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Possibly two of the best deadly Thrash demos of the 80s finally available on vinyl in a great sounding quality version. This collection includes "D.T.P." (Death To Posers, 1986) and "Certain Death" (1987). Blazing fast infernal Thrash from this long running Californian horde formed in 1984. They sounded like Slayer at 45rpm with a drumming work often running at blasting speeds, crazy riffing and vitriolic screaming vocals.. together with Wehrmacht and few more this was the fastest Thrash around at those times. This is the best chance to get their two rare demos in a really great sounding version. 8 tracks that will leave your face twisted! Tracklist: A1 Sadus Attack 1:49 A2 Torture 2:44 A3 Kill Team 3:56 A4 Desolator 3:49 B1 Fight Or Die 3:19 B2 Twisted Face 2:08 B3 Number One 5:42 B4 Hands Of Fate 4:12 Label: D.T.P. Records/Fanclub -
New record from Athens's Rampage. 12 songs in good old hc/punk style. Black Vinyl ltd to 150. Label: Chaos & Anticonformity Records
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Sydney Northern Beaches' very own hard-biting rockers C.O.F.F.I.N are proud to share their fifth full-length studio album entitled 'Australia Stops', the highly-anticipated follow-up from their monumental 'Children In Finland Fighting In Norway' album from 2020. Out September 15th 2023 via Damaged Record Co in Australia, Bad Vibrations in Europe and Goner Records in North America. 'Australia Stops' was recorded in January 2023 at The Pet Food Factory studio with producer Jason Whalley (Frenzal Rhomb) behind the desk. A record that showcases a collection of diverse and gripping new works that highlight the band's evolution into more melodious, 1970's Australiana and boogie rock and roll. Frenzied, high-voltage guitars, thumping rhythms, flowing melody and clever, captivating lyrics exhibit an undeniable progression in composition and song-writing, while still unmistakably the C.O.F.F.I.N that fans world-wide have come to worship over their 18 year lifespan. For those who are no strangers to the Australian highways, 'Australia Stops' may be best recognised as words donned on the back of truck mud flaps. To C.O.F.F.I.N, 'Australia Stops' are words that became a polysemous idea and observation on Australian society, culture, art, politics and progression. "When the city burns up you get out, when the flint hits shot you get down", lyrics roared by drummer/vocalist, Ben Portnoy, a look into 'idle-Australia', our government action (or lack thereof) to social issues and the overarching notion of fear of change in this country. While the theme 'Australia Stops' poses political questions and ideals, it also synchronously shines light on the eminence of community, the healthy beating heart of art and music, the beautiful landscapes and divergent nature surroundings held dear within Australia. With this, 'Australia Stops' is neither a fully positive or negative elucidation of this country. It is a celebration of the things we are lucky to have, while always trying to encourage and inspire those around us to try and do better. Label: Bad Vibrations Records Barcode: 5060978392052
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THIS IS A PRE-ORDER! YOUR ORDER WILL SHIP ON OR AROUND NOVEMBER, THANKS! RÅPUNK documents the Swedish raw punk scene between 1981 and 1989. Inspired by bands like DISCHARGE, CRASS and DEAD KENNEDYS, the second wave of Swedish punk bands launched a furious, unique musical and visual onslaught that still affects and influences punk fans worldwide. Standard Edition 322 pages with a 3/4 dust jacket RÅPUNK documents the Swedish raw punk scene between 1981 and 1989. Inspired by bands like DISCHARGE, CRASS and DEAD KENNEDYS, the second wave of Swedish punk bands launched a furious, unique musical and visual onslaught that still affects and influences punk fans worldwide. The book captures the spirit of this era by featuring rare and never before seen photos of bands like ANTI-CIMEX, ASOCIAL, AVSKUM, DISARM, HUVUDTVÄTT/HEADCLEANERS, MISSBRUKARNA, MOB 47, MODERAT LIKVIDATION, RAPED TEENAGERS, RÖVSVETT, SKITSLICKERS, SVART PARAD, SVART SNÖ, SWANKERS PMS, TOTALITÄR and many, many more. It also documents the people — who by going to gigs, organising demonstrations, producing fanzines and releasing tapes and records — all represented different creative and ideological but equally important parts of the scene. RÅPUNK also features a great number of fanzines, posters, record and cassette artwork — all representing and encapsulating the scene’s raw, expressive and important Do It Yourself design aspect. Written by DAVID ANDERSSON — a member of the scene as a singer in IDENTITY and zine maker of BUBBEL-BAD — with a foreword by legendary NAPALM DEATH singer LEE DORRIAN, who toured Sweden at the time, and was one of the few promoters to bring the Swedish råpunk bands to the UK. The book fills a previously blank area on the map as this is the first time the Swedish raw punk scene of the 1980s gets a visual documentation in book form. Written & compiled by: David Andersson Foreword by: Lee Dorrian Edited by: Justin Hallström & Caroline Södergren Published by: No Good 190mm x 270mm 322pp 4pp cover w/ dust jacket ISBN 978-1-7394371-0-7
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Short Days hails from Lille, nothern France. They've released a bunch of ep's getting better and better record after record. We really loved their "Bleak City" 7" out last year and we were more than pleased when the band proposed us to corelease their first full length. So "Short Days" is out now, 11 tracks of energy and catchiness often compared to The Observers or Social Circle. Youth Avoiders with a bit more of melody can also come to mind listening this killer LP. The band has had the great idea of including some keyboard parts here and there. The album was recorded in Roy-de-Rats studio in Leipzig, and mastered by Daniel Husayn at North London Bomb Factory. 3rd pressing of the SHORT DAYS LP. We are really thrilled of the enthousiasm this record has received since its release in 2017. This pressing comes in a new cover version. We are also excited to tell that the band has recorded a new full lenght a couple of weeks ago to released late 2023 ! Label: Destructure Records
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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats. All time hc/punk classic. Label: Radiation Records Barcode: 8055515232493
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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• The first-ever reissue of the ultra-rare 1981 single from foundational New York hardcore band Kraut! • Side A features the original mix of "Unemployed" (later remixed for the band's 1982 album An Adjustment To Society) and the B-side sports a completely different version of "Last Chance" as well as the non-LP track "Matinee!" • Original copies of this 7" are scarce and fetch as high as $350 on collector's sites! • Limited edition of 500 per color! Label: Cleopatra/New Red Archives Barcode: 889466364549
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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"Rage Against the Machine" (also known as American Composite) is the original demo tape by Rage Against the Machine, released in December 1991. The 12-track tape was recorded at Sunburst Studio in Los Angeles after drummer Brad Wilk joined the band but before they had played their first live show. When the band began performing live shows they sold the tape for $5, eventually selling approximately 5,000 copies. Shortly thereafter, the band was signed to a record deal with Epic Records on the strength of the demo's success. As well as being sold at early live shows, the demo tape was sent to a number of record companies to showcase the band. Atlantic Records was sent one and produced a number of copies which the label sold under its own name. The band later discovered this but decided not to take action. The Atlantic Records issued cassette tape features an entirely different cover than the band's self-released tape, with an artistic rendering of a man with a distorted and zippered face and the band's Rage Against the Machine moniker made apparently of lettering taken from different newspaper headlines. Seven of the 12 songs on the demo tape became part of the band's eponymous debut album. Of the five songs omitted—"Darkness of Greed", "Clear the Lane", "Mindset's a Threat", "Auto Logic", and "The Narrows"—the first 2 were eventually included as B-sides on the lead single from the debut album, "Killing in the Name", with the remaining 3 never seeing an official release. Several songs on the demo are nearly identical to the versions appearing on the debut album, but others have noticeable differences; the tempo of "Take the Power Back" on the demo, for example, is much slower and has a different final verse. The record is notable for the first appearance of the song "Bullet in the Head", which became a hit when reissued as a single later in the year after being transferred intact (with re-recorded vocals for the verses only) from the demo to the album. The song "Darkness of Greed" hails back to vocalist de la Rocha's previous band Inside Out, which broke up mid-1991. Inside Out performed the song on many occasions, and several RoIOs exist of those performances. (RATM later re-recorded the song for The Crow soundtrack.) Another significant indicator of Inside Out's influence on RATM's initial direction is the fact the name "Rage Against the Machine" is also the title of an Inside Out song. The main riff from "The Narrows" would later be reused as the main riff for "Fistful of Steel" and parts of "Mindset's a Threat" would later become a part of "Wake Up" and are present in "Freedom" and in the solo on "Bullet in the Head". The main riff for "Clear the Lane" is nearly identical to that used on their 2000 cover of The Rolling Stones' "Street Fighting Man". The songs "Darkness of Greed" and "Clear the Lane" were both digitally remastered and included as B-sides on the "Killing in the Name" single and have both been reissued on singles and promos many times since. Tracklist: Side A: Bombtrack Take The Power Back Bullet In The Head Darkness of Greed Clear the Lane Side B: Township Rebellion Know Your Enemy Mindset's a Threat Killing In The Name Side C: Audio Logic The Narrows Freedom Label: Fan Club/Unofficial Release
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American Psycho is the fourth studio album by the American punk rock band Misfits. Released on May 13, 1997, it was the first to be recorded and released without the band's founder and former leader Glenn Danzig. Bassist Jerry Only, after years of litigation, reached a settlement with Danzig and was granted the rights to use the band's name and image to record and perform. The album also marked the addition of singer Michale Graves and Dr. Chud on drums. Originally, the album was going to be titled Dead Kings Rise, a play on the band's resurrection, but was changed when the title track did not make the album. The album was produced by New York City based musician Daniel Rey, who had previously worked with artists such as King Missile and the Ramones. Label: GEF-25126/Unofficial Release
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Punk classic back in print! Milo Goes to College is the first full-length album by the American punk rock band the Descendents, released in 1982 through New Alliance Records. Its title referred to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot. It was the Descendents' last record with founding guitarist Frank Navetta, who quit the band during the hiatus that followed its release. (New Alliance/Unofficial Release)
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Official reissue their second LP originally released in 1981, their first album with new girl singer Vim Cola. Different in style but has couple of great tunes. Magazine is probably a good comparison, although sometimes you can notice that this band played punk rock before this album. Recorded at studio Tivoli, Ljubljana, Summer 1981. Reissue on vinyl featuring 2 bonus tracks. (Dallas Records)
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Οι ΕΝΑΝΤΙΑ αποτελούνται από μέλη με πολύ μεγάλη ιστορία στο ελληνικό punk, καθώς οι Γιάννης S. (φωνή), Κώστας Mp. (κιθάρα), Κώστας A. (μπάσο) και Κώστας Μαυρ.(ντραμς) έχουν παίξει ζωντανά αμέτρητα live σε ολόκληρη την Ελλάδα σαν ΑΝΤΙΔΡΑΣΗ από το 1986 έως το 1999 και έχουν ηχογραφήσει δίσκους αναφοράς για το συγκεκριμένο ιδίωμα όπως τα «Αίμα στους δρόμους» (7’’ single / 1989), «Κατάσταση κινδύνου» (LP / 1990), «Ενάντια» (LP / 1991). Η παρέα των ΕΝΑΝΤΙΑ μας συστήθηκε στις αρχές του 2005 με το πρώτο demo τους «Για μια στιγμή / Διπρόσωπε». Στην πορεία προστέθηκαν ακόμη ο Σταύρος Δ. (ντραμς – ιδρυτικό μέλος των ΑΝΤΙΔΡΑΣΗ) και ο Γιώργος Geo Beo. Μετά από πολλά χρόνια αναμονής, το πρώτο album της μπάντας «Γιατί πολύ αφήσαμε τα ποντίκια να χορεύουν..» είναι επιτέλους έτοιμο. Κυκλοφορεί σε 500 αριθμημένα αντίτυπα βινυλίου από την LABYRINTH OF THOUGHTS records. Με υλικό που γράφτηκε από το μακρινό 1986 όπως το «Άγια Ανθρωπάκια» που παιζόταν τότε σε όλες τις πρόβες τους, μέχρι το 2022 και το ‘Πώς Γίνεται;’ που αναφέρεται σε έναν άλλον έναν Βρώμικο Πόλεμο που περνάει σαν ταινία μπροστά από τα μάτια μας! H μπάντα λοιπόν συνεχίζει από εκεί που μας άφησε, μιας και όπως μας λένε στο «1985» (ένα τραγούδι που ενώνει το τότε με το τώρα) “…χρόνια που είναι τόσο μακρινά, μοιάζουν τόσο ίδια, τόσο κοντινά…” Η ώρα επιτέλους έφτασε!! Πάμεεεεε!!! (Labyrinth of Thoughts)
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Female fronted punk trio from Crete/Greece. 200g Black Vinyl. (Ouga Booga and the Migthy Oug Recordings)
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Kaaos/Cadgers split was first release of Kaaos and at the same time first release of the Cadgers (later Riistetyt) it was released in 1981 by P.Tuotanto. Official repress of this legendary 8-track EP from 1981. Black vinyl in 14“x7“ double sided cover. (Larmattacke Records)
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Αποτελεί τη συνέχεια των βιβλίων Release the Bats και Return of the Bats. Το βιβλίο συνεχίζει από εκεί που έμεινε το δεύτερο μέρος, καλύπτοντας αναλυτικά τα τεκταινόμενα των τελευταίων ετών αλλά και με αναδρομές στο παρελθόν. Γίνεται αναλυτική παρουσίαση όλων των συγκροτημάτων, των συναυλιών και της νυχτερινής ζωής με πλούσιο φωτογραφικό υλικό. Αυτή την πρώτη μέρα κυκλοφορίας του βιβλίου θα διατίθεται ένας περιορισμένος αριθμός αντιτύπων, ευκαιρία για όσους επιθυμούν να το αποκτήσουν άμεσα τωρα το καλοκαίρι, πριν την κανονική διανομή από Σεπτέμβριο
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Tote bag. (100% cotton)
Πάνινη τσάντα από 100% βάμβακι.
Διαστάσεις: Ύψος 40.οο εκατοστά.
Φάρδος 37.00 εκατοστά. -
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Created on the western edges of the infinite plains and prairies of coldest Canada, Edmonton, Alberta's HOME FRONT dance freely and madly along the edges of time and create their own moment amongst the revered and long frozen reserves of THE CURE, SUICIDE, ECHO AND THE BUNNYMEN, "Second Empire Justice" era BLITZ, and NEW ORDER. A record bubbling over with analog synth, guitar loops, slammed 808 drums, and anthemic vocal pushes tugging at the great moment in-between the “death” of punk and the “birth” of new wave, pulling fresh sounds into their punk roots and shoving a studded leather jacket around a silk robe. Justice, violence, doubt and uncertainty a la Gary Numan narrating a Warren Miller Extreme Ski Special on the set of TO LIVE AND DIE IN LA: this is HOME FRONT. (La Vida Es Un Ms Records)
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It’s going off and The Chisel are back to cause a bit of bovver. Following a trio of explosive singles, the band finally bring us their debut full-length album, Retaliation, on the London-based punk institution La Vida Es Un Mus. Having formed in early 2020 and featuring a crew of members with long-term associations to the London punk scene, The Chisel quickly secured a reputation as one of the most exciting bands from a pool of contemporaries that includes Chubby & The Gang, Stingray and Big Cheese. Their sound is rooted firmly in Punk but with influences that run across the board to create a distinctive blend of Oi!, anarcho, UK-82 and hardcore. Retaliation is an unmistakably British record that draws a line from 1982 up to the present day, pushing its way into your collection and torching your stereo. Opening with the agitated force of ‘Unlawful Execution’, the tone is firmly set by a song that addresses the brutality of the Met Police (“Tell me what’s the difference between right or wrong / When a copper gets to blast a lad who did nothing wrong”). ‘Come See Me’ is a ferocious ode to camaraderie in the face of mouthy boneheads and bellends. ‘Shit Life Syndrome’ is a poisoned reference to the same cynical phrase used by physicians to describe the effects of people living under poverty and in the grips of substance abuse (“How can you expect people to act nicely, they’ve all been left on the edge of society”). It’s one of many songs influenced by singer Cal’s experiences of growing up in the working-class town of Blackpool. Cal states: “Blackpool as a town is often overlooked or even looked down upon, I wanted to write lyrics which gave the people of my town a voice”. With tunes like these The Chisel show that they’ll never pull any punches. However, beyond the fury and the swagger there’s another side that plays to an additional strength; the ability to write a memorable hook. Songs like ‘Retaliation’, ‘Tooth & Nail’ and ‘Not The Only One’ could be described as modern day anthems (the latter has become a fan favourite since the arrival of their first live shows) and cement their identity as a band not to be defined by their influences. Retaliation is 14 tracks of dance floor-stomping-working class Chisel-music. Here and now, The Year of The Chisel. (La Vida Es Un Mus Records)
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Brasil is the 4th album by the legendary Brazilian band Ratos De Porao, which was released in 1989. Considered by many fans the masterpiece of Ratos' discography, this record was the passport to the worldwide scene. This can be consideredas a true crossover abum. Totally remastered reissue. This reissue by Pinhead Records Argentina is entirely in Portuguese. Special edition with bonus tracks. Limited to 500 copies Tracklist LADO 1 1 Amazonia Nunca Mais 2 Retrocesso 3 Aids, Pop, Repressão 4 Lei Do Silêncio 5 S.O.S. País Falido 6 Gil Goma 7 Beber Até Morrer 8 Plano Furado II 9 Heroína Suicida 10 Bloody Pigs (Bonus Track) 11 Animal Life (Bonus Track) LADO 2 1 Crianças Sem Futuro 2 Farsa Nacionalista 3 Traidor 4 Porcos Sanguinários 5 Vida Animal 6 O Fim 7 Máquina Militar 8 Terra Do Carnaval 9 Herança 10 Military Machine (Bonus Track) Label: Pinhead Records Barcode: 0737186580346
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Defined by constant movement and dedicated to personal freedom, Turnstiles challenged us to play according to "New Rules" in 2011; "Step To Rhythm" and "Keep It Moving" in 2013; "Nonstop Feeling" in 2015 and "Come Back For More" in 2015, the latter through their 2016 debut album "Move Thru Me". Always more incentive than invitation, more liberation than restriction, Turnstile stretch out their hand again in 2018 with "Time & Space". Recorded with producer Will Yip at Studio 4 in Conshohocken, Pennsylvania, "Time & Space" marks Turnstile's Roadrunner debut and shows a band that, with a tremendous amount of heart, doesn't shy away from even the biggest language images of hardcore. Brendan Yates (vocals), Franz Lyons (bass/vocals), Brady Ebert (guitar), Pat McCrory (guitar) and Daniel Fang (drums) make hardcore punk that is young in mind and driven by youthful furor. Which aims to break down boundaries, both sonically and ideologically. Always looking outwards, "Time & Space" is the work of a band that operates without borders, is constantly growing and always moving at high speed. Stereogum: "The biggest hardcore band of the hour could be Turnstiles", Thrasher Magazine: "These guys are powerful", GQ attested: "Turnstiles are more than a hardcore band - they have a whole movement behind them". (Roadrunner Records)
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Already renowned for a ball-tearing live show, The Sniffers made their international debut as one of the hottest tipped acts at The Great Escape in 2018. Soon afterwards, they signed deals with both Rough Trade Records and ATO Records, made a massively hyped appearance at SXSW, and finally released their self-titled debut album in 2019, landing them an ARIA (Australian Recording Industry Association) Award for Best Rock Album, capping off a wild year for the lunatic, likeable punks. Late in 2020, Amyl and The Sniffers went into the studio with producer Dan Luscombe to record their sophomore album, Comfort To Me. Written over a long year of lockdown, the album was influenced by and expanded on a heavier pool of references - old-school rock’n’roll (AC/DC, Rose Tattoo, Motörhead and Wendy O Williams), modern hardcore (Warthog and Power Trip) and the steady homeland heroes (Coloured Balls and Cosmic Psychos). Lyrically, the album was influenced by Taylor’s rap idols and countless garage bands and in her words ‘I had all this energy inside of me and nowhere to put it, because I couldn’t perform, and it had a hectic effect on my brain. My brain evolved and warped and my way of thinking about the world completely changed.’ Seventeen songs were recorded in the Comfort to Me sessions and the top 13 made the cut. They were mixed long-distance by Nick Launay (Nick Cave, IDLES, Yeah Yeah Yeahs) and mastered by Bernie Grundman (Michael Jackson, Prince, Dr Dre). Comfort To Me demonstrates the same irrepressible smarts, integrity and fearless candour as their debut but as you’d expect of any young band five years on, their sound has evolved, in Amy’s words it’s ‘raw self expression, defiant energy and unapologetic vulnerability.’ Label: Rough Trade Records Barcode: 1 91402 02501 9
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This version differs from the 2018 version Poison Idea - Feel The Darkness in the following ways. -All tracks have been completely remixed. -New audio sources with complete performances were used for tracks C6 and D1, so that backup vocals, guitar solos, etc that were missing on the 2018 version are now included. -Design revisions were made to the inner gatefold and printed inner sleeves. POISON IDEA's 1990 masterpiece is back!! This double-LP set is the first authorized reissue of "Feel The Darkness" in 15 years!! -Remastered from the original 24-track analog reels by Joel Grind (Toxic Holocaust)! -Includes the original 13-song LP, plus a bonus LP of singles, b-sides, outtakes and remixes that together comprise the entire FTD recording sessions!! Side A (Original Album) 1. Plastic Bomb 2. Deep Sleep 3. The Badge 4. Just To Get Away 5. Gone For Good 6. Death Of An Idiot Blues 7. Taken By Surprise Side B (Original Album) 1. Alan's On Fire 2. Welcome To Krell 3. Nation Of Finks 4. Backstab Gospel 5. Painkiller 6. Feel The Darkness Side C (Singles, B-sides & Outtakes) 1. We Got The Beat (the Go-Gos) 2. Discontent 3. Jail House Stomp 4. The Harder They Come (Jimmy Cliff) 5. Lawdy Miss Clawdy (Lloyd Price) 6. This Is It Side D (Alternate Mixes) 1. Plastic Bomb (Alternate Mix) 2. Death Of An Idiot Blues (Thee Idiot Mix) 3. Feel The Darkness (Remix 4. Crack Smoking Freak Label: TKO Records
