Barcode: 5060174952487

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