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Dystopia was a sludge punk band from California defined by misanthropic lyrics and the use of samples. 'The Aftermath' was originally released in 1999 as a four-track LP on Life Is Abuse Records. 12 tracks + 16 page booklet. Download card included. Pressed onto Clear Vinyl. Contains all Dystopia tracks off of The Aftermath 12" (1-4) Backstabber 7" EP (5-7), Dystopia / Skaven split LP (8-11), Dystopia / Suffering Luna split 7" (12) Track Listing : Side A 1. Population Birth Control 2. Father’s Gun Side B 3. Self Defeating Prophecy 4. Sleep Side C 5. Socialized Death Sentence 6. Backstabber 7. They Live Side D 8. Anger Brought by Disease 9. Jarhead Fertilizer 10. Taste Your Own Medicine 11. Instrumental 12. Diary of a Battered Child Label: Tankcrimes Records -
10 years after their last release on Agipunk, we're happy to welcome the kings of stench-core back under our flag. HELLSHOCK are still standing relevant and still playing some of the heaviest riffs in the world wide punk scene. Where most bands of the crust genre seem to lose the fire and filth or simply break up before their prime, this band seems to get more powerful with each release and this long awaited LP is no exception! This recording features the addition of Robbie Chronic from RIPPER on guitar who adds some real sick fucking solos on top of the established rolling crust riffage that the original core group had perfected years ago. Neck aching tempos, sheer brutality, growled anguished vocals, and epic song writing without straying from pure unadulterated crust. For the seasoned HELLSHOCK fan, you know you will already love this album and it will only exceed expectations. For the newcomer, if they were to ask “what is this crust/stenchcore thing about?”, I would point them to AMEBIX, DEVIATED INSTINCT, AXEGRINDER, and HELLSHOCK. The name deserves to be right beside the creators and masters. In another 20+ years this record will be regarded as one of the best crust records of the 2020’s, just as we look back at “Only the Dead Know the End Of War” as a defining record of the early 2000’s. Label: Agipunk -
More than cult NY Hardcore combo that lasted for a few years only, from mid to late 80's. From the ashes of the thrash metal/crossover band NYC Mayhem, Straight Ahead recorded a handful of songs for a demo and the legendary 12" "Breakaway". Not to be messed with the metallic bands that were around at the time, Straight Ahead played fast no frills strong in your face hardcore. Members of Straight Ahead can be tracked in the line ups of Youth Of Today, Agnostic Front, Sick Of It All, Rest in Pieces. A1-A6 "Breakaway" 12'' 1987 A7-A18 Demo 1985 B1-B10 Live CBGB's March 1987. Label: Die Hard/Unofficial Release)
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"Paganicons" is the debut EP of post-hardcore band Saccharine Trust, originally released on December 10, 1981, through SST. Now available again on vinyl. One of the greatest of the early SST releases which is impressive considering a catalog which also included onset recordings from Minutemen and Black Flag. One listen and you can clearly here why guitarist Joe Baiza considered his band the black sheep of the label and why famous fans include Kurt Cobain, Buzz Osborne and Sonic Youth. Produced by Spot, Mike Watt and Saccharine Trust and recorded at Media Art Studio in Hermosa Beach in April of 1981. Includes lyric insert. Label: SST Records/Fanclub
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This is a pretty good fanclub release that I've never seen around. All the songs are in chronological order and the insert shows all the original singles artwork. Tracks A1 & A2 originally from the Cough / Cool 7" Tracks A3 to A6 originally from the Bullet 7" Tracks A7 to A9 originally from the Horror Business 7" Tracks A10 to A12 originally from the Night Of The Living Dead 7" Tracks B13 to B14 originally from the Halloween 7" Tracks B15 & B17 originally from the 3 Hits From Hell 7" Tracks B18 to B20 originally from the Die Die My Darling 12" Track B21 from the unreleased Teenagers From Mars 7" Track B22 from the unreleased Who Killed Marilyn? 12" Track B23 from the Beware 12" (Fan Club/Unofficial Release) https://youtu.be/N__rhKw2UHU
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Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. Label: Dwed Wecords
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Seminal record for any punk in UK, China or whatever you live, fucker!!!! The Partisans were formed in Wales south in 1978 with the original line-up of Phil Staton-voice, Rob "Spike" Harrington-guitar and backing vocals, Andy Lealand-second guitar, Mark "Shark" Harris-drums and Mark "Savage" Parsons-bass. This line-up will change after one year as Parsons and Staton left the band and Rob took the voice position and entering Louise Wright as bass player. Basically influenced by Sex Pistols, The Clash and Ramones, The Partisans started to cover those bands and playing some own sounds too. On September 1981 they released their first 7" under the label No Future Records, a fantastic single that helped the band to tour with the likes of Blitz, The Ejected and Peter and the Test Tube Babies. On May 1982 they released their second 7" and when 1983 arrived the band's debut LP was out. This debut LP is one of the seminal steps on British punk for sure, a record that still sound fresh and strong after 3o years. Label: Beat Generation
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RF7 is a long-lived, southern California punk rock band that began in 1979 by Felix Alanis and small time child star of the Sheriff John show Nick Lamagna. Felix also began the record label Smoke Seven Records and signed his band and many others who were ignored by the big labels then, such as Redd Kross, Bad Religion, JFA, Crank Shaft, Circle One, Sin 34, Youth Gone Mad, etc. From the beginning, the RF7 sound was not clearly punk but really what would be called today hardcore punk. RF7's 1982 "Weight of the World" is their debut album and is reissued for the first time on vinyl since the original release. Label: Puke N Vomit Records
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In four short years of existence, Green Lung have risen from the murk of the UK heavy underground to become a true cult band with a devoted following. Debut album Woodland Rites, released independently in early 2019, quickly garnered attention, resulting in a single being named ‘Track of the Week’ in the Guardian, plays on Daniel P. Carter’s Radio One Rock Show, a tour with fellow UK heavies Puppy and festival appearances across Europe. This brought the band to the attention of the wider music industry, and after multiple offers from a variety of labels, the band decided to stay true to their roots and sign with the Finnish audio wizards at Svart Records, home to several of their doomy inspirations including Reverend Bizarre and Warning. Svart’s deluxe reissue of the album, and the preceding EP Free the Witch, sold out several pressings. Two years later, the folk horror-obsessed fivesome have re-emerged from their mulchy catacombs armed with dozens of freshly-whittled riffs. Black Harvest, the sequel to Woodland Rites, is a more colourful reimagining of the band’s sound – Dawn of the Dead to its predecessor’s Night of the Living Dead. Recorded at Giant Wafer Studios in rural mid-Wales over the course of two weeks with longtime producer Wayne Adams (Petbrick, Big Lad), it’s a more expansive and textured record than anything the band have done before, boasting a cinematic quality and more attention to detail. All samples were sourced from the local countryside and from instruments found in the studio, including the haunting opening vocal of ‘The Harrowing’ which was recorded on a whim after the band broke into the local church (the organ can be heard creaking in the background). The album was recorded in late autumn, and the seasonal atmosphere seeped into the music, which is redolent of mists, falling leaves, and the crumbling glory of the Magnificent Seven cemeteries of London, the city the band call home. The album also soaks in new sonics beyond the ‘Black Sabbath meets Brian May’ blueprint of what went before. ‘The Harrowing’ takes the band’s tradition of instrumental opening tracks to dizzy new heights, like Atomic Rooster jamming with Boston, while ballad ‘Graveyard Sun’, based on the folklore around the ‘Highgate Vampire’, adds gothic synth lines that would give Type O Negative pangs of jealousy. That’s not to say the hooks n’ heaviness approach that made the band’s name isn’t here in abundance, as the Sabbath-meets-Purple chug and groove of revolutionary lead single ‘Leaders of the Blind’ and the Hammer Horror riff frenzy of ‘Upon the Altar’ prove. Closer ‘Born to a Dying World’ is unlike anything the band have written before; an endtimes ballad with an almost gospel feel, tying the band’s omnipresent nature themes to the Anthropocene. Mastered by John Davis at Metropolis (Led Zeppelin, Royal Blood), Black Harvest comes packaged in stained glass artwork by renowned artist Richard Wells (Doctor Who, Dracula, Ben Wheatley’s In the Earth), and is available in gatefold vinyl and CD formats. Gatefold sleeve, large booklet, limited green vinyl. Label: Svart Records
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A double digipak edition of the album, with the earlier EP Free The Witch as bonus on disc 2. Originally released in March 2019, the Green Lung’s debut long player has sold out three pressings quickly. In four short years of existence, Green Lung have risen from the murk of the UK heavy underground to become a true cult band with a devoted following. Debut album Woodland Rites, released independently in early 2019, quickly garnered attention of the wider music industry, and after multiple offers (including one from a major label) the band decided to stay true to their roots and sign with the Finnish audio wizards at Svart Record. Svart's deluxe reissue of the album, and the preceding EP Free the Witch, sold out several runs. Two years later, the folk horror-obsessed fivesome have re-emerged from their mulchy catacombs armed with dozens of freshly-whittled riffs. Black Harvest, the sequel to Woodland Rites, is a more colorful, widescreen reimagining of the band's sound - Dawn of the Dead to it's predecessor's Night of the Living. Recorded at Giant Wafer Studios in rural mid-Wales over the course of two weeks with longtime producer Wayne Adams (Petbrick, Big Lad), it's a more expansive and textured record than anything the band have done before, boasting a cinematic quality and more attention to detail. All samples were sourced from the local countryside and from instruments found in the studio, including the haunting opening vocal of "The Harrowing" which was recorded on a whim after the band broke into the local church (you can hear the organ creaking in the background). This third pressing is remastered by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK. The album comes with a 8 page booklet and a A4 art print, limited to the first Svart pressing only, all wrapped in a gatefold jacket ‘This is heavy metal how it should be done, with lashings of occult camp and some sweet solstice swagger’ The Guardian Label: Svart Records Barcode: 6430065589563
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Massive box set with 4 LPs, one DVD, large 12? booklet, A4 booklet, A5 leaflet, three posters, flyers and hidden gems! This is the final nail in the coffin of Reverend Bizarre and also the final part of Svart Records’ long-standing mission to release the band’s entire discography on vinyl. The vinyl box set contains both versions of the band’s legendary demo Slice of Doom plus the promo tape the band did to get a deal for their first album In The Rectory. Additional bonus is a live DVD of the band’s very first live show at TVO in Turku, Finland on September 18th, 1999. Then there’s replicas of three early gig posters, the rare True Doom manifesto by Earl of Void, a large booklet compiling all visual material and background info from these early years, a very rare promo booklet replica, flyers plus hidden gems. This "Amanita Muscaria Splatter" edition is exclusive to the Svart webstore! Limited to 888 copies. Label: Svart Records Barcode: 6430050660444
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A heavy box set with 3 CDs, one DVD, 32 page booklet and some secret goodies. This is the final nail in the coffin of Reverend Bizarre and also the final part of Svart Records' long-standing mission to release the band's entire discography on vinyl. The CD box contains both versions of the band's legendary demo Slice of Doom plus the promo tape the band did to get a deal for their first album In The Rectory. Additional bonus is a live DVD of the band's very first live show at TVO in Turku, Finland on September 18th, 1999. The 32-page booklet, compiled by Albert Witchfinder, contains all essential visual material related to the band's demo era. Label: Svart Records Barcode: 6430080230693
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The debut album from 1969 was immense, but nothing could quite prepare you for the brutal masterpiece that is Funhouse. It is something that is neither pretty nor wholesome, and it succeeds almost entirely on the powerful chemistry at work. Iggy screams, shouts, yelps, and grunts over a barrage of simplistic music with simplistic lyrics and, at times, no music at all (La Blues). Other great tunes present here are Down on the Street, the excellent opener, 1970, a perfect proto-punk anthem, and the title track, simply one of the finest, rawest, most visceral songs ever recorded. This is one of the best albums of all time. if you have any blood in your veins, buy a copy and you won't be disappointed.
Tracklist
Label: Elektra Barcode: 081227323813A1 Down On The Street 3:42 A2 Loose 3:33 A3 T.V. Eye 4:17 A4 Dirt 7:00 B1 1970 5:15 B2 Fun House 7:46 B3 L.A. Blues 4:55 C1 T.V. Eye (Takes 7 & 8) 6:01 C2 Loose (Take 2) 3:42 C3 Down On The Street (Take 8) 4:08 C4 Dirt (Take 4) 7:08 D1 Lost In The Future (Take 1) 5:49 D2 1970 (Take 3) 7:27 D3 Fun House (Take 2) 9:14 -
The Stooges is the debut studio album by American rock band the Stooges, released on August 5, 1969 by Elektra Records. Considered a landmark proto-punk release, the album peaked at number 106 on the US Billboard Top 200 Albums chart. The tracks "I Wanna Be Your Dog" and "1969" were released as singles; "1969" was featured on Rolling Stone's list of the "100 Greatest Guitar Songs" at number 35. Label: Elektra Barcode: 081227943141
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Groundbreaking 1969 Elektra debut album recorded live in Detroit. Produced by Jac Holzman and Bruce Botnik. Includes the classic “Kick Out The Jams”. Limited vinyl LP repressing of the classic 1969 debut album from the Garage Rock icons. Label: Elektra, Rhino Records Barcode: 081227971595
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Ever since they rocketed out of Queens in 1974, the Ramones have inspired countless kids worldwide to pick up guitars and rock. Bringing a bubblegum sensibility to the fast-and-hard mentality, their primal sound is considered a blueprint for all things resembling snotty, catchy, ear-bleeding punk rock. The Ramones' follow-up to their astounding self-titled debut showcases a slightly poppier sound but with the same winning results. Originally released in 1977, Leave Home features the classic Ramone's cuts "Pinhead," "Gimme Gimme Shock Treatment" and "Commando. • 180g Vinyl LP • Superior 2017 remastered audio Label: Sire/Rhino Records Barcode: 081227940256
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Fear of the Dark is the ninth studio album released by English heavy metal band Iron Maiden. Released on 11 May 1992, it was their third studio release to top the UK albums chart and the last to feature Bruce Dickinson as the group's lead vocalist until his return in 1999. It was also the first album to be produced by bassist and band founder Steve Harris, and the last to feature the work of producer Martin Birch (who retired after its release). At 57:58 minutes in length, Fear of the Dark was Iron Maiden's first double studio LP, as well as the longest album from Dickinson's first tenure in the band. The album's musical style showed some experimentation with "Be Quick or Be Dead", a fast tempo song released as the album's first single, and "Wasting Love", the group's first power ballad, which dates back to Dickinson's first solo album, Tattooed Millionaire. Both songs were Dickinson/Gers collaborations, which contrasted with Harris' "Afraid to Shoot Strangers", a political song from the point of view of a soldier in the Gulf War, Dickinson would often introduce the song as an anti-war narrative. "Fear is the Key" is about the fear in sexual relationships resulting from AIDS. The song was written around the time when the band learned about the death of Queen singer Freddie Mercury. Dickinson affirmed: "There's a line in 'Fear Is the Key' that goes: "nobody cares 'til somebody famous dies". And that's quite sadly true. [...] As long as the virus was confined to homosexuals or drug-addicts, nobody gave a shit. It's only when celebrities started to die that the masses began to feel concerned". "Weekend Warrior" is about football hooliganism. Only two of the album's songs, the title track "Fear Of The Dark" and "Afraid to Shoot Strangers", would survive on tours following 1993. "Fear of the Dark" has been on the set list of every subsequent tour except 2005, in which the band only played songs from their first 4 albums, and was the only song played on the Somewhere Back in Time World Tour and the Maiden England World Tour (other than "Afraid to Shoot Strangers") which was not from the 1980s. "Afraid to Shoot Strangers" became a frequent addition on setlists during Blaze Bayley's tenure with Iron Maiden, following which it returned in 2012. "Be Quick or Be Dead", "From Here to Eternity" and "Wasting Love" were released as singles. 180 Gram Black Vinyl Original Album Art And High Res Audio Remasters. Made in the EU. Discs are in black inner sleeves. Label: Parlophone Barcode: 0190295852344
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Somewhere in Time is the sixth studio album by English heavy metal band Iron Maiden. It was released on 29 September 1986. Heavyweight 180 Gram Vinyl. Issued with original artwork including a printed inner sleeve with lyrics, credits and photos. Label: Parlophone Barcode: 825646248544
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Dookie is the third studio album by American punk rock band Green Day, released on February 1, 1994, through Reprise Records. It was the band's first collaboration with producer Rob Cavallo and it's major record label debut. Dookie became a worldwide commercial success, peaking at #2 on the US Billboard 200 and charting in seven countries. The album helped propel Green Day, and even punk rock music into mainstream popularity. Dookie was certified Diamond by the Recording Industry Association of America for the shipment of 10 million copies. Label: Reprise Barcode: 093624986959
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"Released in 1995, "Insomniac" was Green Day's second major label record, and their fourth album overall. This album follows in the footsteps of its predecessor "Dookie," but for some reason it just didn't have that kick like the aforementioned "Dookie" had. Released at a time when alt-rock was all the rage in the U.S., Green Day took the reigns and ran with them. Many people bashed this album for not being as good as their previous outings, but for my money, it's just as enjoyable as all their other records. The biggest difference is the absence of that one real killer track on the album that Green Day is so noted for. Granted I love "Brain Stew," "Jaded," "Geek Stink Breath" and "Walking Contradiction," but none of these rivals "Basket Case" and "Welcome to Paradise." To be honest though, it's tough to follow up a record like "Dookie." Many bands released amazing records and never followed them up with anything; at least Green Day has continued to pump out terrific albums to this day. Another no brainer on the Green Day front. No way hard rock fans will be disappointed, and for the rare chance that you're never heard a Green Day song, this album has some of their best work in my opinion. Great album all the way around." Label: Reprise Records Barcode: 093624604617
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Another compilation of singles, B-Sides, album tracks, and BBC sessions - this time assembled for the American market, Louder Than Bombs is a sizeable collection that boasts a wealth of brilliant material. It includes hits such as the irresistible "Ask"' the bouncing pop of "You Just Haven't Earned It Yet, Baby" and the sad "Unlovable". Tracklist: A1 Is It Really So Strange? 3:02 A2 Sheila Take A Bow 2:41 A3 Shoplifters Of The World Unite 2:57 A4 Sweet And Tender Hooligan 3:33 A5 Half A Person 3:35 A6 London 2:06 B1 Panic 2:17 B2 Girl Afraid 2:48 B3 Shakespeare's Sister 2:08 B4 William, It Was Really Nothing 2:10 B5 You Just Haven't Earned It Yet, Baby 3:21 B6 Heaven Knows I'm Miserable Now 3:34 C1 Ask 3:15 C2 Golden Lights 2:38 C3 Oscillate Wildly 3:26 C4 These Things Take Time 2:21 C5 Rubber Ring 3:46 C6 Back To The Old House 3:04 D1 Hand In Glove 3:10 D2 Stretch Out And Wait 2:38 D3 Please Please Please Let Me Get What I Want 1:50 D4 This Night Has Opened My Eyes 3:40 D5 Unloveable 3:55 D6 Asleep 4:16 Label: Sire Barcode: 825646658770
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Morrissey and Marr laboured hard over the songs, working to expand the band's sound within their boundaries. In doing so they created the classic tracks "I Started Something I Couldn't Finish," "Girlfriend In A Coma," "Stop Me If You Think You've Heard This One Before," and "I Won't Share You". This, the highest charting of all their albums, easily offers a summery of the band's considerable strengths. Newly re-mastered audio by Frank Arkwright (overseen by Johnny Marr, no less) and packaged in the original sleeves with original labels and original inner bags, pressed on high-quality 180 gram vinyl! This absolutely classic album from the Manchester quartet was originally released in 1987. Though the band only lasted four years as a recording unit, their influence can still be seen, heard and felt more than two decades after they officially split up. Label: Rhino Records Barcode: 825646658794
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Arriving in an era dominated by synth pop and gloomy post-punk, The Smith's eponymous debut was the beginning of a new era. Johnny Marr's inventive song writing and ringing guitars were catchy and melodic and were made all the more original by Morrissey's vocal style and lyrics. Although The Smiths continued to improve over the course of their career, the songs here are vital and alive, making sure that their debut remains startling and exciting to this day. Label: Rhino Records Barcode: 825646658800
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The Queen Is Dead is the third studio album by the English rock band the Smiths. It was released on 16 June 1986 in the UK by Rough Trade Records, and on 23 June 1986 in the US by Sire Records. Label: Warner Music UK Ltd. Barcode: 825646658879
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The Division Bell is the fourteenth studio album by the English progressive rock band Pink Floyd, released on 28 March 1994 by EMI Records in the United Kingdom and on 4 April by Columbia Records in the United States. The second Pink Floyd album recorded without founding member Roger Waters, The Division Bell was written mostly by guitarist and singer David Gilmour and keyboardist Richard Wright. It features Wright's first lead vocal on a Pink Floyd album since The Dark Side of the Moon (1973). Gilmour's fiancée, the novelist Polly Samson, co-wrote many of the lyrics, which deal with themes of communication. It was the last Pink Floyd studio album to be composed of entirely new material, and the last recorded with Wright, who died in 2008. Recording took place in locations including the band's Britannia Row Studios and Gilmour's houseboat, Astoria. The production team included longtime Pink Floyd collaborators such as producer Bob Ezrin, engineer Andy Jackson, saxophonist Dick Parry and bassist Guy Pratt. The Division Bell received mixed reviews, but reached number one in more than 10 countries, including the UK and the US. In the US, it was certified double platinum in 1994 and triple platinum in 1999. Pink Floyd promoted it with a tour of the US and Europe; the tour sold more than 5 million tickets and made around $100 million in gross income. A live album and video, Pulse, was released in 1995. Some of the unused material from the Division Bell sessions became part of Pink Floyd's next album, The Endless River (2014). Label: Parlophone Barcode: 825646293285
