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Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl -
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Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first. It has been a number of years since these albums were readily available. The aim with these new vinyl releases is to approximate the original statements as closely as possible, but with remastered audio. The vinyl releases have the same covers and inners as the originals (minus the Harvest logo). These versions should be considered Wire’s classic 1970s albums, pure and undiluted. 1978’s Chairs Missing represented perhaps the biggest conceptual leap made during this period of Wire and was widely misunderstood at the time yet it remains, to the band and production crew Wire’s favorite ’70s album. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, Chairs Missing proposed something more radical, a definite futurism with much less influence from it’s antecedents. Chairs Missing was at once more stark and more lush than it’s predecessor and has exerted it’s own influence on the course of cultural history, having laid down one of the earliest (if not the earliest) blueprints for the genuinely post-punk aesthetic. (Pinkflag Records) -
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The original Not About To Die was an illegal /bootleg, released at some point in the early 80s, by the dubiously named Amnesia Records. The album was made up of selections from demos recorded by the group for their second and third albums: Chairs Missing and 154. These demos had been recorded for EMI, with cassette copies circulated amongst record company employees. However, they were never intended for release. A typically shoddy cash-in, the songs on Not About To Die were taken from a second or possibly third generation cassette, with the album housed in a grainy green and red photo-copied sleeve. Compared with the high standards of production and design Wire have always been known for, it was something of an insult to band and fans alike. Now, in a classic act of Wire perversity, the group have decided to redress the balance and reclaim one of the shadier moments of its history, by giving Not About To Die its first official release. All the tracks have been properly remastered, with the relevant recording details in place. As for the sleeve artwork, whilst it strongly references the original, it is decidedly more artful in its execution. Not About To Die emerges as a fascinating snapshot of Wire in transition with embryonic versions of classic songs such as ‘French Film (Blurred)’, ‘Used To’ and ‘Being Sucked In Again’, that the group would develop considerably for their epochal 1978 album Chairs Missing. Later demos such as ‘Once Is Enough’, ‘On Returning’ and ‘Two People In A Room’ would surface in radically altered form on 1979’s 154. Some songs, such as ‘The Other Window’, are virtually unrecognisable from their later iterations but the biggest prizes here may well be the tracks that were omitted from Wire's later studio albums... Highlights include ‘Motive’, which has an undeniable power. Robert Grey’s drumming is crisp and minimal, and Graham Lewis’s bass runs are particularly ear-catching. Despite its distinctly un-Wire title, ‘Love Ain't Polite’ is also something of a gem. Meanwhile, the track which gives the album its title Not About To Die (officially known as ‘Stepping Off Too Quick’) possesses what Newman half jokingly calls “The best intro to any song ever”. The intro is so good in fact, that it takes up a third of the song’s entire time frame. These properly mastered tracks have never been available on vinyl before, and they provide an opportunity to hear Wire at a point in their development when they were bursting with fresh ideas and a will to communicate them. This is post-punk at its very finest. Label: Pinkflag Records Barcode: 5056321653932
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Originally released on Harvest in 1977, Pink Flag is perhaps the most original debut album to come out of the first wave of British punk. Exhibiting severe art school damage, Wire careers at breakneck speed through 21 songs in 36 minutes to create an album that has influenced bands for over fourty years. Remastered Vinyl with Inner Sleeve. (Pinkflag Records)
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Condition: Media: Near Mint (NM or M-) Sleeve: Very Good Plus (VG+) "So I did buy this before the band came through on tour. Heard from people I respect that this was going to be a good release, and, of course, the fact that there was a sort of special pressing, I had to jump. It was not what I was expecting. For some reason, I thought this band was going to be more in the metal/crust vein. In turn, this band plays more of an anarcho punk breed of music. But not to pigeonhole the band, the music is more adventurous and intricate. Without resorting to just playing fast to produce energy, they weave in more sonic energy with the layers of sound they produce. The songs are mid tempo but are atmospheric with the interweaving of guitars. With the addition of having two female vocalists and a male vocalist, the singers add another level to the mix. Kind of makes me think of what the next Harum Scarum record might sound like, or if Detestation kept going. I have heard Tragedy references elsewhere and I would also add to that. The power of the music is in the song writing. After listening to this LP, I was really excited to see them live. Me and a couple of hundred can attest to have enjoyed their set." Razorcake Fanzine (Fight For Your Mind /Folklore De La Zone Mondiale Records)
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Formed in 2012 and hailing from Portland Oregon USA, Witch Vomit quickly became a force to be reckoned with in the underground Death Metal scene. With two full length albums and two EPs on 20buckspin it’s now undeniable that the band is not merely another “OSDM” (stale terminology) band since they have evolved a maximal and rarely achieved synthesis of European and American Death Metal styles into a flawless melange of horrific gore soaked splendor. ‘The Webs of Horror’ is their debut EP, clocking at almost 18 minutes of Barbaric Death Metal mastery. Finally issued on CD and LP vinyl by Nuclear Winter Records with revised design by Dan Fried. Label: Nuclear Winter Records
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Philadelphia blackened metal legion WITCHING will be releasing HATE5SIX x STUDIO 1935 LIVE SESSION through Alerta Antifascista Records on 12” vinyl as a live audio recording! The band released a live stream performance for Mutants of the Monster Fest, filmed by legendary HATE5SIX at Studio 1935 with engineer Pete Rydberg. WITCHING’s friend Judith Schaechter donated original stained glass artwork for this release, "Demonology 2018". (Alerta Antifascista Records)
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Straight edge hardcore from Sweden. Track A1-A12 taken from the CD "Strength Through Diversity" (1997) Track B1-B5 taken from the CD "Something's Not Right" (1996) Track B6-B9 taken from the CD "The Light Will Return" (1996) Label: Shing records
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Wolfbrigade are back on Agipunk with this brand new 7" EP co-released with Armageddon Label from USA. The 7" consists of three brand new songs recorded at Wolfden Studio in March 2021 by Jocke Rydbjer. We can hear the band in an amazing powerful shape as the 3 tracks are ripping and punching in the face even stronger than usual. The unique blend of Scandi Crustcore and Swedish Death Metal with a touch of melody is once again confirmed by the five Lycanthropunks. A limited edition of 200 copies on Yellow vinyl will be available for the first buyers. It's with extreme joy and happiness that we welcome the Swedish Wolves back home Due to the pressing plant delays we can't provide a release date at the moment, but we'll announce it at least 2 months prior to the actual release. (Agipunk Records)
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It's finally happening ! In a couple of weeks, the long awaited reissue of In Darkness You Feel No Regrets by Wolfbrigade will be finally available. The second album from the fiercest swedish hardcore punk band has been unavailable for more than a decade and we're very happy to bring it back in 2023, 20 years after its inception. « In Darkness » was one of the most influential records in the very prolific crust / hardcore scene of the early 2000s, ten songs of a perfect mix of brutality and melody and a cover of Poison Idea's Say Goodbye. We were very honored to be able to release the European version of this record in 2003 and the enthusiasm is still real to be able to offer you this reissue 20 years later. The disillusioned rage and urgency of this album remain intact after two decades. This reissue has been carefully prepared coincidentally with the band and packed in a gatefold cover with an impressive artwork by Wolfbrigade's very own bass player Johan Erkenvåg. It comes in a gatefold sleeve and there are clear & black marble and purple & black marble colored vinyl versions available for mailorder. Label: Destructure
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The Wolves are back!!! After the success of their latest "Anti-Tank Dogs" 7" the 5 Swedish maniacs decided it's time to repress their debut full length. We are honored once again to be involved in this collaboration that will also have Havoc Records releasing this masterpiece in U.S.A. The release will come with a great new layout and a restored sound that will be fatter and more powerful compared to the original one on a picture disc. What else should we say about this one? We all know Wolfbrigade and how good this record is, so we can't do nothing but wait for it to be released around November 2023. Label: Agipunk
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Originally released circa 1996. Essential, classic, crucial D-BEAT crust from the masters! (Feral Ward)
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Originally released circa 1996. Southern Lord reissue remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters! Label: Southern Lord Records Barcode: 808720020915
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Originally released circa 1999. Southern Lord reissue remastered by Brad Boatright. Essential, classic, crucial D-BEAT crust from the masters! Label: Southern Lord Records Barcode: 808720021219
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Highly sought after collection of crucial 90s D-Beat! Limited edition vinyl box set of all Wolfpack releases. ABSOLUTely essential collection of Wolfpack recordings spanning the groups existence from 1996-1999. All remastered by Brad Boatright. Deluxe box set with anti-scratch lamination finish + metallic foil embossing on the box top/cover. All vinyl is clear and limited to 500 units. Contents of the box: - A New Dawn Fades LP (Clear vinyl) - Lycanthro Punk LP (Clear vinyl) - All Day Hell LP (Clear vinyl) The following items are exclusive to the box: - Hellhound Warpig 7" (Clear vinyl) - Bloodstained Dreams 7" (Clear vinyl) - Embroidered circular patch (silver thread)Hellhound Warpig cover (Celtic wolf) design. CLASSIC, CRUCIAL D-BEATH CRUST FROM THE MASTERS! (Southern Lord Records)
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Originally released circa 1998. Remastered by Brad Boatright. Essential, classic, crucial, D-beat crust from the masters. Label: Southern Lord Records Barcode: 808720021110
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20 Years after its original release, Agipunk and Sonarize Records team up together once again to deliver a restored version of this masterpiece of early new millennium hardcore crust punk. Remastered at Enormous Door Studios by Jack Control himself and with a new layout, this record is going to enter the gates of punk history as a true milestone on the path to destruction. Blue vinyl, gatefold cover and poster. (Agipunk Records/Sonarize Records)
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In the band’s unique punk rock cabaret style, the ten tracks on the LP feature their signature critically acclaimed romantic tangoing/violent break up inducing mayhem while expanding previously unexplored territory combining contrapuntal fugue, the rhythmic percussion of a New Orleans Funeral March and classic the hardcore punk sounds of Code Of Honor, TSOL and The Damned. (Alternative Tentacles Records)
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People will only be pushed so far before they snap. And then violence ensues. Followed by an immediate need for solitude. ‘Human Outline’ is what that feeling sounds like. Fists packed, boots laced, ready to destroy everything in sight. Wound Man has always been a band heavily influenced by the likes of Crossed Out and Infest, that’s obvious, but what really makes them stand out is a heavy doom undercurrent that doesn’t necessarily come out in the riffs but the darkness of it is there. No rip-off shit, just tangible depression given to angry action via alternating/direct current. And that is some magnificent ugliness. 750 on black, 150 on white and 100 copies on translucent green 150gr vinyl housed in a reverse board 24pt jacket with insert and download card included. Recorded by the Meat Man. Mastered by Will Killingsworth. Art by Dean. (Iron Lung Records)
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Just when I thought I was out…Reminder Records pull me back in!!!’ SURELY there couldn’t be MORE unreleased recordings from the 1970’s New York City Street Rock-slash-inchoate punk and proto-punk scenes. SURELY, with recent reissues by the likes of PANDORA, THE HARLOTS OF 42ND STREET, and STARLUST, SURELY every stone had been unturned. SURELY! SURELY, right? Wrong. And WOWII! The Miami to New York connection: WOWII! Familiar to most collectors for their trio of fab, self-released singles, WOWII FINALLY get the coming-out-party they so rightfully deserve with an unreleased, full-length LP recorded back during the band’s original heyday. Every bit as essential for fans of the late glitter and glam-to-punk rock transitional styles as MILK ‘N’ COOKIES, THE MARBLES or THE BRATS, these never-before-heard recordings by WOWII should delight and excite both the initiated and the novice alike! Label: Reminder Records Barcode: 0197189709142
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The debut 12” from London, UK based crust/hardcore band WREATHE. Featuring members of FALL OF EFRAFA, MORROW, and ARBORICIDIO, Wreathe plays dark, brooding and at times, melodic crust with lyrics that act as a call to arms for the defense of nature. Recommended for fans of early Tragedy, Ekkaia, and From Ashes Rise. Much like the Watership Down inspiration for their previous band Fall of Efrafa, the concept, lyrics and artwork for WREATHE are based on 'The Book Of Venym; An Egalitarian Demonology'. Created by vocalist Alex CF (Chronic Fatigue Art), ‘The Book of Venym’ is a call to arms in the defense of nature and against humanities proclivities for violence, told through striking illustrations of benevolent demons and deities. Label: Alerta Antifascista
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WRETCHED were an Italian hardcore punk band born in Milan in 1981. They were inspired by the English anarcho-punk bands of the time, as Discharge and Crass, but they immediately developed an original and radical sound ("chaos not music" they said) which at the time made Italian HC punk unique. Their work is distinguished by the strong anarcho-pacifist, libertarian, anti-militarist message: their was counterculture action, not just simple musical activity. The band's activity was inextricably linked to that of the squat called VIRUS, one of the first self-managed punk realities in Milan (it existed from 1981 to 1989). WRETCHED were among the first bands in Italy to print self-produced records, and to claim this choice as a declaration for independence from the music business. The definitive Wretched collection on a double CD. Contains all the four singles, the LP and the 12" plus two live tracks. 49 tracks altogether and remastered and a 24 page booklet with tons of photos and insane artwork. Officially released by the former bass player Fabietto. CD 1 -Wretched / Indigesti 7" split 1982 (tracks 1-6) -Live 1982 (tracks 7-8) -In Nome Del Loro Potere Tutto E' Stato Fatto... 7" 1983 (tracks 9-16) -Finira' Mai? 7" 1984 (tracks 17-21) -Demo (tracks 22-23) -Libero Di Vivere / Libero Di Morire LP 1984 (tracks 24-40) CD 2 -La Tua Morte Non Aspetta 12" 1986 (tracks 1-7) -In ControLuce 7" 1988 (tracks 8-9) Label: Chaos Produzioni
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Italian Hardcore, Punk from the Early, Mid Eighties has been raw, aggressive and very fast, bands like EU´S ARSE, INDIGESTI, UART PUNK, NEGAZIONE, DISPERAZIONE, ... are very well known in the Hardcore scene, WRETCHED from Milano, also active in these good old times, are one of the leading bands of this era, early stuff is super raw but influenced a lot of later bands. Their early releases are very hard to find and really super expensive, so fucking rare and wanted by a lot of Punx from all over the world. Official repress with the bands permission, first, original pressing also was released on CHAOS PRODUZIONI from Italy in the year 1986. Limited edition of 500 copies, this re-mastered version here comes on vinyl and with printed innersleeve. Contains one inedit track ("Tanti Giorni") recorded during the original session of "La Tua Morte Non Aspetta" (Chaos Produzioni)
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Italian Hardcore, Punk from the Early, Mid Eighties has been raw, aggressive and very fast, bands like EU´S ARSE, INDIGESTI, UART PUNK, NEGAZIONE, DISPERAZIONE, ... are very well known in the Hardcore scene, WRETCHED from Milano, also active in these good old times, are one of the leading bands of this era, early stuff is super raw but influenced a lot of later bands. Their early releases are very hard to find and really super expensive, so fucking rare and wanted by a lot of Punx from all over the world. Official repress with the bands permission, first, original pressing also was released on CHAOS PRODUZIONI from Italy in the year 1984. Limited edition of 300 copies, this re-mastered version here comes on vinyl and with printed innersleeve. Label: Chaos Produzioni
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To celebrate our release number 100, Agipunk is proud to announce the world that we'll be officially putting out the first and only Wretched singles collection approved by the ex members of the band. Forget all the bad sounding bootlegs and all the cheap quality products that have been released so far, this one's gonna be a real blast! The collection will include the split 7" with Indigesti, the "In Nome Del Loro Potere" 7" EP, the "Finirà Mai" 7" EP and the "In Controluce" single 7". The songs will sound better than ever as the original records and tapes have been remastered for delivering a new vibe of destructive CHAOS NON MUSICA!!! The record will be pressed in 1000 copies and will come in a nice gatefold cover with tons of never seen pictures of the band playing, travelling, demonstrating and having fun. Label: Agipunk Records
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"Official repress of the latest Wretched 7" that contains a remastered version of "Mai Arrendersi" and two unheard demo versions of "Finirà Mai" and "Nelle Loro Mani" recorded in 1983. Wretched sound has ne er been so clear and powerful nevertheless the wall of noise and distortion!" Label: Chaos Produzioni
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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This PNV archival release is a real treat for Pinoy Punk fans. Why do you ask? Because the Wuds are one of the earliest Filipino punk bands and their rare as all hell debut demo tape has been unavailable in any format since its initial 1985 cassette only release. Making it one of the rarest Pinoy Punk releases. The Wuds were among the earliest – and most influential – punk rock bands in the Philippines. In the early '80s, punk bands began to form in the Philippines as economic woes and political unrest started to fuel a burgeoning underground scene. The Wuds roared their amps in a country once dominated by easy listening artists. Not surprisingly, there was little mainstream acceptance. Given that rock audiences in the Philippines were divided between hippies and punks, violence was not uncommon; nevertheless, the Wuds were devout Krishna's, quite different from the public stereotyping of punk rockers as immoral troublemakers. Throughout the '80s, the Wuds remained outside of mass acceptance. In the early '90s, though, Manila underwent an alternative rock revolution and the Wuds were lauded as pioneers, especially by the popular punk group the Youth. Fast forward …after 38 years from its release ArmsTalk is now finally available on vinyl! For such a legendary band that still commands high respect in the Philippine and worldwide underground music scenes, having this music on 12” vinyl is a must for any serious collector or fan Label: Puke N Vomit
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Edition on 180-gram audiophile vinyl, coming with an insert. 'Los Angeles' is the debut album of the American punk rock band X, originally released in 1980. Most punk bands used their musical inability to create their own style, but X actually consisted of some truly gifted musicians, including rockabilly guitarist Billy Zoom, bassist John Doe, and front woman Exene Cervenka. Although they are tagged as a punk rock act, X are not easily categorized. Besides punk and loads of electricity, they also added country and folk flavours. Label: Music On Vinyl
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After their their 1982 masterpiece Under the Big Black Sun, X offered their follow-up More Fun In The New World only a year later. The album was once again produced by Ray Manzarek. X achieved new rough and rocking heights with the vicious "Devil Doll," "I Must Not Think Bad Thoughts", and "Make the Music Go Bang", while returning once again to their retro '50s roots with "Poor Girl". More Fun In The New World is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl and includes an insert. 180 gram audiophile vinyl Includes insert features "I Must Not Think Bad Thoughts", "The New World", and "Breathless" a.o. Produced by The Doors-co-founder Ray Manzarek Limited edition of 1500 individually numbered copies on translucent blue coloured vinyl Label: Music On Vinyl
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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X-Ray Spex are an usual entry in the British punk pantheon. With a Samali/British born front woman Poly Styrene, formally involved with the hippie culture she witnessed a Sex Pistols show in 77 and went on to form a punk band of her own. Unique in image and blistering in their sound, they released 5 singles and an album between 77-80. Constant touring caused Poly to become very disenchanted with the whole 'pop star' experience and she left the group at that point but the sole album they recorded as gone on to become a classic of a punk record. Germ Free Adolescents ' most recognizable trait is its songs that deal with consumerism, commercialism, and personal indendity in genreal. Tracks like Art-I-Ficial, I Am A Posuer, Genetic Engineering, The Day The World Turned Dayglo and singles like I Am Cliche are perfect examples of the lyrical standpoint in which the band took. Poly's high pitched edgy singing style is forefront, catching your attention right off the bat and the music behind her, a Sex Pistols style guitar driven blast of pure punk rock n roll madness albeit with a Saxophone! Original member Lora Logic played the Saxophone which certainly is another trademark element of X-Ray Spex that wasnt exactly a common thing found in punk until at least the mid 80's when ska and reggae became a heavy part of the genre (Madness) and of course in the 90's when it really exploded with Save Ferris, Reel Big Fish and Goldfinger. The lone "ballad" style song on the album, the title track is great and it gives way to the fast/slow blast of Plastic Bag which might be the most bombastic song it bursts with a kenetic guitar riff-sax/guitar blast pattern. It shares honors with Oh! Bondage Up Yours! as the bands true anthems. Bondage you might recognize from somewhere or another if you're into punk or indie rock in general. It's a certified punk classic. - Germfree Adolescents, the Only Album Release from X Ray Spex, Is One of the Most Influential Punk Rock Albums Ever Made - Ranked as One of the Greatest Punk Rock Records by Everybody from Greil Marcus to Robert Christgau toMojo to Spin - Features Penetrating Lyrics and Passionate Vocals from Frontwoman Poly Styrene - Also Features Lora Logic on Saxophone - Key Tracks Include “The Day the World Turned Dayglo” and “Germ Free Adolescents” - Includes Faithful Reproduction of Original Inner Lyric Sleeve - “X-Ray Clear” Vinyl Pressing Offering Superior Fidelity Real Gone Music is proud to present Germfree Adolescents, one of the signature albums of the early (1978) British punk movement, in an “x-ray clear” vinyl edition that serves as an ideal prism through which to see the hypocrisy of consumerist culture. The one and only LP release from X Ray Spex and its irrepressible frontwoman Poly Styrene has been deemed by everybody from Greil Marcus to Robert Christgau to Spin to Mojo as one of the greatest punk albums ever made, and for this reissue, we’ve done it right; besides the clear vinyl (offering excellent sound), we’ve reproduced the inner lyric sheet, where you can read Poly’s brilliant observations about the plastic, corporate nature of modern society. All of which she sings in a passionate yowl all her own (with Lora Logic among others backing on saxophone); this is not only one of the most penetratingly observant punk records, it’s also one of the most passionate, and, surprisingly enough, catchy. Check out “The Day the World Turned Day-Glo” and “Germ Free Adolescents” if it’s hooks you’re after; if it’s righteous anger and a noisy racket you’re seeking, every track will do ya. SIDE ONE 1. Art-I-Ficial 2. Obsessed with You 3. Warrior in Woolworths 4. Let’s Submerge 5. I Can’t Do Anything 6. Identity SIDE TWO 1. Genetic Engineering 2. I Live Off You 3. I Am a Poseur 4. Germ Free Adolescents 5. Plastic Bag 6. The Day the World Turned Dayglo (Real Gone Music) Barcode 848064007524
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"Poly Styrene smashed barriers. Sure one unusual young woman screaming, "Some people think that little girls should be seen and not heard but I think - OH BONDAGE UP YOURS! 1-2-3-4!" didn't end ageism, racism, sexism or blind consumerism but her defiance inspired millions to fight those same things. What follows is Obsessed With You, a long out-of-print Receiver Records collection of Poly and the X-Ray Spex's 1977 demos. It's a must for fans but anyone else needs to consult Germ-Free Adolescence to to be hit full-force by Poly Styrene' s musical and lyrical vision." Music Ruined My Life Blogspot Tracklist: A1 Obsessed With You (Early Demo) 1:53 A2 Let's Submerge (Early Demo) 2:58 A3 Plastic Bag (Early Demo) A4 I Live Off You (Early Demo) 2:14 A5 I Am A Cliché (Early Demo) 1:48 A6 I Can't Do Anything (Early Demo) 2:41 A7 The Day The World Turned Day-Glo (Early Demo) 2:46 A8 Oh! Bondage, Up Yours! (Early Demo) 2:41 A9 Genetic Engineering (Studio Demo) 2:58 A10 Age (Studio Demo) 2:45 B1 Art-I-Ficial (Studio Demo) 3:47 B2 Germ Free Adolescents (Studio Demo) 3:24 B3 Warrior In Woolworths (Studio Demo) 3:03 B4 Obsessed With You (Alt Mix) 2:35 B5 The Day The World Turned Day-Glo (Alt Mix) 2:48 B6 Prefabricated Icon (Backing Track) 3:33 B7 I Can't Do Anything (Backing Track) 3:03 B8 Warrior In Woolworths (Backing Track) 3:09 (Waste Management/Fan Club)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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English thrash metal outfit Xentrix is commonly referred to as one of the “big four” of English thrash metal, given their popularity in the underground metal scene of the mid-1980s to mid-1990s. The band was formed in 1984 under the name Sweet Vengeance, but after signing with Roadrunner Records they changed their name to Xentrix in 1988. After releasing two successful albums, they released follow-up Kin in 1992, which was their second album on the Roadrunner label. It was the last album to feature Chris Astley until his return in 2006. The album is available as a limited edition of 1500 individually numbered copies on “Blade Bullet” coloured vinyl and includes an insert. 180 gram audiophile vinyl Including insert Limited edition of 1500 individually numbered copies on “Blade Bullet” coloured vinyl (Music On Vnyl/Roadrunner Records)
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• Updated re-issue of Xentrix’s classic Thrash Metal debut ‘Shattered Existence’, originally released in 1989, with extensive liner notes and contributions from the band. • Newly remastered, the album broke the UK Top 40, peaking at No.31 • The release features liner notes from respected metal writer Jason Arnopp who conducted new interviews with the band. Housed in a digipack, the release contains many rare and unseen photos from the band’s personal archives • Featuring early classics like ‘No Compromise’ and ‘Balance Of Power’, the album positioned Xentrix at the top of the UK Thrash scene alongside the likes of Sabbat, Onslaught and Acid Reign. • Containing three bonus tracks taken from the ‘Ghostbusters’ EP released in 1990, including the bands infamous cover of the Ray Parker Jr classic Emerging from the UK metal underground in the latter part of the 80’s after forming in 1984 under the moniker Sweet Vengeance, and re-christened Xentrix in 1988, the band quickly established themselves in the burgeoning Thrash Metal underground with their debut LP ‘Shattered Existence’, having been signed to Roadrunner Records. Xentrix have reformed in recent years, releasing their last album ‘Bury The Pain’ in 2019. (Dissonance Productions – QDISS0203CDD)
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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Madre mía gracias por los días is the debut album by the hardcore band Xibalba, originally released in 2010 by the band itself and Beatdown Hardware Records. Xibalba from Southern California effectively fuse death metal influences like Sepultura and Obituary with more modern and 90's hardcore as well a healthy dose of Crowbar! Xibalba's downtuned, heavy as fuck music is a SEVERE force to reckoned with. The old world influence is only evident to the trained eye, but Xibalba gives nods not only to the hardcore bands they were raised on, but to the culture which spawned them. Xibalba not only know their roots, but make sure you won't forget them either. The Madre Mia Por Los Dias cd contains not only the s/t debut album from Xibalba but also the material from the Earthquake comp cd. The vinyl version of this album was released by A389 records (Ringworm, Integrity, Pulling Teeth). Label: Southern Lord Records
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“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171080
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Out of stock
“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171066
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Out of stock
“Gothics” - a time before the word goth had even taken shape - believed in the do-it-yourself punk ethos that anyone could pick up an instrument. Gray clouds were starting to form and in the unlikely city of Hamburg, a brazen and haunting gang of five women formed Xmal Deutschland. As any true punk would, Xmal Deutschland’s members Caro May, Rita Simon, Manuela Rickers, Fiona Sangster and Anja Huwe, started the band despite any previous musical experience. The “Schwarze Welt” seven-inch was released on the local punk label, ZickZack, in 1981 and introduced the band as an unsettling swarm of intensity. There’s an urgency in its repetitive dirge, a swirling mania that persists on the b-side with “Die Wolken” and “Großstadtindianer” whose crude synthesizer noises escalate in tension. Most of all, Huwe’s uniquely venomous German vocals quickly became embedded in the unbridled and burgeoning scene of glamorous gloom. Punk’s independence from the stiff grip of tradition allowed the band to find solace in anti-establishment art and music, far from the conventions of the past. With their peacocked hair and thick kohl-lined eyes, Xmal Deutschland’s music retained both a restlessness and delicacy, transcending any confines of the “Neue Deutsche Welle” movement (much like their colleagues and friends DAF and Einstürzende Neubauten) with the release of the “Incubus Succubus” single in 1982. It instantly became a post-punk classic. The guitar’s buzz ransacks through the melody as the ghoulish primitiveness of Huwe’s voice teases that maybe, just maybe, she is the nightmarish creature of which to be aware. The b-sides, “Zu Jung Zu Alt” and “Blut Ist Liebe,” keep strict militaristic dance beats as they teem in agitation. That same year, the band performed in London as support for the Cocteau Twins; it was the platform they needed to ricochet into the arms of the ripped fishnet masses. Early Singles (1981-1982), is a map of the foundational movements of Xmal Deutschland, just seconds before takeoff. Bonus tracks on the compilation, “Kaellbermarsch” and a gritty live version of “Allein,” further accentuate their fusion of toughness with the quixotic decadence of atmospheric synthesizers. The band’s pursuit of something greater is palpable with this release, a reflection of a time that introduced accessibility to new means of making music following the onset of punk. Label: Sacred Bones Barcode: 0843563171066
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xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties isn’t a mere collection of articles, reviews and photographs from one of Hardcore America’s best-known fanzines - it’s a chronicle of punk’s evolution in the 80’s; a story of music and ideologies in motion. xXx’s story picks up while the first wave of hardcore was in full swing. Major players including Minor Threat had already released landmark records and bands were loading up station wagons to play now infamous venues like The Channel, A7 or D.C. Space. While based in Boston, xXx’s main writer and editor, Mike Gitter, not only concentrated on his own city’s burgeoning scene, spear-headed by bands like SS Decontrol and D.Y.S., but looked to other states and countries for xXx’s reportage. This hardcover, 11"x11", 288-page book documents a time when hardcore and punk were not mutually exclusive and bands and cities had a chance to develop their own diverse and strident sounds. This creative ethos and aural zeitgeist is literally spelt out on the 19-song compilation that’s included with xXx Fanzine, with either download card or limited edition 12inch; a wide variety of current hardcore, punk and hard music luminaries including Strife, letlive., Fu Manchu and The Riverboat Gamblers contributed their interpretations to some of the most influential songs to come from xXx’s original era. Now, in addition to reproducing (and restoring) countless interviews and pages from the ‘zine itself, xXx Fanzine re-interviews countless bands and musical prime-movers including Ian MacKaye, Keith Morris and members of Agnostic Front, Bad Brains and Cro-Mags to give the book a rare ‘then and now’ perspective. xXx Fanzine (1983-1988), Hardcore & Punk in the Eighties isn’t merely a look back at hardcore’s salad days, but a unique look at how punk’s music and message shook the mainstream itself. xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties features: Minor Threat, Misfits, Necros, Circle Jerks, Suicidal Tendencies, Husker Du, Jerry’s Kids, Black Flag, D.O.A., G.B.H, Void, Negative Approach, 7 Seconds, D.Y.S., Scream, Metallica, Corrosion of Conformity, Minutemen, The Exploited, Anthrax, Subhumans, Dead Kennedys, SSD, Henry Rollins, Descendents, Bad Brains, Youth of Today, Motorhead, Dag Nasty, Snapshot, Samhain, Agnostic Front, Cro-Mags, Bad Religion, Fugazi, and more… (Bridge 9 Press)
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Out of stock
The first Yacöpsae demo on vinyl. 21 songs from the very early phase of the Hamburg "Punk/ Powerviolence" institution recorded someone in `91. So duo is still active here. At that time probably the most brutal answer to the "Abstürzenden Brieftauben". This historical document contains a thick full color booklet with unpublished pictures, liner notes and other anecdotes. (Power It Up Records)
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Out of stock
Official re-press of probably the best Yacöpase LP. Nothing can be faster than Hamburg's top turboboner speed herb violence master. They've been delivering stop-and-go hyperblasts of fast-paced hardcore rage for more than 25 years. The real key of how the formula short + fast + loud should be handled is all here. Remastered and the artwork has been reworked. (Power It Up Records)
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YACØPSÆ's "Vorläufige Vernichtung" is the original version planned by the band at the time. Unfortunately, the label at the time used some other song versions or arranged them in a different order. Also, the original front cover that the band preferred was not used. Here is the official re-release exactly as the band wanted it. Nothing has changed purely musically, a 39-song ultra-condensed album recorded in 2001. Musically this is one of the fastest records in HC history, YACØPSÆ's turbocharged Power Violence/Thrash is a paragon of precision and accuracy. While most Fastcores have a cluster bomb effect, YACØPSÆ are more like a laser-guided weapon used for surgical strikes. Each of the 39 song bursts on this album is like a kick in the groin - short and fierce, but crafted to leave a lasting impression. If you thought developing Power Violence would inevitably lead to Mathcore or Screamo, then think again, bastard, because YACØPSÆ is the pinnacle of that species. It smacks you right in the face from start to finish, with restless speed, hyperblastic, manic, fast blastbeats and impossible stop-and-gos. FAST FAST FAST! The LP then comes in the inside/out cover design with an insert with original pictures and liner notes. Label: Power It Up Records
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DRaw noise D-Beat destruction straight from the sewers of Galatsian land. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies. Label: Extreme Earslaughter
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Out of stock
Heavily influenced by The Ramones and The Damned, Los Yaps had been shredding around Mexico since the early 80s. At that time punk began to penetrate the marginalized areas of Mexico City and the band started to practice even though they did not know how to play an instrument. Over the years YAPS changed several line ups but still they crated this unique sound leading them to tour with Total Chaos and open up for main acts such as Ramones, GBH, Exploited, Eskorbuto and many more. This LP includes the “s/t” 7” from 1988 and the “Tu Sentencia” LP from 1990. Mexican Punk at its best! Released in cooperation with the original members and the sole rights’ holders (BAM BAM DISCOS) (Radiation Records)
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Out of stock
Pan Pan και Years Of Youth, χρόνια φίλοι και συνθετικό δίδυμο στα Echo Tides, αφήνουν στην άκρη τον οργανικό ήχο της μπάντας τους και καταπιάνονται αποκλειστικά με ηλεκτρονικά κυκλώματα: synthesizers, drum machines και vocoders συνθέτουν την παλέτα αυτού του concept album. Το “Λύκοι στον Άρη” των Pan Pan και Years of Youth κυκλοφορεί στις 28/02/2024 σε Limited Deluxe Gatefold Edition σε Ροζ και Μαύρο βινύλιο. Label: Veego
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Yellow Eyes copped a raw deal from the start. Their DIY debut from 2012, Silence Threads The Evening's Cloth, was (not unfairly) compared to Krallice, who (somewhat unfairly) are often accused of "scene tourism" because of its members' involvement in other kinds of music. That's black metal for you. Yellow Eyes' stomping ground of not-very-kvlt New York also didn't help, inspiring from-thin-air allegations of vegan hipsterdom. Undeterred, the band has plowed ahead over the past decade with a couple of EPs and four albums–the latter two, wonderfully titled Immersion Trench Reverie and Rare Field Ceiling, cementing Yellow Eyes' reputation for extreme eccentricity well within the bounds of black metal's foundations. Throughout this time, the main draw has always been the hypnotic dual guitar work between the Brothers Skarstad (Will and Sam). The band's wider pedigree must also not be underestimated. Will has links to the sorely missed House of First Light, as well as a solo project, Ustalost, and drummer Mike Rekevics boasts an extensive portfolio ranging from Vanum, to Vilkacis, Vorde, and way back to Fell Voices. But for all this eclecticism, nothing could have prepared us for Yellow Eyes' latest album, Master's Murmur, which was released without warning at the end of October through the band's own imprint, Sibir Records, with an LP to follow on Gilead Media. So what's the big deal? Well, Master's Murmur isn't strictly a black metal record. Note that this is not an improbable event–just look at how Laster or Furia continually reinvent themselves. But that isn't to say that Yellow Eyes is shunning the style, which makes Master's Murmur all the more exciting. Sure, the first blast beat might not turn up until a good 13 minutes of the album has elapsed, but it drops in such an organic way that fans and newcomers alike should feel in safe hands as the band takes you on a tour of what we'll call "adjacent" music. Take "Anywhere Out Of The World" from Dead Can Dance's 1987 album Within The Realm Of A Dying Sun. No rock instrumentation to be heard, clean singing, and yet we have an atmosphere remarkably close to what would become familiar sonics for black metal over the next decade. As such, you can find a lot of extreme metal fans also moving in post-industrial, neoclassical, and darkwave circles. We could take Master's Murmur as a love letter to these equally leftfield genres that often tread similar ground despite disparate motivations and methods. Opener "Old Acclivity Dream" couldn't be a better mission statement. An air raid siren of woodwinds blaring out of harmony, thrumming bass, then guitar noise verging on power electronics, before a haunting melodic theme surfaces out of the cacophony. The transition into the self-titled track could go entirely unnoticed, and here we begin to see Yellow Eyes employing textures from dungeon synth, neofolk, and even Tolkien-esque landscapes. Yet Yellow Eyes' identity remains. Will hasn't suddenly turned into Dead Can Dance mastermind Brendan Perry, keeping hold of his venomous bark in spite of the music's less obvious aggression. Nor has the band shirked what makes it distinct–the Skarstads' guitars still writhe and intertwine into the uncanny, only this time round much of it is drenched in reverb and delay instead of distortion. Underneath, the murky power chords and bass move much slower, evoking the spirit of drone and doom. Meanwhile, percussion is purposefully sparse, first reminding us of its presence on "Winter is Looking" with a thumping bass drum punctuating the track's dirge-like qualities. Then, as the synth line reaches a climax, Rekevics' telltale fills smash the relative tranquility and dive into a blast beat for the first "black metal" moment of Master's Murmur, while a strummed acoustic guitar and piano guide the piece to its conclusion. "Irrlicht" is borderline ritual music where the realms of dungeon synth and drone collide effortlessly, and a disembodied voice casts spells through the smoke of a sorcerer's cauldron. "When Jackie's Lamps Have Showed" snaps from dark ambient into a swirling madness of acoustic guitars and bells. Bells are a recurring theme in Yellow Eyes' work, whether they come from field recordings or it's the sound of the guitars themselves as on "Old Alpine Pang" from Immersion Trench Reverie. Old habits die hard, and "The Ritual is Gone" sees Rekevics' savage blasts return for an ecstatic melding of ambient, noise, black metal, and, yes, more bells, underpinned by church organ-like synth. The whole album oozes a sense of the occult and folk horror, whether it's the incantations of the lyrics, the bleating of sheep (or goats) in the next field over on "Gold Door to Blindness," or the cover art of a faceless hooded figure among crops. All this could hint at what's to come from Yellow Eyes next because, as you may or may not be pleased to know, Master's Murmur is one in a pair of companion albums. Per the band, it is "the first of two complementary releases conjoined in spirit, a surreal, sinister industrial folk prelude to an upcoming full-band LP" in 2024. With Master's Murmur already displaying Yellow Eyes at their most confident, experimental, and discerning, we cannot wait to hear what follows. Richard Currie Label: Sibir Records
