• BRONCO LIBRE from Leipzig, Germany deliver ass-kicking punk-hardcore on their debut full-length. The band perfected their brand of fast, melodic hardcore like YOUTH AVOIDERS or CAREER SUICIDE meets the hook-driven punk of the RED DONS or ROTTEN MIND. "This album is dedicated to native Americans, to their History and their fight. Our lyrics talk about their History but also their stories, and about their extermination under colonisation. We can't pretend knowing or even imagining what this people endured, what they've been through and what their descendants still experience nowadays. Also we don't think that this album will change anything. But we hope that through our simplified, romanced and vulgarized lyrics, we could take part (at our scale) in getting this topic (often forgotten and deliberatly avoided or turn into derision and entertainment) better known. It is also possible to read in between our lines a reflection on our nowaydays society, and this feeling of fury and despair that a lot could feel facing the today's world and its progress and development by any means necessary. " (Destructure)  
  • One Law For Them...Another One For Us is a CD by The Bruisers that was released in 1999 by Lost & Found Records. The album features the Lost & Found releases Still Standing Up [EP, 1997], Up In Flames (LP, 1996), Cruisin' For A Bruisin [LP,1993], Intimidation (EP 1989), Independence Day (Cassette 1990) & American Night (EP, 1992). (Lost & Found Records)
  • BURNING LOVE | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release. Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images. Packaged in its original Malcolm Garrett designed sleeve. Dispatched with ltd edition ‘Product’ carrier bag. Comes with an MP3 and WAV download card. (Domino Records)
  • Buzzcocks’ career defining compilation Singles Going Steady, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from punk authority Clinton Heylin & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records)
  • Time's Up is a reissue of Buzzcocks' 1976 album of demos, recorded with founder & singer Howard Devoto and originally released as a bootleg. In 1981, with disco medleys of former pop hits like “Stars on 45” climbing the charts around the world, a cluster of British punk rockers recorded their own medley of old favorites. The Friendly Hopefuls’ Tribute to the Punks of ’76 begins with the standard looped clap track and a slick, professional-sounding chorus singing: “Hey hey/Remember that day / In 1976 / When the music scene was boring / Until along came - this!” And the guitar riff from the Buzzcocks’ “Boredom” kicks in. Spiral Scratch - the four-song debut EP on which “Boredom” appeared - was a revelation. British punk rock was brand new at that point: when Spiral Scratch was released on January 29, 1977, the Sex Pistols’ “Anarchy in the U.K.” was barely two months old, the Damned, the Vibrators, and the Stranglers had some singles out, and that was it. All those bands were signed to at-least-sort-of-legitimate record labels. Meanwhile, the Buzzcocks scraped together the funds to have 1000 copies of Spiral Scratch pressed themselves, and called their otherwise nonexistent label New Hormones. The masterminds behind the band at that point - singer/guitarist Howard Devoto and guitarist Pete Shelley - weren’t Londoners like the earliest wave of UK punks. They were from unfashionable Manchester, a couple of hours’ train ride north. In the fall of 1975, Devoto and Shelley read about the Sex Pistols, traveled down to London to see them, and came back inspired to start a band of their own. The Buzzcocks’ first complete set was opening for the second of two legendary Pistols shows in Manchester during the summer of 1976. Time’s Up - initially a bootleg in 1978, and officially released in 1991 - is an invaluable document. It's the demo Buzzcocks recorded on October 18, 1976 - all snarls, yelps, and distortion, while also sounding entirely joyful. They revel in rock bands’ newly-won right to present themselves as mean and aggressive and to say "fuck" out loud. Devoto sings as if Johnny Rotten is the only other vocalist he’s ever heard, and always seems about to break into giggles. “You tear me up, you bloody swine!” he yells with adenoidal delight. “Orgasm Addict,” which they’d re-record as a single a year later, isn’t quite fully formed yet, but Devoto’s rhymes about stained jeans, as well as his whining gasps, were genuinely transgressive for their moment. The band is still finding its feet on Time’s Up, especially as teenage drummer John Maher slowed down the tempo every time he attempted to play a fill. Still, they worked out how to vigorously shove their songs forward. The two covers that were part of their live set at the time revealed a bit about where Buzzcocks were coming from: A sped-up version of the Troggs’ “I Can’t Control Myself” anticipates the love of popcraft that would shortly surface in their own songs and a heavily rewritten take on Captain Beefheart’s “I Love You, You Big Dummy” (which Devoto would take with him to his subsequent band Magazine) hints at the odder, artier side of their later records. Two months after the Time’s Up demos, they re-recorded four of those songs with producer Martin Hannett as Spiral Scratch. A few more weeks of practice had done wonders for the Buzzcocks’ sound: now they were fast, strong and acrobatically tight. They powered through “Breakdown” in two minutes flat and started to sound more like themselves than like the Pistols or the Ramones. In fact, the Ramones would ape the two-note guitar solo gag in “Boredom” for their own on “I Wanna Be Sedated.” The great joke of Devoto’s performance here is that, on the first record by a new band at the vanguard of a new musical movement, he presents himself as utterly over everything—including punk in general. “I’m already a has-been,” he sneers. “You know the scene is - very humdrum!” He wasn't kidding because less than a week after Spiral Scratch’s release, Devoto quit the Buzzcocks, and Shelley took his place as the band’s frontman. By the time they stopped re-pressing the EP in the summer of 1977, Buzzcocks had sold 16,000 copies of it. In its way, Spiral Scratch was at least as important to punk as the Sex Pistols’ rise, because it was the first record of its kind to erase the axioms that the art and business of pop music were necessarily separate, and that a band could never be important until it signed to a “real” record label. Buzzcocks said fuck it and decided to just do it themselves. (Domino Records)  
  • What do members of Trial, Test of Time, Expired Youth and Decline have in common? A love for classic hardcore and a band called Bystander. Their path was paved by Youth Of Today, Chain of Strength, Judge and others, yet Bystander breathes new life into the genre´s boundaries both musically and lyrically. What you hear on this five song EP is powerful oldschool hardcore coupled with heartfelt lyrics which take a look both inward and outward at the same time. This is a band calling for internal reflection while engaging the scene to be more than just passive bystanders themselves. (WAK) https://www.youtube.com/watch?v=87O5y_95vnQ
  • Out of stock
    French Oi! classic! The debut full length by Bourdeaux` Camera Silens contains 10 kick ass street bouncer with the "Chaos en France" trademark, angry & anthemic. Before being re-recorded for this LP, an earlier version of their classic song "Pour La Gloire", was the opening track on the now seminal French punk compilation "Chaos in France. Originally released in 1985 on the band owns label, "Realite" is sold out since many years and unfortunately a wet dream for the collector nerds. So this is a really great re-issue! Limited to 500 copies, comes with original artwork, lyric sheet and huge A2 poster! (Euthanasie Records)  
  • Writhing, sneering, tight cornered, "Machine Response" the only acceptable follow up to the blistering and landmark "Attempted Suicide." Nearly ten years of beating around the bush, casually playing around the world and drip releasing music along the way, Career Suicide is backed by their best lineup ever, ready to break back through themselves with this new full length. Machine Response veers in and out of pure speed, bursts of melody, and chunky tempo shifts, indenting the long standing influence of early 80s USHC, late 70s punk, and a peppering of 60s swagger, with their own clearly developed style. Dallas Good (Sadies, Andre Williams, John Doe, Half Japanese, Elevator and a million more) presents a magnificently essential 2nd guitar and lead presence; a screaming contribution by great friend and long time supporter of the band, Souichi Hisatake, (Forward, GISM, Insane Youth, Gudon etc) to crack your brain up; artwork in collaboration with Ryan Tong of S.H.I.T. and Toronto's life-giving Faith/Void; and a thundering recording, once again helmed by the decorated and limitless in his pursuit of smooth hearing loss, Jon Drew, provide the most damaging clarity Career Suicide have been able to capture to date.
    (Statick Shock Records)
     

  • Out of stock
    Classic NYC hardcore circa 1983. This is real hardcore: speed, power and fun. Re-enter the circle pit. Out-of-stock for ages - now available again. Colored vinyl includes a digital download card. (Victory Records)
  • It'S 1984 and, after the break/up of Hellhammer, the newly formed Celtic Frost are shaping what would become their punishing sound. Recorded just one month after the birth of the band at one of their very first rehearsals, "Procreation of the Wicked" presents Celtic Frost at their rawest, wildest embryonic stage. 8 tracks of pure unaltered mayhem, everything that would make them legendary is already here, proving once again why they've been such a huge influence for countless Black, Death, Thrash, Heavy Metal and Punk bands all over the planet. SIDE A> Return to the Eve Messiah Into the Crypts of Rays Visions of Mortality SIDE B> Procreation of the Wicked Morbid Tales Dethroned Emperor Nocturnal Fear (Mortal Shock Records)  
  • Out of stock
    8 tracks of Copenhagen based international hardcore punk stomp. Like a brickwall colliding with a face! Recorded @ Blakklodge mastered by Brad Boatright @ Audiosiege. Artwork by Nicky Rat. (Adult Crash Records) https://cesspoolhc.bandcamp.com/album/we-hide-among-you
  • Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp

  • Out of stock
    Originally released on RIOT CITY RECORDS in 1983. This is a re-issue from Czech label PHR Records in 2016. Contains printed innersleeve with band informations and photos.
    (Papagájův Hlasatel Records)
  • CHAOS Z was a german hardcore-punk band from Stuttgart. They were founded in 1980 and renamed 1983 in FLIEHENDE STÜRME. However, in 1995 another album, "45 jahre ohne bewährung", was released. The band's style was raw and very dismal. CHAOS Z was one of the most influential early german hardcore bands ever. Comes in gatefold sleeve. Lyrics on the inside of gatefold. This double vinyl compiles the following releases. Tracks A1 - B4 taken from Ohne Gnade album (1982 ROR) Tracks B5 - B9 taken from Abmarsch 7" EP (1981 Mülleimer Records) Tracks C1 - C3 taken from Various - Underground Hits 1 compilation ( (1982 AGR) Tracks C4 - C7 taken from Various - Ultra Hardcore Power compilation (1983 Mülleimer Records) Tracks C8 - D10 taken from "Chaos Z - Demo MC" (1980) (Major Labels)
  • Hailing from Beith, Scotland, Chaotic Youth are still one of the best kept secrets of 80’s uk punk. Their long out of print and extremely rare E.P. from 1982, “Sad Society”, is an abrasive gem of pure UK82 sound… raw, angry, mean and catchy in all the right proportions, the powerful testament of a band that broke up too soon, disappearing not long after its release. It finally gets a well-deserved first vinyl reissue here, gathered with the tracks the band released in two compilations, ‘A Country Fit For Heroes’ and ‘Total Anarchy’ and making it the definitive collection of a great band that could stand proud next to the big names. 7 tracks of pure and glorious Uk82 mayhem! (Vomitopunkrock Records) https://vomitopunkrock.bandcamp.com/album/chaotic-youth-sad-society-e-p
  • CHARLES BRONSON | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • CHELSEA formed in 1976 by singer Gene October. He kept the band alive with a harder political edge while three of the four original band members went on to found GENERATION X. This compilation contains 14 tracks taken off their early singles 7". It includes Punk classics like “War Across The Nation”,  “Urban Kids”, “Evacuate”, and “Right To Work”, the band's debut single, which is still considered as one of the best punk rock singles of all time. CHELSEA is one of englands Punk’s founding fathers. (Restless Empire Records)  
  • Raw political punk from the streets of Athens in the vein of Adiexodo, Kuro and Varaus! Includes a double-sided insert and poster. Recorded and mixed at Ignite studio (Athens). Mastered by Dan Randall (Mammoth Sound Mastering). Artwork by Drop Virus.
    (Self Released)

  • The Chosen Few were an Australian punk band which formed in 1978. 12" ep re-issue of classic 1978 Australian punk 7".
    (Going Underground Records)
  • Out of stock

    Limited repress on Restless Empire. Gold vinyl. Only Theatre of Pain is the debut studio album by American rock band Christian Death, released in March 24, 1982 by record label Frontier. The album was produced by Christian Death and Thom Wilson. It is considered by most critics to be the harbinger of deathrock.
    (Restless Empire Records)

  • Sludge/noise/post-hardcore trio from Athens, Greece. (Body Blows Records / Sweetohm Recordings / Nothing To Harvest Records) https://chronoboros.bandcamp.com/album/the-mass-saw-acres-of-chain
  • The debut full length from London's loudest. Wall to wall speedy punk bordering on the recklessness of Motorhead, the single mindedness of the Kids, the streetwise panache of Cockney Rejects, and the occasional curveball pasted in to keep us all surprised. This LP is timeless vernacular perfection peppered with misleadingly obvious displays of brashness aching their way into the hallways of surprising musical channels. "Can't Tell Me Nothing" could have been on a Rip Off Records 7" from 20 years ago, "Trouble" - a love song to Chubby's one true muse: being naughty - is like an ironed and overdriven Wreckless Eric, "Grenfell Forever" is taken from the empty glass of the Billy Bragg back catalogue. All that alongside the sneering eternity of "All Along the Uxbridge Road," the Hammond Organ smeared "Bruce Grove Bullies" -- it will all have you reaching for your London A to Z and trying your hardest not to spill your pint. (Jonah Falco) (Static Shock Records) https://staticshockrecords.bandcamp.com/album/speed-kills
  • Out of stock
    DELUXE VINYL EDITION!!! "Greatest Hits Vol. 2" is the second album by the Punk/Oi! legends Cockney Rejects, originally released in 1980. Despite the title, it is not a greatest hits compilation. Cockney Rejects spawned a punk sungenre, and that subgenre is Oi- the dirty, ugly, and more politically charged troublesome cousin of punk. This album is the essence of it- sloppy, catchy riffs that are accompanied by pummeling bass lines, steady but uncapable drumming, and punky vocal wailing which sounds like a more polished Johnny Rotten. Tracks 1-14 originally released in 1980 on the LP of the same name by EMI Records (UK) (ZONO 102). Tracks 15-19 originally released on 7" singles. (Let The Eat Vinyl)  
  • DELUXE VINYL EDITION! White vinyl. "The Power and the Glory" is the third studio album by Punk/Oi! Legends Cockney Rejects, originally released in 1981. Quite a departure from their original Oi! sound, this is an Oi!/hard rock crossover album, complete with an acoustic ballad, keyboards and an overall rock, perhaps even verging on traditional metal sound.  (Let The Eat Vinyl)